One of the world's greatest singers performs some of the world's best-loved songs in this critically acclaimed 1983 Thames Television special a broadcasting first for Shirley Bassey, recorded prior to her best-selling European tour. The iconic chanteuse is joined by American singer and Camelot star Robert Goulet and French pianist Richard Clayderman, with a selection of songs ranging from the nostalgic to the contemporary including I Could Have Danced All Night, You Don't Bring Me Flowers and Bassey's trademark Goldfinger all delivered with spellbinding power and passion. To quote the words of Ms Bassey's opening number: Nobody Does It Like Her. A Special Lady, indeed.
Everyone knows her name - but few know her story. Fifty years ago the publication of D.H. Lawrence's scandalous novel led to one of the most celebrated obscenity trials of the 20th century. To mark that occasion we present acclaimed director Ken Russell's powerful film version which brings this vivid and extraordinary tale to life. Joely Richardson stars as Lady Chatterley wife to the emotionally and physically paralysed Sir Clifford in a post-war England which finds itself on the cusp of change. The old ways and class divisions have begun to crumble as the bulk of a nation's youth fell in the trenches leaving a downtrodden but emboldened few. As Lady Chatterley bereft of her husband's attention finds a re-awakening in the arms of a working man more is at stake than honour and more is at risk than marriage in this dramatic and passionate re-telling of Lawrence's now classic tale.
First there was an opportunity... then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Special Features: 29 Deleted Scenes 20 Years in the Making: A Conversation with Danny Boyle and the Cast Commentary with Danny Boyle and John Hodge
Legend of the Witches (1970, 85 mins): The originally X-rated film documentary which looks in detail at previously hidden magic rites and rituals. Sharing the secrets of initiation into a coven, divination through animal sacrifice, ritual scrying, the casting of a 'death spell', and the chilling intimacy of a Black Mass. It also explores Britain's hidden pagan heritage and its continued influence on our lives today. Secret Rites (1971, 47 mins): Part Mondo movie, part countercultural artefact, this strange mid-length 'documentary' by sex film director Derek Ford lifts the lid on witchcraft in 1970s Notting Hill. Mystery band The Spindle provide the groovy, psychedelic sounds while tentative occult enthusiast Penny and a serious-sounding narrator introduce the viewer to three ritual acts. Far out. Extras/Episodes: Presented in High Definition and Standard Definition Worldwide Blu-ray debut including the longest cut of Legend of the Witches ever released Newly recorded commentary on Secret Rites by Flipside founders Vic Pratt and William Fowler The Witch's Fiddle (1924, 7 mins): possibly the first student film ever made, this tale of a magical instrument was shot by the newly formed Cambridge University Kinema Club Out of Step: Witchcraft (1957, 14 mins): investigative journalist and charismatic Soho bon vivant Dan Farson presents this polite yet probing, nuanced TV documentary about witchcraft The Judgement of Albion (1968, 26 mins): bold, poetic images populate this ode to resistance by the writer of Blood on Satan's Claw, Robert Wynne Simmons Getting it Straight in Notting Hill Gate (1970, 25 mins): short but spectacular time-capsule counter-culture documentary was designed to redress negative perceptions of Notting Hill in 1970 Image gallery **FIRST PRESSING ONLY** fully illustrated booklet with essays by Christina Harrington, publisher and expert on the occult Mark Pilkington, film lecturer Dr Adrian Smith, and authors of The Bodies Beneath, Vic Pratt and William Fowler. Includes full film credits
Your dreams will never be the same. Following his Academy Award success working on Star Wars and Alien and directing two breakout short films, British newcomer Roger Christian made his feature directing debut with The Sender, a shocking psychic thriller filled with unforgettably chilling nightmare imagery. After an unsuccessful suicide attempt, an amnesiac young man (Željko Ivanek, Hannibal) is labelled John Doe #83 and admitted to a psychiatric hospital for evaluation. Dr Gail Farmer (Kathryn Harrold, Modern Romance) tries to establish a connection with him, but soon begins to experience frightening hallucinations. She quickly realises that the cause of these waking nightmares is none other than the mysterious John Doe, and the strange woman (Academy Award nominee Shirley Knight, The Dark at the Top of the Stairs) who visits the hospital claiming to be his mother Hailed by none other than Quentin Tarantino as his favourite film of 1982, and boasting an virtuoso early score by Trevor Jones (The Last Of The Mohicans), The Sender is a stylish precursor to the rubber reality dream-logic special effects seen in films like the A Nightmare on Elm Street series, but retains a horrific power of its own. Special Edition Contents: High Definition (1080p) Blu-Ray presentation Original uncompressed stereo audio Optional English subtitles for the deaf and hard of hearing Audio commentary by director Roger Christian Newly-filmed interview with screenwriter Tom Baum Newly-filmed appreciation by critic Kim Newman Deleted scenes from the screenplay, including the original ending Theatrical trailer Image gallery Reversible sleeve featuring original and newly commissioned artwork by Luke Insect FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the film by Alan Jones and an excerpt from the novelisation by Tom Baum
Michael Cimino's epic masterpiece The Deer Hunter has been stunningly restored with a brand new 4k restoration. Winner of no less than five Academy Awards® in 1978 including Best Picture, Best Director and Best Supporting Actor for Christopher Walken, The Deer Hunter is widely acknowledged as one of cinema's great masterpieces and contains some of the most memorable scenes in film history. With the film painting a sobering portrait of a small Pennsylvania steel town rocked by loss when three of its sons go off to fight in Vietnam, Cimino's ambitious and daring vision is showcased in this bold and brilliant war classic that, 40 years on, is even more striking than ever before. When Michael (Robert De Niro), Steven (John Savage) and Nick (Christopher Walken) are captured by the Vietcong, they are forced to play Russian Roulette by their brutal captors, who make bets on their survival. The experience of capture leaves them with terrible physical and spiritual wounds, and when Michael returns to Saigon to fulfil an old promise to one of his friends, he makes an unexpected, horrific discovery. Also featuring astonishing performances from Meryl Streep as the woman both Michael and Nick fall in love with, and John Cazale (The Godfather, Dog Day Afternoon) as their unhinged and insecure friend Stan. For the restoration of The Deer Hunter, STUDIOCANAL went back to the original 35mm negative, which was scanned at 4K resolution in 16bit. The restoration was completed at Silver Salt in London, who created a restored 4K DCP and UHD version for the home entertainment release. Bonus material includes: New Interview with David Thomson - film critic A brand new and exclusive interview with author and film critic David Thomson 1979 ITV South Ban Show interview with Michael Cimino A rarely seen ITV South Bank Show Interview from 1979 with director Michael Cimino provides an in-depth analysis of his inspirations and motivations for the making of the film Realising The Deer Hunter - Interview with director Michael Cimino Shooting The Deer Hunter - Interview with director of photography Vilmos Zsigmond Playing The Deer Hunter - Interview with star John Savage Audio Commentary with Michael Cimino Audio Commentary with Vilmos Zsigmond and journalist Bob Fisher Deleted and Extended scenes Deleted and extended scenes from the original production including extra footage of the infamous Russian Roulette sequence.
Ten strangers are gathered in a house where they are told that they are each responsible for the dead of an innocent person and that justice is about to be served. One by one the guests are disposed of according to the poem Ten Little Indians. As the group of survivors decreases they try to work out who is the killer.
Having been exiled from Hollywood in the 1950s, American filmmaker Joseph Losey settled in Britain, where he made a series of remarkable and highly individual works. A film about the horrors of the nuclear age, and the irresponsible science which spawned it, The Damned is one of Losey's and Hammer's - most idiosyncratic films, and one which has grown in reputation through the years. Special Features 2K restoration Original mono audio Alternative presentations of the complete 96-minute version, playable as either The Damned or These Are the Damned Audio commentary with film historians Kat Ellinger and Samm Deighan On the Brink: Inside The Damned' (2019, 27 mins): documentary, featuring Alan Barnes, Kevin Lyons, Nick Riddle and Jonathan Rigby, exploring aspects of the film production Hammer's Women: Viveca Lindfors (2019, 15 mins): profile of the renowned actor by film historian Lindsay Hallam Looking in the Right Place (2019, 10 mins): actor Shirley Anne Field recalls working with Oliver Reed and Joseph Losey Children of The Damned' (2019, 24 mins): former child actors David Palmer, Kit Williams and Christopher Witty discuss their experiences making The Damned Something Out of Nothing (2019, 7 mins): screenwriter Evan Jones reflects on this first feature-film credit Smoke Screen (2019, 12 mins): interview with camera operator Anthony Heller Beneath the Surface (2019, 26 mins): interview with filmmaker Gavrik Losey, son of director Joseph Losey Beyond Black Leather (2019, 15 mins): academic I Q Hunter discusses The Damned No Future (2019, 26 mins): appreciation by author and film historian Neil Sinyard The Lonely Shore (2019, 21 mins): appreciation of James Bernard's score by David Huckvale, author of James Bernard, Composer to Count Dracula: A Critical Biography Isolated music & effects track Original US theatrical trailer Joe Dante trailer commentary (2013, 4 mins): short critical appreciation Image gallery: promotional and publicity materials New and improved subtitles for the deaf and hard-of-hearing
The brutality of modern society is fast encroaching on the picturesque seaside town of Weymouth. American tourist Simon Wells (Macdonald Carey) is looking for a relaxing holiday but he is mugged by the psychopathic King (Oliver Reed) and his gang of thugs. Wells escapes with Kings sister, Joanie (Shirley Anne Field), and they stumble upon a sinister establishment where nine ice-cold children are being subjected to a horrifying experiment. The shadowy authorities control of the base will stop at nothing to safeguard their secret, but it is the mysterious children who will doom them all... Special Features: Photo Gallery 24-page illustrated booklet This Official UK DVD is Region 2,4,5
Hal Ashby's much-praised Being There stars Peter Sellers in what was perhaps his finest comic performance. Chance the gardener has spent his entire life in an old man's house and has no idea of the world outside except for what television has given him. Sellers manages to make his innocence touching and oddly impressive rather than an offensive exploitation of disability. Jerzy Kozinski's screenplay neither entirely endorses nor discounts the twin possibilities that Chance's simplicity and closeness to the natural world give him access to real wisdom, or that he is simply a blank on whom people project what they want to see and hear. What is clear is that he gives his dying friend Ben (Jack Warden) peace of mind and consoles Ben's wife (Shirley Maclaine). Whether he's being groomed for the Presidency or appearing to walk on water, he always does something right, and the same is true for Sellers' minimalist performance. On the DVD: Being There is presented in a widescreen visual aspect of 1.85:1 and has 1.0 Dolby Digital mono sound; it comes with the original theatrical trailer, information about the stars and director and a list of the film's awards. --Roz Kaveny
Lochdubh: a frontier town in the wild west of Scotland. One hotel one general store one doctor and one lawman - PC Hamish Macbeth (Robert Carlyle). He's the sherrif along with canine sidekick Wee Jock with his own singular methods of dealing with crime and misdemeanours. If only his love life were so easily solved. But then that's another story... Episodes comprise: 1. The Great Lochdubh Salt Robbery 2. A Pillar Of The Community 3. The Big Freeze 4. Wee Jock's Lament 5.
Eureka Entertainment to release Billy Wilder's IRMA LA DOUCE, a crowd-pleasing romantic comedy starring Jack Lemmon and Shirley MacLaine on Blu-ray as a part of The Masters of Cinemas Series from 18 March 2019. One of director Billy Wilder's biggest box office hits following his landmark comedies Some Like It Hot and The Apartment, the spectacular Irma La Douce -- adapted from the 1956 musical for the French theatre -- reunites Wilder with his Apartment stars Jack Lemmon and Shirley MacLaine, providing the latter with one of her most fondly remembered (and Oscar®-nominated) early roles. MacLaine is Irma, a popular Parisian prostitute whose new pimp is an unlikely procurer: Nestor (Lemmon) is a former honest cop who was just fired and framed by his boss after Nestor inadvertently had him arrested in a raid. However, Nestor's love for Irma is making his newfound vocation impossible, so he poses as a phoney British lord who insists on being Irma's one and only client. But when Lord X appears to have become the victim of foul play...further comedic complications ensue! Irma La Douce offers many of the same sardonic observations on human nature as Wilder's earlier comedies -- in addition to the same riotous humour and touching romance -- but on an even broader, more colourful canvas. Collaborating again with his regular screenwriter I.A.L. Diamond, Wilder delivers one of his most purely entertaining crowd-pleasers of the 1960s. Features: Stunning 1080p presentation from a brand new 4K restoration LPCM Mono audio Optional English SDH subtitles Brand New and Exclusive Interview with film scholar Neil Sinyard Feature Length Audio Commentary by critic and film historian Kat Ellinger Feature Length Audio Commentary by film historian Joseph McBride PLUS: A Collector's booklet featuring a new essay by Richard Combs, alongside a wide selection of rare archival imagery.
A prominent young playwright upsets her mother in an interview and is soon kidnapped by her mother's lifelong friends, who slowly reveal the truth about her mother's turbulent history.
Winner of five Academy Awards, including Best Picture and Best Director, The Deer Hunter is simultaneously an audacious directorial conceit and one of the greatest films ever made about friendship and the personal impact of war. Like Apocalypse Now, it's hardly a conventional battle film--the soldier's experience was handled with greater authenticity in Platoon--but its depiction of war on an intimate scale packs a devastatingly dramatic punch. Director Michael Cimino may be manipulating our emotions with masterful skill, but he does it in a way that stirs the soul and pinches our collective nerves with graphic, high-intensity scenes of men under life-threatening duress. Although Russian-roulette gambling games were not a common occurrence during the Vietnam war, they're used here as a metaphor for the futility of the war itself. To the viewer, they become unforgettably intense rites of passage for the best friends--Pennsylvania steelworkers played by Robert De Niro, John Savage and Oscar winner Christopher Walken--who may survive or perish during their tour through a tropical landscape of hell. Back home, their loved ones must cope with the war's domestic impact, and in doing so they allow The Deer Hunter to achieve a rare combination of epic storytelling and intimate, heart-rending drama.--Jeff Shannon, Amazon.com
This film, which again pairs Richard Gere and Kim Basinger (who starred in 1986's No Mercy), offers up elements of classic noir: a hapless man becomes intimately involved with a beautiful blonde who may or may not be who or what she appears to be. Dedicated psychiatrist Isaac Barr (Gere) reluctantly, and then more obsessively, becomes involved with Heather Evans (Basinger), the sister of his patient, Diana Baylor (Uma Thurman). Evans is unhappily married to a gangster (appropriately played by a muscular and menacing Eric Roberts in a trademark role). Gere and Basinger make a credible, if dangerous couple, and Thurman delivers a subtle, understated performance and demonstrates her range and potential. The thriller is appropriately shot in gorgeous San Francisco, where the literal and figurative curving and hilly roads wind throughout. Credit legendary art director Dean Tavoularis for some amazing sets and scenes, notably the elegantly cavernous restaurant where Evans and her husband have a fateful dinner. This film is, in a way, glossy director Phil Joanou's Hitchcockian tribute--as a climactic lighthouse scene best demonstrates. Final Analysis doesn't offer an intimate look at its characters, but a beautifully stylized one, moody and gloomy. The intricate plot experiments with the device of "pathological intoxication," in which the subject completely loses control after drinking alcohol. And this doesn't mean a conventional ugly drunk; it means a frightening psychotic. Good and evil, hope and despair, beauty and repulsion are often juxtaposed in the film's complex world. --NF Mendoza
Queen of the costume drama Helena Bonham Carter finally got a chance to loosen her corset a bit with this exquisitely mounted (Sandy Powell's costumes were nominated for an Academy Award) romantic drama based on Henry James's classic novel. Set in turn-of-the-century London and Venice, Wings of the Dove is a stately departure--more PBS than MTV--for Iain Softley, director of Hackers and the birth-of-the-Beatles biopic Backbeat. But there's enough romantic intrigue to perhaps fuel a week's worth of daytime TV talk shows: My Lover Seduced a Dying Heiress for Her Money. Bonham Carter, who won several critics association honours for her performance (she was nominated for a Golden Globe and Oscar as well) stars as Kate, who is engaged in a secret affair with Merton (Linus Roache), a journalist whose poor financial standing makes marriage impossible. Kate's manipulative aunt (Charlotte Rampling) threatens to disown her unless she marries the more suitable Lord Mark (Alex Jennings). Opportunity--admittedly sordid--arrives in the form of Millie (Alison Elliott), an American heiress whom Kate befriends. When Kate learns that Millie is dying, she suggests to Merton that he seduce her to make her last days happy, and ensuring that Millie will leave Merton her money when she dies. Merton reluctantly agrees, just as Kate begins to have second thoughts that threaten to sabotage the scheme. One of the most rapturously reviewed films in recent years, Wings of the Dove is a must-own video for the Merchant-Ivory crowd. But guys: don't dismiss this as a "chick flick". Beneath its Masterpiece Theatre exterior beats the wild and untamed heart of Dawson's Creek. --Donald Liebenson
Made in 1960, Carry On Constable is one of the earliest Carry On comic romps, arriving before they'd carved out their bawdy niche in British cinema. In fact, this Gerald-Thomas-directed effort isn't dissimilar to most of the mainstream Brit-com of its era. A flu epidemic has forced a police station to take on a brace of callow recruits: Kenneth Connor, a superstitious bag of nerves; Leslie Phillips, playing his usual rapscallion self; the ludicrously effete Charles Hawtrey and Kenneth Williams. The "plot" is a sequence of thoroughly creaky gags at the expense of this bumbling quartet. The staple characters hadn't settled into their "classic" personae yet. Here, Sid James is an exasperated sergeant, not the sort of crinkly rogue he played in later years, Kenneth Williams is dry, detached and supercilious, while Hattie Jacques is no matron but a sympathetic sergeant, whose every walk-on is not yet accompanied by the portly strains of tubas and bassoons. The comedy here is, frankly, dismal--banana skins are slipped upon and officers' legs urinated upon bydogs, all to a rueful soundtrack of wah-wah trumpets. The main appeal of this movie is as a period slice of damp, pre-Beatles London in glorious black and white.On the DVD: Although picture and sound are adequate (though poorly dubbed in places), there are no extras at all, a shame for the hardcore Carry On aficionados to whom this release would surely, perhaps exclusively, appeal. --David Stubbs
Too terrifying to even have a name, It is a seemingly invincible monster that is hell-bent on killing everyone on a mission to Mars. A rescue ship travels out to Mars to retrieve the only survivor of a space probe that has experienced some sort of cataclysm. That survivor, Col Ed Carruthers (Marshall Thompson) is accused of murdering his fellow crewmen. But Ed claims that the killer was a Martian monster, and hopes to prove his assertions by signing up for a second journey to the Red Planet. Before long, the crew members of this second expedition are being systematically killed off, and it looks as though Ed is up to his old tricks. As it turns out, however, Ed was telling the truth: there is a monster on board, the savage descendant of the once-mighty Martian civilization, who snuck on board when an irresponsible crew member left the door open. The monster stays alive by absorbing the vital body fluids of its victims-and there seems to be no way to stop this parasitic creature! Will they be able to destroy the monster before it manages to feed on them all?
Meryl Streep and Shirley MacLaine star as daughter and mother in this wickedly witty expos of life in the Hollywood fast lane based on the autobiographical book by Carrie Fisher.
The film that effectively launched the star careers of Robert Carlyle, Ewan McGregor and Jonny Lee Miller is a hard, barbed picaresque, culled from the bestseller by Irvine Welsh and thrown down against the heroin hinterlands of Edinburgh. Directed with abandon by Danny Boyle, Trainspotting conspires to be at once a hip youth flick and a grim cautionary fable. Released on an unsuspecting public in 1996, the picture struck a chord with audiences worldwide and became adopted as an instant symbol of a booming British rave culture (an irony, given the characters' main drug of choice is heroin not ecstasy).McGregor, Lee Miller and Ewen Bremner play a slouching trio of Scottish junkies; Carlyle their narcotic-eschewing but hard-drinking and generally psychotic mate Begbie. In Boyle's hands, their lives unfold in a rush of euphoric highs, blow-out overdoses and agonising withdrawals (all cued to a vogueish pop soundtrack). Throughout it all, John Hodge's screenplay strikes a delicate balance between acknowledging the inherent pleasures of drug use and spotlighting its eventual consequences. In Trainspotting's world view, it all comes down to a question of choices--between the dangerous Day-Glo highs of the addict and the grey, grinding consumerism of the everyday Joe. "Choose life", quips the film's narrator (McGregor) in a monologue that was to become a mantra. "Choose a job, choose a starter home... But why would anyone want to do a thing like that?" Ultimately, Trainspotting's wised-up, dead-beat inhabitants reject mainstream society in favour of a headlong rush to destruction. It makes for an exhilarating, energised and frequently terrifying trip that blazes with more energy and passion than a thousand more ostensibly life-embracing movies. --Xan Brooks
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