Like the very best of SF TV, Stargate SG-1 began very simply. Of course it had the benefit of a movie preceding it--in which the alternate universe, its rules and its characters were largely established--so this premiere season was therefore able to concentrate on good storytelling. In 1997 not every new show was obsessed with securing a syndication-guaranteed franchise (same goes for Buffy debuting the same year), instead one-off episodes were the way of things, exploring interesting scenarios and conundrums. Naturally there were allusions to the feature film, but most were subtle and inspired. For example, a trip to retrieve the trapped professor who'd worked on the Gate decades ago was an unusual way of tying up loose ends. Some groundwork was laid for continuation should the show be renewed into an ongoing series. Knowing that these elements were pure wishful thinking at the time makes the tapestry of System Lords and the interlinks with our history and mythology all the more enjoyable in revisiting the show from its beginnings. With Richard Dean Anderson, leading the team in a far more charismatic and empathetic way than Kurt Russell in the movie, the series also benefited from some spot-on casting that instantly won audiences over. Special effects and use of studio sets may be less dazzling in these initial shows, but its solid grounding in old-fashioned SF won for the show a loyal audience. --Paul Tonks
Martin Scorcese handles directing duties in this 1986 sequel to the classic 1961 film The Hustler, which marks the return of Paul Newman to the role of pool shark Fast Eddie Felson. Anxious to break into the big time again, Eddie finds a talented protégé (Tom Cruise) to groom; but with the addition of the latter's manipulative girlfriend (Mary Elizabeth Mastrantonio) and the wild streak in Cruise's character, the trio make for a fascinating portrait in group psychology. The cast is brilliant, the script by Richard Price (Clockers) is a paragon of tightly controlled character study and drama (at least in the film's first half), and Scorcese and cinematographer Michael Ballhaus make an ornate show of the collision and flight of pool balls through space--something of a metaphor for the dynamics among the three principals. The film is generally regarded as weaker in its second half, and rightly so, as everything that was interesting in the first place disappears. Still, Newman won a deserved Oscar for his performance. --Tom Keogh
From veteran producers Vince Gilligan and Mark Johnson comes this water cooler drama about an unremarkable and uncharismatic chemistry teacher Walter who discovers new passion in his life after he learns he has terminal cancer. Once a successful chemist Walter now teaches apathetic high school students and works part-time at a car wash to help support his family – wife Skyler who earns a modest income buying and selling items on eBay and son Walter Jr. a strong-willed 17-year-old suffering from cerebral palsy. Realizing he has nothing but his family left to live for Walter's new sense of purpose reinvigorates him into a man of action as he turns to an exciting life of crime to provide for the ones he loves.
How can one rock band be successful, underrated, hugely influential, and criminally overlooked all at the same time? From acclaimed director Edgar Wright comes THE SPARKS BROTHERS, a musical odyssey through five weird and wonderful decades with brothers/bandmates Ron and Russell Mael. Featuring passionate tributes from Beck, Flea, Duran Duran, Mike Meyers, Patton Oswalt, and more, THE SPARKS BROTHERS celebrates the inspiring legacy of your favorite band's favorite band. Features: Full Concert Sparks Live in London Deleted Scenes Additional Interviews
How can one rock band be successful, underrated, hugely influential, and criminally overlooked all at the same time? From acclaimed director Edgar Wright comes THE SPARKS BROTHERS, a musical odyssey through five weird and wonderful decades with brothers/bandmates Ron and Russell Mael. Featuring passionate tributes from Beck, Flea, Duran Duran, Mike Meyers, Patton Oswalt, and more, THE SPARKS BROTHERS celebrates the inspiring legacy of your favorite band's favorite band. Features: Full Concert Sparks Live in London Deleted Scenes Additional Interviews
In his first leading sitcom role Ronnie Corbett dons bowler hat brolly and briefcase to play a quintessential suburban commuter on whom disaster fits more snugly than his pin-striped trousers! Created by comedy legends Barry Cryer Eric Idle and Graham Chapman No That's Me Over Here sees Ronnie battling the relentless forces of time while struggling to keep his place in a ruthless suburban status race. Bewildered by office politics rapidly losing the fight to retain his non-fattening centre and belittled at every opportunity by his patronising neighbour he's the kind of chap who gets dressed up only to be unceremoniously brought down. Also starring Rosemary Leach as Ronnie's better half The Saint's Ivor Dean as his boss Mr Robinson and Benny Hill Show stalwart Henry McGee as his semi-detached arch-enemy and workplace rival Cyril this set comprises all thirteen hilarious episodes made by London Weekend Television in 1970. Features: Production paperwork and scripts from the original 1960s run of episodes Image gallery
The incredible saga of high school chemistry teacher-turned-meth kingpin Walter White is here in its entirety: all 62 uncut uncensored episodes! Emmy® winner Bryan Cranston portrays Walter White a family man who turns to crime after a lung cancer diagnosis unravels his bland but simple life. Recruiting former student and small-time drug dealer Jesse Pinkman (Emmy® winner Aaron Paul) to be his partner in crime Walt rises to the top of the meth trade leaving a trail of bodies in his wake. But he can’t keep his dogged DEA agent brother-in-law Hank Schrader (Dean Norris) off his trail forever. Will Walt get away with it all or die trying? Re-live every moment of this groundbreaking original series with riveting performances by Emmy® winner Anna Gunn Giancarlo Esposito Jonathan Banks Bob Odenkirk Betsy Brandt RJ Mitte and more. Breaking Bad was executive produced by Vince Gilligan Mark Johnson and Michelle MacLaren. The complete box set is loaded with special features.
From director Zack Snyder (Man of Steel) comes Batman v Superman: Dawn of Justice, starring Oscar winner Ben Affleck (Argo) as Batman/Bruce Wayne and Henry Cavill (Man of Steel, The Man from U.N.C.L.E.) as Superman/Clark Kent in the characters' first big-screen pairing. Fearing the actions of a god-like Super Hero left unchecked, Gotham City's own formidable, forceful vigilante takes on Metropolis's most revered, modern-day savior, while the world wrestles with what sort of hero it really needs. And with Batman and Superman at war with one another, a new threat quickly arises, putting mankind in greater danger than it's ever known before. Number of Discs: 2 The Battle Intensifies in the Ultimate Edition In this no-holds-barred Ultimate Edition, with 30 minutes of additional footage not seen in cinemas, titans of justice Batman/Bruce Wayne (Ben Affleck) and Superman/ Clark Kent (Henry Cavill) face off in the most anticipated showdown of our time. But while Gotham City's formidable vigilante takes on Metropolis' revered saviour, the world wrestles with what sort of hero it really needs... and a new danger arises to threaten all of humanity. Includes over 2 hours of extras Extra Content: Uniting the World's Finest - Glimpse the future of DC's bold new cinematic superheroes Gods and Men: A Meeting of Giants - Become a witness to history as you discover how everything in Batman and Superman's pasts have been leading up to this ultimate, epic showdown The Warrior, The Myth, The Wonder - Explore the origin, evolution and powerful impact on popular culture by the legendary Amazonian Wonder Woman Accelerating Design: The New Batmobile - Batman's newest ride is sleek, tough, loud, and fast as hell. Host Sal Masekela goes under the hood of the celebrated vehicle, then puts rubber to the road Superman: Complexity & Truth - Experience the transformation as Henry Cavill goes from earnest journalist in glasses and tweeds to a powerful godlike being in a streamlined caped costume Batman: Austerity & Rage - From cape to cowl and from rugged body armor to carefully-tailored suits, Batman's outer gear perfectly camouflages and expresses the fury that simmers within Wonder Woman: Grace & Power - From her gladiator-influenced costume to her shield and sword, she is the mortal incarnation of a warrior goddess Batcave: Legacy of the Lair - Nature and technology exist side by side in Batman's breath-taking and modernistic subterranean digs The Might and the Power of a Punch - A dynamic and illustrative look at the power, physics and fascinating details that make the battle between Batman and Superman so formidable The Empire of Luthor - Dive deeper into the inception of an entirely new interpretation of Lex Luthor, including an examination of his storied history in the comics Save the Bats - Learn how the cast and crew gave back to the environment and brought awareness to a very real ecological problem Language: English Subtitles: English, Arabic, Bulgarian, Spanish, Croatian, Czech, Danish, Estonian, Finnish, German, Greek, Hebrew, Hungarian, Icelandic, Italian, Korean, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Russian, Swedish, Turkish
Steven Seagal plays a Chicago cop who takes on CIA types in this action thriller from Andrew Davis (The Fugitive). Davis brings muscle to the project, including some strong set pieces that make Seagal (who also co-wrote and co-produced the film) look good. Co-stars Pam Grier and Sharon Stone also assist in this endeavour, yet nothing can really mitigate such ridiculous moments as Seagal's getting profound with a villain in his raspy monotone: "You think you're above the law. But you're not.". --Tom Keogh, Amazon.co.uk
The Breakfast Club (Dir. John Hughes 1985): Without doubt John Hughes' The Breakfast Club is one of the greatest teen movies of all-time if not the best. Without it we might not have witnessed the phenomenal rise of the 'Brat Pack'; the group of actors synonymous with the teen films of the '80s. They were five teenage students with nothing in common faced with spending a Saturday detention together in their High School library. At 7am they had nothing to say but
David Lynch's first film since the award-winning "Mulholland Drive" is a complex Hollywood mystery which blurs the lines between fantasy and reality.
Do you know anyone who hasn't seen this movie? A box-office smash when released in 1993, this spectacular update of the popular 1960s TV series stars Harrison Ford as a surgeon wrongly accused of the murder of his wife. He escapes from a prison transport bus (in one of the most spectacular stunt-action sequences ever filmed) and embarks on a frantic quest for the true killer's identity, while a tenacious U.S. marshal (Tommy Lee Jones, in an Oscar-winning role) remains hot on his trail. Director Andrew Davis hit the big time with this expert display of polished style and escalating suspense, but it's the antagonistic chemistry between Jones and Ford that keeps this thriller cooking to the very end. In roles that seem custom-fit to their screen personas, the two stars maintain a sharply human focus to the grand-scale manhunt, and the intelligent screenplay never resorts to convenient escapes or narrative shortcuts. Equally effective as a thriller and a character study, The Fugitive is a Hollywood blockbuster that truly deserves its ongoing popularity. --Jeff Shannon
The transformation of Walter White (Emmy Award winner Bryan Cranston) continues in the final season of Breaking Bad. Join Walter and his erstwhile student and sometimes business partner Jesse Pinkman (Emmy Award winner Aaron Paul) as their corrosive story reaches its epic conclusion.
Alien is the first movie of one of the most popular sagas in science fiction history, and introduces Sigourney Weaver as Ripley, the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begin when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery - a life form that breeds within a human host. Now the crew must fight now only for its survival, but for the survival of all mankind.
Director Ridley Scott's new cut of his 1979 sci-fi classic about a lifeform that is perfectly evolved to annihilate mankind. In space no-one can hear you scream.
You're travelling through another dimension, a dimension not only of sight and sound but of mind; a journey into a wondrous land whose boundaries are that of imagination. Your next stop, The Twilight Zone.
The Alien Quadrilogy is a nine-disc box set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here the films have been repackaged with vastly more extras and with upgraded sound and vision. For anyone who hasn't been in hypersleep for the last 25 years this series needs no introduction, though for the first time each film now comes in both original and "Special Edition" form. Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 Director's Cut is fiddling for the sake of it. Watch once then return to the majestic, perfectly paced original. Conversely the Special Edition of James Cameron's Aliens (1986) is the definitive version, though it's nice finally to have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered and finished-off with (unfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to the story. The ending is also subtly but significantly different. Alien Resurrection (1997) was always a mess with a handful of brilliant scenes, and the Special Edition just makes it eight minutes longer. On the DVD: Alien Quadrilogy offers all films except Alien3 with DTS soundtracks, the latter having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here--and there are subtitles for hard of hearing both for the films and the commentaries. Each movie is complemented by a separate disc packed with hours of seriously detailed documentaries (all presented at 4:3 with clips letterboxed), thousands of photos, production stills and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including a Channel 4 hour-long documentary and even all the extras from the old Alien laserdisc. Exhaustive hardly beings to describe the Alien Quadrilogy, a set which establishes the new DVD benchmark for retrospective releases and which looks unlikely to be surpassed for some time. --Gary S Dalkin
Chuck Norris plays Det. Eddie Cusack a tough Chicago cop who battles two opposing mob gangs in this fast-paced police actioner. Norris is asked to rectify the situation when the daughter of an underworld Don is used as a pawn in an escalating drug war. Complete with dazzling martial arts action and incredible stunts!
Alien is the first movie of one of the most popular sagas in science fiction history, and introduces Sigourney Weaver as Ripley, the iron-willed woman destined to battle the galaxy's ultimate creature. The terror begin when the crew of the spaceship Nostromo investigates a transmission from a desolate planet and makes a horrifying discovery - a life form that breeds within a human host. Now the crew must fight now only for its survival, but for the survival of all mankind.
In a small US costal town a motorcycle gang arrives on holiday. Also in town trying to reconnect with his pregnant girlfriend Karen is businessman Paul Collier. Paul and the leader of the gang J.J. knew each other years before so when menacing Bunny beats up Paul and begins a sexual assault on Karen J.J. tries to intervene. He suggests they hold cycle-riding contests where the winner can claim Karen (he promises to set her free if he wins). After the contests commence Paul crawls away to look for help. He meets with a shrug from a cowardly sheriff's deputy; where can he turn?
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