NEW BATTLES WITHOUT HOUNOUR AND HUMANITY: THE COMPLETE TRILOGY New Battles Without Honour and Humanity New Battles Without Honour and Humanity: The Boss's Head New Battles Without Honour and Humanity: Last Days of the Boss In the early 1970s Kinji Fukasaku's five-film Battles Without Honour and Humanity series was a massive hit in Japan and kicked off a boom in realistic modern yakuza films based on true stories. Although Fukasaku had intended to end the series Toei Studio convinced him to return to the director's chair for this unconnected follow-up trilogy of films each starring Battles leading man Bunta Sugawara and telling separate but fictional stories about the yakuza in different locations in Japan. In the first film Bunta Sugawara is Miyoshi a low-level assassin of the Yamamori gang who is sent to jail after a bungled hit. While in stir family member Aoki (Lone Wolf and Cub's Tomisaburo Wakayama) attempts to seize power from the boss and Miyoshi finds himself stuck between the two factions with no honourable way out. In the second entry The Boss's Head Sugawara is Kuroda an itinerant gambler who steps in when a hit by drug-addicted assassin Kusunoki (Tampopo's Tsutomu Yamazaki) goes wrong and takes the fall on behalf of the Owada family but when the gang fails to make good on financial promises to him Kuroda targets the family bosses with a ruthless vengeance. And in Last Days of the Boss Sugawara plays Nozaki a labourer who swears allegiance to a sympathetic crime boss only to find himself elected his successor after the boss is murdered. Restrained by a gang alliance that forbids retributions against high-level members Nozaki forms a plot to exact revenge on his rivals but a suspicious relationship with his own sister (Chieko Matsubara from Outlaw: Gangster VIP) taints his relationship with his fellow gang members. Making their English-language home video debut in this limited edition set the New Battles Without Honour and Humanity films are important links between the first half of Fukasaku's career and his later exploration of other genres. Each one is also a top-notch crime action thriller: hard-boiled entertaining and distinguished by Fukasaku's directorial genius funky musical scores by composer Toshiaki Tsushima and the onscreen power of Toei's greatest yakuza movie stars. LIMITED EDITION CONTENTS: High Definition digital transfers of all three films High Definition Blu-ray (1080p) and Standard Definition DVD presentations Original uncompressed mono audio New optional English subtitle translation for all three films Beyond the Films: New Battles Without Honour and Humanity a new video appreciation by Fukasaku biographer Sadao Yamane New Stories New Battles and Closing Stories two new interviews with screenwriter Koji Takada about his work on the second and third films in the trilogy Original theatrical trailers for all three films Reversible sleeve featuring original and newly commissioned artwork by Reinhard Kleist Illustrated collector's book featuring new writing on the films the yakuza genre and Fukasaku's career by Stephen Sarrazin Tom Mes Hayley Scanlon Chris D. and Marc Walkow
Uzumasa 太秦 (Kyoto) is considered the Hollywood of Japan. It has produced many jidaigeki films (period dramas with sword fighting) that are loved by many Japanese, and are highly praised all over the world. These films wouldn't be what they were if it weren't for the kirareyaku (actors whose main job is to be killed by the lead star). Men who are killed, without ever being lit by the limelight This story is about those men, the unsung heroes of classic jidaigeki films. They loved and respected the art, even when the production of classic jidaigeki films began to dwindle. Using Charlie Chaplin's film Limelight as an underlying theme, the admirable story of these men dealing with a new generation and fading craftsmanship is told with melancholy and soul.
Uzumasa 太秦 (Kyoto) is considered the Hollywood of Japan. It has produced many jidaigeki films (period dramas with sword fighting) that are loved by many Japanese, and are highly praised all over the world. These films wouldn't be what they were if it weren't for the kirareyaku (actors whose main job is to be killed by the lead star). Men who are killed, without ever being lit by the limelight This story is about those men, the unsung heroes of classic jidaigeki films. They loved and respected the art, even when the production of classic jidaigeki films began to dwindle. Using Charlie Chaplin's film Limelight as an underlying theme, the admirable story of these men dealing with a new generation and fading craftsmanship is told with melancholy and soul.
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