First there was an opportunity......then there was a betrayal.Twenty years have gone by. Much has changed but just as much remains the same.Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.Click Images to Enlarge
First there was an opportunity... then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Special Features: 29 Deleted Scenes 20 Years in the Making: A Conversation with Danny Boyle and the Cast Commentary with Danny Boyle and John Hodge
Lochdubh: a frontier town in the wild west of Scotland. One hotel one general store one doctor and one lawman - PC Hamish Macbeth (Robert Carlyle). He's the sherrif along with canine sidekick Wee Jock with his own singular methods of dealing with crime and misdemeanours. If only his love life were so easily solved. But then that's another story... Episodes comprise: 1. The Great Lochdubh Salt Robbery 2. A Pillar Of The Community 3. The Big Freeze 4. Wee Jock's Lament 5.
The film that effectively launched the star careers of Robert Carlyle, Ewan McGregor and Jonny Lee Miller is a hard, barbed picaresque, culled from the bestseller by Irvine Welsh and thrown down against the heroin hinterlands of Edinburgh. Directed with abandon by Danny Boyle, Trainspotting conspires to be at once a hip youth flick and a grim cautionary fable. Released on an unsuspecting public in 1996, the picture struck a chord with audiences worldwide and became adopted as an instant symbol of a booming British rave culture (an irony, given the characters' main drug of choice is heroin not ecstasy).McGregor, Lee Miller and Ewen Bremner play a slouching trio of Scottish junkies; Carlyle their narcotic-eschewing but hard-drinking and generally psychotic mate Begbie. In Boyle's hands, their lives unfold in a rush of euphoric highs, blow-out overdoses and agonising withdrawals (all cued to a vogueish pop soundtrack). Throughout it all, John Hodge's screenplay strikes a delicate balance between acknowledging the inherent pleasures of drug use and spotlighting its eventual consequences. In Trainspotting's world view, it all comes down to a question of choices--between the dangerous Day-Glo highs of the addict and the grey, grinding consumerism of the everyday Joe. "Choose life", quips the film's narrator (McGregor) in a monologue that was to become a mantra. "Choose a job, choose a starter home... But why would anyone want to do a thing like that?" Ultimately, Trainspotting's wised-up, dead-beat inhabitants reject mainstream society in favour of a headlong rush to destruction. It makes for an exhilarating, energised and frequently terrifying trip that blazes with more energy and passion than a thousand more ostensibly life-embracing movies. --Xan Brooks
When conman and former soldier Freddy Benson arrives in the south of France he clashes with fellow conman Lawrence Jameson. To determine who will leave they arrange a wager to see who can con $25 000 from next woman they see.
INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES Brand-new 4K restoration from the original negative by Powerhouse Films Original mono audio Audio commentary with director Rod Hardy and producer Antony I Ginnane (2003) Thirst: A Contemporary Blend (2022): retrospective interview with Ginnane Archival TV interview with actor David Hemmings (1979) Archival audio interview with actor Chantal Contouri (1979) Not Quite Hollywood' Interviews (2008): extensive selection of outtakes from Mark Hartley's acclaimed documentary on Australian cinema, featuring Hardy, Ginnane, cinematographer Vincent Monton, and actor Rod Mullinar Appreciation by the academic and Australian cinema specialist Stephen Morgan (2024) Isolated score Original theatrical trailer TV spots Image gallery: promotional and publicity material, and behind the scenes Limited edition exclusive 80-page book with a new essay by Diane A Rogers, exclusive extracts from producer Antony I Ginnane's unpublished memoirs, archival interviews with actors Chantal Contouri, David Hemmings and Henry Silva, and film credits Limited edition of 10,000 individually numbered units (6,000 4K UHDs and 4,000 Blu-rays) for the UK and US All features subject to change
Like many other films by Canadian director David Cronenberg (especially Crash), Dead Ringers presents the cinematic and psychological equivalent of an automobile accident--you dare not look, but you can't turn away. The film marked a directorial breakthrough for Cronenberg, who was able to continue some of the themes explored in his earlier horror films while graduating to a higher, more critically "respectable" level of artistic sophistication. The film is loosely based, amazingly enough, on a true story about twin gynaecologists who routinely traded each others' identities, lives and even lovers. Utilizing innovative split-screen technology (years before computer manipulation made such trickery much easier), the film stars Jeremy Irons in flawless dual roles as the identical brothers Beverly and Elliot Mantle. Their ability to instantly switch identities leads them to a shared relationship with a well-known actress (Genevieve Bujold) and, ultimately, a physical and psychological tailspin that sends them both to the brink of madness and death. The scenario suggests that both men are halves of a whole, and that one cannot exist without the other. But when Beverly pursues a kinky, drug-addicted affair with the actress, his more self-controlled brother is helpless to prevent their mutual decline. In this way Dead Ringers becomes a fascinating and stylistically clinical study of duality, and Cronenberg doesn't shy away from the dark and unpleasant aspects of the story. (One look at the movie's display of bizarre gynaecological instruments and you'll know why women find this film particularly--and unforgettably--disturbing.) The Criterion Collection DVD includes illuminating commentary by Cronenberg, Irons, production designer Carol Spier and others; extensive production information; interviews with the principal cast; and a detailed examination of the film's groundbreaking use of invisible special effects. --Jeff Shannon, Amazon.com --This text refers to the DVD edition of this video.
Steve Coogan stars in this energetic, laugh out loud adaptation of "The Life And Opinions Of Tristram Shandy".
The West's most violent story... The West's most valiant hour! John Ford's criminally overlooked western (the first collaboration between Ford and James Stewart) finally makes its way to DVD for the first time! A group of children are held captive by the Indians. A Lieutenant enlists the help of a Texas Marshall in a rescue attempt. Based on the novel by Will Cook.
GREED tells the story of self-made British billionaire Sir Richard McCreadie (Steve Coogan), whose retail empire is in crisis. For 30 years he has ruled the world of retail fashion bringing the high street to the catwalk and the catwalk to the high street but after a damaging public inquiry, his image is tarnished. To save his reputation, he decides to bounce back with a highly publicised and extravagant party celebrating his 60th birthday on the Greek island of Mykonos. A satire on the grotesque inequality of wealth in the fashion industry, the film sees McCreadie's rise and fall through the eyes of his biographer, Nick (David Mitchell).
If you dare enter this world you had better tread carefully. Such is the advice of Sugar the heroine of the hit BBC2 sexually charged thriller The Crimson Petal and The White. A compelling Victorian tale of revenge The Crimson Petal & The White tells the story of Sugar an alluring and intelligent young prostitute. Sugar longs for a better life and when she secures the patronage of successful businessman William Rackham she begins to hatch a scheme that will free her from her life in the slums. However as their worlds become more entwined Sugar's plans set in motion a series of events that will change both their lives forever. It is an engrossing drama with a twist that viewers will want to watch again and again.
Tale of Tales unleashes a barrage of mind-bogglingly gorgeous and fantastical imagery as it brings to life the (mis)adventures of three kings.
Romance at its most anti-romantic--that is the Billy Wilder stamp of genius, and this Best Picture Academy Award winner from 1960 is no exception. Set in a decidedly unsavoury world of corporate climbing and philandering, the great filmmaker's trenchant, witty satire-melodrama takes the office politics of a corporation and plays them out in the apartment of lonely clerk CC Baxter (Jack Lemmon). By lending out his digs to the higher-ups for nightly extramarital flings with their secretaries, Baxter has managed to ascend the business ladder faster than even he imagined. The story turns even uglier, though, when Baxter's crush on the building's melancholy elevator operator (Shirley MacLaine) runs up against her long-standing affair with the big boss (a superbly smarmy Fred MacMurray). The situation comes to a head when she tries to commit suicide in Baxter's apartment. Not the happiest or cleanest of scenarios, and one that earned the famously caustic and cynically humoured Wilder his share of outraged responses, but looking at it now, it is a funny, startlingly clear-eyed vision of urban emptiness and is unfailingly understanding of the crazy decisions our hearts sometimes make. Lemmon and MacLaine are ideally matched and while everyone cites Wilder's Some Like It Hot closing line "Nobody's perfect" as his best, MacLaine's no-nonsense final words--"Shut up and deal"--are every bit as memorable. Wilder won three Oscars for The Apartment, for Best Picture, Best Director and Best Screenplay (cowritten with long-time collaborator I A L Diamond). --Robert Abele
Diabolique is Jeremiah Chechik's 1996 revamped version of the 1955 French film noir tale of two teachers at a boys school conspiring to kill the headmaster (played in the remake by Chazz Palminteri of Jade and The Usual Suspects). The three assemble an intriguing triangle of revenge and deceit as the headmaster's abused and humiliated wife and mistress team up to get even. Mia Baran is the fragile wife with a delicate heart condition, portrayed by Isabelle Adjani (Queen Margot), and Sharon Stone (Basic Instinct) is the plotting, contemptuous mistress. Together they set out to wreak an unfortunate revenge, but as the story reveals itself, miscalculations abound as hidden agendas and secret lives are unexpectedly exposed. Chechik's new look and timeless setting give film noir audiences something neoteric and seductive to play with. A welcomed change to the film's story line is the fresh addition of Kathy Bates as a daunting private detective. Fans of Stone's will not be disappointed with the latest version of her "I-could-give-a-damn smoldering broad" technique and anyone not yet familiar with Chazz Palminteri will love watching him succeed as the ultimately despicable headmaster. --Michele Goodson
The Carry On which caused a national sensation when a daffodil replaced a thermometer - you know where! The Carry On team have picked up their stethoscopes and bed pans for a strong dose of hospital humour. Hattie Jacques is the infamous matron doing battle with the patients in the second series of the world famous Carry On series.
Joy (Shirkey Henderson) is married to a man with an unresolved 'affliction' and recieves visitations from her deceased ex-lover. Her sister Trish (Allison Janney) meets an unlikely new suitor (Michael Lerner) who she hopes will bring stability to her family while her husband (Ciaran Hinds) is just out of prison and keen to reconnect with his son. Helen (Ally Sheedy) the third sister is feeling intense pressure from her family and her Hollywood success. Ten years after the critically acclaimed Happiness director Todd Solondz returns to the familiar themes and characters with Life During Wartime and presents us with a tale thats poignant funny disturbing shocking and sad while creating a resonant portrait of modern life and love.
Inspired by a true story... Set in 1950's New York and starring Elijah Wood as John Malcolm Brinnin, the aspiring young American poet who finds his ordered world shaken when he embarks on a week-long retreat to save his hell raising hero, Dylan Thomas, played by Celyn Jones. Directed by BAFTA-nominated director, Andy Goddard this visually stunning film, shot entirely in black and white monochrome, is a cautionary tale about meeting your heroes, the dirty business of celebrity and about what may have happened in an East Coast boathouse when an earnest ingénue shared cabin space with his idol, the greatest living poet of the twentieth century. Special Features - Deleted Scenes - Dylan Thomas Poems - And Death Shall Have No Dominion', If I Were Tickled by the Rub of Love', and In My Craft or Sullen Art' ready by Celyn Jones, Love In The Asylum' read by the cast - Gruff In Metropolis
An American woman and a Middle-Eastern man embark on an affair in this quality drama.
One of the better BBC costume dramas of recent years, 2003's Charles II: The Power and the Passion depends very strongly on its central performance. Fortunately, Rufus Sewell is admirable throughout as the saturnine, witty monarch who has retained popular fondness down the centuries in spite of his conscientious adherence to the bad and losing cause of absolute monarchy. Adrian Hodge's intelligent script dramatises the issue in quick sound bites--many politicians accepted the Restoration to avoid chaos and were determined to bring Charles to heel, whereas he was determined to defend the position for which his father had been martyred. If that meant handing the throne to his Catholic brother in default of a legitimate son of his own, so be it. The four hour-long episodes cover the Restoration, the Plague and the Fire of London, the secret treaties with France and the Popish Plot, as well as giving us a fair bit of Charles's moderately happy marriage to Catherine (Shirley Henderson in the most hideously accurate historical hairdos ever) and his affairs with various mistresses. Among a number of fine supporting performances, Rupert Graves stands out as Buckingham, the friend who betrayed Charles. This sort of costume drama only ever works if the acting is as good as it is here. On the DVD: Charles II on disc comes with a making-of documentary and a commentary on the first episode from writer Adrian Hodge and the director and producer. It also includes an extended documentary on Charles's back story--his education, his attempt to fight Cromwell's forces, his period on the run in England and his long exile--in which a number of eminent historians, including Richard Holmes and Ronald Hutton, talk about how he became the king he was. --Roz Kaveney
Academy Award nominee Michelle Williams (Blue Valentine; Shutter Island; Wendy and Lucy) stars alongside Paul Dano (There Will Be Blood) and Bruce Greenwood (Star Trek; I'm Not There; Capote) in a tense subtle drama set during the earliest days of the Oregon Trail. The year is 1845 and a wagon team of three families is setting off across the sparse terrain of the Oregon desert. They become lost and have to put their faith in a Native American not knowing if he will lead them into an ambush or water.
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