Detective Ray Morgan accidentally kills the son of a mob boss. The mob boss orders to have Morgan killed unknowing that the assassin killed Morgan's wife and kids. Now Morgan's got nothing to lose and is out for revenge..and he'll do it his own way.
A slapstick comedy starring Chris Farley, Beverly Hills Ninja is part prop-gag movie and part testament to the late comedian's physical comedic abilities. As a baby, Haru (Farley) appeared on the coastal shores of Japan. Legend has it that a foreigner would arrive and become the greatest ninja ever, known as the "Great White Ninja." As Haru grew, it became apparent: he was not the one. But when a beautiful stranger named Sally (Nicollette Sheridan) appears at the dojo seeking a ninja's help, Haru finds his calling. Through a series of mix-ups (generally caused by Haru himself), Haru is framed for murder and he follows Sally to Beverly Hills to set things right. Finding out Sally's boyfriend is a counterfeiter and murderer, Haru with the help of hotel bellboy Joey (Chris Rock) and unknowingly with the help of his ninja brother Gobei (Robin Shou) takes down the counterfeit ring and finds his place among the ninja clan.
The most popular movie in the "classic Trek" series of feature films, Star Trek IV was a box-office smash that satisfied mainstream audiences and hardcore fans alike. The Voyage Home returns to one of the favourite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura, and Chekov from the 23rd century to present-day (ie, mid-1980s) San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to communicate peacefully with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with a great deal of humour derived from the clash of future heroes and contemporary urban realities, and much lively interaction among the favourite Trek characters. Catherine Hicks plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. --Jeff Shannon, Amazon.com
The most popular movie in the "classic Trek" series of feature films, Star Trek IV was a box-office smash that satisfied mainstream audiences and hard-core fans alike. The Voyage Home returns to one of the favourite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura and Chekov from the 23rd century to present-day (i.e., mid-1980s) San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to communicate peacefully with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with a great deal of humour derived from the clash of future heroes and contemporary urban realities, and much lively interaction among the favourite Trek characters. Catherine Hicks plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. --Jeff Shannon
The name says it all--Star Trek III: The Search for Spock--so you didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness". So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease of life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek franchise ... as if he were ever really gone. With Kirk's wilful destruction of the USS Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff Shannon, Amazon.com
With hindsight, Star Trek III: The Search for Spock is the satisfactory middle instalment of a well-rounded trilogy that began with The Wrath of Kahn and ended with The Voyage Home (after which this crew really should have retired gracefully). But on its first release, few fans knew what to expect and initial impressions were disappointing. The biggest talking points were that the film was Leonard Nimoy's directorial debut and that his name wasn't in the opening credits. Naturally, the biggest question was just how would the loss of Spock affect the franchise? That question was neatly dodged and what audiences got instead was a tale of team-spiritedness, sacrifice and rebellion that ended on a question mark. In other words it was a fun ride without many answers. The centrepiece of the movie has to be stealing The Enterprise, a beautifully conceived sequence that remains at the heart of classic Trek's filmic storyline: sacrificing all for the sake of friendship, Kirk and co. set out to rescue their lost companion; this single action defines everything the characters had ever meant to each other, and has an effect on everything that followed. And if the loss of Spock had left audiences eager for more, that was as nothing compared to the loss of The Enterprise. On the DVD: Star Trek III on disc does not come in a new transfer as the previous two special edition DVDs, and you won't find any deleted or new scenes either. The extras package is fascinating, nonetheless, especially with the contributions from Nimoy. His fond reminiscences in the commentary track are priceless, with good support from writer-producer Harve Bennett, director of photography Charles Correll, and Robin Curtis (Saavik). The text commentary from the Okudas isn't as involving as the others, sadly, but this is made up for by the trivia dished out in documentaries covering: model-making, costume design, the science of Terraforming, and how to speak Klingon. The best inclusion is "Captain's Log" featuring interviews with an enthusiastic Nimoy, a sarcastic Shatner, an appreciative Curtis and the rarely seen Christopher Lloyd. --Paul Tonks
When a battered Space Shuttle crash-lands back on Earth it is dredged from a river - but the crew are missing. They are eventually found on the loose in the city carrying within themselves a hideous alien life-form which plans to take over Earth.
Some Friends Should Never Cross The Line Crafty club owner Alex and his right hand man Sonny team-up with a trio of Hispanic thugs the Bandidos to carry out their gangster activities using Alex's club as a cover. But when Bandido's leader Eduardo falls in love with a woman involved in their last robbery their alliance is soon jeopardized. Realizing that Eduardo isn't taking heed to his warnings Alex decides to get rid of the Bandidos. Feeling betrayed the Bandidos decide to force a showdown with Alex and Sonny. Who will prevail in the final confrontation?
A slapstick comedy starring Chris Farley, Beverly Hills Ninja is part prop-gag movie and part testament to the late comedian's physical comedic abilities. As a baby, Haru (Farley) appeared on the coastal shores of Japan. Legend has it that a foreigner would arrive and become the greatest ninja ever, known as the "Great White Ninja." As Haru grew, it became apparent: he was not the one. But when a beautiful stranger named Sally (Nicollette Sheridan) appears at the dojo seeking a ninja's help, Haru finds his calling. Through a series of mix-ups (generally caused by Haru himself), Haru is framed for murder and he follows Sally to Beverly Hills to set things right. Finding out Sally's boyfriend is a counterfeiter and murderer, Haru with the help of hotel bellboy Joey (Chris Rock) and unknowingly with the help of his ninja brother Gobei (Robin Shou) takes down the counterfeit ring and finds his place among the ninja clan.
At 32 000 feet a Korean 747 passenger jet is blown open by a Soviet missile. The mangled aircraft manages to stay airborne for a few minutes but then plummets into the frigid Japanese sea with no survivors. Officials try to keep the story out of the press but soon the entire world knows. Nan Moore the mother of a passenger from the aircraft begins to search out the answers to her son's meaningless death and she finds that her own government may even be responsible. Nan Moore will stop at nothing not even the law to face the frightening questions and to find the vital answers that are raised through her determination.
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