Blessed with a treasure of timeless songs South Pacific combines the passionate heartwarming romance of a naive young Navy nurse (Mitzi Gaynor) and an older French plantation owner (Rossano Brazzi) with South Seas splendour and a world at war while the breathtaking score is highlighted by some of the most romantic songs ever written.
Like Sylvester Stallone's Rocky and Rambo the hero of Cobra is another original: Lt. Marion Cobretti a one-man assault force whose laser-mount submachine gun and pearl-handled Colt 45 spit pure crime-stopping venom. Rambo: First Blood Part II director George P Cosmatos rejoins Stallone for this thriller pitting Cobretti against a merciless serial killer. The trail leads to not one murderer but to a ""New Order"" - and killing the inadvertent witness (Brigette Nielsen) to their late
This stand-alone epic-action adventure set in modern day Japan reveals the untold story of Wolverine (Hugh Jackman) the most iconic character from the X-Men universe and evolves the character saga to new levels of depth intensity and visceral action. Out of his depth in an unknown world he will face a host of unexpected and deadly opponents in a life-or-death battle than will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits he confronts not only lethal samurai steel but also his inner struggle against his own immortality emerging more powerful than ever before.
When Thomas wakes up trapped in a massive maze with a groups of other boys he has no memory of the outside world other than strange dreams about a mysterious organisation known as W.C.K.D. Only by piecing together fragments of his past with clues he discovers in the maze can Thomas hope to uncover his true purpose and a way to escape. Based on the best-selling novel by James Dasnher.
As a brooding teenager, BOYS ON FILM is celebrating it s (not so) sweet sixteen with an astonishing selection of the latest international gay short films. Featuring golden boys, teenage lust, self-conscious dolls, chance encounters and a vengeful creature, alongside a holiday romance and a young man s attempt to conceal his sexuality from his mum, BOYS ON FILM 16 is our most possessive collection yet. GOLDEN Dir. Kai Stänicke (Germany) 3 mins As a golden boy becomes a golden man, his carefree spirit wanes under the weight of being different. As he grows up he becomes more introverted until, one day he discovers he s not alone. JAMIE Dir. Christopher Manning (UK) 9 mins Shy, quiet Jamie, spends a revealing afternoon with Ben after meeting on a dating app. As they chat, Jamie finds himself opening up and letting loose his hopes and fears in an unexpected awakening. B. Dir. Kai Stänicke (Germany) 15 mins Torn between a cold relationship with K. and her feelings for another woman, shy and insecure B. is heading for a disaster. For too long she has suppressed her desire and lived a lie. But is it really too late for B. to follow her heart? PYOTR495 Dir. Blake Mawson (Canada/Germany) 15 mins One evening in Putin s Moscow, 16-year-old Pyotr is baited by an ultra-nationalist group known for their violent abductions and attacks on young gay men. But Pyotr isn t as defenceless as he might appear... WHEN A MAN LOVES A WOMAN Dir. Charlie Francis (UK) 10 mins When Nick, who still hides his sexuality from his mother, gets a call to say she s coming to visit, he desperately turns to best friend Amanda to pose as his girlfriend. Nick must use charm, cash and emotional blackmail to convince a hungover and reluctant Amanda to continue the ruse. FOLLOW ME Dir. Anthony Schatteman (Belgium) 16 mins Eighteen-year-old Jasper is madly in love with his art teacher. Overcome with confusion and longing, Jasper takes to following his teacher and his new girlfriend wherever they go. CHANCE Dir. Jake Graf (UK) 17 mins Trevor's life has become a void, following the passing of his wife and long term companion, Doris. A chance encounter in the park with a mysterious stranger equally troubled by his own dark past jarringly reawakens him, and forces both men to live again. SIGN Dir. Andrew Keenan-Bolger (USA) 15 mins When Ben summons up the courage to talk to Aaron at their local subway station he is surprised to find that Aaron is deaf. Despite the communication barrier love blossoms, but their very different worlds threaten to tear them apart. AWAY WITH ME Dir. Oliver Mason (UK, France) 11 mins Alex and Paolo have just hooked up in London. Despite only knowing each other briefly, Alex whisks Paolo away to his Aunt's home in Nice. Alex believes it s a holiday romance, but does Paulo feel the same? WE COULD BE PARENTS Dir. Björn Elgerd (Sweden) 15 mins Marely left Erik when he found out he was selling himself for sex. Now, Erik s last chance to get Marely back is to make this film explaining the reason why; so that they could afford to become parents one day.
A serious film on a serious subject, Dead Man Walking (1995) is enriched by two excellent performances: Sean Penn as a murderer and rapist facing execution on Death Row, and Susan Sarandon as a nun who visits and befriends him. Tim Robbins, the writer and director of the film (and Sarandon's husband), based the film on a true story, and there's not much narrative tension since it's obvious Penn will not escape his fate. But the film is a clear-eyed look at the realities of capital punishment and its grisly rituals, which at the same time never sentimentalises the people or the issues. There is no shying away from the evil of the murderer's acts and their effects on the victims' families, but this is balanced against the heartlessness and cynicism of those in the prison system and their political masters. It's hard to say whether the film is ultimately against capital punishment; it certainly encourages you to think for yourself. On the DVD: The image and sound quality is excellent, in widescreen ratio 16:9. There's a theatrical trailer and a TV commercial for the film, which also has language tracks in English, French and Spanish and subtitles in English, French, Spanish, Dutch and Hungarian. There's also an audio commentary on the film by director Tim Robbins which gives valuable insights into the political background of the film and the shooting process. --Ed Buscombe
Set on one block of Brooklyn's Bed-Stuy Do or Die neighbourhood, at the height of summer, this 1989 masterpiece by Spike Lee (BlacKkKlansman) confirmed him as a writer and filmmaker of peerless vision and passionate social engagement. Over the course of a single day, the easy-going interactions of a cast of unforgettable characters Da Mayor, Mother Sister, Mister Señor Love Daddy, Tina, Sweet Dick Willie, Buggin Out, Radio Raheem, Sal, Pino, Vito, and Lee's Mookie among them give way to heated confrontations as tensions rise along racial fault lines, ultimately exploding into violence. Punctuated by the anthemic refrain of Public Enemy's Fight the Power, Do the Right Thing is a landmark in American cinema, as politically and emotionally charged and as relevant now as when it first hit the big screen.
This stand-alone epic-action adventure set in modern day Japan reveals the untold story of Wolverine (Hugh Jackman) the most iconic character from the X-Men universe and evolves the character saga to new levels of depth intensity and visceral action. Out of his depth in an unknown world he will face a host of unexpected and deadly opponents in a life-or-death battle than will leave him forever changed. Vulnerable for the first time and pushed to his physical and emotional limits he confronts not only lethal samurai steel but also his inner struggle against his own immortality emerging more powerful than ever before.
They can break any code and get inside any system. They are often still in their teens and already under surveillance by the authorities. They are the hackers. Zero Cool real name Dade Murphy is a legend among his peers. In 1988 he single-handedly crashed 1 507 computers on Wall Street and was forbidden by law to touch another keyboard until his 18th birthday. It's been seven years without a byte and he's hungry. Kate Libby handle Acid Burns has a souped up laptop that can
When Warner Brothers was unable to secure the rights to Richard Preston's terrifying non-fiction book The Hot Zone (purchased by a rival studio), they took the basic idea of a fatal virus on the loose in the US, added Dustin Hoffman and director Wolfgang Petersen (Das Boot) and produced an unusual thriller--a surprise hit--called Outbreak. The other picture, slated to star Robert Redford and Jodie Foster, fell through. The premise of Outbreak, which owes something to Elia Kazan's 1950 plague-scare movie, Panic in the Streets, is as terrifying as it is timely. As developers slash their way deeper into the previously unexplored tropical rainforests, they are exposed to radically new forms of life, including diseases, that in these days of commonplace international travel could turn into deadly epidemics almost before we know it. Hoffman's character and his estranged wife (Rene Russo) are disease experts called in to identify the unknown killer, which was carried into the country by an illegally smuggled monkey. The best sequence shows the disease spreading--through recycled air on a passenger jet or a sneeze in a crowded cinema. The final chase is pretty conventional but the cast is terrific, including Morgan Freeman, Kevin Spacey, Donald Sutherland, Cuba Gooding Jr., J.T. Walsh and Zakes Mokae. --Jim Emerson
The exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J T Walsh, Mary-Louise Parker, Anthony Edwards, William H. Macy, Anthony LaPaglia, Ossie Davis and Brad Renfro--goes a long way toward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashion designer/screenwriter-turned-director Joel Schumacher's work on this movie that he later asked him to direct A Time to Kill. --Jim Emerson
Legend of the Witches (1970, 85 mins): The originally X-rated film documentary which looks in detail at previously hidden magic rites and rituals. Sharing the secrets of initiation into a coven, divination through animal sacrifice, ritual scrying, the casting of a 'death spell', and the chilling intimacy of a Black Mass. It also explores Britain's hidden pagan heritage and its continued influence on our lives today. Secret Rites (1971, 47 mins): Part Mondo movie, part countercultural artefact, this strange mid-length 'documentary' by sex film director Derek Ford lifts the lid on witchcraft in 1970s Notting Hill. Mystery band The Spindle provide the groovy, psychedelic sounds while tentative occult enthusiast Penny and a serious-sounding narrator introduce the viewer to three ritual acts. Far out. Extras/Episodes: Presented in High Definition and Standard Definition Worldwide Blu-ray debut including the longest cut of Legend of the Witches ever released Newly recorded commentary on Secret Rites by Flipside founders Vic Pratt and William Fowler The Witch's Fiddle (1924, 7 mins): possibly the first student film ever made, this tale of a magical instrument was shot by the newly formed Cambridge University Kinema Club Out of Step: Witchcraft (1957, 14 mins): investigative journalist and charismatic Soho bon vivant Dan Farson presents this polite yet probing, nuanced TV documentary about witchcraft The Judgement of Albion (1968, 26 mins): bold, poetic images populate this ode to resistance by the writer of Blood on Satan's Claw, Robert Wynne Simmons Getting it Straight in Notting Hill Gate (1970, 25 mins): short but spectacular time-capsule counter-culture documentary was designed to redress negative perceptions of Notting Hill in 1970 Image gallery **FIRST PRESSING ONLY** fully illustrated booklet with essays by Christina Harrington, publisher and expert on the occult Mark Pilkington, film lecturer Dr Adrian Smith, and authors of The Bodies Beneath, Vic Pratt and William Fowler. Includes full film credits
Inspired by a true story, this provocative tale of crime and redemption earned Susan Sarandon a 1995 Oscar for Best Actress and Sean Penn an Oscar Nomination for Best Actor. Sister Helen Prejean (Sarandon) becomes the spiritual advisor to Matthew Poncelet (Penn), a vicious and complex killer awaiting execution. As she attempts to save Matthew's dark soul, she uncovers shocking truths that will rock the very foundation of her faith.
'Ninja In The Dragon's Den' is a major Asian box-office smash hit from the acclaimed producer of 'Snake In The Eagle's Shadow' and 'Drunken Master'. This epic action adventure was shot in Japan by world renowned action director Corey Yuen (Lethal Weapon 4 Romeo Must Die Kiss of the Dragon) starring martial arts sensations Hiroyuki Sanada and Conan Lee.
During the early sixties, alongside its more famous Gothic horrors, Hammer also produced series of suspense thrillers inspired by the success (and plotlines) of Henri -Georges Clouzot's Les Diaboliques and Alfred Hitchcock's Psycho. The first of these was the classic Taste of Fear, written and produced by the prolific Jimmy Sangster. Set on the French Riviera, it concerns a wheelchair-bound heiress plagued by visions of her dead father, and stars American actress Susan Strasberg alongside (by now) Hammer regulars Christopher Lee and Ronald Lewis. The film proved to be a huge success for Hammer, its twisted plot with a tortured heroine becoming a template for their thrillers which followed into the 1970s. Special Features High Definition remaster Original mono audio Two feature presentations: Taste of Fear, with the rarely seen original UK title sequence, and Scream of Fear, with the alternative US titles Audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Film and Television Body Horror: Inside Taste of Fear' (2019, 20 mins): Alan Barnes, Kevin Lyons and Jonathan Rigby explore aspects of the film's production Hammer's Women: Ann Todd (2019, 12 mins): profile of the Taste of Fear actor by Melanie Williams, author of Female Stars of British Cinema: The Women in Question The BFI Southbank Interview with Jimmy Sangster (2008, 68 mins): archival audio recording of the celebrated filmmaker and screenwriter in conversation with Marcus Hearn at London's National Film Theatre The BEHP Video interview with Jimmy Sangster (2008, 117 mins): archival video recording, made as part of the British Entertainment History Project, featuring Sangster in conversation with Jonathan Rigby The BEHP Interview with Douglas Slocombe, Part Two: From Hammer to Spielberg (1988, 82 mins): archival audio recording featuring the renowned cinematographer in conversation with Sidney Cole Fear Makers (2019, 9 mins): camera operator Desmond Davis and assistant sound editor John Crome recall the making of the film Anxiety and Terror (2019, 25 mins): appreciation of Clifton Parker's score by David Huckvale, author of Hammer Films' Psychological Thrillers, 19501972 Super 8 version of Scream of Fear (20 mins): original cut-down home cinema presentation Original US Scream of Fear theatrical trailer Sam Hamm trailer commentary (2013, 2 mins): short critical appreciation Image gallery: promotional and publicity materials New and improved subtitles for the deaf and hard-of-hearing
Give up three years of their lives or give up the life of their friend. They have eight days to decide. Tony is a successful architect ready to be married. Sheriff is a devil-may-care limo driver. Two years prior they had been in Malaysia living the high life with a third buddy Lewis. Lewis stayed on to continue their hedonistic lifestyle. His long-lost buddies don't know however that he is in prison sentenced to die because of them. If a lawyer can persuade Tony and She
1972, R-Point: what happened there? Find out in this chilling Korean spookfest!
The John Woo gangster classic that started it all, a romantic, violent, swirlingly stylish melodrama about duelling brothers--with a mesmerizing lead performance by Hong Kong's favourite actor, Chow Yun-Fat. In repose, Chow's sleepy magnetism recalls the glory days of Robert Mitchum, Steve McQueen, and Takakura Ken; when he's stepping high, Chow has a unique, ebullient star presence, a man who embraces life so unselfconsciously that he becomes vulnerable to all kinds of suffering and heartache (he endures masochistic megadoses of violence here). The sequence in which Chow's Mark avenges his betrayed best friend---by blasting his way into, and then out of, a Chinese restaurant, twin .45s blazing---is a swashbuckling standout. Woo's film technique may have been more polished in later efforts, but A Better Tomorrow has a direct emotional power that is still unique. Kung fu star of the 1970s, Ti Lung is also terrific here as the 40ish established mobster, relied upon by all, who allows conflicting loyalties toward Mark and toward his younger brother, now a cop, to undermine the stability of his position. --David Chute, Amazon.com
Determined to make a life for herself and her daughter Lucy Muir (Gene Tierney) a young widow moves into a cottage overlooking the windswept English coast. She soon learns that it's haunted by the ghost of its former owner a salty sea captain (Rex Harrison). But the Captain's effort to scare off his new tenant soon develops into a most unlikely love affair. When Lucy runs out of money the Captain ""ghost writes"" a book for her based on his life story. Their publishing success h
The classic 'The Prodigal Son' is based on a true story: a colourful and action-packed tribute to Wing Chun legend Leung Jaan one of China's most enduring martial arts heroes. From his early days through his training and heroic battles these are the adventures of a true hero who loses his innocence and gains strength and empathy in his pursuit of honour and martial arts mastery. A true classic...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy