Wanted: Intergalactic couple seeks romance + possibly more w/nubile SWF. We're a real pair! He's an NSGEM (Non-Smoking, Green-Eyed Monster). She's a SCECLS (Scantily Clad, Egg-Carrying Love Slave). You're eager to get nekkid, have an IQ that resembles a Celsius temp. reading, and reside at an unnamed female college filled w/randy staffers & idiotic administration. First date w/us includes attempts at terrorisation & you being encased in a monster semen chrysalis. May include zombification. Interested? Wander down to the local sewers--we'll be waiting! (No boyfriends (except as HDs [hors d'oeuvres]) or STDs (space-transmitted diseases).) --Keith Simanton, Amazon.com
No-one will be neutral about Plunkett and Macleane. Either you go with its notion of cheeky, stylish fun or you want to grab first-time director Jake Scott by the ear and slap him silly. Your inclination may depend on whether you recall his dad Ridley's own directing debut, The Duellists (1977), and savour the correspondences. Dad took a Joseph Conrad tale of the Napoleonic Wars, cast it with the ultra-contemporary Keith Carradine and Harvey Keitel, and filmed it with a swooping, mobile camera. Son Jake has made a feisty period piece about a pair of thieves (Robert Carlyle, Jonny Lee Miller) in 1748 London and filled it with blatant anachronisms. A decadent aristo (Alan Cumming), asked whether he "still swings both ways," replies, "I swing every way!" A ballroom full of revellers dances the minuet (or is it the gavotte?) while our ears--if not theirs--are filled with a trance ballad. And so forth. Is this sophomoric? Maybe. But it's also often fresh and inventive. Why shouldn't a filmmaker be allowed to speak directly to a contemporary consciousness, even flaunt it, as long as he also delivers startling imagery and convincing period detail? The solid cast includes Michael Gambon as a corrupt magistrate, Ken Stott as a very nasty enforcer named Mr Chance (who favours a thumb through the eye socket and into the brain as a mode of execution) and Terence Rigby as a philosophical jailer. Even Liv Tyler looks more interesting than usual. In the end pretty frivolous, Plunkett and Macleane is nonetheless a lively debut. --Richard T Jameson, Amazon.com
The great love story of the Great War. Hollywood once again looks back at the undeniably compelling story of D-Day this time through the device of two officers facing the coming battle one American and one British recalling their love for the same woman.
Set in the immediate post-war occupied Germany a group of international passengers become entwined with a Nazi plot to assassinate a German peace campaigner Dr Bernhardt on an express train from Paris to occupied Berlin. As time runs out the five must comb the shadowy ruins of bombed-out Frankfurt to uncover a loyalist Nazi spy ring.
Terrifyingly dark and based (very loosely) on factual events, this controversial, brilliantly atmospheric, occasionally darkly funny film tells of the tragedy that befalls a group fo five teenagers one summer afternoon.
Even if all written and documentary evidence were to disappear, you could still get a real insight into Britain's involvement in the Second World War through feature films such as Above Us the Waves (1955) and In Which We Serve (1942). Directed by Ralph Thomas, Above Us the Waves tells of a Royal Navy mission to sink the "invincible" German battleship Tirpitz off the Norwegian coast. John Mills is calm and confident as the mission commander, with strong support from John Gregson and Donald Sinden--all treated by the German personnel as fellow gentlemen when captured. Despite stirring music from Arthur Benjamin, the action sequences are visually no more than adequate, and the film is only a partial success compared with the naval and domestic drama of the earlier In Which We Serve. Noël Coward wrote the screenplay and musical score, co-directed (with David Lean) and gave possibly his finest screen performance as the commander of HMS Torrin. His speech to the survivors of the sunken ship, as they prepare for reassignment, is just the highlight of a film packed with memorable visuals and perceptive dialogue. On the DVD: Though there are no additional features the black-and-white prints have come up excellently in the 4:3 video aspect ratio. There are 15 access points for each film, though the lack of subtitles is an unfortunate omission. These are period pieces that capture the mood of an era.--Richard Whitehouse
A 2002 Mike Leigh drama, All or Nothing is at times almost unbearably bleak and poignant, yet funny, truthful and richly rewarding. The film's revolves around Timothy Spall's mini-cab driver, his family and the various characters and acquaintances on the South-east London estate where he lives. It's perhaps even better than Secrets and Lies, in which Spall also starred, which was marred a little by some of the tearful excesses of Brenda Blethyn's bravura performance. It's evidence that Leigh has matured and improved with age, rather than mellowed and softened. He's developed into a highly distinctive but rounded and humane filmmaker. Spall's cabbie is too gentle and thoughtful to be described as a slob, but his lack of even the most basic ambition and stoic non-resistance to life has created an unspoken rift between him and wife Penny (Lesley Manville). Working on a supermarket checkout, she must cook dinner and fend off insults from her fat, frustrated, obnoxious 18-year-old son Rory. She receives only passive sympathy from her older daughter Rachel. Only when Rory is taken ill is Phil snapped out of his torpor as the family pull together. A host of minor characters also feature; fatuous cabbie Ron (Paul Jesson) his alcoholic wife and sluttish daughter, as well as the wonderfully good-humoured and resilient Maureen, Penny's best friend, concerned at her daughter's relationship with a violent boyfriend. Once accused of caricaturing his "lower class" characters, here Leigh (with the collaborative assistance of his actors) exhibits them in all their authentic complexity, neither idealising nor sentimentalising them. On the DVD: All or Nothing's extras include the original trailer, as well as interviews with several members of the cast. Timothy Spall is interesting on the unnerving process of collaboration favoured by Leigh, whereby characters are "built from zero" by the actors. The smart and rather posh Lesley Manville strikes quite a contrast in real life with her mousey, put-upon character. There's also a meticulous and absorbing commentary from Mike Leigh, who talks about filming in Greenwich and how he has moved away from some of the more dogmatic ideas about filmmaking of his earlier, avant-garde days. --David Stubbs
Two-time Oscar Winner Tom Hanks received his Best Actor Nomination for his disarming turn as a 12-year-old man-child in Penny Marshall's timeless 'hilarious' (Newsweek) delight. Josh wishes he was big. When he wakes up the next day he's an adult! Now Josh must hold down a job please a new boss (Robert Loggia) and navigate a relationship with a beautiful woman (Elizabeth Perkins). Soon Josh just wants to be a kid again but can he?
In Tombstone justice is settled with a gun. Guns don't stay in their holsters long when vigilantes Wyatt Earp and Doc Holliday meet outlaws in the Wild West. James Garner (Maverick) and Oscar winner* Jason Robards (All the President's Men) saddle up as the legendary gunslingers in this riveting fact-based story that is the closest filmmakers have ever come to the truth of the OK Corral gunfight. With the dust barely settling at the OK Corral the notorious Clanton brothers unleash their revenge. One by one they gun down Wyatt Earp's brothers - but they won't have the last shot. Using his US Marshal's badge as his authority and Doc Holliday (Robards) as his deputized right-hand man Earp begins a zealous pursuit of vengeance that the west will never forget.
The cynical yet tender tale of a group of gay friends living in Hollywood, all ultimately in search of one true love.
THE BIG WEDDING is an uproarious romantic comedy about a charmingly modern family trying to survive a weekend wedding celebration that has the potential to become a full blown family fiasco.
Meet The Maniac & His Freinds. Nearly a decade before he donned Freddy Krueger's famous red and green sweater, horror icon Robert Englund delivered a supremely sleazy performance in Eaten Alive another essay in taut Southern terror from Tobe Hooper, director of The Texas Chain Saw Massacre. Deep in the Louisiana bayou sits the ramshackle Starlight Hotel, destination of choice for those who like to check in but not check out! Bumbling Judd, the patron of this particular establishment, may seem like a good-natured ol' Southern gent but he has a mean temper on him, and a mighty large scythe to boot Oozing atmosphere from its every pore (the entire film was shot on a sound-stage which lends it a queasy, claustrophobic feel), Eaten Alive matches The Texas Chain Saw Massacre for sheer insanity helped in no small part by some marvellous histrionics from Chain Saw star Marilyn Burns and William Finley (Phantom of the Paradise).
The seventh and final series of Deep Space Nine came down to loose ends, tying some existing ones together and allowing others to unravel. Symptomatic of the unwillingness to let DS9 go was the immediate arrival of a replacement Dax, though poor Nichole deBoer as Ezri Dax had to have known she'd already missed the boat. Her appearance encouraged last-minute romances to blossom, with Bashir finally getting some action, Odo finally getting together with Kira and Sisko finally proposing to Kassidy. Another contributing cute factor were numerous trips to the Holosuite wherein the all-knowing Vic Fontaine dished out philosophical advice. That was when the crew weren't in there to play baseball against the Vulcans or when Nog wasn't commiserating about the loss of a leg. Oh yes, and don't forget the war! There was an early announcement that the show would attempt a 10-part resolution to the Dominion War, but viewers could be forgiven for forgetting all about it with so much sentimental distraction. When the horrors of war did resurface, they at least injected a few surprises into the mix. Odo and his ambiguously "evil" Founders were hit with a melting disease, prompting a backstabbing race for the power of developing and owning a cure. The original baddie Cardassians finally settled on the Federation's side. Contrary to these interesting twists, however, were the unexpected turns taken by matters relating to Sisko's spiritual destiny. Suddenly the mystery of the wormhole and an entire religious belief system was reduced to the problem of translating correctly the words of a sacred book. The struggle to join with some evil aliens significantly diluted the attempt at resolving what had begun seven years before in the show's pilot episode. Ultimately, Sisko's destiny, as with all those who'd followed him to the open-ended climax, was to be decided elsewhere. In a move that was either bold and daring--or possibly born of desperation for not having thought things through properly--the show's storylines were to be continued in a series of spin-off books. --Paul Tonks
Vengeance Valley: An unusual Western for its time Vengeance Valley gave Burt Lancaster his first Western role. His athletic prowess made him perfect for the genre and he'd go on to make Gunfight At O.K. Corral Apache and The Unforgiven among others. Vengeance Valley emphasises character development and the solid cast meets the challenge. Robert Walker plays Burt's foster brother. Joanne Dru John Ireland Ted de Corsia Hugh O'Brien and Glenn Strange lend support. One o
Jason Kemp a successful architect (Christopher Reeve) is left quadriplegic after a car accident and to pass the time begins to 'spy' on his neighbours in the apartment block opposite. One day he believes he has evidence that a murder has taken place: that sculptor Jason Thorpe a violent philanderer has killed his wife Ilene. Kemp confides in his co-worker Claudia (Daryl Hannah) and then Detective Moore (Robert Forster) who is sceptical about this theory especially after Ilene reappears in the apartment! Kemp knows she is not the same woman but cannot prove it. Who is she and why is she pretending to be Ilene? A psychological thriller that will keep you guessing till the very end.
Most men would do anything to get out of prison... But Michael Scofield would do anything he can to get in. Created written and executive produced by Paul Scheuring (A Man Apart) Prison Break also features considerable input from Hollywood action director Brett Ratner. Michael Schofield (Wentworth Miller) is a desperate man in a desperate situation. His brother Lincoln Burrows (Dominic Purcell) has been convicted of a sensational murder and subsequently put on death row in the Fox River State Penitentiary. Despite the overwhelming evidence against Lincoln Michael is convinced of his innocence. With no other options and time running out Michael holds up a bank to get himself sent down alongside his brother. Not just content to while away the hours until Lincoln's execution Michael hatches a plan helped in no small part by his skills as a structural engineer. With the blueprints to the prison in his possession Michael plots an elaborate escape to break out Lincoln and prove his brother was framed.
Frank Sinatra stars as professional poker player Frankie Machine who returns to Chicago after serving time for possession of heroin determined to become a changed character and make it as a jazz drummer. The odds are stacked against him however for with a neurotic and invalid wife and the presence of his old drug pushing friends it is not long before he gives in to temptation and is back on the drugs again....
Animated antics with Dennis the Menace. Episodes comprise: So Long Old Paint Trembly Assembly Private I A Visitor From Outer Space Train That Boy Genie Madness Cheer Up Ghostblusters The Life You Save Shark Treatment Jungle Bungle Racetrack Menace All The President's Menace The Love Rowboat Wilson The Menace. Everybody's favourite human tornado Dennis Mitchell does not walk - he either runs or rides his bike. Dennis is on the go so much that he needs a new pair of sneakers every other week and his bicycle tyres need replacing monthly. His boundless energy enthusiasm and most of all curiosity are sometimes more than most people can take. But his heart is certainly in the right place...
Titles Comprise:Mary Shelley's Frankenstein: It is the late 18th Century. After the death of his beloved mother, young Victor Frankenstein leaves his father and Elizabeth, the adopted sister he passionately loves, to attend university. Here he becomes obsessed with the teachings of Professor Walman who believes that living creatures can actually be created from dead matter.One electrifying night, Frankenstein's efforts are rewarded as his Creature struggles to life. Alone, despised and driven by a rage of emotional agony, it sets off to find its maker. And so begins the nightmare that will engulf Victor Frankenstein...The Raven: In this gritty thriller, Edgar Allan Poe (John Cusack, Being John Malkovich) joins forces with a young Baltimore detective (Luke Evans, Immortals) to hunt down a mad serial killer who's using Poe's own works as the basis in a string of brutal murders. Directed by James McTeigue (V for Vendetta, Ninja Assassin), the film also stars Alice Eve (Sex and the City 2), Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).When a mother and daughter are found brutally murdered in 19th century Baltimore, Detective Emmett Fields (Luke Evans) makes a startling discovery: the crime resembles a fictional murder described in gory detail in the local newspaper--part of a collection of stories penned by struggling writer and social pariah Edgar Allan Poe. But even as Poe is questioned by police, another grisly murder occurs, also inspired by a popular Poe story.Realizing a serial killer is on the loose using Poe's writings as the backdrop for his bloody rampage, Fields enlists the author's help in stopping the attacks. But when it appears someone close to Poe may become the murderer's next victim, the stakes become even higher and the inventor of the detective story calls on his own powers of deduction to try to solve the case before it's too late.Bram Stoker's Dracula: Gary Oldman, Winona Ryder and Anthony Hopkins star in director Francis Ford Coppola's visually stunning, passionately seductive version of the classic Dracula legend. In Bram Stoker's Dracula, Coppola returns to the original source of the Dracula myth, and from that gothic romance, he creates a modern masterpiece.Gary Oldman's metamorphosis as Dracula who grows from old to young, from man to beast is nothing short of amazing. Winona Ryder brings equal intensity to the role of a young beauty who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula, and then dares to confront him. Opulent, dazzling and utterly irresistible, this is Dracula as you've never seen him. And once you've seen Bram Stoker's Dracula, you'll never forget it.
Since his arrival in the Federation at the 1990 Survivor Series the American bad-a$$ has been making his opponents famous...and not in the way they would have liked. As respected outside the ring as he is feared in it Undertaker is one of the true icons of the World Wrestling Federation. This video/DVd is the first ever documentary of his career in WCW the Minsitry of Darkness classic battles against Hulk Hogan Shawn Michaels Stone Cold Steve Austin and Mankind to recent wars Diamond Dallas Page Triple H and Kurt Angle. This is the entire story (so far) as told by the Dead Man himself with commentary from the past and present opponents and allies as well as a view of life away from the ring. This is old school and it is still his yard!
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