Directed by Clint Eastwood, this tells the stories of the six men who raised the American flag at the Battle of Iwo Jima.
Cruel Intentions: Kathryn Merteuil and Sebastian Valmont are two gorgeous filthy rich manipulative stepsiblings from Manhattan's upper east side. Bored of the girls he has so easily seduced in the past Sebastian has set his sights on the ultimate challenge - the beautiful virginal headmasters daughter Annette Hargrove. Kathryn sees the perfect opportunity for a wager. If Sebastian fails to lure Annette into his bed he will have to surrender his priceless vintage Jaguar; if he succeeds he will win the most tempting prize of all - Kathryn. Sparks fly in this wickly sexy tale of seduction as Kathryn and Sebastian play a dangerous game of sex and betrayal... Cruel Intentions 2: School has never been more captivating - or challenging - than when a pair of unscrupulous siblings set out to teach each other a lesson in this deliciously tantalising prequel to Cruel Intentions. When the rougish Sebastian (Robin Dunne) is despatched to New York to live with his father and stepmother after being kicked out of yet another private school he may have finally found his match in his equally manipulative and beautiful stepsister Kathryn (Amy Adams). Meeting the stunningly innocent Danielle (Sarah Thompson) makes Sebastian plan to put his past behind him and become a one-woman man. However Kathyrn has other ideas: after being crossed by Sebastian she vows to make things as difficult as possible for the couple by throwing a few curves (namely hers) at her step-brother. Everything is up for grabs and nothing is what it seems in this provocative tale of deception temptation and revenge... Cruel Intentions 3: Two students at Prestridge College set out to seduce the 'coldest' woman at the college; Cassie Merteuil.
When you don't have a memory how can you remember who to trust? When Simon (Ryan Phillippe) awakens in the hospital with amnesia unable to remember the last two years of his life. However he discovers that he can travel back in time to change his future and possibly solve the mystery of his brother's murder...
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history. As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatising the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. Critically hailed as an instant classic, Clint Eastwood's Letters from Iwo Jima is a masterwork of uncommon humanity and a harrowing, unforgettable indictment of the horrors of war. In an unprecedented demonstration of worldly citizenship, Eastwood (from a spare, tightly focused screenplay by first-time screenwriter Iris Yamashita) has crafted a truly Japanese film, with Japanese dialogue (with subtitles) and filmed in a contemplative Japanese style, serving as both complement and counterpoint to Eastwood's previously released companion film Flags of Our Fathers. Where the earlier film employed a complex non-linear structure and epic-scale production values to dramatise one of the bloodiest battles of World War II and its traumatic impact on American soldiers, Letters reveals the battle of Iwo Jima from the tunnel- and cave-dwelling perspective of the Japanese, hopelessly outnumbered, deprived of reinforcements, and doomed to die in inevitable defeat. While maintaining many of the traditions of the conventional war drama, Eastwood extends his sympathetic touch to humanise "the enemy," revealing the internal and external conflicts of soldiers and officers alike, forced by circumstance to sacrifice themselves or defend their honour against insurmountable odds. From the weary reluctance of a young recruit named Saigo (Kazunari Ninomiya) to the dignified yet desperately anguished strategy of Japanese commander Tadamichi Kuribayashi (played by Oscar-nominated The Last Samurai costar Ken Watanabe), whose letters home inspired the film's title and present-day framing device, Letters from Iwo Jima (which conveys the bleakness of battle through a near-total absence of colour) steadfastly avoids the glorification of war while paying honorable tribute to ill-fated men who can only dream of the comforts of home. --Jeff Shannon
A Viking space capsule suddenly and unexpectedly returns to Earth from an explorative trip to Mars a journey it should not have been able to make on its own. It brings with it an armour clad alien that's hell bent on finding and sending back information in preparation for the invasion of Earth. NASA scientists take the alien to a lab for intensive investigation but are hindered by the army who seize control of it and the space capsule. When the alien inevitably escapes the killing begins and the army desperately tries to recapture or destroy it. Failure will mean the destruction of all life on Earth and the end of the human race.
One shot can end a war February 1945. Even as victory in Europe was finally within reach the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag some of whom would die soon after never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory. 'Flags of Our Fathers' is based on the bestselling book by James Bradley with Ron Powers which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company.
Hitch (2005): In Andy Tennant's delightful romantic comedy Hitch Will Smith stars as Alex Hitchens an urban date doctor who helps the common man woo the woman of his dreams. Hitch will use any means necessary--dance lessons back waxing--to instill romantic confidence in his clientele. Why? He was once a lonely wallflower himself who learned about love and heartbreak the hard way. His latest project Albert Brennaman (Kevin James) may be his most difficult. Brennaman a junior accountant prone to clumsiness has fallen head-over-heels for one of his clients Allegra Cole (Amber Valleta) a well-known celebrity. To complicate things further Hitch's dating dogma is shaken when he meets and falls for a beautiful gossip columnist Sara Melas (Eva Mendes) whose sharp wit easily pierces his cool fa''ade. Conflict arises when Melas uncovers Hitch's true profession and blames him for her best friend being dumped. 50 First Dates (2004): Henry Roth (Sandler) the local marina veterinarian only dates tourists because he's afraid of commitment - that is until he meets Lucy (Barrymore). Unfortunately Lucy lost her short-term memory months ago in a car accident and for her each day is October the 13th. She follows the same routine every day - breakfast at the same restaurant pineapple-picking with her dad and eventually bed time where sleep wipes away her short-term memory. Henry however refuses to be forgotten and as his puppy love matures he embarks on a quest to restore her memory or at least be a part of her everyday routine. But vying for Lucy's attention isn't always easy. Henry explores various approaches before making a video for Lucy to watch every morning reminding her of who she is and what she's doing... Closer (2004): Writer Patrick Marber adapted the screenplay from his own scathing stageplay in which a chance meeting between Englishman Dan (Jude Law) and American visitor Alice blossoms into a troubled relationship bringing together and then affecting a second couple involving Larry (Clive Owen) and Anna (Julia Roberts). Sex and love are explored capturing all the vulnerability and brutality of people falling in and out of love... Cruel Intentions (1999): Kathryn Merteuil (Sarah Michelle Gellar) and Sebastian Valmont (Ryan Phillippe) are two gorgeous filthy rich manipulative step-sibblings from Manhattan's upper east side. Bored of the girls he has so easily seduced in the past Sebastian has set his sights on the ultimate challenge - the beautiful virginal headmasters' daughter Annette Hargrove (Reese Witherspoon). Kathryn sees the perfect opportunity for a wager. If Sebastian fails to lure Annette into his bed he will have to surrender his priceless vintage Jaguar; if he succeeds he will win the most tempting prize of all - Kathryn. Sparks fly in this wickedly sexy tale of seduction as Kathryn and Sebastian play a dangerous game of sex and betrayal... Catch And Release (2007): Gray Wheeler just lost everything. But it could be the best thing that ever happened to her. After the death of her fianc'' Gray (Jennifer Garner) moves in with her late love's best friends. While Sam (Kevin Smith) and Dennis (Sam Jaeger) do their best to cheer Gray up Fritz (Timothy Olyphant) doesn't seem to care. Once Gray breaks through Fritz's defenses however she finally sees why her fianc'' thought so highly of him. As they spend more time together Gray learns that her chances for love have not died out with her fianc''. But when some surprise guests show up on their doorstep it'll take the love of all of her new friends to help Gray learn that life may be messy but love is messier.
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