Manga is proud to present the anime classic, Ninja Scroll on Blu-ray for the first time ever! This new HD transfer of the classic action-anime from acclaimed director, Yoshiaki Kawajiri and Madhouse Studio (Summer Wars, Redline, Animatrix). A ninja-for-hire is forced into fighting an old nemesis who is bent on overthrowing the Japanese government. His nemesis is also the leader of a group of demons each with superhuman powers.
DVD Boxset containing the digitally remastered definitive DBZ Movie Complete Collection: Movies 1-13 + TV Specials 1&2. 1. Dead Zone 2. The World's Strongest 3. The Tree of Might 4. Lord Slug 5. Cooler's Revenge 6. The Return of Cooler 7. Super Android 13 8. Bojack Unbound 9. Broly the Legendary Super Saiyan 10. Broly: Second Coming 11. Bio-Broly 12. Fusion Reborn 13. Wrath of the Dragon TV 1: Bardock: the Father of Gokue TV 2: The History of Trunks
Predators: Sneak Peek Predator: Evolution Of A Species: Hunters Of Extreme Perfection Commentary By Director John Mctiernan Text Commentary By Film Historian Eric Lichtenfeld If It Bleeds, We Can Kill It: The Making Of Predator Inside The Predator Special Effects Camouflage Tests Short Takes Deleted Scenes And Outtakes Theatrical Trailers Photo Gallery Predator Profiles Predator UHD: Commentary By Director John Mctiernan Text Commentary By Film Historian Eric Lichtenfeld
Blu-ray Boxset containing the digitally remastered definitive DBZ Movie Complete Collection: Movies 1-13 + TV Specials 1&2 1. Dead Zone 2. The World's Strongest 3. The Tree of Might 4. Lord Slug 5. Cooler's Revenge 6. The Return of Cooler 7. Super Android 13 8. Bojack Unbound 9. Broly the Legendary Super Saiyan 10. Broly: Second Coming 11. Bio-Broly 12. Fusion Reborn 13. Wrath of the Dragon TV 1: Bardock: the Father of Gokue TV 2: The History of Trunks
Broly: The Legendary Super Saiyan: Broly a powerful Saiyan warrior with an unspeakable evil streak has the Z-Fighters squarely in his sights! Now, a race to save the universe turns into a test of survival skills for Earth's mightiest warriors. Prepare for the most intense Saiyan battle in history: a clash for the ages rooted in the pains of a secret past. Broly's Second Coming: An investigation into the crash of a strange vessel quickly turns into a battle that not even Earth's most powerful heroes are guaranteed to win. Broly, one of the greatest evils in existence, is back to wreak havoc on humanity! Only this time, Goku may be powerless to stop him. Bio-Broly: Corruption and technology combine to resurrect one of the greatest evils the universe has ever known. Broly is back and more deadly than ever! The sinister Super Saiyan appears to be unstoppable until Trunks discovers a secret that could stop the symbiotic scourge! Unfortunately, it might be too late to prevent Earth's ultimate day of reckoning.
Whilst Frank Leone (Sylvester Stallone) is serving time for beating up some thugs, the prison's governor Drumgoole (Donald Sutherland) puts him through a hellish regime. Leone manages to escape and goes to the media to tell his tale of injustice and abuse. He is rewarded by being sent to an 'open' prison to finish his sentence but, six months before his release, he is grabbed in the night, taken to a maximum security prison and reunited with his old enemy... Bonus Features: Making Of Sylvester Stallone Profile Trailer Behind the Scenes Interviews Sylvester Stallone Donald Sutherland Sonny Landham John Amos
It's 1962 and Tracy Turnblad has the largest bouffant on the block. She also has all the right moves to be on the local dance show and win the crown of Miss Auto Show as well as the ex-steady of Amber the snooty reigning princess. But Amber is not too happy and has other plans for Tracy.
Whilst Frank Leone (Sylvester Stallone) is serving time for beating up some thugs, the prison's governor Drumgoole (Donald Sutherland) puts him through a hellish regime. Leone manages to escape and goes to the media to tell his tale of injustice and abuse. He is rewarded by being sent to an 'open' prison to finish his sentence but, six months before his release, he is grabbed in the night, taken to a maximum security prison and reunited with his old enemy... Bonus Features: Making Of Sylvester Stallone Profile Trailer Behind the Scenes Interviews Sylvester Stallone Donald Sutherland Sonny Landham John Amos
Rambo meets Alien in this terrific science-fiction thriller from 1987, directed by John McTiernan just a year before Die Hard made him Hollywood's most sought-after director of action-packed blockbusters. Arnold Schwarzenegger leads an elite squad of US Army commandos to a remote region of the South American jungle, where they've been assigned to search for South American officials who've been kidnapped by terrorists. Instead they find a bunch of skinned corpses hanging from the trees and realise that they're now facing a mysterious and much deadlier threat. As the squad is picked off one by one, Arnold finds himself pitted against a hideous alien creature that's heavily armed and wearing a spacesuit enabling the creature to render itself invisible. The title says it all in describing the relentless, escalating action that follows, maintained by McTiernan with an abundance of visual flair. The film's special effects are still impressive, and stunning locations in the Mexican jungles create a combined atmosphere of verdant beauty and imminent danger. The plot doesn't hold up to much scrutiny, but the movie's so exciting and tightly paced that its weaknesses seem irrelevant. --Jeff Shannon, Amazon.com
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
The Story and Sounds Behind the Most Famous Photo in the History of Jazz! In August of 1958 in front of a Harlem brownstone first-time photographer Art Kane assembled 57 of the greatest jazz stars of all time and snapped a picture that would live forever. Narrated by Quincy Jones this ""irresistible"" (Kevin Thomas Los Angeles Times) Academy Award-nominated documentary examines the fascinating lives of the musicians who showed up that day to make history. Through remarkable interviews with nearly 30 jazz greats (including Dizzy Gillespie Sonny Rollins and Art Blakey) home movies shot by Milt and Mona Hinton and rare archival performance footage A Great Day In Harlem tells the story behind a legendary photograph that is still alive and kicking - and jammin'!
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
In Predator, Rambo meets Alien in a terrific science fiction thriller directed by John McTiernan just a year before Die Hard made him Hollywood's most sought-after director of action-packed blockbusters. Arnold Schwarzenegger leads an elite squad of US Army commandos to a remote region of South American jungle, where they've been assigned to search for South American officials who've been kidnapped by terrorists. Instead they find a bunch of skinned corpses hanging from the trees and realise that they're now facing a mysterious and much deadlier threat. As the squad is picked off one by one, Arnold finds himself pitted against a hideous alien creature that's heavily armed and wearing a spacesuit enabling the creature to render itself invisible. The title says it all in describing the relentless, escalating action that follows, maintained by McTiernan with an abundance of visual flair. The film's special effects are still impressive, and stunning locations in the Mexican jungles create a combined atmosphere of verdant beauty and imminent danger. --Jeff Shannon, Amazon.com
The 1980s was the make-and-break decade for Sylvester Stallone's career, and Lock Up typifies the direction he took in his post-Rocky and Rambo days. It's a concept movie in the same mould as Rambo III just before it, and Tango & Cash just after. The hero (Frank Leone) is put in jeopardy (Gateway Prison), establishes a nemesis to defeat (in the shape of Donald Sutherland as Warden Drumgoole), makes a few friendships that can be sacrificed along the way (Tom Sizemore as Dallas) and does what he does in the name of love (Darlanne Flugel as Melissa). The revenge-twisted warden puts him through hell over a shared back-story. The torture ranges from being made to hold his breath in a delousing chamber to sanity-stretching periods in "The Hole". It's all about how far a man can be pushed. But being a Stallone vehicle, it's not all depressing. Composer Bill Conti reunites with the star to put the same sort of heroic fuel behind a prison-yard football game as he did for Rocky. A couple of feel-good songs pep up the love story and a montage of camaraderie in rebuilding a broken-down car. There's a healthy sense of realism achieved by having Sly doing all his own stunts and the use of a real-life prison. If the elements lead to a by-the-numbers conclusion (it's no Shawshank Redemption), remember this was some years before the actor wanted to get serious. On the DVD: A surprising amount of footage has been assembled in the two behind-the-scenes featurettes: we see Stallone directing his own fight scenes, and how use of New Jersey's Rahway Prison came with 2,500 real inmates to keep under control. Sound bite interviews reveal Stallone's worldly philosophies, then a trailer and gallery of 17 photos round out a decent overall package. --Paul Tonks
John McTiernan directs this sci-fi action feature starring Arnold Schwarzenegger. Major Alan 'Dutch' Schaefer (Schwarzenegger) and a band of mercenaries head into the Central American Val Verde jungle to rescue some American hostages from a band of guerrilla fighters. However, they soon discover there is also an extraterrestrial evil force at work in the jungle. The mercenaries are picked off one by one and soon Schaefer is forced to face the alien predator alone.
Imprisoned for a crime they didn't commit. Torn from the only thing that mattered: each other. And to reunite them it would take their greatest strengths: love and courage. Scattered Dreams is the powerful heart-warming drama that tells the true story of a family's fight to prove its innocence when it is ripped apart by a cruel and wrongful accusation.
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
Nick Nolte and Eddie Murphy make one of the most unusual and entertaining teams ever in Walter Hill's roller-coaster thriller 48 HRS. Nolte is a roughedged cop after two vicious cop-killers. He can't do it without the help of smooth and dapper Murphy who is serving time for a half-million dollar robbery. This unlikely partnership trades laughs as often as punches as both pursue their separate goals: Nolte wants the villains; Murphy wants his money and some much-needed female com
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled however Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole prison after his administration was publicly humiliated by Leone and has now arrived on the scene to ensure that Leone never sees the light of day.
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