Riccardi Muti conducts a performance of Otello at the La Scala Theatre before the start of a three year renovation project.
I due FoscariGiuseppe Verdi (1813-1901)Renato Bruson takes the role of the Venetian Doge - Francesco Foscari - in Verdi's dark three-act tragedy based on a drama by Lord Byron set in 15th century Venice. Giandrea Gavazzeni directs the 1988 La Scala production of a work that is hailed among the best of Verdi's early operas and that led him to a career of operatic immortality. Unlocked from the archives of RAI television this is a classic recording from one of the world's great opera houses.
Recorded live at the Teatro degli Arcimboldi Milan 14 April 2004La Scala's 2004 Swan Lake brings together two world stars of classical ballet in the lead roles Svetlana Zakharova and Roberto Bolle in this traditional production of Tchaikovsky's fairy story. The production comes from the Teatro degli Arcimboldi La Scala's temporary home at the time.There is certainly scope for various interpretations of the swan myth which goes back to antiquity when Jupiter took the shape of a swan and seduced Leda the wife of the king of the Spartans. The Milan production does not deny the psychological subtexts - the transformation of the girl Odette into a swan by being taken under Rothbart's huge wings in the prologue sets of black and white in the white acts and the most varied and colourful costumes in the merry ball scenes. The world of Prince Siegfried before the intrusion of Rothbart is characterised by Arcadian like pastel-colours and when Siegfried successfully fights him to free Odette from the spell the staging creates a most impressive lake scenery with roaring waters which acts as a transforming experience for Siegfried as well as Odette.Directed by Florence Clerc from Paris and Frederic Olivieri Artistic Director with the La Scala Ballet the Milan staging combines the best of both worlds in ballet: Russian classical school with the history of choreographic adaptation in the West. The filming underlines both aspects - in the expressive and soulful moments of the ballet the camera draws close to the dancers while it zooms out for the outstandingly symmetrical dancing of the swan scenes which the ballet has become so famous for.
Tosca was revived to great acclaim at La Scala in this 2000 production, which built on Luca Ronconi's 1996 version with musical direction from principal conductor Riccardo Muti and Lorenza Cantini's nightmarishly distorted set. Puccini's most recorded opera is loved and derided in equal measure for its high-octane dramatics, rich arias and the fire-spitting exchanges of the eponymous heroine and her wily tormentor Scarpia. Under Muti, the music takes precedence over the self-conscious theatricality of the book. As a result, some high dramatic points--the stabbing, always tricky, and Tosca's suicide, equally dicey--are underplayed here. Singers of the calibre of Maria Guleghina and baritone Leo Nucci can be relied upon for rounded, controlled performances. Guleghina eschews the ferocity of Callas for a less stately, earthier honesty and enjoys moments of great delicacy, particularly in a sweet "Vissi d'arte". And her grief at Cavaradossi's death is searing. The key to Tosca, though, is the ambivalent relationship between the singer and the chief of police. Scarpia is probably the most toxic antihero in opera, and Nucci could do with a touch more virulence. Even so, this is a fascinating production that strips away much of the traditional artifice and gives real insight into the complex emotions that make the opera so compelling for its devotees. On the DVD: Tosca, like so many operas recorded in the theatre, here relies on the performances to compensate for the camera's inability to convey the overall majesty of the production. The 16:9 anamorphic picture format gives no more than a hint of the crushing power of Cantini's set. Happily, the choice of Dolby Digital 5.1 or DTS 5.1 surround sound means there is no compromise on the sound front. Orchestra, chorus and principals unite in a fluid homage to Puccini's score. There are no extras on the DVD. One minor niggle: careless editing of the booklet notes means that Puccini briefly becomes Verdi in the description of the opera's genesis. --Piers Ford
Boheme (La)
Strauss: La Chauve-Souris
Though the Guardian opens with a nod or two to Three Kings, it really offers a cut-down version of Fallen, with Los Angeles Detective Kross (Mario Van Peebles) facing Telal--a body-hopping Sumerian demon he encountered at an archaeological site in Iraq during the Gulf War--entrusted by ritual scarification with the task of protecting a 12-year-old boy who will grow up to unite the three great monotheistic faiths (Christianity, Judaism, Islam) and thus set the Devil's work back millennia. A sub-plot deals with a red powder drug ("Chaos"), imported by the demon's minions, which catches on in LA sending coke-sniffing agents into murderous frenzies (the funniest scene) and briefly giving guest star dealer Ice-T superpowers until an ambiguously angelic hit lady (Stacy Oversier) tosses him off a building. There are elements of The Matrix stirred in, with Oversier and Telal dead ringers for the Carrie-Ann Moss and Hugo Weaving characters, but it inevitably boils down to a Fallen-style formula. It's stripped-down demonology--ever since The Evil Dead, those Sumerian demons have been getting a bad press--with direct-to-video action, but is by no means unlikeable. On the DVD: Along with the trailer, this disc offers IMDB filmographies for Van Peebles, Remar, Ice-T and John Terlesky (who used to be a busy B-actor in the likes of Chopping Mall and Valet Girls and now directs quickies such as Guardian). The transfer is augmented for 16:9 and looks significantly better than the video version, giving this low-budget effort a relatively lush feel, though the Iraqi desert does look as though it was an hour or so drive out of Los Angeles. --Kim Newman
Claudio Abbado in Rehearsal has the eminent conductor rehearsing Verdi's Requiem Mass both at the La Scala Opera House and the church of San Marco in Milan where Verdi's choral masterpiece was first performed. This new performance was given in 1985 to mark the 200th birthday of the Italian national poet Alessandro Manzoni, with whom Verdi shared aspirations for a united Italy. The camera dwells a good deal on Abbado, whose concentration seems well nigh tangible as he raises his arms and throws out his chest to communicate the power of Verdi's music. Abbado takes much care with his soloists, gives strong leads, checking the reverberant acoustic of San Marco with a lift of the head during the thunderous "Dies Irae". We eavesdrop on a piano rehearsal with two of his soloists as he keeps the rather musically wayward mezzo on course and works with Samuel Ramey, his bass, to intensify his hushed delivery of "More stupebit" ("Death and nature stand aghast"). We also see Monserrat Caballe, who can float a note pianissimo like no other soprano, have an unexpected fit of the giggles when beginning her "Libera me". Some reservations in director Norbert Beilharz's treatment of the "Lux Aeterna" require comment. His concept of juxtaposing a well-dressed audience with pictures from tombstones and statues as a reminder of the transience of human life grows wearisome after a while, as does his commentary and translation of the Latin, already on screen as subtitles, which masks some of the most poignant music in the score. On the DVD: Claudio Abbado in Rehearsal has one major disappointment: the lighting. Neither the San Marco Church or the interior of La Scala is well lit. There are brief trailers for three other ArtHaus Musik productions, including a film about Callas and Abbado conducting the Mozart Requiem in a splendid baroque church in Salzburg where the brilliance of the picture, stunningly lit, really shows up the deficiencies of this film. To hear Abbado conduct the Verdi Requiem where everyone performs as though their lives depended on it, try the version he recorded with the Berlin Philharmonic in January 2001. --Adrian Edwards
Simon Boccanegra
Performed at La Scala in Italy 'Aida' is Guiseppe Verdi's famous grand opera at its very best. 'La Traviata' is Peter Hall's production and comes from the 1988 Glyndebourne Festival under the musical direction of Bernard Haitink.
Live performance filmed in the church of San Fransisco in Arezzo...
An impenetrable fortress an invicible army... and an unstoppable commando team. One of the most exciting action films ever made! It's W.W. II and concealed deep within the solid rock of a cliff impregnable to assault by sea or air are the German Army's mighty guns of Navarone. Because they control a strategic channel in the Aegean Sea it's imperative that the guns are destroyed. A specialised commando team is assembled. Included are mountaineer Keith Mallory explosive ex
Adam Brody (The O.C.) leads a talented young cast in this road trip comedy. Brody and friends across America grinding rails busting big moves and relentlessly pursuing bigger air as they seek to find fame fortune - and girls - on the US pro skateboarding circuit.
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