"Actor: Shaun Noble"

• Death is a Woman | DVD | (28/04/2014) from £6.99   |  Saving you £3.00 (42.92%)   |  RRP £9.99

  Making a spectacular change from teen pop sensation to actress Logie-Award-winning Australian singer Patsy Ann Noble is the scene-stealing bikini-clad femme fatale in this stylish cleverly plotted murder mystery. Giving Noble one of her earliest film roles and also starring Mark Burns Wanda Ventham and Shaun Curry Death Is a Woman is presented here in a brand-new digital transfer in its original theatrical aspect ratio. An undercover agent is sent to investigate narcotics smuggling on a sun-drenched Mediterranean island. However when both of his principal subjects die in mysterious circumstances he soon finds that he is also involved in a murder investigation... Special Features: Original Theatrical Trailer Alternate Scene [Mute] Image Gallery Original Pressbook PDF

• Nails | DVD | (16/10/2017) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  After surviving a near-fatal accident, track coach and mother Dana awakens in hospital, paralysed and imprisoned in her own body. Whilst struggling to regain control of her life, Dana is confronted with a vindictive spirit; a terrifying presence called Nails, whom she is convinced exists inside her hospital room. Faced with scepticism from her husband, doctors and the staff, and believed to be suffering from a mental breakdown, Dana is left struggling to keep her grip on reality as the targeted attacks grow increasingly violent. To save her marriage and her life, Dana must find a way to convince her family that Nails is real before he succeeds in destroying her and everyone who stands in his way. From the producers of Let Us Prey, The Hallow & The Last Days on Mars From the executive producer of Assault on Precinct 13.

• Criterion Collection: Black Narcissus | Blu Ray | (20/07/2010) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

• Black Narcissus | DVD | (26/09/2005) from £22.94   |  Saving you £-2.95 (-14.80%)   |  RRP £19.99

  When Bernardo Bertolucci went to the Himalayas to film Little Buddha, so the anecdote runs, he was disappointed by the scenery. Somehow, the real thing didn't quite live up to what he'd been led to expect by Powell and Pressburger's Black Narcissus. It's not hard to see why he felt let down. Their film is almost ridiculously gorgeous--a procession of saturated Technicolor, Expressionist angles, theatrical lighting and overwrought design. It has a good claim to being the high watermark of lushness in the British cinema (and, incidentally, every original foot of it was actually shot in Britain). No wonder it took the Oscar for colour cinematography (shot by Jack Cardiff) as well as for art direction and set decoration (created by Alfred Junge).Audiences loved it on its first release, but the critics were cooler: hadn't the story been upstaged by the baroque images? Well, probably, but that's not altogether a bad thing, since the plot--quite faithful to Rumer Godden's popular novel --isn't wholly free of corn. A group of five Anglican nuns, led by Sister Clodagh (Deborah Kerr) establish a school and hospital in a former harem among the Himalayan peaks. The wind blows, the drums pound, the Old Gods stir, and one by one the celibate sisters succumb to unchaste thoughts, above all Sister Ruth (Kathleen Byron, terrific in the role), so consumed by erotic yearning for the one Englishman in sight (David Farraar) she puts on crimson lipstick, wears her wimple-free tresses like an early Goth and takes a downward turn. (Black Narcissus features the greatest scene involving a nun and a high place this side of Hitchcock's Vertigo and Jacques Rivette's La Religieuse.) Silly, to be sure, but also sublime at times and as curiously entertaining as it is picturesque. --Kevin Jackson