This box set contains the first five Prime Suspect crime dramas, which star Helen Mirren as detective chief inspector Jane Tennison. The original story, first aired in 1991, was written by Lynda La Plante and established a compelling template--grisly murders, fascinating operational details, well-written characters and believable domestic drama. The feature-length titles in this box set are also available individually:Prime Suspect (1991)Prime Suspect 2 (1992)Prime Suspect 3 (1993)Prime Suspect 4: The Lost Child (1995)Prime Suspect 4: Inner Circles (1995)Prime Suspect 4: Scent of Darkness (1995)Prime Suspect 5: Errors of Judgment (1996) In 2003, Mirren reprised her role for Prime Suspect 6 (not included in this box set).
Women can't resist him. Evil can't withstand him. He's the too-hip hero with a style and a language all his own! Based on the hilariously unintelligible character who first appeared on ""The Chris Rock Show "" Pootie Tang (Lance Crouther) is a hit-record-singing criminal-empire-busting rabbit-fur-shirt-wearing superhero idolized by kids and love-starved women everywhere. But when Pootie's one-man war against greed injustice and unwholesome consumer products starts cutting into pro
A young woman lies dead in a Nottingham fl at. Her terrified sister is barricaded inside the bathroom. A young man in a bloodstained shirt is pulled over for speeding. It's 2.00am and the three of them only met at noon. What happened in those fatal hours? Using personal testimony, Murder revisits the missing moments in search of the truth. Intercut with CCTV footage, flashbacks and forensic evidence, the protagonists give their version of events, one after the other. The story grips tight and never lets go. But where does the truth lie when the different accounts don't add up?
Three Businessmen (1998): Two lone businessmen Bennie and Frank find themselves alone one night in the dining room of a large Victorian hotel in Liverpool England. Abandoned by the staff of the weird dining room they tentatively join forces and go in search of food - in a city neither of them knows. But restaurant after restaurant fails them. Without realising their destination Bennie and Frank travel half way around the planet via public transport. Prattling on about cred
Of all the spin-off TV incarnations of Star Trek, Deep Space Nine had the hardest job persuading an audience to watch. By all accounts, Gene Roddenberry had concerns about the idea before his death in 1991. It took two more years to develop, and when it finally aired in 1993 reasons for that concern were evident right away. The show was dark (literally), characters argued a lot, no one went anywhere and the neighbouring natives were hardly ever friendly. Yet for all that the show went against the grain of The Great Bird's original vision of the future, it undeniably caught the mood of the time, incorporating a complex political backdrop that mirrored our own. In the casting, there was a clear intent to differentiate the show from its predecessors. Genre stalwarts Tony Todd and James Earl Jones were considered for Commander Sisko before Avery Brooks. The one let down at the time was that Michelle Forbes did not carry Ensign Ro across from TNG, but when the explosive Nana Visitor defiantly slapped her hand on a console in the pilot episode, viewers knew they were in for a different crew dynamic. In fact, the two-part pilot show ("The Emissary") is largely responsible for DS9's early success. Mysterious, spiritual, claustrophobic, funny and feisty, it remains the most attention-grabbing series opener (apart from the Classic original) the franchise has had. The first year may have relied on a few too many familiar faces--like Picard, Q and Lwaxana Troi--but these were more than outweighed by refreshingly detailed explorations of cultures old and new (Trill, Bajoran, Cardassian, Ferengi). As it turned out, Deep Space Nine was the boldest venture into Roddenberry's galaxy that had been (or ever would be) seen. On the DVD: Star Trek Deep Space Nine, Series 1's hour of special features is split between seven featurettes that really would have worked better edited together. Covering the show's origins and most aspects of Year One's production design, they all crib from interviews with actors and crew from the 1992 shoot (exclusively so in the 10 "Hidden Files"). Other interviews conducted in 1999 and 2002 tend to be more revealing, although the solo section on Major Kira is curiously lacking in recent input. While the designers describe their work with passion, creators Michael Piller and Rick Berman come off as stiff and lacking in knowledge. Hopefully this is something that will improve through the next six box sets. The interactive CD-ROM to build a DS9 database on your PC is something that will become more involving, too. Obviously the most important thing is the episodes themselves, and despite the lack of a commentary to enhance the best of them, sound in 5.1 and the crisp full-frame picture do them ample justice. --Paul Tonks END
After Jeremy Capello is bitten by a beautiful and mysterious older woman his life begins to change dramatically as he realises he is becoming a vampire. What with the usual high school and teenage problems he soon realises that life isn't easy at seventeen...especially when you're a vampire.
In 1528 French settlers in the New World betrayed the Atakapa Indian tribe and rounded them up for slavery using a particularly vicious wolf. Using magic the tribe’s Shaman entered the wolf becoming the BENANDANTI the legendary wolf-monster of vengeance.;Today in a small post-flood town of Louisiana history is repeating itself. Big Oil is taking advantage of the poor repressed townsfolk by taking their land at dirt cheap prices and killing their ecosystem. This betrayal of the native landowners awakens the Benandanti Wolf and those responsible are being slaughtered one-by-one.;Their only hope is Maria a 22 year old girl who used to live here as a child but has returned only to sell her property. As Maria and her childhood friend Yale try to stop the murderous wolf monster Maria discovers she’s tied to this land’s history and the wolf more than she ever imagined.
Fifteen years previously three friends were drafted into the Vietnam War and only two came home. Still traumatised by their experiences and estranged from each other for many years Dave and 'Jacknife' meet again in a confrontation which will test their friendship and shape their futures.
Action hero Wesley Snipes (Blade, Demolition Man) is back on top form in this dynamite powered, action spectacular. An accelerated blast of full-throttle violence, heart pounding thrills and death defying action sequences.
Night Mail: The lasting appeal of Night Mail (1936) celebrating the Postal Special's run from London to Scotland is that it has all the attributes of the classic British documentary style established by John Grierson. Its realism and lyrical structure is perfectly complemented by W.H. Auden's verse and the music of Benjamin Britten. West Highland: By 1960 the reign of steam on Britain's most scenic railway the West Highland was drawing to its close. John Gray a BBC producer and sound engineer with the GPO Film Unit in the 1930s made West Highland as his tribute to this wonderful line.
The Most Dangerous Game
Like Mike (Dir. John Schultz 2002): One day when a box of used clothes arrives orphanage inhabitant Calvin discovers a pair of trainers inscribed with the initials of his all time basketball hero Michael Jordan. These magical shoes transform him into a NBA superstar and with them he finds he can shoot hoops like a pro. He is quickly signed to struggling NBA team The Knights whose boss Frank Bernard believes a kid on the bench will boost much needed ticket sales. Calvin find
Species (Dir. Roger Donaldson 1995): Men cannot resist her. Mankind may not survive her! When a creature geneticaly engineered through extraterrestrial intelligence escapes from observation scientist Xavier Fitch (Kingsley) assembles an elite team of experts to track it down. The crew - a government assassin (Madsen) an empath (Whitaker) a biologist (Helgenberger) and an anthropologist (Molina) - combines their expertise and traces their prey to Los Angeles. The
Richard Linklater's Tape doesn't announce itself as a Dogme movie, but it might very well qualify. Acted out in real time in a single setting--a cramped, grimy motel room--with no music score, a cast of just three and shot on grainy digital video, it marks a further step back to basics for Linklater after the woeful miscalculation of his gangster period drama The Newton Boys (1998). It's set in Lansing, Michigan, hometown of petty drug-dealer and part-time firefighter Vince (Ethan Hawke), who's come back for the screening, in Lansing's film festival, of the debut feature of his old school friend Johnny (Robert Sean Leonard), now an indie filmmaker. At least, that's Vince's ostensible reason--but it turns out he's got a hidden agenda that involves Amy (Uma Thurman), the girl they both fancied in high-school, and now the local assistant DA. Tape was adapted from a stage play (by Stephen Belber, who also scripted) and often feels like it, with characters announcing their motivations and reactions in grandstanding, tell-don't-show speeches. The camerawork tends to the tricky, too--tilted angles and way too many whip-pans during dialogue sequences--as if Linklater was worried his single set might get visually boring. But the tight, twisty plotting, compact running time and intense performances keep the film absorbing. Hawke and Leonard's mutual lacerations carry a rancid sense of resentments banked up and brooded on for years, while Thurman's Amy, arriving halfway through the action, visibly relishes setting both men by the ears. As a meditation on the relativity of truth Tape may not be in the Rashomon class, but it shows Linklater doing what he does best, making pungent use of minimal resources. On the DVD: Tape offers no extras on disc, just the trailer. Production-value splendour was obviously never on the menu here, but the 2.0 Dolby Digital sound and 16:9 anamorphic widescreen transfer do the original no disservice. --Philip Kemp
In the vastly overrated 1998 book Easy Riders, Raging Bulls, author Peter Biskind puts the blame for Hollywood's blockbuster mentality at least partially on Steven Spielberg's box-office success with this adaptation of Peter Benchley's bestselling novel. But you can't blame Spielberg for making a terrific film, which Jaws definitely is. The story of a Long Island town whose summer tourist business is suddenly threatened by great white shark attacks on humans bypasses the potboiler trappings of Benchley's book and goes straight for the jugular with beautifully crafted, crowd-pleasing sequences of action and suspense. This is supported by a trio of terrific performances by Roy Scheider (as the local sheriff), Richard Dreyfuss (as a shark specialist), and particularly Robert Shaw (as the old fisherman who offers to hunt the shark down). The sequences on Shaw's boat--as the three of them realise that in fact the shark is hunting them--are what entertaining moviemaking is all about. --Marshall Fine --This text refers to another version of this video.
Harrowing, funny, and immediately addictive, the 1979 British television series Danger UXB stars Anthony Andrews as Army Lieutenant Brian Ash, an engineering student whose excitement about his rapid commission as an officer during World War II is tempered by his unenviable post with a bomb disposal unit. Assigned to a fatality-heavy team that defuses unexploded German bombs scattered throughout London during the blitz, Ash faces down his terror and eventually becomes the closest thing to an expert one can be dismantling sometimes booby-trapped ordnance. In doing so, he earns the respect of his superiors as well as from the enlisted men working under him, and his protracted survival is nothing short of miraculous considering the tragic number of friends and colleagues Ash loses. There is a dark side, however. The longer Ash sticks with his unit, the more obsessive he becomes about his responsibility to keep London safe. Meanwhile, his nerves grow frayed and his morale collapses. Ash's desperate romance with a married woman (Judy Geeson) provides him little to hold onto, and when a true crisis ambushes his spirit toward the end, one can't be sure if he's headed for the scrap heap of permanent casualties. Based on the recollections of an actual wartime bomb disposer, Danger UXB was created by John Hawkesworth, who later produced (and wrote many episodes for) the fantastic Sherlock Holmes TV series starring Jeremy Brett. Despite many tense moments in Danger UXB's 13 episodes--one is always expecting a bomb to blow away a favorite character--the show is also graced by great humor (Ash's crew sometimes bring to mind Sergeant Bilko's hustlers) and a warm, likable cast. Andrews himself, perhaps, has never been better. This boxed set includes a History Channel documentary, "Bomb Squad." --Tom Keogh
Classic Sinatra 4 DVD box set features: MAN WITH THE GOLDEN ARM When lawless card dealer and recuperating drug addict Frankie Machine (Frank Sinatra) gets out of prison, he decides to go straight at last. All he has is an old drum set and so Frankie tries for genuine work as a drummer. Frankie s old employer, small-time crook Schwiefka (Robert Strauss) and Frankie s old drug pusher, Louis (Darren McGavin), come back into his life. Frankie tries to stay clean although eventually succumbs to his former lifestyle.
In a 19th century Balkan village Baron Frankenstein (Peter Cushing) and Dr. Hertz (Thorley Walters) are embarking upon an experiment to capture the souls of the dead and impose them into other bodies. When their assistant Hans (Robert Morris) is unjustly accused of murdering his girlfriend Christina's father and put to death the two men claim his body and trap his soul in their laboratory. Meanwhile Christina (Susan Denberg) is consumed with grief over the death of her beloved Hans and commits suicide. Frankenstein and Dr. Hertz are able to revive Christina and transfer Hans' soul into her body which results in a vision of beauty. Their experiment appears successful until Frankenstein discovers that Christina's actions are being driven by the spirit of Hans and his passion for revenge...
Mankind's number is up in this thrilling third instalment of the Species franchise. Featuring eye-popping special effects knuckle-whitening suspense and the dazzling performance of sexy newcomer Sunny Mabrey Species III is the most jarring action-packed chapter in the sci-fi series yet. In the on-going fight for supremacy between mankind and human-alien hybrids a fatal hybrid weakness has given humans the advantage. Until now. When Sara (Mabrey) the daughter of Eve (Natasha Henstridge) is born she develops into the most genetically perfect alien form yet. Seeking to repopulate the earth with her kind this dangerously beautiful femme fatale heeds an overwhelming drive to mate while a crack military team trails her in an attempt to end the war between the two species forever.
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