"Actor: Sandy Neilson"

• The Debt Collector | DVD | (07/06/2004) from £6.57   |  Saving you £-0.58 (N/A%)   |  RRP £5.99

  Billy Connolly has made the transition from comedy to straight dramatic roles with a great deal more success than most. In The Debt Collector he plays Nicky Dryden, a violent debt collector who has served 18 grim years in prison, only to have found rehabilitation on the outside as a successful sculptor and respectability in marriage to Francesca Annis. However, Keltie (Ken Stott) the policeman who originally arrested him is disgusted at this ex-con's social elevation and undertakes an obsessive campaign of stalking and harassment, refusing to allow him to bury his past. It is Keltie, in a sense, who is the true debt collector of the title--he doesn't believe Dryden either has or ever can repay society. Furthermore, Dryden is idolised by a young thug (Iain Robertson) who bases his psychotic lifestyle on Dryden's past exploits. Stott and Connolly make excellent, craggy adversaries, with the frustrated, embittered ex-cop cutting a menacing, though at times pathetic character, while Connolly's Dryden knows that his past, violent side is capable of erupting at any time. This gloomily compelling drama has moments of sickeningly concussive impact as it winds its way down to its tragic conclusion. Annette Crosbie as Keltie's vulnerable yet curiously strong Mother, turns in a fine supporting performance. --David Stubbs

• The Winter Guest | DVD | (03/12/2001) from £9.73   |  Saving you £3.25 (48.22%)   |  RRP £9.99

  Set during the brief hours of light one day in February when the sea has frozen, The Winter Guest is about how four pairs of people at different stages of life attempt to fill the emptiness in their hearts. While that sounds bleak--and the setting in a small town on the East coast of Scotland is certainly stark--there is considerable human warmth in Alan Rickman's directorial debut. Without a conventional story, Rickman simply cuts between four strands, spending most of the time with the difficult relationship between a mother and daughter, played by real-life parent and offspring Phyllida Law and Emma Thomson. Strong dialogue, with a dash of Samuel's Beckett's existential squabbling angst and outstanding performances make this both funny and touching. Meanwhile Thomson's teenage son begins a tentative romance with the new girl in town, two younger boys bunk off school to the icy beach and a pair of elderly ladies attends a funeral. Ultimately the ice-locked sea and Michael Kamen's crystalline piano score become additional characters, the film offering a pseudo-mysticism akin to Picnic at Hanging Rock (1975) while echoing with the spare dramas of Krzysztof Kieslowski; especially Three Colours: White (1994). A beautiful drama that demands attention throughout. --Gary S Dalkin