Garnering a total of ten Academy Awards - including Best Picture of 1961 - West Side Story set a brilliant standard for movie musicals that remains unsurpassed to this day. Directed by Robert Wise and Jerome Robbins from Ernest Lehman's spectacular screenplay the film combines the unforgettable score of Leonard Bernstein and Stephen Sondheim with Robbins' exuberant choreography to create a transcendent fusion of realism and fantasy that will forever be a feast for the eye the ear a
For The First Time, In One Collection, The Complete Television Phenomenon Twin Peaks: All 29 episodes of the original groundbreaking seasons All 18 parts of the Limited Event Series - the return to Twin Peaks - that captivated audiences 25 years later, written by the series co-creators and entirely directed by David Lynch A wealth of intriguing, behind-the-scenes special features So grab a cup of coffee, a slice of cherry pie, and experience the legendary mystery...again and again!
It was an evil house form the beginning , a house that was born bad. The place is the 90-year-old mansion called Hill House. No one lives in there. Or so it seems. But come in. Because even if you don't believe in ghosts, there's no denying the terror of The Haunting. Robert Wise, returned to psychological horror for this much admired, first screen adaptation of Shirley Jackson's The Haunting of Hill House. Four people (Julie Harris, Claire Bloom, Richard Johnson and Russ Tamblyn) come to the house to study its supernatural phenomena. Or has the house drawn at least one of them to it? The answer will unnerve you in this elegantly sinister scare movie. It's good fun (Pauline Kael, 5001 Nights at the Movies).
Certain to remain one of the greatest haunted-house movies ever made, Robert Wise's The Haunting (1963) is antithetical to all the gory horror films of subsequent decades, because its considerable frights remain implicitly rooted in the viewer's sensitivity to abject fear. A classic spook-fest based on Shirley Jackson's novel The Haunting of Hill House (which also inspired the 1999 remake directed by Jan de Bont), the film begins with a prologue that concisely establishes the dark history of Hill House, a massive New England mansion (actually filmed in England) that will play host to four daring guests determined to investigate--and hopefully debunk--the legacy of death and ghostly possession that has given the mansion its terrifying reputation. Consumed by guilt and grief over her mother's recent death and driven to adventure by her belief in the supernatural, Eleanor Vance (Julie Harris) is the most unstable--and therefore the most vulnerable--visitor to Hill House. She's invited there by anthropologist Dr. Markway (Richard Johnson), along with the bohemian lesbian Theodora (Claire Bloom), who has acute extra-sensory abilities, and glib playboy Luke Sanderson (Russ Tamblyn, from Wise's West Side Story), who will gladly inherit Hill House if it proves to be hospitable. Of course, the shadowy mansion is anything but welcoming to its unwanted intruders. Strange noises, from muffled wails to deafening pounding, set the stage for even scarier occurrences, including a door that appears to breathe (with a slowly turning doorknob that's almost unbearably suspenseful), unexplained writing on walls, and a delicate spiral staircase that seems to have a life of its own. The genius of The Haunting lies in the restraint of Wise and screenwriter Nelson Gidding, who elicit almost all of the film's mounting terror from the psychology of its characters--particularly Eleanor, whose grip on sanity grows increasingly tenuous. The presence of lurking spirits relies heavily on the power of suggestion (likewise the cautious handling of Theodora's attraction to Eleanor) and the film's use of sound is more terrifying than anything Wise could have shown with his camera. Like Jack Clayton's 1961 chiller, The Innocents, The Haunting knows the value of planting the seeds of terror in the mind, as opposed to letting them blossom graphically on the screen. What you don't see is infinitely more frightening than what you do, and with nary a severed head or bloody corpse in sight, The Haunting is guaranteed to chill you to the bone. --Jeff Shannon
The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, West Side Story stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighbourhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colourful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score. --Tom Keogh
Seven Brides for Seven Brothers, starring MGM soprano Jane Powell and handsome baritone Howard Keel, has retained a remarkably loyal following among fans of the musical film ever since its release in 1954. Although it was filmed in state-of-the-art CinemaScope, Stanley Donen was obliged to direct much of the film on Metro's sound stages, where the artificial sets and painted backdrops don't inevitably live up to the scenes shot on location in Oregon. Viewers coming fresh to the picture may find this visual discrepancy jarring and some too may find Miss Powell's singing a shade plummy. The screenplay, by husband and wife team Albert Hackett and Frances Goodrich with Dorothy Kingsley, tells the story of seven brothers living in the Oregon hills and their adventures to find themselves wives. The casting of each brother with his rugged, masculine looks and ability to dance with grace and athleticism, presided over by an authoritative Howard Keel, gives the film a dynamic impetus second to none in an MGM musical. The lengthy barn-raising episode under choreographer Michael Kidd's intrepid direction, where the music and the incredibly agile and energetic male and female dance ensemble unite as one, produces a square dance without parallel. The music and lyrics by Gene De Paul and Johnny Mercer--including the mating chorus, "Spring, Spring, Spring", the rollicking "Bless You're Beautiful Hide", the rousing "Sobbin' Women" and the visually enchanting "June Bride"--are both tuneful and mindful of the plot's exposition. Adolph Deutsch and Saul Chaplin won the Academy Award in 1954 for their arrangements and conducting. On the DVD: The digital remastering has created a clearer picture of what had been a faintly muddy Ansco colour system on the original print while the polish and attack with which the MGM Studio Orchestra play the music on this full-bodied stereophonic soundtrack remains a thing of wonder. Howard Keel, standing tall and erect in his 80s, hosts the "making of" documentary. Director Donen, choreographer Kidd, Jane Powell and several of the dancers recall how the film was considered a "sleeper" during production and wasn't expected to do as well as Brigadoon, in production at the same time. The documentary also highlights the care taken over the casting of the brothers, two of whom including Keel were not dancers and their often brave and brilliant feats of acrobatic dancing executed on precarious planks and other props. When Howard Keel takes his farewell walk down the main street lot at MGM, breaking into a few brief dance steps, it's impossible not to feel a moment of regret that the curtain had to come down on MGM's most treasured possession. --Adrian Edwards
The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, West Side Story stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighbourhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colourful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score. --Tom Keogh
All 30 episodes of David Lynch's landmark murder mystery series. Twin Peaks (population 51,201), a sleepy everytown USA where everyone's lives intersect with everyone else's, lies just five miles from the Canadian border. The town wakes up one morning to find one of its brightest young inhabitants, beautiful Laura Palmer (Sheryl Lee) murdered and wrapped in plastic down by the river. Local Sheriff Harry S. Truman (Michael Ontkean) and tearful Deputy Andy (Harry Goaz) are out of their depth with such a murder case and an FBI agent is assigned to investigate. Youthful, charismatic and somewhat otherworldy in his approach to policing, Agent Dale Cooper (Kyle MacLachlan) arrives to try and solve the case. Cooper's appearance causes ripples in the community and in turn he discovers that Twin Peaks is a small town full of secrets.
For The First Time, In One Collection, The Complete Television Phenomenon Twin Peaks: All 29 episodes of the original groundbreaking seasons All 18 parts of the Limited Event Series - the return to Twin Peaks - that captivated audiences 25 years later, written by the series co-creators and entirely directed by David Lynch A wealth of intriguing, behind-the-scenes special features So grab a cup of coffee, a slice of cherry pie, and experience the legendary mystery...again and again!
Viking brothers Rolfe (Widmark) and Orm (Russ Tamblyn) steal the Norse king's funeral ship, as well as his beautiful daughter Gerda (Beba Loncar), and head off in search of the fabled 'Mother of Voices,' a huge solid-gold bell and battle a maelstrom, a mutinous crew and vengeful Moorish troops...
In the late 1960s and early 70s, a bizarre alliance between the Filippino movie company Hemisphere and the American exploitation outfit Independent International yielded a series of weirdly interconnected horror movies, most of which work the word Blood into the title. The Filippino items are strangely fascinating vampire and mad scientist pictures with oddball colour effects and a mix of naive serial-style thrills and extreme-for-the-era sex and gore; the American efforts, from director Al Adamson, are shoddier, thrown together from offcuts of previous pictures, and are lead-paced but nevertheless curiously appealing. Gaze in awe at mutant killer trees, slobbering hunchbacked servants, faded matinee idols, stripper-turned-actress heroines with concrete blonde hairdos, evil dwarves, John Carradine or Lon Chaney, footage cut in from completely different films, Dracula and Frankenstein meeting hippies and bikers, red filters when the vampires attack, chanting natives! Plus lots of exclamation marks! Plus lurid trailers! "The kings of horror battle to the death" in Dracula vs Frankenstein. The last of the Frankensteins (J Carrol Naish) works in a carnival horror house with his sidekick Groton the Mad Zombie (Lon Chaney Jr). A Frank Zappa-like Dracula (Zandor Vorkov) and a monster with a face like a big mushroom slug it out. The film also features Russ Tamblyn as a beach biker and a Vegas showgirl heroine on LSD. This Region 2 DVD is sadly bereft of the extras found on the US Troma Region 1 disc. --Kim Newman
Allison MacKenzie looks back on life in the New England town where she grew up around the time of Pearl Harbour. Beneath the town's placid God-fearing exterior lay any number of dark secrets involving sexual attraction and repression illegitimacy rape gossip intolerance and class snobbery. No wonder Allison had moved to a quiet place like New York...
Allison MacKenzie looks back on life in the New England town where she grew up around the time of Pearl Harbour. Beneath the town's placid God-fearing exterior lay any number of dark secrets involving sexual attraction and repression, illegitimacy, rape, gossip, intolerance, and class snobbery. No wonder Allison had moved to a quiet place like New York...
West Side Story marked a small revolution in the history of the Hollywood musical when it was released in 1961. Enriched by Leonard Bernsteins marvellously brassy, challenging score--as redolent of the place as anything Gershwin ever wrote--the location shooting and aerial views of the Manhattan grid made New York a gritty backdrop to this modern interpretation of Romeo and Juliet. The film rightly became an instant classic which won ten Oscars and brought some of the greatest numbers in the era of the modern musical to a global audience. Everything gels, from Jerome Robbins superlative choreography (he retains a directors credit with Robert Wise, although anxious studio bosses removed him from the film when costs started to mount), to Ernest Lehmans taught screenplay, some of Sondheims most accessible early lyrics, and passionate, raw performances from the gang members and the lovers. For many of the cast, including Richard Beymer as Tony and Natalie Wood as Maria, the film represents a creative climax which wouldnt be surpassed during the remainder of their distinguished careers. Rita Moreno is an outstanding Anita, even with her songs disappointingly dubbed, and George Chakiris sinewy, arrogant Bernardo is magnetic. The whole thing still thrums with a youthful, dramatic energy that even a modern equivalent like Moulin Rouge cant match. On the DVD: West Side Story thoroughly merits the attention to detail in this handsome Collectors Edition. The anamorphic (16:9) widescreen format reproduces the original cinema presentation, brilliantly serving the city panoramas and balletic fight scenes, as well as the softness of the love duets, while a newly processed Dolby Digital 5.1 audio track brings Bernsteins score up as if the notes were still drying on the page. Extras abound. A "Remembering" documentary features significant contributions from director Robert Wise, Richard Beymer, Russ Tamblyn and Rita Moreno. Die-hard fans will lap up the various galleries, comparisons, the original intermission music and even a complete copy of Ernest Lehmans screenplay. --Piers Ford
Starring Jane Powell and Howard Keel this musical showcase of spectacular love songs and dazzling dance numbers garnered a 1954 Academy Award for Best Score (Musical) and received four additional nominations including Best Picture and Best Screenplay. Featuring such memorable tunes as ""Bless Yore Beautiful Hide"" and ""Goin' Co'tin "" When rugged frontiersman Adam (Keel) sweeps local beauty Milly (Powell) off her feet the whole town is turned upside-down. But no one's more shocked than Milly who discovers that she's now expected to cook and clean not only for Adam but for his six rowdy brothers too! Well Milly's no pushover and soon she has those boisterous boys whipped into ""groomhood"" and dancing for joy over six brides of their own!
Starring Jane Powell and Howard Keel this musical showcase of spectacular love songs and dazzling dance numbers garnered a 1954 Academy Award for Best Score (Musical) and received four additional nominations including Best Picture and Best Screenplay. Featuring such memorable tunes as ""Bless Yore Beautiful Hide"" and ""Goin' Co'tin "" Seven Brides For Seven Brothers is ""an unending source of enjoyment - the best in every way "" --Los Angeles Times! When rugged frontiersman Adam (Keel)
Jack Arnold's High School Confidential stars Russ Tamblyn as Tony, a troubled street kid sent to live with his hot-to-trot aunt (Mamie Van Doren). After enrolling in school, he quickly becomes wrapped up in the local drug scene, culminating in a surprise ending.
Reprising his role from the 1950 release 'Father Of The Bride' Spencer Tracy rejoins Joan Bennett Elizabeth Taylor and Don Taylor in a charming sequel. Tracy portrays Elizabeth Taylor's father Stanley Banks who is still recovering from the effects of giving up his ""little girl"" Kay to Buckley Dunstan played by Don Taylor. Upon hearing the news that the newlyweds are expecting Tracy opposes the new arrival feeling the stresses of middle age and family life but he eventual
Please wait. Loading...
This site uses cookies.
More details in our privacy policy