Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. Domingo is at his best in this Covent Garden Opera House performance from 1985; at once ardent and serious-minded, we believe in his Chenier as a poet and political figure. Conductor Julius Rudel gives the rich score all the weight and lyricism it demands and the Covent Garden chorus is at its occasional best in the scenes of revolutionary excess. On the DVD: Andrea Chenier is presented a little disappointingly in NTSC format and 4:3 picture ratio. At least the sound is sumptuous Dolby Digital 5.0. Subtitles are in English, French, German, Spanish and Japanese. --Roz Kaveney
The operetta 'Die Fledermaus' is Johann Strauss' most brilliant and best-known stage work. It's a glittering comedy packed with Viennese music that has become a firm favourite in opera houses all over the world. A top international cast really have a ball in this highly-acclaimed 1983 New Years Eve performance from The Royal Opera Covent Garden in which Placido Domingo makes a very stylish British conducting debut. Kiri Te Kanawa stars with her celebrated performance as Rosalinde
Strauss' dazzling opera Der Rosenkavalier set in 1740's Vienna combines farce romance and a world of weary acknowledgement of getting older. It features some of the most gorgeous music ever written for the female voice.
Benjamin Britten's powerful opera 'Peter Grimes' is considered to be one of the masterpieces of the 20th century. In this famous production by Elijah Moshinsky for The Royal Opera Canadian tenor Jon Vickers stars as the complex and misunderstood fisherman. The conductor is Sir Colin Davis who worked for several years with the cast of this production resulting in a masterly interweaving of characters in this gripping drama. ""One of the most riveting operatic impersonations o
Originally broadcast live by the BBC from the Royal Opera House on New Year's Eve 1990, this production of Die Fledermaus, Johann Strauss' masterpiece of comic operetta, was a truly historic occasion, marking the retirement from the stage of one of the greatest sopranos of the 20th century, Dame Joan Sutherland. Sung in English, in a version by John Mortimer, conducted by Sutherland's husband Richard Bonynge and directed for television by Humphrey Burton, this is an exceptional translation from stage to screen. The story, an elaborate farce with elements of satirical comedy set around a lavish masked ball in 19th-century Vienna comes to life through outstanding performances by a large, vivacious cast, including Judith Howarth, Nancy Gustason and Jochen Kowalski as Prince Orlofsky. Gorgeously designed, wonderfully costumed and enthusiastically played as it is, attention inevitably centres on the "special recital" by the "surprise guests": Sutherland herself, Marilyn Horne and Luciano Pavarotti. No finer, more exhilarating and touching a farewell could have been imagined. After the curtain there is a short, on-stage tribute to Sutherland by Jeremy Isaacs, bringing to a close a glorious, unforgettable evening of music-making for which the word "glittering" might have been invented. --Gary S. Dalkin On the DVD: By presenting the production on two discs the picture quality is maximised, and, by the standards of live-filmed opera, is very good indeed. The discs are presented with PCM stereo sound and a 4:3 TV ratio image. There are options for French and German subtitles, but unless trailers for two further Arthaus DVDs count, there are no extras. The booklet is well documented, though lacking the libretto. --Gary S. Dalkin
If there are doubts still lingering about the Royal Opera House's artistic renaissance after its mid-1990s doldrum years, David McVicar's gritty and sexy production of Rigoletto should blow them all away. One of the principal reasons is McVicar's decision to emphasise the tyrannical nature of the Duke (beautifully sung by Marcelo Alvarez), and the appalling social injustice that springs from a corrupt leader: his court is a place of physical and sexual abuse (graphically, but by no means gratuitously, depicted). This violence throws the dual nature of Rigoletto into relief, making his toadyism seem all the worse and his vengefulness all the more sympathetic. The singing and acting are first rate, with Paolo Gavanelli's energetic, insect-like Rigoletto worthy even to stand against Anthony Sher's Richard III. Christine Schafer has a gorgeous voice, an intelligent sense of phrasing, and plays Gilda as a frail, morbid creature whose ultimate self-sacrifice is as much an act of neurotic despair as of love. The production is also a visual and orchestral success. Michael Vale's set is a masterpiece of economy--both the Duke's palace and Rigoletto's home are surrounded by broken objects, wire fencing and gloomy shadows--and Edward Downes draws some stunning playing from the Royal Opera Orchestra. This is undoubtedly the best Rigoletto committed to DVD thus far. On the DVD Rigoletto comes with an entertaining 17-minute BBC biography of the composer, "Verdi Through the Looking Glass", presented by conductor Charles Hazlewood, as well as an illustrated synopsis of the opera, and a revealing 10-minute interview with the director. There are subtitles in English, French, German, Dutch and Spanish.--Warwick Thomson
This famous production of Manon Lescaut from The Royal Opera recorded in 1983 features two of the biggest stars in opera Placido Domingo and Kiri Te Kanawa in their vocal prime. Placido Domingo's performance of Des Grieux is considered to be unsurpassed. Conductor Giuseppe Sinopoli made his British operatic debut with this production which has not been available on video for 10 years. Puccini's first masterpiece was rapturously received on its first night. It has his hallmark se
A performance of Gounod's opera 'Romeo Et Juliette' in five acts recorded live at The Royal Opera House Covent Garden.
A performance of Mozart's opera in three acts 'Mitridate Re Di Ponto' performed by The Royal Opera conducted by Paul Daniel and choreographed by Ron Howell. Singers include: Annn Murray Justin Lavender and Luba Orgonasova.
Recorded Live At The Royal Opera House Covent Garden 1991.According to legend Orpheus' magical power as a musician enabled him to regain his wife from the dead on condition that he did not look at her on the journey back from Hades - a condition it proved impossible to fulfil. In Harry Kupfer's updated version Orfeo in leather jacket trainers and jeans sees his Euridice die in a street accident. Succumbing to depression he languishes in Hades - a psychiatric hospital - before taking his electric guitar to charm the bests in an inner-city concrete jungle. Hans Schavernoch has designed an ingenious set with projected imagery on revolving screens and mirrors.The German male alto Jochen Kowalski gives a virtuoso performance as the tormented Orfeo with the young British soprano Giliam Webster as Euridice.
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