No review of Lawn Dogs can adequately describe this extraordinary movie, nor can the title or any simple synopsis. In fact, there's no way of knowing what Lawn Dogs is really about until the very end when the last 90-minutes takes on a whole new significance. The basic story follows the formation and fruition of a simple friendship. Devon (astounding newcomer Mischa Barton) is a 10-year-old girl born to glamour magazine identikit parents who live in the plush US suburban Camelot Gardens Estate. Trent (Sam Rockwell) is a 20-something lawnmower man whom everyone considers trash and who lives in a forest trailer. As secret friends they fill the holes in one another's lives. She has no other friends because she thinks "other kids smell like TV". It's all perfectly sweet and innocent. But naturally there's no way the uptight neighbourhood would perceive it that way. A creeping sense of doom begins to overtake events; but it is where this seemingly obvious tale twists at the end that makes the community's darker quirks a revelation. On the DVD: Lawn Dogs on disc comes in a 16:9 transfer that retains the superb cinematography of endlessly stretching flat horizons. The three-channel sound is equally of benefit to a subtle bluesy score. Regrettably the only extra is a trailer. As a winner at numerous International Film Festivals, this picture really deserved something more. --Paul Tonks
Cam (Taylor Lautner) is barely scraping by working long hours as a bike messenger in New York City and living in a friend’s garage. Desperate to try and make a better future for himself Cam is in need of an out. His prayers are soon answered when he meets the beautiful and enigmatic Nikki (Marie Avgeropoulos) and together they use their combined skills of speed and parkour to commit robberies all over the city. It’s easy money at first but when they target the wrong kind of people it soon becomes a case of life and death.
The Sitter may be the last movie featuring the "heavy" version of Jonah Hill. With the many pounds he's since lost, many movie-industry minds are wondering if the Jonah Hill-ness of his screen persona, flaunted so prodigiously in the likes of Knocked Up, Get Him to the Greek, and Superbad, has disappeared from the scales too. But until Jonah 2.0 gets his chance, The Sitter couldn't capture his trash-talking, man-child, king-of-comeback essence more boldly, more lovingly, or with such blatant vulgarity. Hill plays Noah, a jobless twentysomething layabout still living with his divorced mum along with the delusion that he has a hot girlfriend (she only keeps him around for oral talents that are unrelated to speech). As a favour that might help Mum with her own sad love life, he agrees to a one-night babysitting stand for the neighbours and their three wildly dissimilar but equally messed-up children. The night progresses through slapstick, farce, adventure, romance, danger, pathos, and eventual catharsis for everyone. (Unfortunately there's a touch of maudlin, sentimental corn in the mix too.) The children are as important to the escapades as Noah and are the primary source of his stupid/smooth shtick that mixes clever put-downs, terrified jabbering, and hilariously relentless patter of urban slang vernacular. Noah's spoiled charges are two boys--an anxiety-wracked 13-year-old and a 10-year-old Nicaraguan adoptee with severe anger and pyromania issues--and a precocious 8-year-old-girl who's heavily into make-up, hip-hop, and a score of other age-inappropriate behaviours. As the four of them hurtle deeper into the night, the situations become more antically treacherous with drug dealers, gangster thugs, police officers, and upper-crust snobs as part of the mix, along with their knives, cocaine, diamonds, alcohol, and guns. Director David Gordon Green, whose unusual career has gone from art house (George Washington, All the Real Girls) to raunchy bromance (Pineapple Express, Your Highness), supplants formal technique with the off-kilter and oft-unseemly style of Jonah Hill vs. the world. Green sometimes evokes the flow of surreality that Martin Scorsese took to unnatural ends in After Hours, only with more dirty bits and a lot more full-on crude laughs. Nearly everyone in the large supporting cast makes an excellent foil for the star's constant streetwise riffing, especially Sam Rockwell, who digs in to his role as a psychotic but emotionally conflicted drug dealer always on the lookout for new best friends. But it is Jonah Hill who sits firmly, even heavily in the driver's seat. It's a great place to flash his better-honed actorly chops along with his beloved version 1.0 comedic gift. --Ted Fry
A young Englishman plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.
Clash of the Titans The ultimate struggle for power pits men against kings and kings against gods. But the war between the gods themselves could destroy the world. Born of a god but raised as a man, Perseus (Sam Worthington) is helpless to save his family from Hades (Ralph Finnes), vengeful god of the underworld. With nothing left to lose, Perseus volunteers to lead a dangerous mission to defeat Hades before he can seize power from Zeus (Liam Neelson) and unleash hell on earth. Leading a daring band of warriors, Perseus sets off on a perilous journey deep into forbidden worlds. Battling unholy demons and fearsome beasts, he will only survive if he can accept his power as a god, defy his fate and create his own destiny. Wrath of the Titans A decade after his heroic defeat of the monstrous Kraken, Perseus (Worthington) - the demigod son of Zeus (Neeson) - is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity's lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos. Perseus cannot ignore his true calling when Hades, along with Zeus' godly son, Ares (Edgar Ramrez), switch loyalties and make a deal with Kronos to capture Zeus. The Titans' strength grows stronger as Zeus' remaining godly powers are siphoned, and hell is unleashed on earth. Perseus bravely embarks on a treacherous quest into the underworld to rescue Zeus, overthrow the Titans and save mankind.
Titles Comprise: Fool For Love:Cowboy drifter Eddie reconnects with May the love of his life in a seedy desert motel even though she's taken up with a new boyfriend. But that's not the only threat to their rekindled passion. A mysterious old man also harbours a secret so dark and forbidden it could destroy Eddie and May's love forever... The Long Goodbye:Not content with repeating the standard movie Marlowe director Robert Altman with screenpaly by Leigh Brackett neatly reinvents him in this daring version - an unromanticized snoop for hire in an unromanticized L.A. The case involves what police dismiss as a murder/suicide. Fifty bucks a day plus expenses buys a lot of intrigue. And there are folks who have something to hide. Of course Marlowe's never been in the business for the money. He's doing what he does best. And doing it like never before. M*A*S*H:One of the world's most acclaimed comedies M*A*S*H focuses on three Korean War Army surgeons brilliantly brought to life by Donald Sutherland Tom Skerritt and Elliott Gould. Though highly skilled and deeply dedicated they adopt a hilarious lunatic lifestyle as an antidote to the tragedies of their Mobile Army Surgical Hospital and in the process infuriate Army bureaucrats. Robert Duvall Gary Burghoff and Sally Kellerman co-star as a sanctimonious Major an other-worldly Corporal and a self-righteous yet lusty nurse... O.C And Stiggs:O.C. and Stiggs are two Arizona teenagers who are intent on making life miserable for their nerdy neighbours the Schwabs - Randall Elinore Randall Jr and Lenora. The pair idolize musician King Sunny Ade and when they find out he's playing a show in mexico they travel to see him with their dimwitted friend Barney. As the summer progresses O.C. and Stiggs continue to torment the Schwabs - at Lenora's wedding and the opening night of the local theatre group's play to which they invite King Sunny Ade and his African Beats to perform. Thieves Like Us:Classic romantic drama about three convicted killers Bowie Chicamaw and T-Dub who escape from prison in 1937 rural Mississippi. Bowie the youngest of the fugitives meets and falls for an ingenious farm girl Keechie. The gang quickly turns to the only thing they know bank robbery. The press closely follows the desperados notorious exploits which include a serious car accident another jail break and several killings.
The SitterThe Sitter may be the last movie featuring the "heavy" version of Jonah Hill. With the many pounds he's since lost, many movie-industry minds are wondering if the Jonah Hill-ness of his screen persona, flaunted so prodigiously in the likes of Knocked Up, Get Him to the Greek, and Superbad, has disappeared from the scales too. But until Jonah 2.0 gets his chance, The Sitter couldn't capture his trash-talking, man-child, king-of-comeback essence more boldly, more lovingly, or with such blatant vulgarity. Hill plays Noah, a jobless twentysomething layabout still living with his divorced mum along with the delusion that he has a hot girlfriend (she only keeps him around for oral talents that are unrelated to speech). As a favour that might help Mum with her own sad love life, he agrees to a one-night babysitting stand for the neighbours and their three wildly dissimilar but equally messed-up children. The night progresses through slapstick, farce, adventure, romance, danger, pathos, and eventual catharsis for everyone. (Unfortunately there's a touch of maudlin, sentimental corn in the mix too.) The children are as important to the escapades as Noah and are the primary source of his stupid/smooth shtick that mixes clever put-downs, terrified jabbering, and hilariously relentless patter of urban slang vernacular. Noah's spoiled charges are two boys--an anxiety-wracked 13-year-old and a 10-year-old Nicaraguan adoptee with severe anger and pyromania issues--and a precocious 8-year-old-girl who's heavily into make-up, hip-hop, and a score of other age-inappropriate behaviours. As the four of them hurtle deeper into the night, the situations become more antically treacherous with drug dealers, gangster thugs, police officers, and upper-crust snobs as part of the mix, along with their knives, cocaine, diamonds, alcohol, and guns. Director David Gordon Green, whose unusual career has gone from art house (George Washington, All the Real Girls) to raunchy bromance (Pineapple Express, Your Highness), supplants formal technique with the off-kilter and oft-unseemly style of Jonah Hill vs. the world. Green sometimes evokes the flow of surreality that Martin Scorsese took to unnatural ends in After Hours, only with more dirty bits and a lot more full-on crude laughs. Nearly everyone in the large supporting cast makes an excellent foil for the star's constant streetwise riffing, especially Sam Rockwell, who digs in to his role as a psychotic but emotionally conflicted drug dealer always on the lookout for new best friends. But it is Jonah Hill who sits firmly, even heavily in the driver's seat. It's a great place to flash his better-honed actorly chops along with his beloved version 1.0 comedic gift. --Ted Fry CyrusMumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years since Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to call it purity would be too highbrow for these aggressively pedestrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher calibre of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. --Bret Fetzer
Mel Gibson stars in this hard hitting Vietnam War drama set against the backdrop of the first major battle between US and North Vietnamese forces.
TV drama following the turmoil of football club Manchester United through the Munich air disaster that killed a number of its staff and star players. In February 1958 a flight leaving Munich-Riem Airport crashed on its third attempt to take off. On board were the famous 'Busby Babes', a team of gifted young players led by the famous manager Matt Busby, returning to Manchester after successful qualification to the European cup semi-finals. A number of players, including Duncan Edwards, were killed in the crash, and still more injured. This BBC dramatisation of events follows star player Bobby Charlton (Jack O'Connell) and coach Jimmy Murphy (David Tennant) as they attempt to recover from the crash. With Busby (Dougray Scott) still hospitalised with his injuries and so many of their players gone, stand-in coach Murphy and the still-grieving Charlton will be crucial to the success on the field that would honour those so tragically lost.
Texas City, Texas. Homicide detectives fight a spate of recent murders battling each other and the draw of the haunted dumping ground known as The Killing Fields.
During World War II a British Commando raiding party are despatched to Rhodes to destroy German airfields in a mission fraught with danger...
Two professional killers invade a small town and kill a gas station attendant ""the Swede "" who's expecting them. Insurance investigator Reardon pursues the case against the orders of his boss who considers it trivial. Weaving together threads of the Swede's life Reardon uncovers a complex tale of treachery and crime all linked with gorgeous mysterious Kitty Collins.
Oscar-winning director Ron Howard brings to the screen writer Peter Morgan's electrifying battle between Richard Nixon, the disgraced president with a legacy to save, and David Frost, a jet-setting television personality with a name to make.
On remote Isla Nuba entrepreneur John Hammond (Richard Attenborough) has built the ultimate theme-park, populated by genetically engineered dinosaurs painstakingly reconstructed from DNA extracted from prehistoric amber... and, of course, frogs! Adapted from Michael Crichton's novel, Steven Spielberg's classic blockbuster became a cultural and commercial phenomenon thanks in part to the enduring appeal of all things prehistoric. But the film's extraordinarily realistic digital dinosaurs also showcased the spectacular computer-generated effects which have since become ubiquitous in Hollywood filmmaking. Indeed, in the years since 1993 it is debatable whether any film has revolutionised special effects to such an extent, and this DVD release offers the perfect opportunity to relive its visual and aural splendour (the film was also the first to be released with a DTS soundtrack). Given the rather insipid team of experts (including Sam Neill, Laura Dern and Jeff Goldblum) sent to approve Hammond's site, there is no doubt that the dinosaurs are the real stars of Spielberg's film. From the benign majesty of the towering brachiosaurus to the reptilian menace of the velociraptors, the inhabitants of Jurassic Park were a radical departure from their stop-motion predecessors, and remain compellingly real in their animalistic pursuit of survival at all costs. Most memorable of all is the T-rex, displaying a spine-chilling combination of physical ferocity and child-like bewilderment in the face of its reincarnation in the modern world. It was no surprise that in The Lost World sequel the T-rex once again took centre stage, but this first appearance still retains a unique power and a seminal place in film history. --Steve Napleton
decade after his heroic defeat of the monstrous Kraken, Perseus (Worthington)-the demigod son of Zeus (Neeson)-is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans. Dangerously weakened by humanity's lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos.
Good cop. Bad alien. Big trouble! Jack Kane (Lundgren) is an unorthodox Houston cop out to stop a yuppie criminal gang known as the White Boys. However his investigation is about to get a rather odd but deadly extra-terrestrial dimension! Reluctantly partnered with FBI agent Laurence Smith Kane begins to realise that an alien presence is on the streets collecting a priceless intergalactic drug that can only be found in the human brain...
All the episodes from the second series of the classic TV comedy. Just Desserts Fletch is appalled - apparently there is a thief amongst his fellow inmates at Slade Prison! Somebody has lifted a 2lb tin of Pineapple chunks from his cell. Heartbreak HotelIt is just too ridiculous to be true: surely Godber could never attack anyone? But then he had just received a Dear John letter from his beloved Denise. Disturbing The PeaceIt should be good news that Mackay is go
What kind of guy was the wizard Merlin, anyway? He lives a long time, raises a boy to be a king, props up a Utopian empire with his magic and wisdom, and then watches as it all crumbles under such banal forces as vengeance and betrayal. This four-hour mini-series re-tells the story of Camelot and King Arthur from the perspective of the magic man who sacrifices a great deal to guide mortals toward a better destiny. Sam Neill plays Merlin as an accessible, flesh-and-blood fellow of real passion, powerless to undo the spell of a rival (Rutger Hauer) who has virtually imprisoned Merlin's great love, Nimue (Isabella Rossellini), but gifted enough to counter the treachery of Morgan Le Fey (Helena Bonham Carter) and the wicked Queen Mab (Miranda Richardson). The battle sequences and special effects are striking and original, and it is great fun to see such art-house movie actors as Richardson, Carter, Neill, etc., in fantasy entertainment the whole family can enjoy. (An unrecognizable Martin Short must be singled out, however, for a wonderful, largely dramatic performance as Mab's sidekick, Frik.) Directed by Steve Barron (The Adventures of Pinocchio), Merlin is a nice bit of glossy revisionism of a beloved legend. --Tom Keogh
Hepburn plays Amanda Wakefield, a faded Southern belle now living in a small urban apartment, where she suffocates her two children - her restless son Tom (a very young Sam Waterson) and her painfully shy daughter Laura (Joanna Miles) - with her incessant mixture of insistent cheer and guilt. After much prodding from Amanda, Tom finally brings home a friend from his workplace, in the hope that he might strike up a romance with reclusive Laura. The result is one of the sweetest and most h...
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