Returning home with her travelling theatre troupe, actress Camille (Jeanne Balibar, Les misérables) finds the affections of her director lover Ugo (Sergio Castellitto, Conclave) have waned after he takes an interest in Dominique (Hélène de Fougerolles, Innocence), a vivacious student helping him search for an infamous missing play. In a bid to make him jealous, Camille reunites with her former lover Pierre (Jacques Bonnaffé, Prénom Carmen), now happily married to Sonia (Marianne Basler, Midnight in Paris), and a farce-like series of love triangles ensue. Theatrically exploring attraction, jealousy, and every emotion in between, Jacques Rivette's quick-witted and zesty romantic drama turns a satirical lens on the city's intelligentsia - for whom Paris will always be their home - to ask whether even they know what love is all about.
A hit in Europe but a flop in the US--where it was trimmed, rescored, and given a new ending--Luc Besson's The Big Blue has endured as a minor cult classic for its gorgeous photography (both on land and underwater) and dreamy ambiance. Jean-Marc Barr is a sweet and sensitive but passive presence as Jacques, a diver with a unique connection to the sea. He has the astounding ability to slow his heartbeat and his circulation on deep dives, "a phenomenon that's only been observed in whales and dolphins until now," remarks one scientist. Kooky New York insurance adjuster Joanna (Rosanna Arquette at her most delightfully flustered and endearingly sexy best) melts after falling into his innocent baby blues, and she follows him to Italy, where he's continuing a lifelong competition with boyhood rival Enzo (Jean Reno in a performance both comic and touching). Besson's first English-language production looks more European than Hollywood, and it suffers from a tin ear for the language. At times it feels more like an IMAX undersea documentary than a drama about free divers, but the lush and lovely images create a fairy tale dimension to Jacques's story, a veritable Little Merman. More dolphin than man, he's so torn between earthly love and aquatic paradise that even his dreams call him to the sea (in a sequence more eloquent than any speech). Besson has expanded the film by 50 minutes for his director's cut, which adds little story but slows the contemplative pace until it practically floats in time, and has restored Eric Serra's synthesizer-heavy score, a slice of 1980s pop that at times borders on disco kitsch. Most importantly, he has restored his original ending, which echoes the fairy tale he tells Joanna earlier in the film and leaves the story floating in the inky blackness of ambiguity. --Sean Axmaker, Amazon.com
The head chef at swish Hamburg restaraunt The Lido Martha Klein's perfectionism and obsession with good cooking leaves little free time for romantic entanglements. However when her sister tragically dies in a car accident Martha's boss Frida insists she take time out to care for her eight year old niece Lina whilst attempts are made to locate Lina's estranged father. Returning to work after struggling to bond with this stubborn headstrong child Martha finds that dashing Itali
In matters of the heart it's anyone's guess. Va Savoir is an elegant and utterly charming comedy about the romantic misadventures of Camille and Ugo - a theater director and his leading lady - whose already complicated relationship becomes exponentially more difficult when they become entangled in the lives of four other people. As funny as it is touching as smart as it is silly Va Savoir is an endearing and delightful comedy of the heart and soul.
An Italian doctor must face his past when tragedy strikes in this drama.
Ada (Helen Bonham Carter) is an English fashion designer living a vaguely dissatisfied life with screenwriter Paul in a new home which is a bit above their means. Guido Paul's writing partner is having relationship problems of his own with Stephanie. And Guido and Paul are seriously late in delivering their script to Alphonse a young director with diminishing patience. Into this comes Lise an up and coming fashion designer who derails Ada's career by snagging a major assignment and making romantic advances at Paul. The lives loves deceptions triumphs and tragedies of this circle of self-absorbed over-achieving Parisians becomes more confusing convoluted and entangled leading to a surprising finale that blurs fiction and reality in a very Woody Allen way.
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