Rod Steiger plays a small-town Mississippi sheriff who is forced to collaborate on a murder investigation with Virgil Tibbs, a black homicide detective from Philadelphia (Sidney Poitier). The pair at first find themselves totally at odds with each other, but as the investigation proceeds each learns to respect the other's talents. The film won five Oscars, including Best Picture and Best Actor for Steiger.
A group of security experts from a variety of backgrounds are enlisted by National Security to recover a mysterious black box that contains a device that can penetrate the computer systems of the Federal Reserve and other vital government services.
At the time of Rome's rule over Judea, Jesus (Max von Sydow) is born in a stable in Bethlehem. As a grown man, he preaches about his father's kingdom, gathers twelve disciples around him, performs miracles and is revered by the people as the long-awaited Messiah. Fearing for their position of power, the celebrated saviour is a thorn in the side of the Roman rulers and the Jewish priesthood: they have Jesus persecuted, arrested and sentenced to death on the cross. With his subsequent resurrection and ascension, he proves to humanity his identity as the Son of God. He Walks in Beauty Documentary, Filmmaker Documentary, Director's Commentary, Alternative Scene: Judas Dies , Original Theatrical Trailer.
Available for the first time on DVD! A teacher of thirty years experience takes a job at a run-down multi-racial high school in Chicago and begins teaching the youngsters respect.
In this suspenseful sequel to In The Heat Of The Night Sidney Poitier reprises his role as the intrepid investigator who this time must solve a puzzling murder in the City by the Bay. Featuring an original score by Quincy Jones and co-starring Martin Landau and Edward Asner They Call Me Mister Tibbs! is an absorbing mystery that ranks as one of the best. When a prostitute is murdered in San Francisco's ritzy Nob Hill district an anonymous tip implicates minister and political
Buck (Poitier) an ex-Union Army Cavalry sergeant becomes a scout for freed slaves heading to the Colorado frontier. Tagging along with him are his wife (Ruby Dee) and a Bible-thumping con artist known as the Preacher (Belafonte). Attacked by racist bounty hunters determined to return the former slaves to a life of sharecropping in Louisiana Buck and his followers must summon all the courage they have in order to reach their destination and help settle the Wild West...
This 1967 film took home lots of Oscars for its fascinating drama about a Philadelphia detective (Sidney Poitier) who assists a redneck Southern sheriff (Rod Steiger) in solving a murder. A study in racism that ebbs a bit through the collective and shared need between a black man and a white man who don't want to be working together, In the Heat of the Night continues to strike a chord today. Steiger is a mass of snarling danger, Poitier a bundle of nerves covered in class. Norman Jewison (Moonstruck) directs with a keen feeling for the cultural and social atmosphere of the setting. --Tom Keogh
The Jackal is filmmaking by numbers: take two huge stars, Richard Gere and Bruce Willis, and pit them opposite each other in a plot that's already been audience tested. That director Michael Caton Jones' film is based not on Frederick Forsyth's novel but on the script for the 1973 original starring James Fox is the first clue that something here is amiss. Fred Zinneman's The Day of the Jackal was a genuinely taut and claustrophobic thriller; the remake is like a Rocky & Bullwinkle take on international terrorism disguised as an action movie. Dashing IRA terrorist, Declan Mulqueen (Richard Gere), is sprung from jail to help the FBI Deputy Director Carton Preston (Sidney Poitier) track down The Jackal, an amoral international terrorist who is a master of disguise. The FBI believes he is about to assassinate a US political bigwig and is engaged in a race against time to discover exactly who the target is and where they will be felled. Throughout the film Gere sports an Irish accent as ill-fitting and phoney as the bushy lip-wig that Willis adopts at one point as a disguise. The usually warm-hearted Willis plays the steel-jawed terrorist with a cool reserve, but he doesn't have much character development to work with (apart from a misguided attempt to introduce a gay subtext). At over two hours of running time with plenty of exposition and precious few action sequences, this film is a test of will for the audience as well as the protagonists.On the DVD: The DVD includes a lengthy "making of" featurette, several deleted scenes and an alternate ending with some small dialogue changes. There is also an exceedingly dry director's commentary by Michael Caton Jones which muses on such mind-numbingly dull details as the colour of the subway platform in the film's climactic sequence. The film is presented in a clear print in 2.35:1 anamorphic format with 5.1 Dolby Digital sound. --Chris Campion
Cry, the Beloved Country is the BAFTA nominated film of the acclaimed novel by Alan Paton. A black minister, Stephen Kumalo (Canada Lee) lives a quiet life as a parish priest in the back country of South Africa. When his son, Absolom, leaves the small valley where he grew up for the bright lights of the city, he goes missing. After several months of silence, the minister goes to search for him and comes face to face with the squalor and poverty of the Johannesburg slums. Reverend Msimangu (Sidney Poitier) is a young clergyman who joins him in his search, but neither are prepared for what they will discover.
Spencer Tracy's last performance was in this well-meaning, handsome film by Stanley Kramer about a pair of white parents (Tracy and Katharine Hepburn) trying to make sense of their daughter's impending marriage to an African American doctor (Sidney Poitier). Guess Who's Coming to Dinner has been knocked over the years for padding conflict and stoking easy liberalism by making Poitier's character in every socioeconomic sense a good catch: but what if Kramer had made this stranger a factory worker? Would the audience still find it as easy to accept a mixed-race relationship? But there's no denying the drawing power of this movie, which gets most of its integrity from the stirring performances of Tracy and Hepburn. When the former (who had been so ill that the production could not get completion insurance) gives a speech toward the end about race, love and much else, it's impossible not to be affected by the last great moment in a great actor's life and career. --Tom Keogh
A bumper box set of classic films featuring 'The First Lady of Cinema' Katharine Hepburn! State Of The Union (Dir. Frank Capra 1948): The Flamboyant businessman Grant Matthews (Spencer Tracy) is persuaded by his mistress the powerful publishing heiress Kay Thorndyke (Angela Lansbury) to seek the Republican nomination in the forthcoming elections. Mary Matthews (Katharine Hepburn) joins her estranged husband to present a public portrait of a happy family for the voters
A South-African preacher goes to search for his wayward son who has committed a crime in the big city.
Novelist James Clavell wrote, produced and directed this 1967 British film (based on the novel by E. R. Braithwaite) about a rookie teacher who throws out stock lesson plans and really takes command of his unruly, adolescent students in a London school. Sidney Poitier is very good as a man struggling with the extent of his commitment to the job, and even more as a teacher whose commitment is to proffering life lessons instead of just academic ones. The spirit of this movie can also be found in more recent films such as Dangerous Minds and Mr. Holland's Opus, but none are as moving as this. Besides, the others don't have a title song performed by Lulu, who also stars. --Tom Keogh
This touching '60s classic about two emotionally disturbed teenagers drawn to each other in a mental institution created a sensation among audiences and critics when it was first released. Portrayed unforgettably by Janet Margolin (Annie Hall) and Keir Dullea (2001: A Space Odyssey) the painfully shy Lisa can communicate only through rhyme and David cannot bear being touched. Strongly attracted to each other they develop a deep bond that changes both of their lives. Directed by Frank Perry (Diary Of A Mad Housewife TV's A Christmas Memory) with a strong supporting performance by Howard Da Silva as the compassionate psychiatrist this powerful film will leave its mark on you forever.
Spencer Tracy and Katharine Hepburn (who won the Academy Award as Best Actress for her performance) are unforgettable as perplexed parents in this landmark 1967 movie about mixed marriage. Joanna (Katharine Houghton), the beautiful daughter of a crusading publisher, Matthew Drayton (Tracy), and his patrician wife, Christina (Hepburn), returns home with her new fiancee, John Prentice (Sidney Poitier), a distinguished black doctor. Christina accepts her daughter's decision to marry John, but Matthew is shocked by this interracial union; and the doctor's parents are equally dismayed. Both families must sit down face to face and examine each other's level of intolerance. In Guess Who's Coming To Dinner, director Stanley Kramer has created a masterful study of society's prejudices. -------------------------------------------------------------------------------- Special Features: Theatrical Trailer ------------------------------------------------------------------------------------------------------------------------ Subtitles (movie only) Arabic, Bulgarian, Czech, Danish, English,Finnish, French, German, Greek, Hebrew, Hindi Hungarian, Icelandic, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish
The Organization was the second and final sequel to 1967's In the Heat of the Night and sees Sidney Poitier's homicide detective Virgil Tibbs called in to investigate the murder of a factory manager. In a lengthy, dialogue-free opening (the film's best sequence), it appears that we are witnessing the culprits in action. However, this group turns out to be a gang of idealistic young vigilantes who knew that the factory was a front for an international drugs cartel--the Organization of the title--and have made off with a haul of heroin secreted there. Suspected of the manager's murder, they meet Tibbs and seek his cooperation. He agrees to help them, pitting himself not only against the Organization but his own police department. Set in San Franscisco, The Organization invites invidious comparisons with Bullitt: its somewhat cheesy contemporary soundtrack, derived from Miles Davis' Bitches Brew, certainly marks it as a piece of its period, as do the occasionally less-than-convincing action sequences, risible acting and far-fetched plot. Poitier, as ever, lends the film a certain dignity and poise, worthy of better material to work with than this. The film is also notable for providing early showcases for two of Cop TV's most famous Captains: Daniel J Travanti (Hill Street Blues) and Bernie Hamilton (later Captain Dobey in Starsky & Hutch) are both assigned minor roles here. On the DVD: The Organization comes to disc in an adequate transfer, though still a little grainy. The sole extra is the original trailer. --David Stubbs
During the Allied push to Paris, General Patton's tanks have outrun their supply lines in a dramatic dash into German-held territory. Lieut. Campbell is assigned to throw together a racially mixed 'red ball' unit of supply trucks and get them through to the front. Campbell's sergeant is Kallek, a bitter young man who despises Campbell, believing him to be responsible for the death of his brother before World War II began. The two men remain at odds during the dangerous mission, and find the...
Led by bounty hunter Gypsy Smith a US army detatchmentattempts to capture a suspected Indian renegade in a Cheyenne camp. But the mission goes wrong and there's a bloody massacre. Smith finds a small child called White Wolf among the bodies and takes him to the Maxwell family. The boy grows up not fully Indian not fully white but fully in love with the Maxwell's daughter Rachel to the disapproval of her father. Years later Gypsy Smith reappears leading a group of black settlers and White Wolf (or Corby - his 'white' name) joins them to try to return to his own people. A magnificent epic drama that tackles the issues of racism love and conflict in the Wild West of the 1880's.
In the fight for freedom you have to break the rules. When anti-apartheid activist Shack Twala (Poitier) is freed from prison he quickly runs into trouble with the police. British engineer Keogh (Caine) helps Twala elude a sadistic government official (Nicol Williamson) but as both men now fugitives race 900 miles to cross the border to safety they are drawn into a conspiracy much bigger and deadlier than they realize. Poitier and Caine make a wonderful 'buddy' act in t
A story of love and music. Two American jazz musicians are living in Paris but with the arrival of two American tourists they find their lives turned upside down.
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