The original version of Gaston Leroux's legendary book 'The Phantom Of The Opera' is an awesome monument to the Golden Age of Hollywood starring ""The Man of a Thousand Faces"" Lon Chaney. In the film Chaney is Erik the horribly disfigured Phantom who leads a menacing existence in the catacombs and dungeons beneath the Paris Opera. When Erik falls in love with a beautiful prima donna (Mary Philbin) he kidnaps her and holds her hostage in his lair where he is destined to have a
Directed by Rupert Julian, and based on a novel by Gaston Leroux, classic horror masterpiece The Phantom of the Opera stars Lon Chaney, in one of his most grotesque performances as the crazed man without a face, who lives in the catacombs beneath the Paris Opera, and falls in love with the voice of a young opera singer. Infatuated, he kidnaps her, dragging her to the depths below where she will sing only for him. This 2-disc Ultimate Edition includes an all-new restoration of the film, with the Bal Masque sequence in two-strip Technicolor and other scenes hand tinted, and features both the 1925 and 1929 versions. It also includes a brand new score by The Alloy Orchestra, in addition to Gaylord Carter’s famous 1974 score – released for the very first time in stereo – and Gabriel Thibaudeau’s 1990 score. Together with new audio commentary by Dr. Jon Mirsalis, this edition features the following extras: * Still Frame Gallery *Original Trailers * Interview with Gabriel Thibaudeau * Reproduction of the 1925 Souvenir Programme and Script
The original and best version of Gaston Leroux's legendary book The Phantom Of The Opera is an awesome monument to the Golden Age of Hollywood starring ""The Man of a Thousand Faces"" Lon Chaney. In the film Chaney is Erik the horribly disfigured Phantom who leads a menacing existence in the catacombs and dungeons beneath the Paris Opera. When Erik falls in love with a beautiful prima donna (Mary Philbin) he kidnaps her and holds her hostage in his lair where he is destined to have
It's difficult sometimes to fathom how compilers think. This Chiller Theatre threesome consists of two classic silent horror films, plus a low-budget B-movie from the early 1960s. The connection? You decide! Yet these are films that belong in any self-respecting collection, and this package is a good way of acquiring them. Of those featuring Lon Chaney, it's the original 1923 The Hunchback of Notre Dame that comes across best. Chaney's grotesquerie is shot-through with pathos, and Patsy Ruth Miller's Esmeralda has enduring freshness. Wallace Worsley handles crowd scenes and cathedral stunts with aplomb, and there's an atmospheric "posthumous" soundtrack, though anyone looking for accuracy in the depiction of medieval French society is in for a shock. 1925's The Phantom of the Opera is slow-moving and uneventful by comparison, with Rupert Julian's direction never escaping the narrow Gothic trappings of the novel. Chaney cranks (or is that camps?) up his range of gestures to the limit, and Mary Philbin is an eye-catching heroine, but the denouement in the Paris sewers seems endless--with looped extracts of Schubert and Brahms as a hardly appropriate soundtrack. Cut to 1962, and The Carnival of Souls--made in Kansas for under $100,000--is an undeniable cult classic. Herk Harvey sustains the increasingly surreal narrative with ease, Candace Hilligoss is striking (if a tad gauche) as the young organist caught on the cusp of this world and the next, and Gene Moore's organ soundtrack is a masterly backdrop for the motley assemblage of ghouls who pursue her around the seaside pier in a memorable closing sequence. On the DVD: Chiller Theatre is very acceptably remastered--with 1.33:1 aspect ratio and 12 chapter headings per film--and decently if minimally packaged. --Richard Whitehouse
Please Note: The studio has not sealed this disc in shrinkwrapped plastic. Please rest assured you that these discs are new. This early version of The Phantom Of The Opera is regarded by many as the first great horror film and certainly the best of the silent era. Lon Chaney is Erik the horribly disfigured Phantom who leads a menacing existence in the catacombs and dungeons beneath the Paris Opera. When Erik falls in love with a beautiful primadonna he kidnaps her and
Dating from 1924 this Thief of Bagdad is justifiably billed here as "one of the truly great silent films of the 1920s." As the forerunner of generations of magical, effect-laden fantasy epics, its importance is practically immeasurable. And still, after eight decades, it has startling, thrilling qualities which the finest computer graphics would struggle to surpass. Douglas Fairbanks, co-founder of United Artists, is the eponymous hero, swindling, fighting and leaping his way to true love through a series of adventures which take him from a magnificently surreal Bagdad to enchanted forests, ocean bottoms and magic carpet rides. "Happiness must be earned," is the motto; Fairbanks and his director Raoul Walsh certainly don't short-change their audience in bringing it to life. The effects are stunning, with a particularly gruesome slaying of a monster. Every scene is crammed with detail and incident. Fairbanks is a whirlwind of muscular, balletic flamboyance. And while his princess (Julanne Johnson) is a stereotype of vapidity, there's gleamingly malevolent support from Anna May Wong as the evil Mongol Slave Girl. Over two hours of sheer enjoyment belie the notion that cinematic sophistication is a modern achievement. On the DVD: The Thief of Bagdad disc presents the restored and remastered print (the tints have a luminous quality) complete with a 1975 score by master organist Gaylord Carter--you can almost feel the Wurlitzer rising from the pit of your entertainment centre. The audio essay, written by film historian R Dixon Smith, is an invaluable extra, providing essential information on how the picture was made and how the art designers played with proportion to create many of the visual tricks and a fantastical atmosphere. --Piers Ford
Buster Keaton's 1926 masterpiece The General shows the great stone-faced comedian at the height of his powers. Buster is a train driver from the South who's caught up in the American Civil War. The film is basically an extended chase, with trains pursuing each other up the track. The level of stuntwork (including a huge train wreck) has to be seen to be believed, but it's the deftness and elegance of Keaton's comedy that is ultimately most memorable. For many, Buster Keaton is the greatest comedian of the silent era rated even above Chaplin, and College (1927) is one of his finest films. A poor student who has to work his way through college, Buster is desperate to win the attention of a pretty girl so takes up sports. Through every disaster, the great "stone face" as he was nicknamed betrays not a flicker of emotion, enduring all humiliations with aplomb. College shows Keaton at the top of his form. Steamboat Bill Jr dates from 1928 and is the last great film Buster Keaton made before he gave up his independence. Buster is the rather fey son of an elderly steamboat owner who is being driven out of business by a wealthy competitor. More by accident than intention Buster turns things around and gets the girl as well. The last 15 minutes are truly astonishing: a storm sequence in which a whole town is blown apart, with Buster experiencing a series of amazing escapes as buildings fall down around his ears. Tragically, the following year he lost his independence when he signed for MGM. His career collapsed, his marriage broke up and he became an alcoholic, never to regain former glories. On the DVD: The organ music accompanying this silent feature is pleasantly unobtrusive, and apart from a short section in the middle where it deteriorates, the print quality is a reasonable 4.3. In addition there are five excellent Keaton shorts, One Week (1920), The Boat (1921) Cops (1922), The Blacksmith (1922) and The Balloonatic (1923). --Ed Buscombe
For many, Buster Keaton is the greatest comedian of the silent era rated even above Chaplin, and College (1927) is one of his finest films. A poor student who has to work his way through college, Buster is desperate to win the attention of a pretty girl and takes up sports. His attempt at the high jump is a classic piece of clowning, and as the cox in a boat race Buster displays his full genius for comic invention. Through every disaster, the great "stone face" as he was nicknamed betrays not a flicker of emotion, enduring all humiliations with aplomb. If not quite the equal of The Navigator (1924) or its immediate predecessor The General (1927), College shows Keaton at the top of his form. Tragically, the following year he lost his independence when he signed for MGM. His career collapsed, his marriage broke up and he became an alcoholic, never to regain former glories. On the DVD: The organ music accompanying this silent feature is pleasantly unobtrusive, and apart from a short section in the middle where it deteriorates, the print quality is reasonable. In addition there are two excellent Keaton shorts, One Week (1920) and The Blacksmith (1922).-- Ed Buscombe
Seven Chances A man learns he will inherit a fortune if he marries. By 7 p.m. today. The Balloonatic Buster and Phyllis endure a number of outdoor adventures trying to prove to each other their survival skills. The balloon which lands Buster in the wilderness proves useful later on as their canoe is about go over a waterfall. Neighbours The Romeo and Juliet story played out in a tenement neighborhood with Buster and Virginia's families hating each other over the fence separating their buildings.
From the moment of original release in 1925, The Phantom of the Opera has been considered among the classic movies of all time. The extreme, expressive acting and state of the art character make-up of Lon Chaney, the multitude of cuts, remade endings and restorations, the fantastic sets and filming techniques, all coalesce to create the mysterious aura that will forever fuel this masterpiece. While several versions of Phantom exist, this is perhaps the most unique and relevant to the darkwave...
Fantasy adventure made in the 1920's and is just as entertaining in the 21st century. Ahmed the thief takes anything he wants until he meets the Princess. So besotted does he become that he is prepared to make himself worthy of her outrivalling even the challenge of the Mongol Prince. He has a variety of adventures with fantastic special effects.
CollegeKeaton stars as Ronald an idealistic freshman who attends Clayton College in pursuit of higher learning but finds himself instead embroiled in a war of athletics as he fights for the love of his coed Mary. More than he had in any other feature Keaton stretched the boundaries of solo physical comedy.Pale FaceIn this hilarious gag-bound short Buster helps a Native American tribe in defending their land from greedy developers.BlacksmithThis hilari
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