For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on an astounding first-season budget of 3.25 million pounds, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course, the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to physical law. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
When it was made there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm, which causes the moon to break away from Earth orbit and travel endlessly through space. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for the premise of the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth orbit and flying through space without regard to any physical laws. And in "Earthbound" aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are valid complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena the crew encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
Midnight Express: Brad Davis and John Hurt star in this riveting true story of a young American's nightmarish experiences in a Turkish prison and his unforgettable journey to freedom. Busted for attempting to smuggle hashish out of Istanbul, American College student Billy Hayes (Davis) is thrown into the city's most brutal jail. After suffering through four years of sadistic torture and inhuman conditions, Billy is about to be released when his parole is denied. Only his inner courage ...
The Metamorph: Koenig goes to rescue two captured pilots from the planet Psychon but comes to meet Mentor a man lording over a world of virtual zombies who work for him as miners. Koenig believes he is capable of defeating Mentor and preventing him using a biological computer that feeds on the minds and bodies of his slaves. The Exiles: Travelling through space are fifty cylinder-shaped objects. When Koenig recovers one inside is a young man named Cantar. This is the mark of the trouble to come as Cantar and his wife force their way into the power station and use its energy to transport them to their own planet from which they were exiled. One Moment of Humanity: Zamara a striking alien woman materialises aboard Moonbase and takes two people back to her own planet. However Zamara and her accomplice Zarl are in fact super-androids developed by successive generations of self-reproducing computers and want to wipe out the humans who invented them. All That Glisters: After scanning a planet which contains Milgonite a rare mineral vital to Alpha's life support system the Alphans are eager to visit it. However by the time that they discover that there is no Milgonite only a deceptive lethal drug it is too late. The deadly rock is already aboard Alpha.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
Captain Chris Hanson has recruited an over-the-hill deep-sea diver a claustrophobic inventor and a troop of beautiful Polynesian pearl divers to plunder the sunken wreck of the Arianna. But their mission seems doomed even before they leave the dock! The local government orders Hanson to transport 30 criminals to a prison on a nearby island. As they sail towards the treasure they encounter strange lights on the horizon bizarre sounds from the darkness intense heat and thousands of dead fish littering the ocean surface. Are they bad omens or merely freaks of nature?
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds, an astounding amount, and ran for two seasons from 1975-77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. The moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from Earth's orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, and has been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticized the show for its premise in the opening episode "Breakaway," which had nuclear explosions on the "dark side of the moon" somehow propelling it out of Earth's orbit and flying through space without regard to any physical laws. In "Earthbound," aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the Galaxy. --Jim Gay, Amazon.com
For his epic shocker of caged women gone wild legendary director Jess Franco brought together a once-in-a-lifetime cast of International beauties including Maria Schell Luciana Paluzzi Rosalba Neri and Maria Rohm. Oscar winner Mercedes McCambridge and Herbert Lom co-star as the sadistic wardens of an island prison where abused yet luscious young lovelies surrender to their own depraved desires. Behind bars... without men... experience the unchained passion of 99 WOMEN!
Marlene is no standard movie star documentary. It is a mystery story a discourse on truth and fiction a battle with a sacred monster a caustic comedy of errors and the story of the making of a film all rolled into one. Despite personally selecting Schell to make the film about her Dietrich soon fell out with the director but rather than be a liability to the film it is its saving grace rescuing it from conventionality and turning it into a unique and richly entertaining record of an encounter with a real-life legend.
Tracklist: 1. Dick Cerri WFMA President intros Ronnie Schell MC 2. The Limeliters - Medley (Hard Travelin Wayfaring Stranger Lonesome Traveler) Uptempo Folk Song Folk Rap 3. The Shaw Brothers - I'm the Man Who Built the Bridges Follow Me (I'd Like To) Teach The World 4. The Brothers Four - Whiskey in the Jar Green Leaves of Summer Medley (This Train Rock Island Line) 5. The Recombinants - (I Know You) Rider 6 The Kingston Trio - Hard Ain't It Hard Three Jolly Coachman MTA Band Introductions: Memoriam to Dave Guard Roger Gambill David (Buck) Wheat Dean Reilly and Stan Kaess Mission San Miguel Coast of California Home on the Range Tom Dooley Scotch and Soda (I'm) Going Home 7. Finale - The ""Groups"" - Where Have All The Flowers Gone This Land is Your Land
Starring horror icon Christopher Lee 'The Bloody Judge' (Franco's version of the classic 'Witchfinder General') was a much darker look at the infamous witch-hunter Judge George Jeffreys whose real life excesses allowed Franco to portray copious amounts of nudity and sadistic torture. This letterboxed version was passed uncut by the UK state censors the BBFC.
This is classic Jess Franco in a genre that he almost created single-handedly - Women in Prison or WiP! Here three women amongst them the beautiful Maria Schell (The Odessa File) and Luciana Paluzzi (James Bond - Thunderball) are sent to a kind of Devil's Island prison. Here aside from the sinister Herbert Lom (Mark of the Devil The Pink Panther series) the inhabitants are either sex-crazed female prisoners or sex-crazed female guards who also happen to be sadists! 99 Women features copious amounts of lesbian rape torture and sex along with numerous displays of semi-naked women making this a true sleaze epic!
Samson is the Israelites only defence against their Philistine oppressors. Delilah beautiful and treacherous plans his destruction forcing him to fight for his life and the future of his people.
City by city mile by mile a married couple on the verge of a breakup travel across the country to revisit their tumultuous past and rediscover what it means to fall in and out of love - and maybe back again. With each new stop comes a new revelation for the couple - a chance to expose their weaknesses fears and betrayals with an edgy mix of acrid humour biting cruelty and extraordinary moments of heartfelt emotion. Where they're heading is up to them.
For the time, there had never been a more lavishly produced science fiction TV series than Space: 1999, which was British-made on a first-season budget of 3.25 million pounds--an astounding amount--and ran for two seasons from 1975 to 77. What keeps fans enthralled after all these years has only partly to do with the first-rate production values, the plausibly constructed spaceship models and expert special effects. The tone of the show is one of scientific dispassion, setting it apart from its TV SF predecessors such as Star Trek in which the mood is more generally convivial. Our heroes here are in dire circumstances that require cool heads as a survival trait. Those circumstances are: the moon and the 311 crew members of Moonbase Alpha experience a cataclysm that causes the moon to break away from its orbit and travel endlessly through space, making our heroes into unintentional explorers. No TV series has created a more palpable feel of hard science fiction than this. Of course the show is not without its detractors, having been soundly lambasted for its many scientific errors. No less august a figure than Isaac Asimov criticised the show for its premise in the opening episode "Breakaway", which had nuclear explosions on the "dark side of the moon" somehow propel it out of orbit and sent it flying through space without regard for any physical laws. In "Earthbound", aliens travelling to Earth state it will take them 75 years to reach their destination, making one wonder why it didn't take the moon that long to encounter the aliens. While these are serious complaints, fans tend to remember the scientific seriousness of the series and the sense of awe created by the many strange creatures and phenomena they encounter on their journey through the galaxy. --Jim Gay, Amazon.com
The complete first series of this hugely successful television series starring John Thaw as the legendary Jack Regan and Dennis Waterman as sidekick George Carter. This is first of four box sets featuring all 13 episodes from series 1. Most of these episodes are new to DVD and 2 episodes have never been previously released on any format. Episodes comprise: 1. Ringer 2. Jackpot 3. Thin Ice 4. Queen's Pawn 5. Jigsaw 6. Night Out 7. The Placer 8. Cover Story 9. Golden Boy 10. Stoppo Driver 11. Big Spender 12. Contact Breaker 13. Abduction
By night, vampires rise from loamy graves in search of human prey. By day, vampire slayer Jack Crow (Woods) leads a contingent of Vatican mercenaries in a long-waged war against these enemies.
Seed of Destruction: Whilst exploring a bizarre asteroid Koenig is detained and replaced by a double. The fake Koenig returns to Moonbase with a crystal which is discovered will draw all the energy from Moonbase in order to revitalise its home the steroid where the real Koenig is still a prisoner. The Beta Cloud: After a cloud of space dust causes a mystery illness on Alpha an Eagle crew is sent to track the storm cloud. They return with a terrifying space creature which they discovered is their agent and wants the Moonbase life support system. Tony and Maya must fight to defeat the space creature. A Matter of Balance: When Koenig and Shermeen decide to explore an apparently lifeless planet Shermeen wanders into a temple and comes under the spell of a Vindrus. She wants to help Vindrus' doomed race but soon learns that for each Vindrus saved one Alphan will be doomed and that she is the first in line. Space Warp: Two crises strike the Alphans simultaneously. Koenig and Tony who are checking out a derelict spaceship in when Eagle One encounter a space warp and end up five light years away while Maya is stricken down by a fever and changes into a range of creatures. Before long she changes into a space animal and escapes to the moon surface. Koenig and Tony began to find a way back through.
Brian The Brain: A spaceship approaching the Moon identifies itself as one of the four 'Swift' ships that left Earth in 1996 and disappeared. Inside there is no crew; just a lively computer named Brian the Brain. Once aboard it kidnaps Helena and Koenig. New Adam New Eve: A man appears claiming to be God and selects two couple to begin a new Earth. The couples (Helena with Tony Verdeschi and Koenig with Maya) are mismatched but using his powers 'God' makes it seem alright. However it is discovered that God is not God but instead Magus a cosmic magician. The AB Chrysalis: After regular bombardments by enormous electrical waves one more such wave could spell final destruction for Moonbase Alpha. Koenig visits the source of the bombardments a nearby planet and discovers a civilisation where people are in a chrysalis stage protected only by their computer which sees Moonbase as a threat to them and is therefore attacking it. Catacombs of the Moon: In the Catacombs of the Moon engineer Patrick Osgood is searching for titanium to save his wife's life in heart surgery and because it is vital to the Moonbase Alpha's life support system. Osgood fails to find any metal and takes his wife into the catacombs only to go missing. Koenig decides to release some titanium from the store but now must find the Osgoods.
The Bringers of Wonder (Part One): After crashing his Eagle Koenig is dragged from the wreckage unconscious. Meanwhile a faster-than-light-ship arrives on the Moon (the 'superswift'). One of the crew Guido announces that transport will soon be coming from Earth to rescue the Alphans but when Koenig regains consciousness he sees hideous aliens who plan to kill him. The Bringers of Wonder (Part Two): Having survived Koenig suggests that it could have been the brain machine which kept him from being deceived. Meanwhile the aliens are planning to manipulate three Alphans into blowing up the Moon's nuclear waste dumps to create energy. It is soon left to Maya Helena and Koenig to defeat the aliens. The Lambda Factor: A pretty young Alpha technician dies a horrible death. Maya discovers that a huge gaseous cloud is giving off Lambda waves which could give some people paranormal powers. Carolyn takes over the Commander Centre and Moonbase. Koenig must fight a mental battle against her to decide the future of Moonbase. The Seance Spectre: The planet Tora is sighted but is on a collision course with the Moon. A small group of angered Alphans use their laser guns to take over the Command Center made off-limits by Koenig. They hold a seance and claim Tora would be habitable. Koenig regains control but is faced with the ever-impending crash with Tora and the rebel opposition which could jeopardise things further.
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