A thousand years ago the Leprechaun (Warwick Davis) left a bloody trail when he ripped through the countryside in search of his stolen pot of gold. Now he's back in the big city using all of his deadly tricks to snare the girl of his nightmares. His bloody quest becomes more deadly when her boyfriend steals one of the Irish monster's precious gold coins. The town soon discovers two dead bodies and a trail of gold dust leads them to the Leprechaun's lair. It's a pot full O'blood guts and horror as the Leprechaun goes on a wild rampage filled with grisly thrills and gruesome special effects.
A thriller that's nearly devoid of thrills? That's not a complaint--it's what makes The American Friend one of the most stylish (and at the time most expensive) films to emerge from the new German cinema of the 1970s. Loosely adapting Patricia Highsmith's mystery novel Ripley's Game, director Wim Wenders shifted priority from plotting to character, emphasising a richly colourful and atmospheric approach to locations in Hamburg, where a picture-framer (Bruno Ganz) is lured into an assassination scheme involving a mysterious Frenchman (Gerard Blain) and the titular American friend, Tom Ripley (played by Dennis Hopper, a far cry from either Matt Damon's portrayal of the same character in The Talented Mr Ripley or John Malkovich's in the 2003 version of Ripley's Game). The plotting is vague to the point of irrelevance; Wenders prefers to maintain the aura of mystery rather than generating any conventional suspense and expresses his affection for American movies by casting favourite directors Nicholas Ray and Samuel Fuller in pivotal supporting roles. The result is an intoxicating example of cinematic cross-pollination. --Jeff Shannon
Available for the first time on DVD! This time... luck has nothing to do with it! The evil little Irishman returns to wreak bloody havoc in his never-ending quest for female companionship in this 'Leprechaun'. Ancient lore gives him claim over any woman who sneezes three times and the current object of his affections is the descendant of a former rival.
Based on an F. Scott Fitzgerald story this romantic epic stars Elizabeth Taylor and Van Johnson as two strangers who meet fall in love and marry in post-war Paris. Taylor represents the Ellswirth family: eccentric and free spending but seemingly always on the brink of bankruptcy. When she is unable to change her ways when married life becomes more difficult...
Airwolf appeared only two years after Knight Rider and, perplexingly, the same year as the short-lived Blue Thunder series. However, creator Donald P Bellisario had spent more than a little time in fully conceptualising this series. Although the format allowed for stories-of-the-week, a B-plot always ran as background motivation for the individual tales. This was a trick Bellisario would also use to good effect later in Magnum P.I. and Quantum Leap. The hook that sustains the audience here is an extremely bitter sub-plot: Stringfellow Hawke (Jan-Michael Vincent) is a peculiar anti-hero to root for since he is effectively being held to ransom and doing the same in return. His brother St. John is held captive somewhere and until his release the Airwolf chopper is Hawke's to keep hidden and use under the covert instructions of "Archangel". His best friend Dominic Santini (the ever-appealing Ernest Borgnine) is a surrogate father figure caught up in the family history. All this pre-determined angst means this is never a show that plays itself for laughs. Very specific character flaws are upfront from the beginning. We are hammered over the head with the idea of Hawke being a tortured intellectual; hence the cello, log cabin retreat and inability to smile. Of course the real star is the spurious technology showcased in the Mach One helicopter armed to the teeth and able to defy the laws of physics on a regular basis. As the mid-80s looked increasingly to the lighter side in most television successes, Airwolf is a rare display of aggression. Justice is fought, but dig only a little way and the moral motivations are often in question. Toward the end of its third season things began to lose coherence and after a year's pause the show was magically resurrected with an all-new cast. It didn't last. --Paul Tonks
The ultimate in Eighties action! Stringfellow Hawke (Vincent) and his irascible mentor Dominic Santini (Borgnine) continue their fight for freedom justice and liberty with the mighty Airwolf experimental helicopter at their disposal... Includes the episodes Dambreakers Random Target and The American Dream.
Airwolf appeared only two years after Knight Rider and, perplexingly, the same year as the short-lived Blue Thunder series. However, creator Donald P Bellisario had spent more than a little time in fully conceptualising this series. Although the format allowed for stories-of-the-week, a B-plot always ran as background motivation for the individual tales. This was a trick Bellisario would also use to good effect later in Magnum P.I. and Quantum Leap. The hook that sustains the audience here is an extremely bitter sub-plot: Stringfellow Hawke (Jan-Michael Vincent) is a peculiar anti-hero to root for since he is effectively being held to ransom and doing the same in return. His brother St. John is held captive somewhere and until his release the Airwolf chopper is Hawke's to keep hidden and use under the covert instructions of "Archangel". His best friend Dominic Santini (the ever-appealing Ernest Borgnine) is a surrogate father figure caught up in the family history. All this pre-determined angst means this is never a show that plays itself for laughs. Very specific character flaws are upfront from the beginning. We are hammered over the head with the idea of Hawke being a tortured intellectual; hence the cello, log cabin retreat and inability to smile. Of course the real star is the spurious technology showcased in the Mach One helicopter armed to the teeth and able to defy the laws of physics on a regular basis. As the mid-80s looked increasingly to the lighter side in most television successes, Airwolf is a rare display of aggression. Justice is fought, but dig only a little way and the moral motivations are often in question. Toward the end of its third season things began to lose coherence and after a year's pause the show was magically resurrected with an all-new cast. It didn't last. --Paul Tonks
A Group of holocaust survivors recognise a local restaurant owner as the Nazi doctor who tortured them as girls. To their horror he has already been tried for his crimes and served only a few years. They therefore decide to perform their own execution.
Female Perversions is the provocative and stimulating story of Eve Stephens a successful attorney struggling under the tremendous pressures of power promiscuity and a destructive sister. Consumed by wild sexual fantasies she is unable to feel satisfied by either her male or female lovers. She uses them to fuel her all consuming desire for sexual fulfilment regardless of the damage she is doing to those around her. In a truly shocking exploration of female perversion Swinton delivers a riveting performance that ranks alongside her stunning portrayal of 'Orlando'. Dare to let yourself go... where you've never been before.
Susan is a woman whose horrific history of abuse refuses to release its tormenting grip on her. Tanya is a lost child searching for the mother she has never known. As the two seek reconciliation with their pasts, their paths become intertwined resulting in a surreal nightmare they won't wake up from until some form of blood soaked absolution has been exacted
Aristocats (Dir. Wolfgang Reitherman) (1970): Disney's 20th full-length animated classic The Aristocats is an unforgettable mix of wild adventure colourful characters and jazzy music your family will find absolutely irresistible! The enchanting tale begins in Paris when a kind and eccentric millionairess wills her entire estate to her family - a family of adorable high-society cats. Overhearing her plan Edgar the greedy butler catnaps Duchess the elegant soft-spoken mother and her three mischievous kittens and abandons them in the French countryside. The charming Thomas O' Malley a rough-and-tumble alley cat saunters by and offers to escort them home. Along the way they stop at Thomas' ""pad"" where Scat Cat and his band of swingin' jazz cats perform the memorable ""Ev'rybody Wants To Be A Cat"". The Fox And The Hound (Dir. Ted Berman & Richard Rich (1981): This highly acclaimed classic blends vibrant animation and breathtaking action to tell the story of two best friends who didn't know they were supposed to be enemies. The fun and adventure begin when a lonely widow adopts an orphaned fox cub named Tod. The mischievous fox soon meets up with Copper an adorable hound puppy. As the innocent pair grow up together in the forest they become inseparable friends. But the day soon arrives when their friendship is put to the test!
A demonic stranglehold has befallen the sleepy little town of Garden City California. The evil is as pervasive and all-encompassing as the web of telephone lines hovering overhead the town's unsuspecting inhabitants. Young Spike a teen biker and James Dean wannabe takes a big loss in a poker game against a local gang The Barracudas. The gang gives him an ultimatum; deliver some quick cash or the ownership documents to his motorcycle his one prized possession. To take his mind off his problems Spike dials the telephone number 976-Evil he has discovered on a calling card where he is offered the demonic exhortations of none other than the devil himself. And Spike's nightmare is just beginning....
Disgaea Collection (3 Discs)
A revenge-fuelled Hong Kong martial arts flick! This Korean Kung Fu flick has become a culkt favourite across the globe ever since its release back in the 80's. Now for the first time fans can get this world exclusive on DVD. Benny Tsui stars as a young martial artist out to make a name for himself against the White Tiger gang.
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