Combining the extraordinary talents of bestselling author Michael Crichton (Jurassic Park) and Steven Spielberg's Amblin Television with Peabody, Humanitas, and Emmy®-winning producer John Wells (The West Wing) and Emmy® winner Christopher Chulack (Third Watch), the multiple Emmy® Award-winning ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room. These medical professionals remain determined to save lives in a place where nothing is taken for granted and nothing is certain...nothing except that another desperate person will be rushed through the emergency room doors in the next moment in need of their help. Re-live all fifteen dramatic seasons and enjoy one of the best medical TV series to have ever hit your TV screens.
Combining the extraordinary talents of bestselling author Michael Crichton (Jurassic Park) and Steven Spielberg's Amblin Television with Peabody, Humanitas, and Emmy®-winning producer John Wells (The West Wing) and Emmy® winner Christopher Chulack (Third Watch), the multiple Emmy® Award-winning ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room. These medical professionals remain determined to save lives in a place where nothing is taken for granted and nothing is certain...nothing except that another desperate person will be rushed through the emergency room doors in the next moment in need of their help. Re-live all fifteen dramatic seasons and enjoy one of the best medical TV series to have ever hit your TV screens.
Combining the extraordinary talents of bestselling author Michael Crichton (Jurassic Park) and Steven Spielberg's Amblin Television with Peabody, Humanitas, and Emmy®-winning producer John Wells (The West Wing) and Emmy® winner Christopher Chulack (Third Watch), the multiple Emmy® Award-winning ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room. These medical professionals remain determined to save lives in a place where nothing is taken for granted and nothing is certain...nothing except that another desperate person will be rushed through the emergency room doors in the next moment in need of their help. Re-live all fifteen dramatic seasons and enjoy one of the best medical TV series to have ever hit your TV screens.
Studio 54 is no Saturday Night Fever--more like Sunday Morning Hangover. This portrait of the legendary Manhattan disco and its colourful cofounder, Steve Rubell, plays like the outtakes of a much more interesting filmwhere are the sex, the drugs, the classic disco music? (It shouldn't surprise viewers that Miramax and writer-director Mark Christopher had a falling-out over the final cut of the film; Miramax prevailed.) Considering that the essence of Studio 54 was about the rich and beautiful, it seems a bit unwise to focus on the poor and only somewhat beautiful, namely Shane (Ryan Phillippe), a Jersey boy who gets taken in by the razzle-dazzle of the disco era. Crossing the river, Shane finds another, more exciting life at Studio 54 as a shirtless bartender, and soon finds himself partying with the crème de la crème--and smitten with comely soap star Julie (Neve Campbell). The permutations of the story are familiar, but too many elements are missing. Most of Phillippe's performance seems to have ended up on the cutting-room floor (although his chiselled torso gets maximum exposure), Campbell's role is basically a glorified cameo and Breckin Meyer and Salma Hayek, as Phillippe's only true pals, are wasted. The one true gem of the film, though, is Mike Myers' take on the late Steve Rubell, an inspired high-wire performance that balances humour and tragedy without ever giving in to camp or pathos--his drunken proposition of Philippe is a minor treasure. The soundtrack does feature some unknown chestnuts and a few new remixes, including an inspired disco version of--believe it or not--Gordon Lightfoot's "If You Could Read My Mind". --Mark Englehart
ER kicked off its second series of high-intensity drama and wry humour by introducing a character who would turn out to be a long-term member of--and a major irritation for--the inner-city Chicago hospital staff. After Mark Greene (Anthony Edwards) is promoted to attending physician, the door is open for a new chief resident, and in walks Kerry Weaver (Laura Innes), who wastes no time ruffling everyone's feathers with her strict managerial style and subtle putdowns. One of her prime targets, Susan Lewis (Sherry Stringfield), struggles to balance her personal and professional life when she has to take care of her abandoned infant niece. The Lewis character grows the most during the series, along with second-year student John Carter (Noah Wylie), whose natural compassion gives way to professional ambition following the model of his teacher, the ambitious and self-absorbed Peter Benton (Eriq LaSalle). Benton angles for a position with a renowned cardiovascular surgeon (Ron Rifkin) and has to deal with the fallout from a relationship with physician's assistant Jeannie Boulet (Gloria Reubens), yet he also starts to show some glimmers of humanity. Greene has his own problems trying to manage a long-distance marriage, while nurse Carol Hathaway (Julianna Margulies) bounces back from her aborted first-series marriage attempt to start a new relationship with paramedic Shep (Ron Eldard, who also became Margulies' real-life partner). She buys her first house and enjoys an entire series out of the companionship of Doug Ross (George Clooney), who as always runs into problems with his cowboy style and philandering ways. But just when he's finally driven himself out of ER, he has to go play hero when he finds a boy pinned in a storm drain in an episode that was nominated for six Emmys and remains one of the, excuse the pun, high-water marks of the series. That and such episodes as "The Healers," which deals with the aftermath of Shep's daring fire rescue, prove that when ER was at its best, it was as good as anything on television. Guest appearances include Lucy Liu as the mother of an AIDS-stricken boy, Red Buttons as an elderly husband, Joanna Gleason as an infomercial producer and Jake Lloyd (The Phantom Menace) as the son of a prostitute. DVD bonus features are a little lighter than on the first-series set, consisting of a commentary track (by co-executive producer Mimi Leder, editor Randy Jon Morgan and Laura Innes) on the series' first episode and "The Healers", a nine-minute spotlight on "Hell and High Water", an 11-minute piece on the series' multiple directors, 14 minutes of outtakes and a gag reel. --David Horiuchi
Set in a Chicago County General Hospital, the multi-Emmy winning ER is very much in the tradition established by the earlier Hill Street Blues. Like that series, ER also features a range of strong characters whose personal lives often reflect the turmoil of their working environment. It also similarly features a deft, fast-moving mix of comedy, intrigue and tragedy. It could also be seen as a precursor to The West Wing, in that we regard with some awe the ability of these characters to keep on top of the mounting chaos in their day-to-day lives and the myriad problems thrown at them. In ER, this chaos may mean crack addicts, violent patients tumbling through plate glass screens, vindictive colleagues or a chief of staff who insists that fellow surgeons operate on his sick dog. The first series is best known for introducing George Clooney to the world as the likable but maverick Dr Ross; the show has often featured star guests such as Sally Field and Ewan McGregor, among others, while several seasons have seen the coming and going of various personnel. However, if one character embodies the strength of ER it's Dr Mark Greene (Anthony Edwards), whose dedication to his job has seen him turn down lucrative and cosier offers in the private sector, and who is an exemplar of decency, selflessness and emotional stability. The episodes dealing with his father's death were among the most moving in the series, touching as they did on a theme never far from ER's surface, that of reconciliation with mortality. --David Stubbs
First broadcast in 1993, NYPD Blue was created by Steven Bochco and David Milch, the team responsible for the magnificent, mould-breaking Hill Street Blues, which had featured both of NYPD's principal stars, David Caruso (Detective John Kelly) and Dennis Franz (Detective Andy Sipowicz). Here, their partnership takes up most of the screen time, a break from the ensemble feel of the earlier show (though he's the boss, James McDaniel's Lieutenant Fancy, for instance, is a peripheral figure). But there are familiar Bochco themes. Tough-but-put-upon cops struggle with their own problems as well as the criminal element: Kelly is going through a divorce, while Sipowicz is fighting alcoholism, though these are as nothing compared with officer Janice Licalsi's dramatic means of escaping her involvement with the Mob. Although fast-cut and street-sharp, NYPD Blue arguably betrays a right-wing bias: the villains are invariably irredeemable scum, too often let off the hook by a slack and excessively liberal judiciary, with victims of crime often forced to take desperate measures of their own. The fate of one 4B (a young David Schwimmer), however, acts as a warning against vigilantism. Unleavened by much of Hill Street's humour and with plots more designed to keep the pulse racing than reflect social realism, NYPD Blue is simmering, downbeat, compelling viewing that edged mainstream American TV nearer to the knuckle than it had previously dared to venture. On the DVD: NYPD Blue, Series 1 has a number of special features, including a making-of documentary in which creator Steven Bochco explains the lengthy negotiations he had to undertake with the network in order to get the show aired in anything like its original form. "Cast Blotters" is a feature about the characters and players. There's also a short piece on the love interest in NYPD Blue and biographies of the cast and programme makers. --David Stubbs
The third season of the hugely popular long-running US medical drama. Episodes comprise: 1. Dr. Carter I Presume 2. Let The Games Begin 3. Don't Ask Don't Tell 4. Last Call 5. Ghosts 6. Fear Of Flying 7. No Brain No Gain 8. Union Station 9. Ask Me No Questions I'll Tell You No Lies 10. Homeless For The Holidays 11. Night Shift 12. Post Mortem 13. Fortune's Fools 14. Whose Appy Now? 15. The Long Way Around 16. Faith 17. Tribes 18. You Bet Your Life 19. Calling Dr. Hathaway
Hot Hollywood stars Mike Myers (Austin Powers, Wayne's World), Neve Campbell (Wild Things, Scream trilogy) and Salma Hayek (Desperado, From Dusk Till Dawn) give must-see performances in this provocative look behind the bright lights of the hottest nightclub ever. When Steve Rubell (Myers), the mastermind behind New York's infamous Studio 54 disco, plucks young Shane O'Shea (Ryan Phillippe - I Know What You Did Last Summer) from the sea of faces clamouring to get inside his club, Shane not only gets his foot in the door... but lands a coveted job behind the bar. By following Shane's rapid rise from naive busboy to the notorious nightspot's sexy main attraction, you're allowed an unforgettable look at the spectacular rise and fall of Steve Rubell's decadent empire. An entertaining hit that pulses with the best dance music of the era, Studio 54 is not just your ticket inside this legendary place... it places you at the very epicentre of the greatest party on earth!
Dylan Walsh ("Nip/Tuck") stars as the kindly new addition to the Harding family only he's hiding some terrible secrets! Daddy's home...and he's taking no prisoners!
A New York restaurant owner falls for a young woman chef. When she reveals a dark secret about herself, their relationship takes on deeper meaning.
The complete collection of ER from Season 1 right through to Season 15 on 45 discs.
A look behind the brightlights of the hottest nightclub ever! When Shane (Ryan Phillippe) joins the queue for New York City's premier nightspot little does he realise that he'll be plucked from the crowd by outrageous owner Steve Rubell (Mike Myers) get a job behind the bar and later become the nightspot's main attraction. Follow the rise and fall of this decadent empire where drink sex and drugs are just some of the vices on offer...
Danny Krueger, a rebellious young street racer, is on a collision course with trouble. After an accident at an illegal street race, he is sent to a small town to live with his estranged father, a washed up NASCAR racer. When Danny decides to enter the National Hot Rod High School Drags, he's forced to seek his father's help in taking down the local hot shot. To win it all, Danny needs to rise to the challenge in a world where old rivalries run deep, outsiders are rarely welcome and racing is a way of life.
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