The Tournament of Power rages on. The 2nd Universe's warriors of love are out for blood, Frieza makes his move, and Goku's attention turns to Jiren. Unflinching resolve faces immeasurable power, as Saiyan and Pride Trooper test each other's capabilities. But when Goku's stamina starts to dwindle, can Instinct save him? Time is winding down, fighters are falling out,and the battles are heating up!
The final battle! Dragon Ball Superand its fan-favorite Tournament of Power arccome to a thrilling conclusion.
Patrick Troughton stars in this recreation of a lost classic from 1967. The TARDIS has been stolen. Marooned on Earth in the year 1966, the Doctor and Jamie set out to find the missing time-machine. Their investigations bring them to a mysterious London antiques shop, where all the antiques all seem to be brand new. Kidnapped by the antique shop's owner, the Doctor is then brought face to face with a very old enemy - the Daleks. Working from a house in Victorian England, the Daleks have a new master plan to conquer the universe. And in order to carry it out, they need the Doctor's help. The original 1967 master recordings of 'The Evil of the Daleks' were lost soon after the programme's original transmission. However, audio-only recordings of all seven episodes have survived and have been used here to create a brand new fully animated presentation of this lost classic. Written by David Whitaker Directed by AnneMarie Walsh (2021 Production) Directed by Derek Martinus (1967 Production) Produced by Paul Hembury (2021 Production) Produced by Innes Lloyd (1967 Production) Starring Patrick Troughton, Frazer Hines, Marius Goring, John Bailey, Deborah Watling, Brigit Forsyth, Gary Watson, Jo Rowbottom, Windsor Davies and Sonny Caldinez.
It's 1962 and Tracy Turnblad has the largest bouffant on the block. She also has all the right moves to be on the local dance show and win the crown of Miss Auto Show as well as the ex-steady of Amber the snooty reigning princess. But Amber is not too happy and has other plans for Tracy.
Based on a true story that shocked a nation, this powerful four-part factual drama, from BAFTA winning writer and executive producer Jeff Pope (Appropriate Adult, The Widower), centres on the devastating impact on a city of an innocent child's murder amid a wave of gang violence. In August 2007, while walking home from football practice in his England kit, 11-year-old Rhys Jones was unwittingly caught in the crossfire of a gang war. Shot in the neck outside the Fir Tree pub in Liverpool's Croxteth, he died in his mother's arms. Made with the support of Rhys's parents, Melanie and Steve, Little Boy Blue explores their ordeal and looks at the agonising dilemmas of witnesses faced with becoming pariahs for speaking up. It tells the story of the long and extensive investigation, led by Merseyside Police SIO David Kelly, that eventually brought Rhys's murderer and his associates to justice.
Whilst Frank Leone (Sylvester Stallone) is serving time for beating up some thugs, the prison's governor Drumgoole (Donald Sutherland) puts him through a hellish regime. Leone manages to escape and goes to the media to tell his tale of injustice and abuse. He is rewarded by being sent to an 'open' prison to finish his sentence but, six months before his release, he is grabbed in the night, taken to a maximum security prison and reunited with his old enemy... Bonus Features: Making Of Sylvester Stallone Profile Trailer Behind the Scenes Interviews Sylvester Stallone Donald Sutherland Sonny Landham John Amos
Rambo meets Alien in this terrific science-fiction thriller from 1987, directed by John McTiernan just a year before Die Hard made him Hollywood's most sought-after director of action-packed blockbusters. Arnold Schwarzenegger leads an elite squad of US Army commandos to a remote region of the South American jungle, where they've been assigned to search for South American officials who've been kidnapped by terrorists. Instead they find a bunch of skinned corpses hanging from the trees and realise that they're now facing a mysterious and much deadlier threat. As the squad is picked off one by one, Arnold finds himself pitted against a hideous alien creature that's heavily armed and wearing a spacesuit enabling the creature to render itself invisible. The title says it all in describing the relentless, escalating action that follows, maintained by McTiernan with an abundance of visual flair. The film's special effects are still impressive, and stunning locations in the Mexican jungles create a combined atmosphere of verdant beauty and imminent danger. The plot doesn't hold up to much scrutiny, but the movie's so exciting and tightly paced that its weaknesses seem irrelevant. --Jeff Shannon, Amazon.com
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
NOTICE: Polish Release, cover may contain Polish text/markings. The disk DOES NOT have English audio and subtitles.
Jonathan Kaplan (The Accused) directed this creepy thriller about an outwardly friendly cop (Ray Liotta) who attaches himself to a married couple (Kurt Russell, Madeleine Stowe) whom he helps during a crisis. In short order, he's revealed to be a psychopath who wants Russell's wife, but the film is about more than Liotta's mental state. A bold script and Kaplan's astute direction peel away the layers of masculine identity in the male leads and underscore the painful conflicts good men feel when faced with classic territorial challenges. This is not as profound as Straw Dogs, Sam Peckinpah's long-banned on video home-invasion classic, but it is honest and provocative, until mayhem overcomes the final act. --Tom Keogh, Amazon.com
The Transcendent Battle Between Hatred and Hope. It's time to decide the fate of the future! Goku, Vegeta, and Future Trunks take on the mighty Fusion Zamasu in a final epic confrontation of good vs. evil. When the dust settles and they return to the present, the Z fighters face even greater challenges. A baseball game grudge-match between gods and a mysterious attempt of Goku's life are just a couple of events keeping our heroes in top form. But as quickly as one calamity ends, another is just around the corner. The Tournament of Power is finally underway!
The Story and Sounds Behind the Most Famous Photo in the History of Jazz! In August of 1958 in front of a Harlem brownstone first-time photographer Art Kane assembled 57 of the greatest jazz stars of all time and snapped a picture that would live forever. Narrated by Quincy Jones this ""irresistible"" (Kevin Thomas Los Angeles Times) Academy Award-nominated documentary examines the fascinating lives of the musicians who showed up that day to make history. Through remarkable interviews with nearly 30 jazz greats (including Dizzy Gillespie Sonny Rollins and Art Blakey) home movies shot by Milt and Mona Hinton and rare archival performance footage A Great Day In Harlem tells the story behind a legendary photograph that is still alive and kicking - and jammin'!
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
In Predator, Rambo meets Alien in a terrific science fiction thriller directed by John McTiernan just a year before Die Hard made him Hollywood's most sought-after director of action-packed blockbusters. Arnold Schwarzenegger leads an elite squad of US Army commandos to a remote region of South American jungle, where they've been assigned to search for South American officials who've been kidnapped by terrorists. Instead they find a bunch of skinned corpses hanging from the trees and realise that they're now facing a mysterious and much deadlier threat. As the squad is picked off one by one, Arnold finds himself pitted against a hideous alien creature that's heavily armed and wearing a spacesuit enabling the creature to render itself invisible. The title says it all in describing the relentless, escalating action that follows, maintained by McTiernan with an abundance of visual flair. The film's special effects are still impressive, and stunning locations in the Mexican jungles create a combined atmosphere of verdant beauty and imminent danger. --Jeff Shannon, Amazon.com
The 1980s was the make-and-break decade for Sylvester Stallone's career, and Lock Up typifies the direction he took in his post-Rocky and Rambo days. It's a concept movie in the same mould as Rambo III just before it, and Tango & Cash just after. The hero (Frank Leone) is put in jeopardy (Gateway Prison), establishes a nemesis to defeat (in the shape of Donald Sutherland as Warden Drumgoole), makes a few friendships that can be sacrificed along the way (Tom Sizemore as Dallas) and does what he does in the name of love (Darlanne Flugel as Melissa). The revenge-twisted warden puts him through hell over a shared back-story. The torture ranges from being made to hold his breath in a delousing chamber to sanity-stretching periods in "The Hole". It's all about how far a man can be pushed. But being a Stallone vehicle, it's not all depressing. Composer Bill Conti reunites with the star to put the same sort of heroic fuel behind a prison-yard football game as he did for Rocky. A couple of feel-good songs pep up the love story and a montage of camaraderie in rebuilding a broken-down car. There's a healthy sense of realism achieved by having Sly doing all his own stunts and the use of a real-life prison. If the elements lead to a by-the-numbers conclusion (it's no Shawshank Redemption), remember this was some years before the actor wanted to get serious. On the DVD: A surprising amount of footage has been assembled in the two behind-the-scenes featurettes: we see Stallone directing his own fight scenes, and how use of New Jersey's Rahway Prison came with 2,500 real inmates to keep under control. Sound bite interviews reveal Stallone's worldly philosophies, then a trailer and gallery of 17 photos round out a decent overall package. --Paul Tonks
With Buu out of commission, and in order to complete their roster, Goku recruits an old enemy as the 7th Universe's final teammate. However, the other universes aren't keen on letting this new foe join the fight. The stage is set, and the Tournament of Power finally starts! Can the Z Fighters last against an onslaught of targeted aggression, or will personal grudges mark the beginning of the end?!
John McTiernan directs this sci-fi action feature starring Arnold Schwarzenegger. Major Alan 'Dutch' Schaefer (Schwarzenegger) and a band of mercenaries head into the Central American Val Verde jungle to rescue some American hostages from a band of guerrilla fighters. However, they soon discover there is also an extraterrestrial evil force at work in the jungle. The mercenaries are picked off one by one and soon Schaefer is forced to face the alien predator alone.
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