Sarah Brightman performs a selection of timeless classics with the English National Orchestra at London's Royal Albert Hall where she was filmed in concert in September 1997 for her first solo release on video. The concert includes a live performance of the international hit duet ""Time To Say Goodbye"" with Andrea Bocelli and a guest appearance by Andrew Lloyd Webber on ""Whistle Down The Wind"". Featuring: 1. Overture: Capriccio Espagnol/Scena Y Canto Gitano/ Fandango Asturiano 2.
Jack Nicholson was born to play the devil and in George Miller's adaptation of John Updike's novel he plays it for all he's worth. As a wolfish womaniser summoned by three bored women in a picturesque New England town, he's sating all of his appetites with a rakish grin. Cher, Susan Sarandon and Michelle Pfeiffer play the women who discover their untapped magical powers by accident. The smart and sexy singles, out of place in the conservatism of their village, find happiness, however briefly, in the arms and bed of the libidinous devil but he's got his own ulterior motives. Miller revels in the sensual display of sex, food and magic, whipping up a storm of effects that finally get out of hand in an overblown ending. It's a handsome film with strong performances all around but the mix of anarchic comedy and supernatural horror doesn't always gel and Miller seems to lose the plot in his zeal for cinematic excitement. The performances ultimately keep the film aloft: the hedonistic joy that Nicholson celebrates with every leering gaze and boorish vulgarity is almost enough to make bad form and chauvinism cool. --Sean Axmaker
The Durham Bulls are in a slump and have spent a hefty sum of money acquiring an untested young pitcher in the hopes of reversing their standings. Crash Davis a 12-year veteran ballplayer who has spent most of his time bumming around as a minor league catcher is assigned to mature the rookie pitching phenom named ""Nuke."" But a beautiful and enigmatic team groupie comes between the tutor and his student enlightening both with her game of life love and verse.
In 1998, a concert celebrated Sir Andrew Lloyd Webber's 50th birthday at the Royal Albert Hall. It featured more than two hours of hits from a body of work spanning almost three decades. In this record of a memorable night, star after star steps onto a massive, Eurovision-style set to revisit golden moments in their long association with Britain's most successful composer of musicals. Elaine Paige in big frocks and even bigger voice delivers "Don't Cry for Me Argentina" and "Memory" with her usual power; Michael Ball and Donny Osmond stretch the last vestiges of boyish charm to the very limits but still sound great; and Boyzone get the youth vote. Then there are Kiri te Kanawa, Bonnie Tyler, Tina Arena and of course, another encore for Julian Lloyd Webber and those Variations on the cello. But the stars are Sir Andrew's ex-wife Sarah Brightman in an outstanding selection from The Phantom of the Opera (probably his best work), Antonio Banderos who really can sing, and Glenn Close, a stupendous, moving Norma Desmond in songs from Sunset Boulevard. All in all, a deserved celebration for someone who has given so many people a great deal of pleasure, and a treat for musicals fans of all ages. --Piers Ford
The third series of Coupling, first aired in 2002, takes fans of the BBC's comedy of sex, manners and modern relationships into new realms of engaging surrealism, leaving those irritating comparisons with Friends trailing in its wake. The men are constantly in pursuit of a basic grasp of the "emotional things" that make women behave the way they do. The women analyse everything to death. But thanks to Steve Moffat's scripts, tighter and quirkier than ever, these characters are living, breathing human beings rather than cynical ciphers for comedy stereotypes. The performances are as strong as you'd expect from an established team, with actors such as Jack Davenport (the ever-perplexed Steve), Ben Miles (unreconstructed chauvinist Patrick), Sally Alexander (dryly intelligent Susan) and Kate Isitt (neurotic Sally) wearing their roles like second skins. But in the surreal stakes, it's Richard Coyle as Jeff, wondering aloud what happens to jelly after women have finished wrestling in it, and Gina Bellman as Jane, musing on the importance of a first snog in identifying what men like to eat, who really raise the laughter levels. All things considered, this is superior comedy for all thirtysomethings--genuine and putative. --Piers Ford
Two's Company. Three's a crowd. So what do you do with six? Who do you know who is over thirty sort-of-single and has a satisfying regular sex-life? Anyone? Being single isn't easy. But at least you've got your friends. But what happens when one of your friends falls in love with one of your friends' friends? This funny up-front series about love and lust amongst thirtysomethings centres around Susan and Steve - two lively sexy funny people who get together and start going out. Featuring series 1 to 4 of the hit BBC sitcom!
Coupling Season 4: feel free to insert your own "four-play" joke, or for that matter, your own "insert" joke. Sex is still topic 1 for the intertwined group of "exes and best friends", but in this pivotal season there are momentous "relationship issues" that will upend all their lives (insert your own "upend" joke while you're at it). Susan is pregnant, inspiring in Steve nightmares about his own execution and unflattering comparisons of the birth process to John Hurt's iconic gut-busting scene in Alien. Missing in action is the Kramer-esque Jeff (although he makes something of a return in the season finale). Joining the ensemble is Oliver, who is more in the Chandler mode as a lovable loser with the ladies. These inevitable comparisons to "Sein-Friends" are no doubt heresy to Coupling's most devoted viewers. Indeed, this series does benefit from creator and sole writer Steven Moffat's comic voice and vision. He provides his ever-game cast some witty, funny-‘cause-it's-true dialogue, as in Oliver's observation that "Tea isn't compatible with porn". This Britcom is also less inhibited in language and sexual situations than its American counterparts. In the cleverly-constructed opening episode, in which the same "9-1/2 Minutes" are witnessed from three different perspectives, Sally and Jane can do what was left to the imagination when Monica and Rachel offered to make out in front of Joey and Chandler. The birth of Susan and Steven's baby ends the six-episode season on a satisfying and surprisingly moving grace note. A bonus disc takes viewers behind the scenes with segments devoted to bloopers and interviews with cast and crew. --Donald Liebenson
This box set contains all four series of Jonathan Creek to date. Alan Davies and Caroline Quentin star in this highly successful murder mystery drama series. Jonathan magic expert and amateur sleuth extraordinaire turns out to be less successful in his relationship with investigative crimewriter Maddy Magellen.... All the episodes from Series 1 and 2: 'The Wrestler's Tomb' 'Jack In The Box' 'The Reconstituted Corpse' 'No Trace of Tracey' and 'The House Of Monkeys'
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
Chicken Run: Trouble is brewing down on Mrs Tweedy's poultry farm: the chickens are revolting (yes that old chestnut) and clucky hen Ginger (voiced by Julia Sawalha) is planning her latest coop um coup. Getting one or two birds out of the farm is no problem whatsoever. Unfortunately Ginger plans to get everyone out at the same time and when one of the would-be escapees happens to be kind-hearted but bird-brained Babs (Jane Horrocks) Ginger is fighting a losing battle. As she contemplates her next escape attempt with Scottish engineering genius Mac (Lynn Ferguson) Ginger sees their salvation in the form of a rooster named Rocky (Mel Gibson) if the cocksure Rocky can teach all of the hens how to fly then they can all fly out of Tweedy's clutches before she gives them the chop! James And The Giant Peach: This is the story of James Henry Trotter a lonely orphan sent to live with his horribly wicked and greedy Aunts Spiker (Joanna Lumley) and Sponge (Miriam Margoyles). When James meets a strange old man who promises that marvelous things will happen indeed they do. Escaping his aunts by climbing inside a giant peach that mysteriously and suddenly grows on their barren tree he meets some very unusual new friends and as they break free in the peach from Spiker and Sponge they embark on a series of wildly imaginative adventures. Anastasia: The lost Russian Princess Anastasia and her incredible quest to find her true identity. When the shadow of revolution falls across Russia Anastasia the royal family's youngest daughter barely escapes with her life. Years later joined by a band of heroic companions Anastasia must battle the evil Rasputin his sidekick Bartok the bat and a host of ghostly minions in a headlong race to reach Paris reclaim her rightful destiny.... and solve the greatest mystery of the 20th century!
Steven Moffat's second series of Coupling, first broadcast in 2001, is a brilliant consolidation of all those neuroses, small deceits, obsessions and personality tics that struck such a resonant chord when Steve, Susan and their four friends were first unleashed on us. Comparisons with Friends itself are tiresome and lazy: Coupling is an intrinsically British comedy that picks apart the trivial and the mundane in everyday relationships and takes them on surreal journeys, leaving the participants hilariously bemused and rarely any wiser. Its success is due to the magical combination of Moffat's very funny scripts and the talents of six extremely likable actors, including Jack Davenport (Steve) and Sarah Alexander (Susan). But it's Richard Coyle's Jeff, whose sexual fantasies and putting-your-his-in-it propensities exert a compelling fascination, who really keeps you watching through your fingers as you hold your hands to your face in disbelief. Breasts, bottoms and pants are the basis for most of the conversational analysis when these friends get together as a group, as couples, as girlfriends or as mates, invariably becoming metaphors for the state of a relationship or situation. Individual viewpoints and terrors are explored through respective memories of the same event and what-if scenarios. Chain reactions inevitably ensue, fuelling comedy that is based almost entirely on misunderstanding. On the DVD: Coupling, Series 2 on disc is presented in 16:9 anamorphic video aspect ratio, together with a crisp Dolby Digital stereo soundtrack; Mari Wilson's sensuous version of "Perhaps, Perhaps, Perhaps" for the theme tune deserves a special mention. Extras include disappointing interviews with writer Steven Moffat and Jack Davenport, which are mainly an excuse to repeat several major scenes from the series in full. The "Behind the scenes" feature is also a let-down: it's just a not very funny record of a cast photo shoot. --Piers Ford
A spoof sci-fi story in which blue comedian Roy Chubby Brown is kidnapped by two female aliens and taken aboard a spacecraft where he is found guilty of moral turpitude. His sentence - he will become pregnant every year for the next thirty years...
She Wolf Of London
Coupling is a witty, instantly addictive series that charts the tangled sex lives of a close-knit group comprising "exes and best friends": womaniser Jack, hapless nice guy Steve, "strange and disturbing" Jeff, uninhibited Susan, neurotic Sally and manipulative Jane. The obvious frame of reference is Friends (Steve and Susan are the Ross and Rachel equivalent), but this series also echoes Seinfeld in its coinage of catchphrases and plot lines (in episode one, Steve tries to dump Jane, who refuses to accept). But it's no mere British clone of US sitcoms: Coupling has its own fresh and provocative take on relationships. At one point, a furious Susan discovers that Patrick not only had a videotape of the former couple having sex, but that he also taped over her. --Donald Liebenson
Four kids are bound together to travel through time and books on a mission to save the world. With endless foes intent on stopping them, from evil government agents to a giant octopus, the Fantastic 4orce will voyage through underwater cities, jungles, and outer space in order to complete their quest.
It was supposed to be the perfect crime: the sexy maid (Susan George) a psychotic chauffeur (Oliver Reed) and an international terrorist (the legendary Klaus Kinski) kidnap a wealthy ten-year old boy from his elegant London townhouse. But they didn't count on a murdered cop a desperate hostage siege and one very unexpected houseguest: a furious Black Mamba the most lethal and aggressive snake known to nature! It can attack from ten feet away. Its bite brings excruciating death and it is on the loose...
When Tessa's ex-husband Michael remarries leaving her with two children she takes an immediate dislike to Carolyn. But when Tessa finds out she is terminally ill she decides to give Carolyn another chance...
The lives of a single mother and her friends are changed forever after the death of a neighbour which bears all the hallmarks of a racist attack.
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