Pier Paolo Pasolini's Salò or the 120 Days of Sodom (known in Italian as Salò o le 120 giornate di Sodoma) provoked howls of outrage and execration on its original release in 1975, and the controversy rages to this day. Until the British Board of Film Classification finally ventured a certificate in 2000, the movie could only be shown at private cinema clubs, and even then in severely mutilated form. The relaxation of the censors' shears allows you to see for yourself what the fuss was about, but be warned--Salò will test the very limits of your endurance. Updating the Marquis de Sade's phantasmagorical novel of the same title from 18th-century France to fascist Italy at the end of World War II, writer-director Pasolini relates a bloodthirsty fable about how absolute power corrupts absolutely. Four upper-class libertines gather in an elegant palazzo to inflict the extremes of sexual perversion and cruelty upon a hand-picked collection of young men and women. Meanwhile, three ageing courtesans enflame the proceedings further by spinning tales of monstrous depravity. The most upsetting aspect of the film is the way Pasolini's coldly voyeuristic camera dehumanises the victims into lumps of random flesh. Though you may feel revulsion at the grisly details, you aren't expected to care much about what happens to either master or slave. In one notorious episode, the subjugated youths are forced to eat their own excrement--a scene almost impossible to watch, even if you know the meal was actually composed of chocolate and orange marmalade. (Pasolini mischievously claimed to be satirising our modern culture of junk food.) Salò is the ultimate vision of apocalypse--and as if in confirmation, the director was himself brutally murdered just before its premiere. You can reject the movie as the work of an evil-minded pornographer, but you won't easily forget it. --Peter Matthews
Streets Of Laredo is the third title in the Lonesome Dove Saga. An exhilarating tale of legend and heroism continues the epic of the waning years of the Texas Rangers. Captain Woodrow Call is long in the tooth but still a legendary hunter. He is hired to track down a young Mexican train robber and killer Joey Garza. Riding with Call are an Eastern city slicker a witless deputy and one of the last remaining members of the Hat Creek outfit Pea-Eye Parker. Their long chase leads the
Drive My Car is a masterful, moving and multi award-winning film from Ryusuke Hamaguchi (Wheel OF Fortune And Fantasy), based on the short story of the same name by international bestselling author Haruki Murakami. Kafuku (Hidetoshi Nishijima), a stage actor and director, is happily married to Oto (Reika Kirishima), a screenwriter. However, when Oto suddenly passes away, she leaves behind a secret. Two years later, Kafuku, still unable to fully cope with the loss of his wife, receives an offer to direct a play at a theater festival in Hiroshima. There, he meets Misaki (Toko Miura), a reserved young woman assigned to be his chauffeur. As they spend time together, Kafuku confronts the mystery of his wife that quietly haunts him. Winner of the Academy Award® for Best International Feature Film, Best Screenplay in Cannes 2021 and the BAFTA for Film Not in the English Language. Product Features The Making of Drive My Car
Bacurau is a wild, genre-blending siege thriller from Kleber Mendonça Filho (Aquarius, Neighbouring Sounds) and Juliano Dornelles. Set in the remote backcountry of Brazil, it follows a tight-knit village community's bloody and brutal fight for its own survival. With unforgettable turns from Udo Kier and Sonia Braga, this is an audacious, original and spectacularly violent blend of neo-Western, revenge thriller and political allegory. Winner of the Cannes Jury Prize in 2019.
Eureka Entertainment to release WEREWOLF, director Adrian Panek's nightmarish WWII survival horror, as part of the MONTAGE PICTURES range in a Dual Format (Blu-ray & DVD) edition on 18 November 2019. Werewolf is a Polish World War II thriller about eight children who have escaped from a concentration camp and are hiding in a secluded villa to avoid the bloodthirsty hounds that have been released by the SS officers before their retreat. Summer of 1945. A temporary orphanage is established in an abandoned palace surrounded by forests for the eight children liberated from the Gross-Rosen camp. Hanka, also a former inmate, becomes their guardian. After the atrocities of the camp, the protagonists slowly begin to regain what is left of their childhood but the horror returns quickly. Camp Alsatians roam the forests around. Released by the SS earlier on, they have gone feral and are starving. Looking for food they besiege the palace. The children are terrified and their camp survival instinct is triggered. Inspired by real-life, historical events, writer and director Adrian Panek turns the nightmare of the Holocaust into literal monsters. One-part survival horror, one-part wartime thriller with a dash of coming-of-age drama, Werewolf is an unconventional, yet beautifully haunting contemporary dark fable.
When Chicago police officer Sharon Pogue (Jennifer Lopez) is saved from a bullet by a mysterious stranger, it proves a life-changing experience.
A string of masterpieces behind him including Ossessione, Senso, The Leopard and Death in Venice the great Italian director Luchino Visconti turned his attentions to the life and death of King Ludwig II of Bavaria in 1972, resulting in an epic of 19th-century decadence. Dominated by Helmut Berger (The Damned, The Bloodstained Butterfly) in the title role, Ludwig nevertheless manages to find room for an impressive cast list: Romy Schneider (reprising her Elisabeth of Austria characterisation from the Sissi trilogy), Silvana Mangano (Bitter Rice), Gert Fröbe (Goldfinger), John Moulder-Brown (Deep End) and Trevor Howard (Brief Encounter) as Richard Wagner. As opulent as any of Visconti's epics Piero Tosi's costume design was nominated for an Academy Award Ludwig is presented here in its complete form in accordance with the director's wishes. Special Features 2K restoration from the original film negative High Definition Blu-ray (1080p) presentation Two viewing options: the full-length theatrical cut or as five individual parts Original Italian soundtrack with optional English subtitles Original English soundtrack with optional English subtitles for the deaf and hard-of-hearing Interview with actor Helmut Berger Interview with producer Dieter Geissler Luchino Visconti, an hour-long documentary portrait of the director by Carlo Lizzani (Wake Up and Kill, Requiescant) containing interviews with Burt Lancaster, Vittorio Gassman, Francesco Rosi, Claudia Cardinale and others Speaking with Suso Cecchi d'Amico, an interview with the screenwriter Silvana Mangano: The Scent of a Primrose, a half-hour portrait of the actress Theatrical trailer Reversible sleeve featuring two choices of original poster artwork
A satirical, surreal and acutely observed comedy-drama from the mid-1980s, A Very Peculiar Practice stars Peter Davison, who, following turns as a vet in All Creatures Great and Small and the Doctor in Doctor Who, here plays naïve Dr Stephen Daker, a profoundly nervous new addition to Lowlands University's medical practice. The distinctly eclectic team he meets is headed by the compassionate, incompetent, alcoholic and suicidal "Jock" McCannon (the gloriously theatrical Graham Crowden). Barbara Flynn is marvellous as the manipulative bisexual Dr Rose Marie, and David Troughton as Dr Bob Buzzard personifies the "greed-is-good" ethos of the era. The seven 50-minute episodes here form an overall arc following Daker from sheer terror through romance with behavioural psychologist Lyn Turtle (Amanda Hillwood), to ethical conflict with the sociopathic vice-chancellor (played with relish by John Bird). Increasingly surreal (from strange nuns to stranger dream sequences--the second, even better series was more bizarre still), the series launches an acidic assault on the Thatcherite asset-stripping mentality that was then laying waste not just British universities, but the entire nation. Written with an acute irony by Andrew Davies, whose move into more mainstream adaptations such as Pride and Prejudice (1995) was contemporary TV drama's greatest loss, A Very Peculiar Practice is a television landmark that, alongside The Singing Detective and Edge of Darkness, marks 1986 as one of the finest years in the history of the medium. --Gary S Dalkin
Geoffrey Rush plays the famous actor and founding member of The Goons in this brave and unusual biopic.
Starring Ashton Kutcher (The Butterfly Effect, What Happens in Vegas) and directed by celebrated filmmaker David Mackenzie (Young Adam, California Sunshine, Hallam Foe), Spread is a steamy, explicit, romantic comedy with a sharp, modern edge.
The Girl From Recife Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, built in the 1940s, in the upper-class, seaside Avenida Boa Viagem, Recife. All the neighbouring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death, and will engage in a cold war of sorts with the company, a confrontation which is both mysterious, frightening and nerve wracking. This tension both disturbs Clara and gives her that edge on her daily routine. It also gets her thinking about her loved ones, her past and her future. Sonia Braga delivers a tour-de-force performance as Dona Clara in Kleber Mendonça Filho's follow up to his audacious 2012 debut, Neighbouring Sounds, where, once again, the Brazilian film critic, turned director, examines human life in urban spaces in his home town of Recife. Clara's eclectic collection of LP's and her vintage French 3-sheet poster of Stanley Kubrick's Barry Lyndon, the latter item belonging to the director, will delight lovers of packaged media and memorabilia, items that Clara herself calls 'special objects'.
Milagro New Mexico. Population 426. Nothing had changed here for 300 years. But there's something about this day... In Milagro a small town in the American Southwest Ladd Devine plans to build a major new resort development. While activist Ruby Archuleta and lawyer/newspaper editor Charlie Bloom realize that this will result in the eventual displacement of the local Hispanic farmers they cannot arouse much opposition because of the short term opportunities offered by constructio
Switching genres and playing the prequel game, From Dusk Till Dawn 3: The Hangman's Daughter is more distinctive than the first sequel. A cod-spaghetti Western, it takes a plot nugget from history as the aged Ambrose Bierce (Michael Parks, the Sheriff killed before the credits in the first film) tangles with vampires in Mexico in 1914 en route to his mythic disappearance. After hangings, shootings, stagecoach robberies, whippings and historical footnotes, another collection of desperate characters ends up at a saloon which is recognisably the Titty Twister in its original form, the haunt of vampire queen Sonia Braga and fanged barkeep Danny Trejo (the only actor in all three films). Though it has the best storyline of the trio, it still degenerates into a compilation of horror gags in its carnage-strewn climax. On the DVD: The Hangman's Daughter comes to DVD in a great-looking 1.85:1 widescreen print which shows off the attempt made by director P J Pesce to add visual quality to a rerun of the original's plot. The only extra is a deleted snippet originally intended as an after-the-end-credits punchline.--Kim Newman
Based on the New York Times bestseller, WONDER tells the incredibly inspiring and heart-warming story of August Pullman. Born with facial differences that, up until now, have prevented him from going to a mainstream school, Auggie becomes the most unlikely of heroes when he enters the local fifth grade. As his family, his new classmates, and the larger community all struggle to discover their compassion and acceptance, Auggie's extraordinary journey will unite them all and prove you can't blend in when you were born to stand out.
Told against the sweeping panoramas of the Sahara desert this star-studded epic features an exotic mix of action suspense and romance. Famed for its ""stunning"" location cinematography Legend of the Lost delivers a caravan of excitement- with the indomitable John Wayne leading the way. Wayne is Joe January a hard drinking hard living guide. When Paul Bonnard (Rossano Brazzi) hires him to find his father and a legendary lost treasure the two set out into the isolated wasteland of the North African desert. Joining them is Dita (Sophia Loren) a prostitute desperate to find a new life who comes between both men as they battle for survival.... and their souls.
When a radioactve spill causes mass contamination thousands of infected citizens are transformed into bloodthirsty undead fiends. But these are not your standard stumbling gut-munchers; this is an all-out attack by fast-moving flesh-ripping ass-kicking maniacs that can only be stopped by a bullet to the brain... Get ready for an all-you-can-eat buffet of gunfire gore and gratuitous aerobics where zombies run chaos reigns and heads explode. This is Nighmare City!
Twenty-four year old Marnie has bad thoughts all the time and she can't tell anyone. Her mind is XXX-rated and intrusive thoughts are piling up inside her head. She is caught in the grip of an excruciating form of obsessive compulsive disorder nicknamed pure O' where her obsessions take the form of intrusive sexual thoughts, and the compulsions are unseen mental rituals that deeply affect her daily life. Something. Has. Got. To. Give. At breaking point, she packs a bag and, with no plan, jumps on a coach to London. In the capital, Marnie soon discovers she's not the only one who's lost. On her search for herself, Marnie finds a gang of new friends, all with their own foibles. She moves in with her deceptively cheery old school friend Shereen. She befriends Charlie, who is in recovery, having torpedoed his love and work life, due to his porn addiction. He's now single, stuck with an old-school flip-phone and attends weekly Sex Addicts Anonymous meets. Queen among Marnie's new gang is journalist and ladies-woman, Amber who has been gaining a problematic rep. for her promiscuity. Then there's Amber's housemate, the irresistible and unassuming Joe whom Marnie shares a will-they-won't-they romance.
The Girl From Recife Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, built in the 1940s, in the upper-class, seaside Avenida Boa Viagem, Recife. All the neighbouring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death, and will engage in a cold war of sorts with the company, a confrontation which is both mysterious, frightening and nerve wracking. This tension both disturbs Clara and gives her that edge on her daily routine. It also gets her thinking about her loved ones, her past and her future. Sonia Braga delivers a tour-de-force performance as Dona Clara in Kleber Mendonça Filho's follow up to his audacious 2012 debut, Neighbouring Sounds, where, once again, the Brazilian film critic, turned director, examines human life in urban spaces in his home town of Recife. Clara's eclectic collection of LP's and her vintage French 3-sheet poster of Stanley Kubrick's Barry Lyndon, the latter item belonging to the director, will delight lovers of packaged media and memorabilia, items that Clara herself calls 'special objects'.
Drive My Car is a masterful, moving and multi award-winning film from Ryusuke Hamaguchi (Wheel OF Fortune And Fantasy), based on the short story of the same name by international bestselling author Haruki Murakami. Kafuku (Hidetoshi Nishijima), a stage actor and director, is happily married to Oto (Reika Kirishima), a screenwriter. However, when Oto suddenly passes away, she leaves behind a secret. Two years later, Kafuku, still unable to fully cope with the loss of his wife, receives an offer to direct a play at a theater festival in Hiroshima. There, he meets Misaki (Toko Miura), a reserved young woman assigned to be his chauffeur. As they spend time together, Kafuku confronts the mystery of his wife that quietly haunts him. Winner of the Academy Award® for Best International Feature Film, Best Screenplay in Cannes 2021 and the BAFTA for Film Not in the English Language. Product Features The Making of Drive My Car
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