When the Khmer Rouge captured the Cambodian capital Phnom Penh in 1975 many thought the killing would end. Instead it started a long nightmare in which three million Cambodians would lose their lives in the killing fields... The Killing Fields is an epic true story of friendship and survival produced by David Puttnam (Chariots of Fire) and directed by Roland Joffe (The Mission). Sam Waterston plays Sydney Schanberg whose war coverage entraps him and other journalists in Cambodia's turbulent politics. Dr. Haing S. Ngor is Dith Pran Schanberg's aide and friend who saves them from execution. But Pran is sentenced to work in the labour camps enduring starvation and torture before attempting an escape to neighbouring Thailand.... In real life Dr Ngor also endured Khmer Rouge atrocities and saw his moving Oscar-winning portrayal of Pran (one of the film's three Academy Awards) as a way of bringing his nation's tragic ordeal to light.
On The Basis of Sex is the powerful and timely true story of US Supreme Court Justice Ruth Bader Ginsburg who led the fight against gender discrimination and blazed an unprecedented trail for equality. From being one of only a few women accepted at Harvard Law to co-founding the Women's Rights Project at the ACLU, Bader Ginsburg overcame all odds to become one of the most influential figures in the battle for equal rights, passionately arguing ground-breaking landmark cases and giving a voice to those unable to be heard. Lighting up the screen with fantastic performances, Felicity Jones stars as Ruth Bader Ginsburg and Armie Hammer as her husband Marty, a talented lawyer in his own right who offers unwavering support to his wife. Directed by Mimi Leder and written by Ruth Bader Ginsburg's nephew, Daniel Stiepleman, On the Basis of Sex also stars Justin Theroux, Kathy Bates and Cailee Spaeny.
Finding out that their husbands are not just work partners, but have also been romantically involved for the last 20 years, two women with an already strained relationship try to cope with the circumstances together.
This harrowing but rewarding 1984 drama concerns the real-life relationship between New York Times reporter Sidney Schanberg and his Cambodian assistant Dith Pran (Haing S. Ngor), the latter left at the mercy of the Khmer Rouge after Schanberg--who chose to stay after American evacuation but was booted out--failed to get him safe passage. Filmmaker Roland Joffé, previously a documentarist, made his feature debut with this account of Dith's rocky survival in the ensuing madness of the Khmer Rouge's genocidal campaign. The script of The Killing Fields spends some time with Schanberg's feelings of guilt after the fact, but most of the movie is a shattering re-creation of hell on Earth. The late Haing S. Ngor--a real-life doctor who had never acted before and who lived through the events depicted by Joffé--is outstanding, and he won a Best Supporting Actor Oscar. Oscars also went to cinematographer Chris Menges and editor Jim Clark. --Tom Keogh
Poignant penetrating and scathing hilarious Crimes and Misdemeanors is a deftly rendered tale about the complexity of human choices and the moral microcosm that they represent. Showcasing Allen’s brilliant grasp of the link between the funny and the fatal his nineteenth movie Crimes and Misdemeanors is one of the watershed films of his career. Cliff Stern (Woody Allen) is an idealistic filmmaker… until he is offered a lucrative job shooting a flattering profile of
All seven episodes of the BBC drama starring Sam Waterston as theoretical physicist J. Robert Oppenheimer, the man who led the team on the Manhattan Project to develop and build the first atomic bombs during WWII. A brilliant scientist, Oppenheimer is nevertheless suspected of communist sympathies by the government. Meanwhile, as he begins to realise the scale of the weapon he has helped to create, he becomes increasingly ambivalent, and even hostile, about its eventual use. The cast also includes Peter Banks, David Suchet and Colin Bennett.
Based on his own worldwide best-selling classic ""The Rise and Fall of the Third Reich"" The Nightmare Years tells the incredible true story of William Shirer an American journalist who during his days in 1930's Germany confronts the growing oppression of the Nazi regime the increasing censorship of the press and the tries to warn the world of the escalating prospect of World War.
Perhaps no movie could capture F Scott Fitzgerald's novel The Great Gatsby in its entirety, but this adaptation, scripted by Francis Ford Coppola, is certainly a handsome try, putting costume design and art direction above the intricacies of character. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. The problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the jazz age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton
""I am become Death destroyer of worlds..."" - J. Robert Oppenheimer A thrilling miniseries biopic of American physicist J. Robert Oppenheimer who led the U.S efforts during World War II to develop the atomic bomb only to find himself suspected as a risk to national security from Communist sympathies stemming from an increasing ambivalence toward's his life's work... Nominated for a Golden Globe for Sam Waterston in the title role.
The mission was a sham. The murders were real. What if one of the greatest space adventures was really a hoax? The whole world is watching the first manned flight to Mars prepare. Suddenly its astronauts (James Brolin Sam Waterson and O.J. Simpson) are taken from the craft to an abandoned desert hanger where NASA's director (Hal Holbrook) tells them their life support systems have failed. Because the mission's success is crucial to future space programs he orders them to ta
In the high-stakes world of political power-brokers, Elizabeth Sloane (Jessica Chastain) is the most sought-after and formidable lobbyist in D.C. Known equally for her cunning and her track record of success, she has always done whatever is required to win. But when she takes on the most powerful opponent of her career, she finds that winning may come at too high a price.
For as long as they can recall, Grace (Jane Fonda) and Frankie (Lily Tomlin) have been at odds with each other. But their relationship suddenly changes when they learn that their husbands, Robert (Martin Sheen) and Sol (Sam Waterston), have fallen in love and asked for divorces so they can marry one another! As everything around the ladies is coming apart, the only thing they can really rely on is each other.
Perhaps no movie could capture F Scott Fitzgerald's novel The Great Gatsby in its entirety, but this adaptation, scripted by Francis Ford Coppola, is certainly a handsome try, putting costume design and art direction above the intricacies of character. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. The problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the jazz age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton
Although indisputably a film by Woody Allen, Interiors is about as far from "a Woody Allen film" as you can get--and maybe more people could have seen what a fine film it is if they hadn't been expecting what Allen himself called "one of his earlier, funnier movies." An entirely serious, rather too self-consciously Bergmanesque drama about a divorcing elderly couple and their grown daughters, it is slow, meditative and constructed with a brilliant, artistic eye. There is no music--a simple effect that Allen uses with extraordinary power. In fact, half the film is filled with silent faces staring out of windows, yet the mood is so engaging, hypnotic even, that you never feel the director is poking you in the ribs and saying, "sombre atmosphere". Diane Keaton, released for once from the ditzy stereotype, shines as the "successful" daughter. Some of the dialogue is stilted and it's hard to tell whether this is a deliberate effect or simply the way repressed upscale New Yorkers talk after too many years having their self-absorption sharpened on the therapist's couch. Fanatical, almost childish self-regard is the chief subject of Allen's comedy--it's remarkable that in this film he was able to remove the comedy but leave room for us to pity and care about these rather irritating people. --Richard Farr
""Fine and brave! Allen's touch for drama has gotten warmer and surer."" -Los Angeles Times. Woody Allen delivers a haunting ""superbly constructed"" (The Hollywood Reporter) film that examines the intricate world of human emotions and the delicate threads that hold them together. Beautifully acted by an all-star cast including Mia Farrow Sam Waterson Dianne West Denholm Elliott Elaine Stritch and Jack Warden September illustrates ""some of Allen's most powerfully ironic dialogue
This harrowing but rewarding 1984 drama concerns the real-life relationship between New York Times reporter Sidney Schanberg and his Cambodian assistant Dith Pran (Haing S. Ngor), the latter left at the mercy of the Khmer Rouge after Schanberg--who chose to stay after American evacuation but was booted out--failed to get him safe passage. Filmmaker Roland Joffé, previously a documentarist, made his feature debut with this account of Dith's rocky survival in the ensuing madness of the Khmer Rouge's genocidal campaign. The script of The Killing Fields spends some time with Schanberg's feelings of guilt after the fact, but most of the movie is a shattering re-creation of hell on Earth. The late Haing S. Ngor--a real-life doctor who had never acted before and who lived through the events depicted by Joffé--is outstanding, and he won a Best Supporting Actor Oscar. Oscars also went to cinematographer Chris Menges and editor Jim Clark. --Tom Keogh
14-year-old Dani is filled with curiosity and anticipation awaiting her first love and she wistfully compares herself to her old sister Maureen who is pursued by every male in town. One day Dani meets 17-year-old Court Foster and falls head over heels in love. Then Court meets Maureen... Suddenly the sisters' very special bond is threatened and a chain of events set in motion that will change their young lives forever...
Miles Kendig is a veteran CIA agent who finds himself reduced to a desk job after the arrival of new boss Myerson. Refusing to take it lying down he disappears and begins to write his memoirs threatening to lift the lid on the world's top intelligence agencies. He soon has both the CIA and the KGB in hot pursuit but Kendig is a hard man to keep up with. Walter Matthau and Glenda Jackson are the perfect comic partnership in this classic spy caper from celebrated director Ronald Neame.
Planet Prysmos post-apocalypse. Two groups rise to dominance from the devastation to wage war upon each other. One is controlled by law abiding people and the other by criminals and villains. Following an open challenge thrown down by the great wizard Merklynn fourteen surviving knights are granted powers of transformation and magical energy. The group are now divided between the good Spectral Knights and the evil Darkling Lords. The battle for supremacy begins... Featuring
It divided a country. It created a nation.
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