What's it all about, Alfie?" asked the hit Burt Bacharach/Hal David title song, to which the less philosophical answer might be: an amoral young man comically seducing a succession of beautiful women in swinging-sixties London. Michael Caine was the titular anti-hero, here consolidating his new star status from Zulu (1964) and The Ipcress File (1965), his conquests including Shelley Winters, Jane Asher and Shirley Ann Field. Alfie was a huge success, bringing a new frankness about changing sexual attitudes to the screen, in which respect it was almost the male companion to Julie Christie's then shocking, Oscar-winning performance in Darling (1965). It was also a sort-of contemporary Tom Jones, which had swept the Oscars for 1963, however, Alfie was not only better made, but in Michael Caine's guilelessly amoral asides to camera, offered a groundbreaking illustration of a newly self-conscious cinema. It is a technique Caine would reprise as the middle-aged philanderer in Blame It On Rio (1983). With Blow Up also released in 1966, and Ken Russell's Women In Love following in 1969, British film-making was truly in the midst of a sexual revolution. Michael Caine would reunite with director Lewis Gilbert and meet his female match in Educating Rita (1983). --Gary S. Dalkin
This visually ravishing authentically terrifying Southern Gothic masterpiece is one of the cinema's great one-offs not just because it was the only film directed by the actor Charles Laughton. Robert Mitchum gives a career-best performance as Harry Powell a self-appointed preacher with 'LOVE' and 'HATE' tattooed on his knuckles who travels to a small town in search of his executed cellmate's stash of cash under the impression that his two young children know its whereabouts. But the film's melodramatic plot plays second fiddle to some of the most extraordinary images ever captured on film. Laughton and cinematographer Stanley Cortez (The Magnificent Ambersons) imbue almost every shot with a luminosity that recalls the great silent masterpieces of F.W. Murnau and Victor Sjöström. A widely misunderstood flop at the time (which put Laughton off ever directing again) it's now regarded as one of the greatest of all American films. Special Features: New digital transfer made from 35mm film elements restored by UCLA Film and Television Archive in cooperation with MGM Studios with funding provided by the Film Foundation and Robert B. Strum Optional original uncompressed Mono PCM audio and 5.1 DTS-HD Master Audio Isolated Music and Effects Soundtrack Charles Laughton Directs 'The Night of the Hunter' - A two-and-a-half-hour documentary on the making of the film featuring outtakes and behind-the-scenes footage Archival interview with cinematographer Stanley Cortez Original theatrical trailer Reversible sleeve featuring original and newly artwork by Graham Humphreys Booklet featuring new writing on the film by critic and filmmaker David Thompson with more to be announced!
There's Blood In The Water. A deadly experiment and a shocking conspiracy open the floodgates of fear in this razor-sharp action-thriller starring Casper Van Dien and Jennifer McShane. In a once-prosperous African fishing village a rash of brutal shark attacks is terrorizing the population and decimating the local economy. When scientist Marc Desantis becomes the latest victim marine biologist Steven McKray (Van Dien) vows to discover the truth behind the shark's unusually aggressive behavior and his friend's mysterious death. McCray uncovers a sea of deception and a sinister plot of unspeakable evil. Co-starring Ernie Hudson and Bentley Mitchum this adrenaline-drenched tale of greed and primal terror will feed your hunger for action and inspire a frenzy of nail biting suspense!
The sailor man with the spinach can! The legendary beloved anvil-armed sailor of the seven seas comes magically to life in this delightful musical starring Robin Williams as Popeye who meets all challenges with the unshakable philosophy 'i yam what I yam and that's all that I yam'. Shelley Duvall is Popeye's devoted long-limbed sweetie Olive Oil one of the familiar and loveable characters who joins Popeye in his adventures in the harbour town of Sweethaven. Meet Wimpy an
Maurice Colborne (Gangsters) stars as Tom Howard recently made redundant as an aircraft designer who decides to ply his trade in the world of boats instead; taking the reigns at a run-down local construction yard. A family of considerable wealth and prestige the Howards struggle to come to terms with Tom's decision and the changing circumstances of their lives. Featuring all the episodes from Series 2.
For its fourth season, Cheers served up a new bartender. Following the death of Nicholas Colasanto, who had played Coach, the season premiere introduced Woody Boyd (Woody Harrelson), the Indiana hick who certainly didn't raise the bar's collective IQ but had his own brand of endearing goofiness. That episode, "Birth, Death, Love and Rice", also explained what happened at the end of season 3 when Sam (Ted Danson) chased Diane (Shelley Long) and Frasier (Kesley Grammer) to Italy in hopes of preventing their marriage. The end result is that Diane returns to work at the bar and resumes her sexually charged flirtation with Sam, and Frasier becomes a brooding presence always looking for a way to win her back. Jennifer Tilly guest-stars as one of Sam's ex-girlfriends who actually hits it off with the petulant psychiatrist, but stealing the show in the same episode ("Second Time Around") was Dr. Lilith Sternin (Bebe Neuwirth), in what was supposed to be a five-minute one-shot role. The impossibly buttoned-up Sternin was such a perfect match for Frasier that she later became a regular cast member and won two Emmys. In other memorable episodes, Andy Andy (Derek McGrath) returns to terrorize Diane ("Diane's Nightmare"), the gang tries to turn the tables on Gary's Old Town Tavern in a bowling match ("From Beer to Eternity"), and Frasier sets up a night at the opera ("Diane Chambers Day"). In the three-part season finale ("Strange Bedfellows"), Sam begins dating a politician (Kate Mulgrew, later of Star Trek: Voyager) running for reelection. Diane decides to work for her opponent before taking a more drastic step, leading to Sam's memorable telephone call that served as a cliffhanger leading to season 5. Unlike previous seasons, the DVD set has no extras. --David Horiuchi
There are some criminals who always manage to evade justice. Untouchable they know the legal system and they know how to play it exploiting its flaws and capitalizing on its weaknesses. In short they are just too clever to get caught. But they are still the bad guys and they need to be taken off the streets. By Any Means follows a clandestine department living on the edge and playing the criminal elite at their own game existing in the grey area between the letter of the law and true justice. Led by the sharp and elusive Jack Quinn alongside straight-talking Jessica Jones digital whizz-kid Thomas Tomkins and ex-copper Charlie O'Brien they stop at nothing to get the job done. Receiving their target from the mysterious Helen Barlow they weave a web of cunning and deception to deliver their unwary targets into the arms of justice.
A 16-year-old girl (Academy Award winner Jennifer Connelly, Best Supporting Actress, A Beautiful Mind, 2001) is given 13 hours to solve a dangerous and wonderful labyrinth and rescue her baby brother when her wish for him to be taken away is granted by the Goblin King (David Bowie). Celebrate the 30th anniversary of this beloved fantasy classic from visionary filmmaker Jim Henson, now fully remastered in 4K. Special Features: Reordering Time: Looking Back at Labyrinth The Henson Legacy Remembering The Goblin King Labyrinth Anniversary Q&A And more!
After the Nazis invade Amsterdam 13-year-old Anne Frank and her family go into hiding in an attic. Her remarkable account of their strife and of her first love unfolds In this extraordinary portrait of humanity - now 55 years after its first release and 85 years after Anne's birth. Nominated for eight Oscars and Winning three The Diary of Anne Frank is a timeless story of hope and love amidst adversity.
A minor classic from Disney, this 1973 all-animal, all-animated musical version of the familiar story of Robin Hood is more charming than one might expect. Perhaps it's the warm, chummy take on key relationships within the legend--the way Robin Hood (Brian Bedford) gets twitterpated whenever the subject of Maid Marian (Monica Evans) comes up or the way best pal Little John (Phil Harris voicing a variation on his own Baloo from The Jungle Book) admonishes the Sherwood Forest hero, "Aw, Rob, why dontcha just marry the girl?" (Then, of course, there's the canny "casting" of the romantic leads as foxes: Robin the sly one and Marian the, well, foxy one.) The rest of the vocal cast is lively and eclectic: Peter Ustinov, Andy Devine, Terry Thomas, George Lindsey. Roger Miller provides the songs and voice for the minstrel character Allan-A-Dale. The film is ably directed by Wolfgang Reitherman, whose decades of work in Disney's animation division helped create the studio's rich legacy. --Tom Keogh, Amazon.com
It looks great: season two of the situation comedy many consider the best ever produced on American television has a superb presentation on this DVD collection. The colours are rich, the images sharp--a vast improvement over those murky reruns in perpetual TV syndication. Then, of course, there are the consistently brilliant episodes from Cheers' sophomore year. Despite its low-rated debut in 1982, the ensemble farce set in a Boston bar confidently returned with several strong story arcs, including the turbulent, screwball romance between intellectual poseur Diane Chambers (Shelley Long) and affable primitive Sam Malone (Ted Danson), romantic conflicts for the sexually voracious and deeply cynical barmaid Carla (Rhea Perlman) and marital separation for beloved barfly Norm (George Wendt). With John Ratzenberger signing on as a full-time cast member (playing pompous jive-slinger and postman Cliff Claven), and those opaque one-liners by the clueless Coach (Nicholas Colasanto), Cheers was firing on all cylinders. Episode highlights include "They Call Me Mayday", in which talk-show personality Dick Cavett, playing himself, convinces Sam the public would be interested in the former major league pitcher's autobiography--a notion that throws the unpublished, would-be novelist Diane into disbelief. Also wonderful is "Where There's a Will," guest-starring George Gaynes as a rich, dying man who leaves the gang $100,000 on a paper napkin will. "No Help Wanted" finds Sam's friendship with down-on-his-luck accountant Norm strained when the latter has a go at the bar's books, while the great "Coach Buries a Grudge" features the addled, elder statesman of Cheers delivering a memorable eulogy for a friend after discovering the dead man had an affair with his wife. Opinions vary about the worthiness of Cheers' latter years (the show ended in 1993), but no one disputes the merit of its ground-breaking start. --Tom Keogh
Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk". Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is incontestable when he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater".The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson
A milestone in American cinema and of the key films of the 1970s Robert Altman's Nashville is one of the most influential and dazzling films ever made. Weaving together the stories and interactions of twenty-four major characters with astonishing fluidity this audacious epic vision of America circa 1975 has lost none of its freshness or excitement. Taking place over five days in the nation's music capital Nashville Tennessee the film follows two-dozen characters struggling for fulfilment both personal and professional amongst a backdrop of country and gospel musicians outsider political campaigning and the peripheries of life in between building from one encounter at a time to create a wide-ranging tapestry of rich drama and human comedy. Featuring an exhilarating central vein of musical performances (written in character by many of the actors themselves) and a phenomenal cast including Ned Beatty Karen Black Keith Carradine Geraldine Chaplin Shelley Duvall Scott Glenn Jeff Goldblum Michael Murphy and Lily Tomlin. The Masters of Cinema Series is proud to present this iconic work for the first time ever on home video in the UK. Special Features: New 1080p high-definition restoration More on-disc extras to be announced closer to release! 36- Page Booklet with a new essay vintage stills and more!
The second season of the L Word takes off with 13 hotter-than-ever sexy episodes filled with sizzling new characters. Episodes comprise: 1. Life Loss Leaving 2. Lap Dance 3. Loneliest Number 4. Lynch Pin 5. Labyrinth 6. Lagrimas de Oro 7. Luminous 8. Loyal 9. Late Later Latent 10. Land Ahoy 11. Loud And Proud 12. L'Chaim 13. Lacuna
Combining the Gothic flourishes of their hugely popular Dracula and Frankenstein films, but this time taking inspiration from Greek myth, The Gorgon concerns a series of mysterious deaths in the small German town of Villandorf, in which the victims are turned to stone... Reuniting the Hammer dream team' of director Terence Fisher and iconic stars Peter Cushing and Christopher Lee, The Gorgon is one of Hammer's most complex and intriguing films of the period. Features: High Definition remaster Original mono audio Audio commentary with film experts Samm Deighan and Kat Ellinger Heart of Stone: Inside The Gorgon' (2017, 14 mins): an analysis of the film by Hammer expert Jonathan Rigby and cultural historian John J Johnston Hammer's Women: Barbara Shelley (2017, 10 mins): academic and author Patricia MacCormack examines the life and career of the first leading lady of British horror' Appreciation by Matthew Holness (2017, 15 mins): the actor, writer, director and Hammer fan explores aspects of the film Original theatrical trailer Original Promotional Material: gallery of stills, lobby cards and posters Comic-Strip Adaptation: Goodall, Goring & Coyas' 1977 House of Hammer magazine strip New and improved English subtitles for the deaf and hard-of-hearing
Special Features: New UK exclusive interviews with Julian Glover, Mark Gatiss, Judith Kerr, Kim Newman and Marcus Hearne Audio commentary with Nigel Kneale and Roy Ward Baker World of Hammer – Sci-Fi Episode UK and US trailers Interview with Joe Dante
Hands down, this is the best movie (and was one of the first) to come out of the seemingly endless cycle of disaster movies that dominated box offices during the 1970s. It could even be argued that Titanic owes some of its success to the precedent set by this 1972 blockbuster starring Gene Hackman as a priest who leads a small group of survivors to safety from the bowels of a capsized luxury liner. From its stellar cast to its cheesy, Oscar-winning theme song, The Morning After, the movie has all the ingredients of a popular classic, beginning with a New Year's Eve celebration aboard the ill-fated Poseidon and ending as a pop allegory when the Hackman character becomes a Christ-like martyr. Filmed on spectacular sets where everything down is up and the ship's thick hull points in the direction of salvation, this is "a waterlogged Grand Hotel" (in the words of New Yorker film critic Pauline Kael) that is as entertaining as it is unabashedly brainless. The Poseidon Adventure is filled with performances that rise above the limits of the screenplay. It's also the only movie--unless you count her underwater corpse in Night of the Hunter--that lets Shelley Winters strut her stuff as an aquatic heroine. Who could ask for anything more? --Jeff Shannon
Martin Chuzzlewit (Dir. Pedr James 1994): Martin Chuzzlewit is a wealthy old man. But who will inherit his riches? He has disinherited his grandson young Martin suspecting the motives of the young man's love for Mary Chuzzlewit's nurse and companion. With such a prize to play for the rest of his family - including the snivelling hypocrite Pecksniff and the fabulously evil Jonas - bring forth all of their cunning greed and selfishness. With his grandson floundering in Amer
Starring Andre Morell (Cash on Demand) and Barbara Shelley (The Camp on Blood Island), The Shadow of the Cat is an atmospheric old dark house tale of feline revenge. When the wealthy Ella Venable (Catherine Lacey) is murdered at the behest of her husband, Walter (Morell), the only witness is her beloved cat, Tabitha. As Ella's niece Beth (Shelley) attempts to uncover the truth, Walter and his accomplices fall foul of a series of cat-related accidents Directed by John Gilling (The Scarlet Blade) and with cinematography by Arthur Grant (The Phantom of the Opera), The Shadow of the Cat is a classic Gothic chiller from Hammer.
Revered misunderstood and oft-discussed Stephen Weeks' rarely seen 1974 dreamlike chiller is the absolute definition of a cult British Horror film. Set in 1920's England it tells of three former public schoolmates Larry Dann (The Bill) Murray Melvin (The Devils) and the enigmatic Vivian Mackerrell (the inspiration for Bruce Robinson' s creation 'Withnail' seen here in his only major screen role) who reunite in a country mansion haunted by the spirit of insane former resident Marianne Faithfull (Girl On A Motorcycle). The haunting transports them to a surreal world of demonic dolls sadistic doctors incest and murder. Hammer fans will see Barbara Shelley (Dracula Prince Of Darkness) and Leigh Lawson (Hammer House Of Horror) among the cast 'cult TV' enthusiasts will recognise Anthony Bate (Tinker Tailor Soldier Spy Beasts) and sitcom lovers will enjoy a cameo from Penelope Keith (The Good Life To The Manor Born).
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