Secret Window (Dir. David Koepp 2004): Following a bitter separation from his wife (Bello) famed mystery writer Mort Rainey (Depp) is unexpectedly confronted at his remote lake house by a dangerous stranger named John Shooter (Turturro). Claiming Rainey has plagiarised his short story the psychotic Shooter demands justice. When Shooter's fearful demands turn to threats - and then murder - Rainey turns to a private detective for help. But when nothing stops the horror from spiralling out of control Rainey soon discovers he can't trust anyone or anything... Panic Room (Dir. David Fincher 2002): Meg Altman is at a crossroads. Suffering through a painful divorce from her husband pharmaceuticals millionaire Stephen Altman Meg moves from their suburban home in Greenwich Connecticut and buys and Upper West Side Manhattan townhouse for herself and her eleven-year-old daughter Sarah. She intends to go back to school raise her child and start a new life. But the panic she feels at starting over pales in comparison to her fear and desperation when intruders break into her new home. Enough (Dir. Michael Apted 2002): In this Michael Apted thriller Jennifer Lopez plays former waitress Slim who marries a customer who has defended her honour but later discovers her husband (Bill Campbell) is a womaniser prepared to enforce the rule of law with regular beatings if Slim decides not to tow the line and accept his philandering. Enough is enough for Slim who skips town and begins a cross country trek as she and her daughter attempt to stay one step ahead of her husband...
Winner of 7 Cesar Awards Same Old Song is a delightful romantic musical comedy directed by Alain Resnais (Hiroshima Mon Amour and Last Year at Marienbad) one of France's most internationally acclaimed directors. Same Old Song revolves around two Parisian sisters caught in a web of dysfunctional relationships and romantic confusion. Odile an upper-class wife and businesswoman finds an escape from her submissive husband Clau
Don't Stop Movin' tracks the group's travels around the UK for their sell-out Carnival 2002 arena tour. From rehearsals to the last night, the nine episodes (originally shown on BBC TV) highlight their travails and tears. The programmes succeed in depicting the human side of S Club, with Paul declaring his love for Hannah and Jo discussing how she was bullied at school (though there are also occasional glimpses of S Club's prima donna showbiz egos along the way). There are plenty of surprises too with Tess Daley appearing on stage at their Glasgow gig to present their Brit Award, and Will Young and Gareth Gates (the support act for the tour) appearing in a number of the episodes. Interspersed with extracts from the live show, the release serves as a taster for S Club Carnival Live. However, the nine episodes do stretch the material to the extreme, with the footage perhaps being better suited for a compact 30-minute behind-the-scenes bonus documentary on the concert DVD. On The DVD: Don't Stop Movin' offers no bonus material or additional features. The colourful feature visuals and crisp sound do at least convey the backstage energy and atmosphere. --John Galilee
This comedy concerns an inventor (Robert Dhery) of a boat who is fired by his violent irascible boss when the project is completed. The boat christened Le Petit Baigneur is wanted by the Boss (
This controversial and daring film from director Lynne Stopkewich focuses on the simple yet complex life of a woman who yearns for more than her humdrum existence offers. Leila (Molly Parker) is bored. Married and working shifts as a clerk in a dilapidated motel she is secure but unfulfilled. Craving change and excitement she agrees to meet with a lonely male guest in the privacy of his room. In spite of the reputation she gets amongst the staff Leila begins a torrid affair wi
The Grudge (Dir. Takashi Shimizu 2004): American nurse Karen Davis (Sarah Michelle Gellar) living and working in Tokyo is drawn to an odd house and exposed to a mysterious supernatural curse one that locks a person in a powerful rage before claiming their life and spreading to another victim... Produced by Sam Raimi The Grudge sees Sarah Michelle Gellar changing tack from her 'Buffy' guise in this superior chiller directed by Takashi Shimizu adapted from his
Yolanda sings in a seedy nightclub. When her boyfriend dies of an overdose, she fears the police and seeks refuge in a convent that saves women from the streets. These off-beat nuns include a heroin using abbess who loves Yolanda, one who writes romance novels under a pseudonym, another raising a tiger in the convent yard, and one who designs fabulous fashions and is in love with the local priest. They plan an evening extravaganza starring Yolanda to celebrate the abbess's birthday and to convince their wealthy patron not to abandon them.
There's a sucker born every minute. Director Miguel Bardem (Javier Bardem's brother) delivers a stylish Grifters-style crime thriller that would not only make David Mamet proud - it would have him second-guessing the plot twists right down to the final frame. The slick handsome Ernesto (Ernesto Alterio) has spent a lifetime in the small-racket crime world working the three-card monte on suckers on the streets of Madrid conning store owners and scouting the train stations for easy marks to rob. His pleasant but decidedly small-time lifestyle changes when he meets the elderly El Manco (Manuel Alexandre) a veteran of the trade who has close contacts to the mysterious and masterful Federico (Federico Luppi) the king of all con men. The three hook up and after ascending to the rarified world of elegant hotels and high living Federico proposes a real estate con that will net them millions. The only hitch is that they need the assistance of Federico's ex-lover Pilar (Victoria Abril). A former con artist herself Pilar (who cheated Federico on a scam years earlier) is now living in luxury with her new elderly husband. The chase is on as the team embarks on their new complicated con . . . but can everyone be trusted? Swindled is an elegant fun fast-moving film where the secrets treachery and twists will keep you on the edge of your seat until the final frame.
Season 9 Volume 49:9.18 Arthur's Mantle:Daniel finds Carter's laptop hooked up to an unfamiliar device, which shifts its users to an alternate dimension. Teal'c is investigating a planet of Jaffa warriors. He believes that Volnek, a warrior, may have been brainwashed by the Ori, and he finds himself in an intense match with the violent warrior.9.19 Crusade:Vala reappears with important news. She learned that the Ori have steadily been building an army and constructing a fleet of ships, and plan to stage a massive crusade. Now, SG-1 is left only with the uncertainty of their friends safety and the doom they are soon to face.9.20 Camelot:Upon receiving a lead on an Ancient device, the team travels to the village of Camelot. Carter learns that the device has the ability to completely obliterate the Ori's galaxy. To the team's horror, the first Ori ships begin arriving before she returns. SG-1 prepares for their biggest battle yet.
Love'S Labour'S Lost
Features five films created by the artist William Raban exploring the properties of film and his immediate surroundings: 'Thames Barrier' 'Fergus Walking' 'A13' 'MM' and 'Thames Film'.
An historic performance by the legendary Galina Ulanove highlights this lavish film version of the ever-popular ballet. Choreographed by Leonid Lavrovsky and conducted by Gennady Rozhdestvensky this film is rich in detail and characterized by its lovely interior and exterior location work. Yuri Zhdanov is the young Romeo to Ulanova's unforgettable Juliet. With this release ROMEO AND JULIET can be seen for the first time in its remastered version on DVD.
Golden Globe-winner Brian Dennehy is back as star director and co-writer of a hard-hitting crime-thriller featuring Jack Reed Chicago's toughest and most incorruptible cop. Jack Reed is investigating the brutal murder of a 'biker babe' while simultaneously battling corruption within his own department. Besieged by cops and criminals alike Reed wonders just who he can trust - and who exactly is undermining all his efforts.
A journey inside the world of real life caped crusaders. From all over America, these self-proclaimed crime fighters, don masks, homemade costumes and elaborate utility belts in an attempt to bring justice to evildoers everywhere.
When two sisters find a harmless looking object in the woods they cannot know what to what extent it will change their world – and ours – forever. The small black sphere – mysterious seductive enticing – conveys a message a deep profound biological message that will reshape our world recasting relationships with the universe beyond our wildest dreams and worst nightmares. It holds the key to our destiny. It holds the secret to a new kind of life. It holds the embryo of a plan of alien invasion. It is so much more than just The Device.
Mexican rebel Pancho Villa needs guns. First he'll need the money to buy them. After persuading a group of money lenders to loan him $30 000 using their lives as collateral he sends his right hand man Scotty across the border into America to buy them. Scotty is doublecrossed and Villa gathers his rag tag army to take revenge. His army ends up victorious in the American town of Columbus. However he now must face the wrath of the United States Army...
With Vacas, his first feature, the Basque director Julio Medem set out all the elements of his audacious and idiosyncratic approach to filmmaking: intricate, circular plots; richly sensual imagery and highly stylised camerawork; a deft interweaving of fantasy and reality; and a thoroughly subversive attitude to Spanish tradition and folklore. Vacas takes a staple Spanish genre--the epic historical melodrama with all its bombast and macho posturing--and kicks the stuffing out of it while pelting it with cowpats. The action unrolls between two Spanish civil wars--the Second Carlist War of 1874-5, and the rather better-known conflict that started in 1936. An incident in the first of these sets up a feud between two farming families in a Basque valley, and the story leapfrogs down the decades taking in star-crossed lovers, log-chopping contests (a staple Basque competitive sport, it seems), mutilation, madness, incest, photography and any number of cows, through whose placidly bemused gaze we view a good deal of the action. Though Medem is dealing with all the solemn Hemingway-esque elements of romantic Spanishry--honour, blood and death--his approach is too playful to admit any real sense of tragedy. Much of the time the tone is closer to myth, and there's more than a touch of magic realism: axes fly miles through the air, and a tree in the woods can apparently eat people alive. In the end, of course, love triumphs over all. Medem's films have since gained greatly in sophistication and technique, but there's exuberance about this debut work that's irresistible. On the DVD: Vacas on disc has trailers for all five of Medem's features to date; filmographies for Medem and his two lead actors, Emma Suárez and Carmelo Gómez; and useful written notes on the movie by film historian Robert Stone. The transfer's clean and clear, doing justice to Carles Gusi's rich photography, with good sound and in the original ratio. --Philip Kemp
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