You'd think a black comedy about murder, tackiness, and sexual perversion would quickly become dated, but Eating Raoul (1982) feels surprisingly fresh and delightful. When Mary Bland (Mary Woronov) gets assaulted by one of the repulsive swingers from the neighbouring apartment, her husband Paul (Paul Bartel) rescues her with a swift blow from a frying pan--only to discover a substantial wad of cash in the swinger's wallet. A lure-and-kill scheme follows, which nicely fills their nest egg until a slippery thief named Raoul (Robert Beltran of Star Trek: Voyager, making his film debut) stumbles onto the truth and insists on getting a share. When Raoul starts demanding a share of Mary as well, Paul has to take drastic steps. The key to Eating Raoul isn't the sensational content, but the blithe, matter-of-fact attitude Bartel and Woronov take to it; their sly underplaying makes the movie sparkle with wicked wit. --Bret Fetzer
In the mid-1960s, with Dalekmania sweeping Britain, BBC TV's Doctor Who materialised on the silver screen. Doctor Who and the Daleks replaced William Hartnell with Peter Cushing and remade the Daleks' TV debut with a much bigger budget in Technicolor and Techniscope. With his two granddaughters, Roberta Tovey and Jennie Linden (and Roy Castle along for comic relief), the Doctor becomes an intermediary in a conflict between the robotic Daleks and angelic Thals on the almost dead world of Skaro. A huge hit on release, the film remains an enjoyable, well-produced family adventure, though somewhat lacking the menace of the TV original. Daleks: Invasion Earth 2150 AD remakes the second Dalek TV serial and finds the Doctor and companions in a ravaged future London where a resistance movement has literally gone underground to fight the Nazi-like alien invaders. Peter Cushing once more makes a kindly, dependable Doctor, though Bernard Cribbins is given a cringe-making comedy routine impersonating a "roboman", and the jazzy soundtrack is wildly out of place. Nevertheless this is a superior sequel, offering lavish production values, better action set-pieces and a higher suspense and fear factor than its predecessor. The best moments remain surprisingly chilling even today. On the DVD: Doctor Who and the Daleks--the first disc--has a fun, very well-made 1995 documentary running 57 minutes and recounting the production of both feature films. Included are interviews with various surviving cast members. There is also an affectionate commentary with Roberta Tovey and Jennie Linden, hosted by Jonathan Southcote, author of The Cult Films of Peter Cushing. Sadly Daleks: Invasion Earth 2150 AD has no substantial extra features, but both discs include the respective trailer, presented anamorphically enhanced, and a DVD-ROM reproduction of the relevant cinema brochure. The mono sound is good and the pin-sharp, vibrantly colourful, anamorphically enhanced 2.35:1 transfers are all but flawless, making both films look good as new. --Gary S Dalkin
The carefree holiday of a young couple is upset by an unexpected meeting with a vagrant who persuades the girl (Roberta Gemma) to accept an old wooden box as a gift when she later opens it she finds it contains an antique jewelled medallion which she puts on. The medallion is cursed and brings Roberta under the evil influence of a satanic cult and their charismatic leader who slowly draws out and exploits Roberta s dark sexual nature. UK Premiere. Extras: Stills gallery, Original trailer, Salvation trailers.
The story of a man who wanted to keep the world safe for democracy...and meet girls. When John Winger (Bill Murray) loses his job his car his apartment and his girlfriend-all in one day-he decides he only has one option: volunteer for Uncle Sam. Way over their head they eventually learn the ropes and manage to take a top-secret U.S. recreational vehicle behind the Iron Curtain on a road trip...
The rustle of sagebrush and hot desert sands; pounding cattle hooves and rifle-shot echo. In a time when the West was still wild a man came to Medicine Bow Wyoming and they called him The Virginian. Tackling rustlers land-grabbers escaped convicts con men corrupt railroaders and even a spinster-lady bank clerk with a cool head for crime The Virginian was fair-minded fast-drawing and not afraid to stand up for his friends in a place where slight disagreement could lead to sudden death. Filmed entirely in colour The Virginian was based on one of the first great novels of the American West Owen Wister's 1902 book of the same name. Stars included Lee J. Cobb as Judge Garth owner of the Shiloh Ranch and James Drury in the title role as his foreman with ranch hands Trampas played by Doug McClure and Steve Hill played by Gary Clarke. The cast was completed by Roberta Shore in the role of Betsy the judge's daughter. This first series attracted many guest stars including George C. Scott Lee Marvin Bette Davis Robert Duvall and Ricardo Montalban and utilised such writer/directors as Samuel Fuller. The Virginian stands as a provocative and exciting monument to the great American western; not afraid to take on serious and hard-hitting issues - and not afraid to throw a few punches for the fun of it too.
John Russell (Scott) a composer and music professor loses his wife and daughter in a tragic accident. Seeking solace he moves into an old mansion unoccupied for twelve years. But a child-like presence seems to be sharing the house and trying to share its secrets with him. Through research into the house's past and a seance held within Russell discovers the horrific secret of the house's past a secret that the presence will no longer allow to be kept...
Meet The Maniac & His Freinds. Nearly a decade before he donned Freddy Krueger's famous red and green sweater, horror icon Robert Englund delivered a supremely sleazy performance in Eaten Alive another essay in taut Southern terror from Tobe Hooper, director of The Texas Chain Saw Massacre. Deep in the Louisiana bayou sits the ramshackle Starlight Hotel, destination of choice for those who like to check in but not check out! Bumbling Judd, the patron of this particular establishment, may seem like a good-natured ol' Southern gent but he has a mean temper on him, and a mighty large scythe to boot Oozing atmosphere from its every pore (the entire film was shot on a sound-stage which lends it a queasy, claustrophobic feel), Eaten Alive matches The Texas Chain Saw Massacre for sheer insanity helped in no small part by some marvellous histrionics from Chain Saw star Marilyn Burns and William Finley (Phantom of the Paradise).
Director Jack Hill (COFFY SPIDER BABY) launched both a cycle of women-in-prison films and the stardom of Pam Grier with this sexy funny thrilling exploitation classic. At a prison farm in the Philippines new girl Collier (Judy Brown) is locked up with bitter lesbian Grear (Grier) rebel girl Bodine (Pat Woodell) tough blonde Alcott (Roberta Collins) and Harad (Brooke Mills) a strung-out junkie. The girls race cockroaches fight in the mud shower and get it on while the sadistic head guard (Kathryn Loder) conducts nightly torture sessions for the pleasure of the mysterious Colonel Mendoza. Eventually the girls escape and all hell breaks loose as they race to join the rebels their machine guns blazing a path through the jungles.
The story of Erica French who falls pregnant while in high school. She decides to keep the baby but faces a battle from the father as she is not trusted to look after Molly safely.
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
VIPCO proudly presents Tobe Hooper's much-villified follow up to his wildly successful 'Texas Chainsaw Massacre'. 'Death Trap' tells the story of a deranged madman who uses the guests of his rundown hotel not only to be victims for his demented thirst for blood but also as food for the crocodile he keeps under the hotel... Whilst 'Texas Chaisaw Massacre' was almost gore free and relied on music atmosphere etc. 'Death Trap' goes straight for the jugular and delivers the goods
A feature film starring the legendary American artist Jean-Michel Basquiat (1960-1988) that follows him around NYC. Along the way he has encounters with Vincent Gallo Debbie Harry Melly Mel and a host of other Andy Warhol players. Downtown 81 not only captures one the most influential artists of the late twentieth century as he is poised for fame but also captures one of the most vital periods of American culture with the explosion of new wave music new painting hip hop and graffiti.
The hilarious sketch-based show which lampooned the new satellite television companies which had begun to operate in the UK! Each week a different aspect of 'cheap' television production and broadcasting provided the 'theme' for the sketches in the programme; no target was left untouched! Episodes Comprise: 1. Launch Night 2. Big Fight Special 3. The Green Green Show 4. Those Fabulous War Years 5. It's A Royal Wedding 6. Challenge Anna
From her humble beginnings in Arlington, Virginia, Roberta Flack rose to global stardom with her soulful renditions of The First Time Ever I Saw You Face and Killing Me Softly With His Song, both songs earning her Grammy Record Of The Year awards in 1973 and 1974 respectively. This memorable concert performance recorded with the Edmonton Symphony Orchestra at the height of her success in 1975 is testament to her singing talent and features many of her greatest hits.Track Listing:1. Killing Me Softly With His Song2. There's A River3. Jesse4. Why Don't You Move In With Me5. Some Gospel According To Matthew6. Suzanne7. Reverend Lee8. The First Time Ever I Saw Your Face
Psycho: The classic Hitchcock thriller involving a series of murders at a lonely motel where the deaths are attributed to the mother of the young owner. (Dir. Alfred Hitchcock 1960) (Dolby Digital 1.0 Mono - English Spanish French) Psycho 2: Norman Bates is coming home after spending 22 years in a mental institution. He plans to renovate the old Bates Motel the place where his first murders occurred... (Dir. Richard Franklin 1983) (Dolby Digital 5.1 - English French German ; Dolby Digital 2.0 - Italian Spanish) Psycho 3: The Bates Motel is again the site of some nasty doings as the rehabilitated Norman who has installed a new ice machine attempts to put his life back together. But old habits die hard... (Dir. Anthony Perkins 1986) (Dolby Digital 5.1 - English French Italian ; Dolby Digital 2.0 - German Spanish)
The Playgirls and Playboys team up as federal agents who fight amongst other things international terrorists who've stolen a trigger to a nuclear bomb.
Leonard Warren - Pagliacci (Leoncavallo) PrologueJan Peerce - Pagliacci (Leoncavallo) Vesti la giubbaIsaac Stern - Mendelssohn - Violin Concerto 3rd MovementZinka Milanov - Tosca (Puccini) Vissi d'arteRoberta Peters - Les Contes D'Hoffman (Offenbach) Doll SongGregor Piatigorsky - Von Weber: Adagio & RondoMarian Anderson (With Franz Rupp piano)Blanche Thebom 7 Mildred Miller - Les Contes d'Hoffmann (Offenbach) BarcarolleRise Stevens - Carmen (Bizet) Card SongRenata Tebaldi & Jussi Bjoerling - La Boheme (Puccini) Act 1 FinaleArthur Rubinstein - Chopin: Polonaise in A-flat Op. 53Showcase Symphony Orchestra conducted by Max Rudolf
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