As a Christmas treat in the late 1960s and 70s, the BBC produced adaptations of ghost stories based on the works of MR James, the Cambridge academic and author of some of the most spine tingling tales in the English language, which were broadcast to terrified viewers in the dead of winter. This was a tradition that was briefly revived by the BBC between 2007 and 2010. These adaptations, which have a subtlety and style all of their own, have been a major influence on many contemporary British horror filmmakers and have come to be some of the most sought after British TV titles of all time by their legions of eager fans. Volume three in the BFI's BBC Ghost Stories features the DVD premiere of three M.R. James stories directed by Lawrence Gordon Clark: 1973's Lost Hearts, 1974's The Treasure of Abbot Thomas and 1975's The Ash Tree.
When a doctor is killed at a mental asylum the evil Baron Frankenstein seizes the chance to transplant his brain into the meek body of Doctor Richter. But the bloody operation creates an entity of evil which shatters the lives of everyone...
Cy Endfield cowrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives--the British contingent was outnumbered 16-to-1 by the Zulu tribesmen. The film's opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O'Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another and this is wryly illustrated in a moment when neither he nor his officers can be bothered to pronounce the name of the land they're in. That it's a beautiful land none the less is made clear by the superb cinematography, which drinks in the massive open spaces that shrink the British army to a line of red ants. Splendidly stiff-upper-lipped support comes from a heroic Burt Lancaster and a fluffy, yet gruff, Bob Hoskins. Although the story is less focused and inevitably more diffuse than the concentrated events of Rorke's Drift that followed soon after, Zulu Dawn is an unflinchingly honest depiction of British Imperial diplomacy. --Paul Tonks
A classic of the war genre, Aces High is based on R.C. Sheriff's 1929 London and Broadway stageplay and brings together the estimable talents of Malcolm McDowell, Christopher Plummer and Simon Ward. Director Jack Gold's big-screen adaptation follows the story of a naive young officer (McDowell) in World War I, fresh out of school, who arrives on the Western Front, ready to join the airborne fight against the Germans.
Berlin, 1945. In the Fuhrerbunker, the last hiding place of the man who unleashed a reign of terror across Europe, it is Adolf Hitler's 56th birthday. As the Allied troops close in on the doomed city, Nazi leaders headed by Martin Bormann, Goebbels and Keitel celebrate the Fuhrer's birthday - knowing it will be his last. But even as Allied guns pound Berlin to ruins, Hitler still plots, brooding over maps, moving non-existent armies. Finally he accepts the inevitable, goes through a marriage ceremony with Eva Braun, dedicates his last will and takes a pistol from a drawer. It is left to Goebbels to tell the last of his followers The Furher is dead- the heart of Germany has ceased to beat . Sir Alec Guinness gives a masterly performance as the demented Hitler in this faithful re-creation of the last days of the German leader's life.
The last ten days of the Reich as seen from within Hitler's bunker, leading up to his suicide. Alec Guiness plays the Fuhrer.
This classic film on World War 1 based on R. C. Sheriff's 1929 London and Broadway stageplay Journey's End stars Malcolm Mc Dowell Christopher Plummer and Simon Ward. Aces High his Jack Gold's adaptation on the big screen of the story of a naive young officer straight from school arriving on the Western front to fight the air war against the Germans. Moving the setting of the play from trenches to the Flying Corps in France during 1916 Jack Gold focuses on the young British airmen of 76 Squadron. Croft (Firth) a public school boy turned RFC officer arrives in France to take over as Second Lieutenant of a British detachment. He has deliberately manoeuvred his way into this particular position in order to be with Gresham (McDowell) an old boy from his school who has becoming something of a flying ace. But he isn't prepared for what he finds - Gresham is an alcoholic cynic whose brilliance in the air is at least partly due to drunken bravado. The other officers don't inspire a great deal of confidence either. Crawford (Ward) is a terrified coward who has faked illness in order to avoid combat and Sinclair (Plummer) is an avuncular veteran who tries to make the place as much like home as possible. Over the course of a few days Croft is introduced into various facts of life; sex drink horror and the hell of 20th Century warfare.
Universal Soldier offered director Roland Emmerich and screenwriter Dean Devlin their first venture before going on to make a mountain of money as the creators of Independence Day and Godzilla. Teaming up for this action flick disguised as a science fiction thriller, muscle hunks Jean-Claude Van Damme and Dolph Lundgren play embattled Vietnam soldiers who kill each other in combat. They are subsequently revived 25 years later as semi-android "UniSols" in a high-tech army of the near future. Their memories were supposedly wiped clean, but flashbacks occur to remind them of their bitter hatred (Lundgren committed wartime atrocities; Van Damme had tried to stop him) and the warriors resume their tenacious battle while a journalist (Ally Walker) uncovers the truth about the secret UniSol program. With energy to spare, the standard action sequences are adequate for anyone with a short attention span. And besides, with Van Damme and Lundgren in the lead roles, who needs dialogue? --Jeff Shannon, Amazon.com
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
Claude Whatham's 1974 film All Creatures Great and Small is a modest and charming cornucopia of nostalgia, cuddly calves, romance and acerbic-yet-warm-hearted Yorkshire folk. It's based of course on James Herriot's phenomenally popular tales of a vet's life in the Dales and spawned a long-running BBC series with a different cast. Here, we have a fresh-faced Simon Ward as James, joining Siegfried Farnon's small town practice. As the benignly despotic Farnon, a pre-Hannibal Lecter Anthony Hopkins already exudes plenty of brooding charisma. Lisa Harrow, fetching in 1930s slacks, is Helen, the farmer's daughter who catches James' eye. Their adventures with the local animal populace in the incredibly beautiful pre-Second World War Dales run the gamut, from arms up cows' bottoms to tender birthing scenes, over-indulged pooches, horses with torsions and one moment which will strike a poignant note with pet owners of all ages. It's taught and witty thanks to distinguished dramatist Hugh Whitemore's delightful script and as comforting as a warm blanket, a stodgy tea and a roaring fire on a winter's evening. On the DVD: with no extras apart from the chapter list, this is a basic package. Presented in 1.85:1 Anamorphic aspect ratio and a Dolby Digital 2.0 soundtrack, it's easy viewing, offering more than adequate picture and sound quality. --Piers Ford
Arthur Clutten (Norman Wisdom) is an expert safecracker who masterminds every heist for the crime syndicate he belongs to. But when he witnesses the brutal methods of persuasion being meted out the gang's leader Ignatius Smith (Bernard Hill) Clutten decides to quit the gang. However he soon realises that the gang would rather see him dead than leave them and so he decides to steal some documents that would incriminate the criminal mastermind Edward Ross (Simon Ward) and expose his honest facade.
1882: London is in the grip of spirtualists and seances. Arthur Conan Doyle joins Dr Joseph Bell in a labyrinthine task of investigating a number of corpses found mutilated floating in the River Thames. Their quest to uncover the architect behind the gruesome murders leads them through London's underground world of soothsayers and mediums. As the two sleuths probe deeper they find themselves dangerously caught up in a 'spiritualism' darker and more terrifying than either man coul
In New South Wales, Jared surfs with his mates and has a first girl. He hosts a beach party for his older pal, Ricko, and witnesses four of his mates gang-rape a 15 year old. He does nothing, and the next day, she's found murdered. At school, the boys and the girls react: the girls with anger at the perpetrators, the boys with jeering at the dead girl's morality. The students' parents have their own responses. Jared retreats into angry silence, disgusted that he did nothing to help the dead girl. Meanwhile, his mother wants to talk to him about her impending cancer surgery, the police want to know what he saw, and his friend Ricko wants an alibi. Jared's cracking under the pressure.
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The Queens Sister written by award-winning writer Craig Warner follows the trials and loves of this complicated glamorous and controversial member of the royal family. The story - a witty irreverent romp - spans four decades; from her childhood in which she displayed a gift for music and performance to a much publicised prohibited love affair in the '50s and her rebellious bohemian life in the swinging '60s through to the private isolation of a woman rejected by her
Children Of Rage is a war story set amidst the bloody conflict in the Middle East following the lives of both Israelis and Palestinians caught up in this tragic battle - the Israelis in defence of their homeland the Palestinians in a brutal struggle to create one. Blunt honest and courageous this film combines gripping action and bravery alongside the violence brutality and human tragedy of war.
A box-set containing these three classic British War Films! Angels One Five (1952): This low-key intelligent Second World War drama attempts to show the reality of service life during the Battle of Britain. Director George More O'Ferrall draws on his first-hand knowledge of the subject gained during wartime RAF service to probe the emotions behind the British stiff upper lip. It was a big hit in its day and is still worth the time now. The Dam Busters (1955): Based on the true story during World War Two in which low level Bombers from England attempt to destory a key German industrial target. With the invention of an ingenious weapon they drop bombs into reservoirs in the Ruhr water system causing destructive floods. Aces High (1976): Based around a young officer who has come straight from school to fight on the Western Front against the Germans. However the regiment he joins of Green Pilots does not have a good life expectancy.
Intergalactic adventure with an interplanetary resistance group battling for survival against a totalitarian super-power. Roaming a universe of boundless space and restrictive discipline freedom-fighter Blake with the crew of spaceship Liberator is locked in combat with the all-powerful forces of the Federation. Episodes comprise: 1. Aftermath 2. Powerplay 3. Volcano 4. Dawn of the Gods 5. The Harvest of Kairos 6. City at the Edge of the World 7. Children of Auron 8. Rumou
There is a place... a place called Grockleton wherein high on a hill-top stands the lonely Beesley's Manor governed by the villainous 'Landlord' and his lowly male counterparts (Pooch Pike and the diesel-swilling Dobbin). Always on the look-out for new female company to help carry on the Beesley name the Landlord keeps a watchful eye over Grockleton and anyone who dares to enter his land. When three improbable heroes stumble unsuspectingly into the Beesley's realm they are cruelly snared into a menacing hunt and an unstoppable frenzy of heart racing mayhem! Will the Landlord triumph and collect his 'trophies' (and maybe even a future bride?) or can the unlikely trio be victorious against him in his own game?
Death Falls A superb mix of comedy and drama in this story of a terminally ill man Halstead Johnson (Roberts Blossom) who gets his buddy Dub Farley (Rip Torn) to bust him out of the hospital and in the process antagonises a city policeman, who trails them to the mountains surrounding their hometown. The local sheriff and their lady friend Mae Baxter (Beverly Garland) who both think more kindly of the pair, strive to find the fugitives before the less-compassionate posse, which includes a deranged, rifle toting enemy of the two who's clearly out for revenge. Children of Rage A war story set amidst the bloody conflict in the Middle East, following the lives of both Israelis and Palestinians caughtup in this tragic battle - the Israelis in defence of their homeland, the Palestinians in a brutal struggle to create one. Blunt, honest and courageous this film combines gripping action and bravery alongside the violence, brutality and human tragedy of war. Walking Accross Egypt Jonathan Taylor Thomas is Wesley, a juvenile delinquent who's been in and out of trouble for most of his young life. In detention for stealing cars he desperately wants to get out any way that he can. Ellen Burstyn is Mattie, a lonely old widow who buries herself in local church activities and her spoiled grown up children (Judge Reinhold and Gail O'Grady). Mattie sees some good in the boy and allows him into her home for a second chance. At first, Wesley sees this as an easy opportunity but soon the harsh reality sets in and he has to make a decision between his former deadend lifestyle or the new life that Mattie offers him. Anatomy of an Illness Norman Cousins (Edward Asner) was a success in all aspects of life - the Dean of New York editors, married to a beautifulwife and father to doting daughters. Fate deals him a terrible blow when he is struck down with a debilitating illness that has the medical experts stumped; all agree on one thing however, that his condition is irreversible. Not accepting this prognosis, Norman takes matters into his own hands and prescribes himself a regime of a positive attitude, with lots of laughter (often at other people's expense) an attitude which helps overcome his illness and ultimately saves his life. Hustling A New York investigative reporter Fran Morrison (Lee Remick) is put on an assignment to infiltrate the secret world of prostitution and expose the people behind it. Her investigation leads to a friendship with a hardnosed hooker (Jill Clayburgh) who spills her guts and tells Fran everything she wants to know as she herself has been a victim of abuse at the hands of the people being investigated. Fran soon discovers that some of the city's richest and most powerful families benefit directly from prostitution, causing a storm of controversy for those exposed for their involvement when the report appears in a national magazine. Silence of the Heart A 17-year-old boy (Chad Lowe) is killed in an automobile accident. As the facts come to light, the indications are that the boy has actually taken his own life. His mother (Mariette Hartley) and sister (Dana Hill) don't agree and try to search for the truth. Even the father (Howard Hesseman) digs in his heels and refuses to face the probability of a suicide. As the story unravels, the boy's best friend (Charlie Sheen) is tormented by the possibility that perhaps he could have prevented the tragedy.
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