A sleeper star vehicle for Denzel Washington Ricochet is a campy revenge thriller in the Brian De Palma style. Director Russell Mulcahy (The Shadow) makes the most of the opportunity to showcase two great actors in an exaggerated story of cops, robbers, and revenge. Washington plays a cop who becomes a rising legal star as a result of arresting master criminal John Lithgow, who escapes prison, fakes his own death, and sets about framing lawyer Washington for various crimes. Lithgow methodically destroys his life, until Washington enlists the help of childhood friend and drug dealer Ice-T to turn the tables and put his tormentor out of business for good. Lurid and violent, the film is also happily over the top, making Ricochet a cheerfully decadent indulgence.--Robert Lane, Amazon.com
James Belushi stars as Thomas Dooley an unorthodox narcotics cop who teams with an independently minded police dog in this hilarious action-comedy. Headstrong Dooley is one step away from nailing a prominent socialite in a $50 million cocaine bust. But branded as too crazy to partner with no one will work with him except Jerry Lee a superbly trained German Shepherd police dog with the best nose in the drug-busting business. The unconventional pairing pleases neither partner but a
Good cop. Bad alien. Big trouble! Jack Kane (Lundgren) is an unorthodox Houston cop out to stop a yuppie criminal gang known as the White Boys. However his investigation is about to get a rather odd but deadly extra-terrestrial dimension! Reluctantly partnered with FBI agent Laurence Smith Kane begins to realise that an alien presence is on the streets collecting a priceless intergalactic drug that can only be found in the human brain...
Day of the Dead, chapter three of George Romero's mighty zombie trilogy, has big footsteps to follow. Night of the Living Dead was a classic that revitalised a certain corner of the cinema, and Dawn of the Dead was nothing short of epic. Day of the Dead, however, has always been regarded as a comedown compared to those twin peaks--and perhaps it is. But on its own terms, this is an awfully effective horror movie, made with Romero's customary social satire and cinematic vigour--when a "retrained" zombie responds to the "Ode to Joy", the film is in genuinely haunting territory. The story is set inside a sunken military complex, where Army and medical staff, supposedly working on a solution to the zombie problem, are going crazy (strongly foreshadowing the final act of 28 Days Later). Tom Savini's make-up effects could make even hardcore gore fans tear off their own heads in amazement. --Robert Horton
Prepare yourself for the darkest day of horror the world has ever known!A Night of living terror led to a Dawn of false hope, but nothing before will prepare you for the darkest Day the world has known!Below ground in a fortified installation, scientists conduct experiments to understand the virus that has turned humanity into flesh-hungry zombies. Isolated and deprived of natural light, the researchers begin clashing with their military protectors and it soon becomes apparent that their co-dwellers are just as dangerous and unpredictable as the zombies gathering to enter their safe haven...Director George A. Romero follows Night of the Living Dead and Dawn of the Dead with this stark, unflinching sequel that stands as the series' most gritty and astoundingly gory instalment.
Add The Man from Elysian Fields to the list of essential movies about the pains of writing. This wry comedy-drama charts the frustrations of a financially strapped novelist (Andy Garcia) as he desperately and secretly agrees to be an "escort" for ladies who need, err, escorting. This leads him into a Faustian bargain to help a beautiful client (Olivia Williams) whose husband, a once-great, now-dying writer (a mighty James Coburn), is struggling with a final work. Of course the fact that the men are sharing a project and a woman complicates matters--and Garcia's loyal wife (Julianna Margulies) is curious about all these nights spent away. The movie explores different levels of compromise and betrayal, yet it remains tartly amusing throughout. And it has a glorious casting inspiration: the director of the mysterious escort service is played by Mick Jagger, looking decadently elegant and purring like a vaguely satanic Siamese cat. --Robert Horton
That little devil Junior is back once more and he's just as naughty as ever! In this the third edition in the hilarious Problem Child series Junior is persuaded to join in with other children in various fun activities - including dancing. His father's plan appears to work when yes - Junior falls in love! - with the beautiful and ever popular Tiffany. But this only incites Junior to greater heights of mayhem-making as he sets about getting rid of the competition for Tiffany's affection.
Meet Joe Black: Bill Parrish (Anthony Hopkins) has it all success wealth and power. Days before his 65th birthday he receives a visit from a mysterious stranger Joe Black (Brad Pitt) who soon reveals himself as Death. In exchange for extra time Bill agrees to serve as Joe's earthly guide. But will he regret his choice when Joe unexpectedly falls in love with Bill's beautiful daughter Susan (Claire Forlani)? The Mexican: Brad Pitt stars as Jerry Welbach a small-time loser who is given no choice but to run an errand for a powerful boss (Bob Balaban) who will have him killed if he fails. But if he accepts the job to go to San Miguel to pick up the beautiful handcrafted gun known as the Mexican his loud demanding girlfriend Samantha (Roberts) will leave him and move to Vegas. But through a course of bizarre events his contact is shot in the top of his head the gun is stolen and Sam is kidnapped and held hostage by a hired killer (James Gandolfini) who is not all that he seems...
Fievel Tony Tanya Tiger and their new friend hot-shot reporter Nelly Brie are on the trail of an alleged mouse-nabbing monster rumors of which have made Manhattan's rodent population tremble.
Theres little doubt that much of what we now take for granted about cinema owes much to the vision of director D W Griffith. Monumental Epics collects five of his most influential silent masterpieces. The Birth of a Nation (1915) is also the birth of the epic film. Made to commemorate the 50th anniversary of the end of the American Civil War this provocative film unflinchingly shows the humiliation of Southern culture, the "heroism" of the Ku Klux Klan, and links the Union and Confederacy by a common Aryan birthright. All of which has to be viewed in its period context if it is to be viewed at all. Intolerance (1916) is film-making of epic complexity. Human intolerance is related through a modern tale of wrongful conviction, intercut by three stories from Babylonian, Judean, and French history to point up the issue through the ages. The intricacy of the intercutting is breathtaking even now, but those as confused as the first audiences evidently were can opt to see each story separately. Sensitively tinted, this is Griffith's finest three hours. Broken Blossoms (1919) has Griffith venturing into domestic melodrama. Although there's a clear moral to be drawn from this tale of compassion in the face of ignorance and brutality, neither the over-acting of Lillian Gish and Donald Crisp, nor the vein of sentimentality that creeps into their characters' relationship allow the viewer to forget the period-piece nature of the film. Here an appropriately expressive musical score helps keep viewing at an attentive level. Way Down East (1920) shows Griffith moving from the epic to the personal, though still on a large scale. The combining of old-style melodrama with latter-day female emancipation is tellingly brought off, and Lillian Gish excels as the country girl used and abused by male society, until "rescued" by a farmer of true moral scruples. Unconvinced? Then go straight to the climactic snowstorm and ice floe sequences--Eisenstein et al are inconceivable without this as trailblazer. Abraham Lincoln (1930) marked Griffith's entry into the talkie era. Tautly directed, it offers a historically accurate account of the 16th US President's rise to power and his visionary outlook on American society. Civil War scenes are implied rather than enacted, and its Walter Huston's robust yet understated acting that carries the day, with sterling support from Una Merkel as Ann Rutledge and Hobart Bosworth as General Lee. On the DVD: Stylishly packaged, restoration and digital remastering has been carried out to Eureka's usual high standard, and the 4:3 aspect ratio has commendable clarity. Birth of a Nation has Joseph Carl Breil's original orchestral score and a pithy "making of" film by Russell Merritt. Intolerance contains a useful rolling commentary and a great wurlitzer soundtrack too. Way Down East includes a commentary. Abraham Lincoln also has a commentary, though Hugo Riesenfeld's score often verges on the mawkish. Overall this set is a must for anyone remotely interested in film as a living medium.--Richard Whitehouse
Three spisodes of animated adventures with brother and sister Peter and Judy as their magical Jumanji game offers all sorts of exploring opportunities! Includes: 1. The Price 2. Bargaining For Time 3. Ransom Of Redhead
An eccentric landlady becomes obsessed with her new tenant Jeffrey a young New York architect who has moved into the building in order to be closer to his partner Rene.
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