You Can't Take It With You, Frank Capra's 1938 populist spin on the George S Kaufman and Moss Hart play about a family of happy eccentrics, is a great deal of fun, though it significantly rewrites the original work and doesn't represent Capra (Mr. Deeds Goes to Town, Mr. Smith Goes to Washington) at his best. Jean Arthur plays a member of the blissful Vanderhof househ old who falls in love with a rich man's son (James Stewart) and brings him into her nutty home. Lionel Barrymore, who played such a bad guy eight years later in Capra's It's a Wonderful Life, is the wonderful Grandpa Vanderhof, who addresses God during the dinner prayer as "sir" and speaks plainly and beautifully of why it's good to be alive. Capra took this opportunity to rail against big business and champion the common man, but the overall tone of the film--typical for the director's comedies--is buoyant and snappy. --Tom Keogh, Amazon.com
During a voyage to South America, a British naval captain is cast adrift...
It Happened One Night (1934) Clark Gable and Claudette Colbert team up for laughs as mismatched lovers in this 1934 screwball comedy classic. Spoiled Ellie Andrews (Colbert) escapes from her millionaire father (Walter Connolly) who wants to stop her from marrying a worthless playboy. En route to New York Ellie gets involved with an out-of-work newsman Peter Warne (Gable). When their bus breaks down the bickering couple set off on a madcap hitchhiking expedition. Peter hopes
Major And The Minor (Dir. Billy Wilder 1942): A woman disguises herself as a child to save on a train fare and is taken in charge by an army man who doesn't notice the truth. Bachelor Mother (Dir. Garson Kanin 1939): Ginger Rogers stars as a department store salesclerk about to be laid off after the Christmas holiday who happens to be passing an orphanage when a woman leaves a baby on the doorstep. The orphanage assumes that Rogers is the mother despite her protests; when they contact the department store the owner's son (David Niven) decides to restore her job so that she can take care of the child. Before long rumors are flying that Niven is the child's father... Top Hat (Mark Sandrich 1935): Following a case of mistaken identity dancer Jerry (Astaire) follows Dale (Rogers) the girl of his dreams to Europe and tries to win her heart through song and dance routines... This most lavish of musicals from Hollywood's golden era features lyrics and music by Irving Berlin. Gay Divorcee (Mark Sandrich 1934): In one of their best loved most charming song-and-dance comedies Fred Astaire and Ginger Rogers demonstrate just how they became best known as America's greatest dance team. It Had To Be You (Dir. Don Hartman Rudloph Mate 1947): Victoria Stafford (Ginger Rogers) is a wealthy young woman who has been engaged three times and who has changed her mind at the last second at all three weddings. She is engaged again and is determined to wed her fourth fiance Oliver H.P. Harrington (Ron Randell) when she has a dream in which a man dressed like an Indian (Cornel Wilde) breaks up her fourth wedding. Upon awakening she is startled to find that the ""Indian"" from her dream is real... Tight Spot (Dir. Phil Karson 1955): Sherry Conley a street tough and cynical woman with an unhappy family background is taken from prison to a hotel where the DA tries to convince her to testify against a mobster. Sherry is reluctant because the last witness was murdered before he made it to the stand and why should she stick her neck out? At the hotel several attempts are made on her life and she falls for Vince the policemen guarding her...
Werewolf Of London: The first Hollywood film to explore a werewolf on the silver screen a creature rooted in folklore worldwide. Directed by American Stuart Walker and starring Henry Hull Warner Oland and Valerie Hobson. Werewolf of London chronicles the life of botanist Dr Wilfred Glendon who sets off on an expedition to the Himalayas to find the marifisa lupina lumina a rare orchid that only blooms by moonlight. When he finds the unique plant he is attacked and injured b
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself ""John Doe"" has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbara Stanwyck) is rehired and now needs to find someone to play the part of the fictional ""John Doe""... Meet John Doe is often held to be part of a thematic trilogy that includes Mister Deeds Goes To Town and Mister Smith Goes To Washington. It explores a recurring notion in Capra's work that of the universal everyman exploited by a corrupt and powerful establishment. The film's reflections on corporate control of both the media and of ordinary people's lives is still as resonant as ever.
Newly deceased playboy Henry Van Cleve (Don Ameche) presents himself to the outer offices of Hades where he asks a bemused Satan for permission to enter the gates of hell. Though the Devil doubts Henry's sins will qualify him for eternal damnation Henry proceeds to recount a lifetime spent wooing and pursuing women his long happy marriage to Martha (Gene Tierney) not withstanding. Nominated for Academy Awards for best picture and director Heaven Can Wait is an end
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself ""John Doe"" has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbara S
Ginger Rogers stars as a complicated young woman who has left three grooms standing at the altar and is ready to do it again! That is until handsome Johnny (Cornel Wilde) appears just in time hoping to change her ways forever....
An anonymous letter is sent to a newspaper protesting at the state of world affairs. Based on a story by Richard Connell. Also includes a biography of Gary Cooper and the theatrical trailer for 'Lives Of A Bengal Lancer'.
The Dracula Legacy 1. Dracula (1931) 2. Son Of Dracula (1943) and House Of Dracula (1945) 3. Dracula (Spanish language version) (1931) and Dracula's Daughter (1936) plus bonus footage The Frankenstein Legacy 1. Frankenstein (1931) 2. The Bride Of Frankenstein (1935) 3. Son Of Frankenstein (1939) and Ghost Of Frankenstein (1942) 4. House Of Frankenstein (1944) plus bonus footage The Wolf Man Legacy 1. The Wolf Man (1941) 2. Werewolf Of London
Frank Capra started as a Mack Sennett gag writer and soon thereafter moved over to the Poverty Row studio of Columbia Pictures as a director. Capra helped lift Columbia out of the low budget ranks, up to major studio. His remarkable string of hits in the 1930's - IT HAPPENED ONE NIGHT, MR. DEEDS GOES TO TOWN, YOU CAN'T TAKE IT WITH YOU, LOST HORIZON AND MR. SMITH GOES TO WASHINGTON - made him not only one of the industries most highly esteemed figures, but also a popular draw himself. He was ...
In protest at the corruption and hypocrisy he sees all around him an unemployed man calling himself ""John Doe"" has written to the New Bulletin newspaper pledging to throw himself from the top of City Hall on Christmas Eve. Written by a discharged journalist as a publicity stunt and as a parting shot at the paper's new editor the premise of the letter unexpectedly fires the imagination of the bulletin's readers and the wider American public. Its real author Ann Mitchell (Barbar
Farewell To Arms (Dir. Frank Borzage 1932): Ernest Hemingway's tragic wartime romance comes to vivid life in this classic 1932 film starring Oscar winners Gary Cooper and Helen Hayes. The cataclysm of WW1 sets the stage for an impassioned story of star-crossed love between a daring American ambulance driver (Cooper) and an English nurse (Hayes) in an army hospital. The tumult of war conspires to push the pair together and then wrench them apart in what becomes an ultimate tes
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