Newly restored and remastered in Dolby Vision, all three films in the landmark saga are released together on 4K Ultra HD Blu-ray⢠for the first time ever. The 4K Ultra HD Blu-ray set will include The Godfather, The Godfather: Part II, and three versions of The Godfather: Part III: the theatrical cut (first time ever on home media), Coppola's 1991 cut, and Coppola's recently re-edited version of the final film, Mario Puzo's The Godfather Coda: The Death of Michael Corleone. The disc set includes commentaries by Coppola on The Godfather, The Godfather: Part II and the 1991 cut of The Godfather: Part III. Plus special features on a blu-ray disc. The Godfather Regarded as one of the best American films ever by the American Film Institute, Francis Ford Coppola's epic masterpiece features Marlon Brando in his Oscar®-winning* role as the patriarch of the Corleone family. The Godfather⢠is a violent and chilling portrait of the Sicilian family's struggle to stay in power in a post-war America of corruption, deceit and betrayal. Coppola begins his legendary trilogy, masterfully balancing the story of the Corleone's family life and the ugly crime business in which they are engaged. Based on Mario Puzo's best-selling novel and featuring career-making performances by Al Pacino, James Caan and Robert Duvall, this searing and brilliant film garnered ten Academy Award® nominations, and won three including Best Picture of 1972. The Godfather Part II In what is undeniably one of the best sequels ever made, Francis Ford Coppola continues his epic Godfather trilogy with this saga of two generations of power within the Corleone family. Coppola, working once again with the author Mario Puzo, crafts two interwoven stories that work as both prequel and sequel to the original. One shows the humble Sicilian beginnings and New York rise of a young Don Vito, now played in an Oscar®-winning* performance for Best Supporting Actor by Robert De Niro. The other shows the ascent of Michael (Al Pacino) as the new Don. Reassembling many of the cast members who helped make The Godfatherâ¢, Coppola has produced a movie of staggering magnitude and vision; the film received eleven Academy Awards® nominations, winning six including Best Picture of 1974. Mario Puzo's The Godfather Coda: The Death Of Michael Corleone Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy Mario Puzo's THE GODFATHER Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film's meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola's original intentions of The Godfather: Part III, and delivers, in the words of Coppola, A more appropriate conclusion to The Godfather and The Godfather: Part II.
Join your favourite serial killer in all 8 chilling seasons of the Emmy�-winning SHOWTIME series. This to-die-for collection is a must-have for all Dexter fans!
World War II Morocco springs to life in Michael Curtiz's classic love story. Colourful characters abound in "Casablanca", a waiting room for Europeans trying to escape Hitler's war-torn Europe.
When the Khmer Rouge captured the Cambodian capital Phnom Penh in 1975 many thought the killing would end. Instead it started a long nightmare in which three million Cambodians would lose their lives in the killing fields... The Killing Fields is an epic true story of friendship and survival produced by David Puttnam (Chariots of Fire) and directed by Roland Joffe (The Mission). Sam Waterston plays Sydney Schanberg whose war coverage entraps him and other journalists in Cambodia's turbulent politics. Dr. Haing S. Ngor is Dith Pran Schanberg's aide and friend who saves them from execution. But Pran is sentenced to work in the labour camps enduring starvation and torture before attempting an escape to neighbouring Thailand.... In real life Dr Ngor also endured Khmer Rouge atrocities and saw his moving Oscar-winning portrayal of Pran (one of the film's three Academy Awards) as a way of bringing his nation's tragic ordeal to light.
The Godfather: (1972) Considered by many to be the greatest movie ever made Francis Ford Coppola's epic masterpiece features Oscar winner Marlon Brando as the head of the Corleone family. Coppola paints a chilling portrait of a Sicilian family's rise and near fall from power in America and the passage of rites from a father to a son who was previously uninvolved in the business. Godfather Part II: (1974) The Godfather Part II is one of the rare breed of cinematic sequels which is as good as and perhaps better than the original. Al Pacino heads the star cast as Michael Corleone heir to the criminal empire established by his Mafioso father the late Don Corleone. Michael is now in charge of all gambling activities in Nevada making certain that any and all political or mob enemies are quickly bought off compromised or disposed of. Throughout the film Michael's travails are paralleled with the early experiences of his father played in flashbacks by Robert DeNiro. The Godfather III: (1990) In the final instalment of the Godfather Trilogy an aging Don Michael Corleone seeks to legitimise his crime family's interests and remove himself from the violent underworld. Now in his sixties Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hopes of business legitimacy into an inferno of mob violence.
This Stargate SG.1 boxset is a complete collection of the science-fiction based television show - featuring all episodes from series 1 through to series 10! The Stargate is an intergalactic gateway, developed by an ancient civilization, that links other planets from other solar systems to ours. The U.S. Air Force assembles a Stargate team headed by Colonel Jack O'Neill (Richard Dean Anderson of 'MacGyver') for interstellar peace-keeping missions. Boasting incredible special e...
The Sergio Leone 'spaghetti westerns' did not simply add a new chapter to the genre...they reinvented it. From his shockingly violent and stylized breakthrough A Fistful of Dollars to the film Quentin Tarantino calls 'the best-directed movie of all time ' The Good The Bad and the Ugly Leone's vision elevated westerns to an entirely new art form. This definitive Leone collection of the most ambitious and influential Westerns ever made includes over five hours of bonus materials that uncover buried gold in these gritty classics' plus a Newly Remastered version of The Good The Bad And The Ugly.
Arguably the finest movie of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this movie's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi movies (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. --Mark Walker
Cast Away reunites star Tom Hanks and director Robert Zemeckis in their first collaboration since the heavy-handed sentimentality of Forrest Gump. Thankfully, this time their film's life-affirming message is delivered with more subtlety, attributable both to an extraordinarily committed, physically demanding central performance from Hanks and to Zemeckis' technically masterful but carefully understated direction. It's also a film with three distinct "acts" or, to be old-fashioned about it, a proper beginning, middle and end. The story follows schedule-obsessed but fulfilled FedEx supervisor Chuck Noland (Act 1) on a personal journey into the bleakest, most solitary despair (Act 2), before Helen Hunt, in the thankless role of ex-girlfriend, unwittingly allows him to glimpse an optimistic future full of untapped possibilities (Act 3). Hanks' sojourn on the island is the centrepiece, but this is no tropical island idyll: following a terrifying plane crash (the one sequence in the film where Zemeckis shows off his uncanny ability to choreograph action), life on the island is seen to be a depressing and bitter experience filled with disappointment, danger and suicidal despair. Having lost all hope of rescue, ultimately Noland's greatest test is not to survive, but to find a reason to survive. He has no Man Friday for company, just a volleyball named "Wilson" that is both a narrative device allowing Hanks to deliver dialogue and an intriguingly pagan personification of the island's spirit under whose protection Noland is finally able to summon fire (significantly, and heartbreakingly, Wilson leaves him as he regains contact with the world). In an era of MTV-style film editing, Zemeckis and Hanks fearlessly take their time establishing with total conviction the grim realities of Noland's situation, his devastating loss of hope and the means by which he achieves his escape. Like Contact before it, Cast Away is a refreshingly thoughtful piece of mainstream cinema that explores weighty existential issues but retains a warm human intimacy. On the DVD: The luminous anamorphic print with vivid Dolby 5.1 soundtrack is accompanied on the first disc by a technical commentary from Zemeckis and key crew personnel. It's plenty insightful for budding filmmakers, although for pure listening pleasure one might have preferred a more relaxed piece with just the director and Tom Hanks. The second disc includes a 30-minute making-of documentary in which the director sums up the moral of the movie--"Surviving is easy but living is difficult". This draws on material from the three other mini-documentaries about survival skills, Wilson the volleyball and the Fijian island location of Monu Riki respectively. There's also a section on the sometimes surprising use of CGI effects and a storyboard-to-film comparison sequence. Tom Hanks chats with American TV host Charlie Rose about this movie and his career in the extensive 50-minute interview. Trailers, artwork and stills round out a valuable two-disc set. --Mark Walker
Meet Joe Black seemed almost fated to fail when it was released in 1998, but this romantic fantasy--a remake of 1934's Death Takes a Holiday--deserves a chance at life after box-office death. Although many moviegoers were turned off by director Martin Brest's overindulgent three-hour running time, those who gear into its deliberate pace will find that Meet Joe Black offers ample reward for your attention. Brad Pitt plays Death with a capital D, enjoying some time on Earth by inhabiting the body of a young man who'd been killed in a shockingly sudden pedestrian-auto impact. Before long, Death has ingratiated himself with a wealthy industrialist (Anthony Hopkins) and pursues romance with the man's beautiful daughter (newcomer Claire Forlani), whom he'd briefly encountered while still an earthbound human. Under the assumed identity of "Joe Black", he samples all the pleasures that corporeal life has to offer--power, romance, sex and such enticing pleasures as peanut butter by the spoonful. But Death has a job to do, and Meet Joe Black addresses the heart-wrenching dilemma that arises when either father or daughter (the plot keeps us guessing) must confront his or her inevitable demise. The film takes its own sweet time to establish this emotional crisis and the love that binds Hopkins's semi-dysfunctional family so closely together. But if you've stuck with the story this far, you may find yourself surprisingly affected. And if Meet Joe Black has really won you over, you'll more than appreciate the care and affection that gives the film a depth and richness that so many critics chose to ignore. --Jeff Shannon
Arguably the finest film of its kind, Terminator 2: Judgment Day captured Arnold Schwarzenegger at the very apex of his Hollywood celebrity and James Cameron at the peak of his perfectionist directorial powers. Nothing the star did subsequently measured up to his iconic performance here, spouting legendary catchphrases and wielding weaponry with unparalleled cool; and while the director had an even bigger hit with the bloated and sentimental Titanic, few followers of his career would deny that Cameron's true forte has always been sci-fi action. With an incomparably bigger budget than its 1984 precursor, T2 essentially reworks the original scenario with envelope-stretching special effects and simply more, more, more of everything. Yet, for all its scale, T2 remains at heart a classic sci-fi tale: robots running amok, time travel paradoxes and dystopian future worlds are recurrent genre themes, which are here simply revitalised by Cameron's glorious celebration of the mechanistic. From the V-twin roar of a Harley Fat Boy to the metal-crunching Steel Mill finale, the director's fascination with machines is this film's strongest motif: it's no coincidence that the character with whom the audience identifies most strongly is a robot. Now that impressive but unengaging CGI effects have come to over-dominate sci-fi films (think of The Phantom Menace), T2's pivotal blending of extraordinary live-action stuntwork and FX looks more and more like it will never be equalled. --Mark Walker Total Recall, director Paul Verhoeven's mega-budget sci-fi action blockbuster from 1990, began its production life as a very different film. An adaptation of the Philip K Dick short story "We Can Remember It for You Wholesale", it was originally conceived with Richard Dreyfuss starring as a Walter-Mitty-like character that experiences a variety of artificially induced fantasies. But with Arnold Schwarzenegger on board, the final version took a rather different direction. The Austrian Oak plays a normal working man who discovers his entire reality has been invented to conceal a scheme for planetary domination on Mars. Oscar-winning special effects and violent action propel the twisting plot, in which Arnold manipulates his manipulators in a world of dazzling high technology. Verhoeven (Robocop, Starship Troopers) indulges his usual penchant for gratuitous bloodshed, but the film has enough cleverness to rise above its excesses. --Jeff Shannon, Amazon.com
As a ferry carrying 300 passengers from Denmark pulls into an Icelandic town s small port, heavy snow begins to fall. The ferry can t leave until the storm passes and the main road into town is impassable. A mutilated and dismembered body washes on the shore, an unidentifiable man murdered only hours ago. The local police chief, Andri Olafssun, whose personal life is in shatters, realises a killer has descended into his town. As word spreads, order disintegrates into chaos as the ferry s passengers and the town s residents realise they are all possible suspects and that a killer is trapped among them.
Recently widowed world-famous neurosurgeon Dr. Michael Hfuhruhurr (Steve Martin) falls for the charms of gold-digging Dolores Benedict (Kathleen Turner) after accidentally hitting her with his car. Following a life saving operation with his newly developed 'screw-top' brain surgery the pair are soon married but Michael finds himself trapped in a loveless marriage of convenience when he realises that Dolores is only after his money. However on a trip to Vienna to attend a medical
Imagine you're leading a six man squad on a routine army exercise. You're cut off on foot in a hostile wilderness. And there's every chance that you're about to be eaten alive by a pack of vicious, snarling, blood-lusting, seven-foot tall werewolves...
You wouldn't know it by watching the Batman movies they collaborated on, but this smart adaptation of John Grisham's novel proves that director Joel Schumacher and screenwriter Akiva Goldsman have some talent when the right project comes along. Schumacher had previously directed Grisham's The Client, and brought equal craft and intelligence to this story about a young Southern attorney (Matthew McConaughey, in his breakthrough role) who defends a black father (Samuel L Jackson) after he kills two men who raped his young daughter. Sandra Bullock plays the passionate law student who serves as McConaughey's legal aide and voice of conscience in the racially charged drama. Added to the star power of the lead roles is a fine supporting cast, including Kevin Spacey, Ashley Judd and Oliver Platt. --Jeff Shannon, Amazon.com
A BRAND NEW RESTORATION James Cameron's epic action, sci-fi masterpiece starring Schwarzenegger in his most iconic role, has been stunningly restored by Cameron himself. First hitting our screens in 1991 with ground-breaking special effects, this version will take the seminal blockbuster to the next level of effects and into the 21st century for a new generation of fans. It has been 10 years since the events of Terminator. Sarah Connor's ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he's still a child. Sarah and John don't have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost. The battle for tomorrow has begun Extras: NEW - T2: Reprogramming The Terminator documentary (including exclusive interviews with Arnold Schwarzenegger, James Cameron, Edward Furlong and many more) 2 feature Commentaries; 23 members of Cast & Crew (1993)/ director James Cameron & co-author William Wisher The making of T2 1993 Seamless Branching of the Theatrical cut, Director's Cut and Special extended edition 2 Deleted Scenes with audio commentary Trailers NEW T2:3D trailer (2017) T2 theatrical trailer This time there are two'/ Same make new mission'/ Building the perfect Arnold
WWE fans return to a live arena show for the first time in 16 months to witness WWE Superstars from RAW and SmackDown try to further their careers by competing in multiple Superstar Money in the Bank Ladder Matches. Who will claim their reward of a WWE Championship opportunity? And who will fall trying to climb the ladder of success?
This CinemaScope treatment of Frank Loesser's hit Broadway musical Guys and Dolls is a deeply rewarding visual and musical experience. Frank Sinatra turns in one of his best screen performances running a close second to Marlon Brando and Jean Simmons, looking adorable and singing sweetly. In essence this is a piece of photographed theatre mounted on a handsome scale. The striking set designs and a brilliantly executed soundtrack are courtesy of two Broadway craftsmen Oliver Smith and conductor Jay Blackton. Photographer Harry Stradling brings a meticulous eye for detail when his camera stationed on the auditorium side of the frame, peers into Miss Adelaide's bathroom cupboard as she views the lines of medicine bottles in her celebrated "lament". Sinatra, in his vocal prime, sings a new number to Adelaide (Vivian Blaine)--arranged by Nelson Riddle--and Brando and Simmons strike chords in all their scenes from their opening duet "I'll Know" through to their evening out at a Havana bistro where she gets pie-eyed on a Bacardi milk-shake, tipsily wondering "If I were a Bell". Stubby Kaye also from the Broadway cast recreates the show-stopping "Sit Down You're Rockin' the Boat". Michael Kidd's choreography for "Luck Be a Lady" is razor-sharp and superbly captured in the CinemaScope format, though the formalised staging of the opening ought to have been rethought for this medium. The biggest pity is that Loesser amended some of his lyrics and replaced several tunes from his original score with inferior material. On the DVD: The DVD trailer hosted by Ed Sullivan makes much of the $1,000,000 cheque producer Samuel Goldwyn paid for the rights and the previews of the picture he obtained for his weekly television show. There's no denying that the remastered stereophonic soundtrack captures the Broadway sound to thrilling effect without it being overglamorised. The picture looks splendid too--never settle for the compromise version we've endured all these years on television! --Adrian Edwards
Tracklist 1. Groove Machine 2. Alright 3. pleiades 4. Move 5. What Is This? 6. Lost In Germany 7. Black Flag 8. Pray 9. Dogman 10. Go Tell Somebody 11. Julie 12. Looking For Love 13. Summerland 14. Over My Head 15. It's Love 16. We Were Born To Be Loved 17. Goldilox 18. Visions 19. Moanjam 20. Behind The Scenes 21. Fall On Me
A BRAND NEW RESTORATION James Cameron's epic action, sci-fi masterpiece starring Schwarzenegger in his most iconic role, has been stunningly restored by Cameron himself. First hitting our screens in 1991 with ground-breaking special effects, this version will take the seminal blockbuster to the next level of effects and into the 21st century for a new generation of fans. It has been 10 years since the events of Terminator. Sarah Connor's ordeal is only just beginning as she struggles to protect her son John, the future leader of the human resistance against the machines, from a new Terminator, sent back in time to eliminate John Connor while he's still a child. Sarah and John don't have to face this terrifying threat alone however. The human resistance have managed to send them an ally, a warrior from the future ordered to protect John Connor at any cost. The battle for tomorrow has begun Extras: NEW - T2: Reprogramming The Terminator documentary (including exclusive interviews with Arnold Schwarzenegger, James Cameron, Edward Furlong and many more) 2 feature Commentaries; 23 members of Cast & Crew (1993)/ director James Cameron & co-author William Wisher The making of T2 1993 Seamless Branching of the Theatrical cut, Director's Cut and Special extended edition 2 Deleted Scenes with audio commentary Trailers NEW T2:3D trailer (2017) T2 theatrical trailer This time there are two'/ Same make new mission'/ Building the perfect Arnold
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