Party At The Palace starts with Queen Guitarist Brian May--who looks more than ever like a haircut with a person growing from beneath it--playing "God Save The Queen" on the roof of Buckingham Palace; seemingly missing the point of his obvious inspiration, Jimi Hendrix's apocalyptic subversion of "The Star-Spangled Banner" at Woodstock. Unbelievably, and theoretically impossibly, it goes downhill from there. It can only be assumed that the bill for the Queen's Jubilee was assembled by an ardent republican. The concert is a motley assortment of has-beens and time-wasters, a curious number of whom felt it proper to celebrate the monarch's 50 years by singing old Motown songs badly. The concert also features an extended plug for Queen's (that's the Band) risible musical We Will Rock You and Lenny Henry shouting. Bewilderingly Party At The Palace is not only redeemed, but made worth owning, by the four-song set by Brian Wilson with his version of "God Only Knows"--accompanied by Andrea Corr—-offering a heartbreakingly earnest performance. The concert ends with a pantomime version of "All You Need Is Love". Party At The Palace is the night rock & roll gave up. On the DVD: Party at the Palace is presented in 16:9 format. Songs can be selected by title or by artist. There are subtitles in French, German and Spanish. Proceeds from the sale of the DVD, "after the deduction of costs and expenses in relation to its production and distribution", will be donated to the Queen Elizabeth II Golden Jubilee Trust. --Andrew Muller
The Carry On which caused a national sensation when a daffodil replaced a thermometer - you know where! The Carry On team have picked up their stethoscopes and bed pans for a strong dose of hospital humour. Hattie Jacques is the infamous matron doing battle with the patients in the second series of the world famous Carry On series.
Celebrating its 50th anniversary in 2006 Carousel tells the story of Billy Bigelow a smooth-talking carnival baker who falls in love with a mill-worker on the colourful coast of Maine. But right before the birth of his daughter Billy is killed while committing a robbery. Now in heaven years later he returns to earth for one day to attend his daughter's high school graduation and teach her one very important lesson... Featuring classics like 'If I Loved You' and the inspi
Peggy Mount stars as the world's most terrifying mother in law in this British Comedy favourite based on the hugely successful stage farce!
An all-star cast feature in this stylish adaptation of Agatha Christie's quintessential murder mystery, produced and co-written by legendary B-movie mogul Harry Alan Towers. Directed by George Pollock (who had previously won great acclaim with the Miss Marple films starring Margaret Rutherford) and sporting the ultimate gimmick of a 60-second Whodunnit Break prior to the final reveal, Ten Little Indians is featured here as a High Definition remaster from original film elements in its original theatrical aspect ratio. Ten strangers arrive at a snowbound mansion invited by their host, the shadowy Mr U.N. Owen. During dinner, an audio tape of Owen's voice is played, revealing that each guest has a scandalous secret a secret that each would be willing to kill to protect. It's not long before the first guest is murdered. It won't be the last. Special Features Theatrical trailer Image gallery
The Honeymoon Killers is based on the true story of American serial killers Raymond Fernandez and Martha Beck who went on a spree of murder and mayhem in the late 1940's.Posing as brother and sister the pair befriend and ultimately murder lonely women for their savings.This chilling movie is a cult classic and features fine performances from the two leads in the roles of the real life 'lonely hearts killers'.
Though it was pre-produced by Martin Scorsese, who left the project after arguments with the producers, The Honeymoon Killers wound up being written and directed by Leonard Kastle, one of cinema's great one-hit wonders. The Henry: Portrait of a Serial Killer of 1969, The Honeymoon Killers follows hefty nurse Martha Beck (Shirley Stoler, who looks like a humourlessly malevolent Roseanne) and her low-rent gigolo lover Raymond Fernandez (Tony Lo Bianco) as they take up serial murder for profit and passion, luring middle-aged women into marriage through lonely-hearts ads, then killing them and raiding their savings. Based on a genuine crime case history, it is filmed in the candid-camera style of a Frederick Wiseman documentary. The intense scenes (such as the couple's frightening love-play: escalating arguments that end in awkward killings) unfold with a fly-on-the-wall dryness, showcasing the extraordinary acting of the leads and their cameo victims. A rare film in which genuine romantic love does not excuse the central couple's amoral behaviour, this still manages to generate some sympathy for the truly monstrous Martha. The washed-out black and white photography and sometimes scratchy soundtrack (the score is sampled from Mahler) have a deliberately amateurish feel which adds to the film's chilling power, lodging it into the memory. On the DVD: Along with a lurid trailer and gallery of images are filmographies for Stoler, Lo Bianco and (redundantly) Kastle. The widescreen transfer is excellent, representing perfectly the film's rough-hewn look but also bringing out a lot of detail--like Stoler's freckles, which have looked like grain on video releases. --Kim Newman
Heralded by many as the quintessential Bond movie, Goldfinger features some of the most iconic moments in the series to-date. Who could forget Oddjob and his killer hat or Shirley Eaton doused in gold?Special Agent 007 (Sean Connery) has just come face to face with one of the most notorious villains of all time. And now he'll have to outwit and outgun this powerful tycoon to prevent him form cashing in on a devious scheme to raid Fort Knox - and obliterate the world economy!
Though it was pre-produced by Martin Scorsese, who left the project after arguments with the producers, The Honeymoon Killers wound up being written and directed by Leonard Kastle, one of cinema's great one-hit wonders. The Henry: Portrait of a Serial Killer of 1969, The Honeymoon Killers follows hefty nurse Martha Beck (Shirley Stoler, who looks like a humourlessly malevolent Roseanne) and her low-rent gigolo lover Raymond Fernandez (Tony Lo Bianco) as they take up serial murder for profit and passion, luring middle-aged women into marriage through lonely-hearts ads, then killing them and raiding their savings. Based on a genuine crime case history, it is filmed in the candid-camera style of a Frederick Wiseman documentary. The intense scenes (such as the couple's frightening love-play: escalating arguments that end in awkward killings) unfold with a fly-on-the-wall dryness, showcasing the extraordinary acting of the leads and their cameo victims. A rare film in which genuine romantic love does not excuse the central couple's amoral behaviour, this still manages to generate some sympathy for the truly monstrous Martha. The washed-out black and white photography and sometimes scratchy soundtrack (the score is sampled from Mahler) have a deliberately amateurish feel which adds to the film's chilling power, lodging it into the memory. On the DVD: Along with a lurid trailer and gallery of images are filmographies for Stoler, Lo Bianco and (redundantly) Kastle. The widescreen transfer is excellent, representing perfectly the film's rough-hewn look but also bringing out a lot of detail--like Stoler's freckles, which have looked like grain on video releases. --Kim Newman
A wandering American mercenary planning to help the Juaristas of Mexico take a French garrison at Chihuahua kills three men trying to rape a nun. But she is not all she seems and reveals a hatred for the Juaristas and a penchant for cigars liquor and swearing. A romance develops and the mercenary discovers the nun is really a prostitute! A violent climax comes with the storming of the well-protected fort.
An overworked lawyer. An undercover cop. In a town where everyone is for sale they're the best that money can buy... A tough Manhattan Legal Aid Attorney is about to move up to a comfortable and well-paid job on Wall Street. His last assignment is to defend a black drugs dealer who has shot dead an undercover cop in Central Park. The dealer insists he fired in self-defence and the attorney must investigate a ring of crooked cops to finally prove his client's innocence...
The Gruffalo's Child, another magical tale from best selling author Julia Donaldsonand illustrator Axel Scheffler, will premier on BBC One as a highlight of their Christmas schedule this year.It's some years later and The Gruffalo now has a daughter. Curious about her father's fantastic stories of a Big Bad Mouse in the deep, dark woods, she sets out one snowy night on a thrilling journey of discovery. Produced by Magic Light Pictures, a half hour animated film from the same team behind the hugely successful The Gruffalo.
Set in Mexico a nun called Sara is rescued from three cowboys by Hogan (Clint Eastwood) who is on his way to do some reconnaissance for a future mission to capture a French fort. The French are chasing Sara but not for the reasons she tells Hogan so he decides to help her in return for information about the fort defences. Inevitably the two become good friends but Sara has a secret..
In 1943, A dying gunner, involved in a crash of a United States B-17, gives a ring to a local to return to his girlfriend in the USA. Fifty years later, a man finds the ring and tracks down the girlfriend and the history of its owner.
Long Lost Comedy Classics is a collection of films from a golden age of British Cinema remembered for timeless stars and some unique movies that have stood the test of time. So why not take a trip down memory lane and see how cinema used to be? After being arrested for assaulting a football referee desperate train driver Bill (Arthur Askey) raids the railwaymen's holiday fund to cover his ''55 fine. He knows he's going to be discovered though leaving him no choice but to get the money back by hook or by crook! His last chance is to run a book on the United v City football derby. If that wasn't tense enough Bill's son is also making his debut for United. It looks like it's going to be a day to remember - do you dare look?
The 60's were the last great decade for the American movie musical but it was also probably its best. With blockbusters like The Sound of Music West Side Story My fair Lady Mary Poppins Oliver! and Funny girl the artform reached its peak. Join us on a singing and dancing tour from the Austrian Alps to the vauderville halls of Brooklyn... from dancing in the streets of Spanish Harlem to the shores of River City... from the chimneys of Old London to the sound stages of Hollywoo
Already a phenomenally successful entertainer and stalwart of the London Palladium in 1956 Max Bygraves headed an accomplished cast in this musical drama charting the rocky road to success for a young comedy hopeful. An early feature for future Goldfinger director Guy Hamilton and double Oscar-winning composer and screenwriter Leslie Bricusse Charley Moon is presented here in a brand new transfer from the original film elements in its as-exhibited theatrical aspect ratio. A new career opens for Charley Moon when during his army service he is detailed to appear in a unit concert. In doing so he becomes friendly with Harold Armytage a peacetime actor of the old school. Hearing that Charley has no job to go to when demobilized Armytage suggests they team up as stage comics. Things are not easy; jobs are few and far between and when they can be found they are in the tattiest of theatres but Charley gains the experience he needs. They then decide to try their luck in London... Special Features: Original Theatrical Trailer Image Gallery Original Pressbook PDF
What do you do with a former First Lady who's unpredictable ornery and impossible to please? Anything she wants!! Shirley MacLaine and Nicolas Cage star in this comic compassionate look at life after the White House for two former Washington insiders : First Lady Tess Carlisle and Secret Service agent Doug Chesnic. As uproarious as it is uplifting Guarding Tess is ""a grand mixture of laughter and tears"" (Gary Franklin KCOP-TV).
What do you do with a former First Lady who's unpredictable ornery and impossible to please? Anything she wants!! Shirley MacLaine and Nicolas Cage star in this comic compassionate look at life after the White House for two former Washington insiders : First Lady Tess Carlisle and Secret Service agent Doug Chesnic.
The Entertainer of the title is Archie Rice, a mediocre music hall artist upholding a dying tradition in an English seaside against a background of the 1956 Suez Crisis. Laurence Olivier stars and is supported by a superb cast including a young Alan Bates as his son, Roger Livesey as his kindly, now retired, always more talented and popular father, and Joan Plowright as his daughter (who, ironically given the story, married Olivier the following year). Albert Finney makes his screen debut in a tiny role and the remarkable cast also features Daniel Massey, Shirley Anne Field, Thora Hird and Charles Gray. Archie himself is a hollow man who brings pain to all around him, and while Olivier's brilliant performance reveals the layers of cynicism which disguise the emptiness inside, the emotional resonance lies with those forced to endure Rice's manipulations, adulteries and deceits. On stage John Osborne's play proved to be a signature part for Olivier, and director Tony Richardson--who filmed Osborne's equally sour Look Back In Anger (1958)--handles the material with unvarnished realism. Unfolding like a dark variation on Chaplin's Limelight (1952), the film equally casts a shadow over the less stellar Tony Hancock vehicle The Punch and Judy Man (1963), ultimately working as both family tragedy and allegory for a declining post-war England. Surprisingly an American 1976 TV movie remake starring Jack Lemmon held its own against this minor British classic. On the DVD: The Entertainer is presented letterboxed at 1.66:1, and sourced from an excellent print preserves the look of the original black and white cinematography very well. Even so a little material is clipped from either side of the image, though this is most notable on the left of the picture. The mono sound is very good. There are no features other than optional subtitles, including English for those hard of hearing. --Gary S Dalkin
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