Reimagining Roald Dahl's beloved story for a modern audience, Robert Zemeckis's visually innovative THE WITCHES tells the darkly humorous and heartwarming tale of a young orphaned boy (Bruno) who, in late 1967, goes to live with his loving Grandma (Spencer) in the rural Alabama town of Demopolis. The boy and his grandmother come across some deceptively glamorous but thoroughly diabolical witches, so Grandma wisely whisks our young hero away to an opulent seaside resort. Regrettably, they arrive at precisely the same time that the world's Grand High Witch (Hathaway) has gathered her fellow cronies from around the globeundercoverto carry out her nefarious plans. Extras: Deleted Scenes
Has dialogue ever been more perfectly hard-boiled? Has a femme fatale ever been as deliciously wicked as Barbara Stanwyck? And has 1940s Los Angeles ever looked so seductively sordid? Working with cowriter Raymond Chandler, director Billy Wilder launched himself onto the Hollywood A-list with this epitome of film-noir fatalism from James M. Cain's pulp novel. When slick salesman Walter Neff (Fred MacMurray) walks into the swank home of dissatisfied housewife Phyllis Dietrichson (Stanwyck), he intends to sell insurance, but he winds up becoming entangled with her in a far more sinister way. Featuring scene-stealing supporting work from Edward G. Robinson and the chiaroscuro of cinematographer John F. Seitz, Double Indemnity is one of the most entertainingly perverse stories ever told and the standard by which all noir must be measured. FILM INFO - United States - 1944 - 108 minutes - Black & White - 1.37:1 - English 4K UHD + BLU-RAY SPECIAL EDITION FEATURES - New 4K digital restoration, with uncompressed monaural soundtrack - One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features - Audio commentary featuring film critic Richard Schickel - New interview with film scholar Noah Isenberg, editor of Billy Wilder on Assignment - New conversation between film historians Eddie Muller and Imogen Sara Smith - Billy, How Did You Do It?, a 1992 film by Volker Schlöndorff and Gisela Grischow featuring interviews with director Billy Wilder - Shadows of Suspense, a 2006 documentary on the making of Double Indemnity - Radio adaptations from 1945 and 1950 - Trailer - English subtitles for the deaf and hard of hearing - PLUS: An essay by critic Angelica Jade Bastién - New cover by Greg Ruth
Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown
The new series of Doctor Who features Christopher Eccleston as the re-incarnated Doctor and Billie Piper as Rose his trusty sidekick. Episodes comprise: 11. Boom Town: The TARDIS crew take a holiday but the Doctor encounters an enemy he thought long since dead. A plan to build a nuclear power station in Cardiff City disguises an alien plot to rip the world apart. And when the Doctor dines with monsters he discovers traps within traps. 12. Bad Wolf: The Doct
FBI informant William O'Neal infiltrates the Illinois Black Panther Party and is tasked with keeping tabs on their charismatic leader, Chairman Fred Hampton. A career thief, O'Neal revels in the danger of manipulating both his comrades and his handler, Special Agent Roy Mitchell. Hampton's political prowess grows just as he's falling in love with fellow revolutionary Deborah Johnson. Meanwhile, a battle wages for O'Neal's soul. Will he align with the forces of good? Or subdue Hampton and The Panthers by any means, as FBI Director J. Edgar Hoover commands? Special Features Fred Hampton for the People-Chairman Fred Hampton (Black Panther Party) was a seminal figure in the civil rights movement of the '60s who was struck down just as he was getting started. In this intimate character piece, we talk to the filmmakers and cast about why telling Hampton's story is more important than ever. Unexpected Betrayal-Arrested for impersonating an FBI agent, William O'Neal, (LaKeith Stanfield) is given an ultimatum: face jail or betray his community's trust by infiltrating the Illinois Black Panther Party. We talk to the cast and filmmakers about O'Neal's complexities and his eventual betrayal of Hampton.
One Minute Past Midnight: The year is 2058. Robert and Steve celebrate every New Year in the same 24-hour convenience store where they work the nightshift. No matter how much things change they always seem to stay the same even when Steve wins the lottery. But when Robert discovers that the girl of his dreams works on the dayshift he suddenly finds himself with a big decision to make. One Minute Past Midnight is a sweet dark and surreal comedy about love dreams and the fear of change. Fare Bene Mikles: The film explores the relationship between siblings Sergio and Maria from their troubled childhood to the hardships of adult life. Throughout the years their invented game called 'Mikles' provides their very own survival technique. Trafic: It is rush hour in Bucharest and young businessman Tudor is soon to be late for a meeting. Every passing minute seems endless as he sits wedged behind the wheel of his car. When he finally abandons his vehicle to confront a family drama he finds a new perspective on the everyday life he leads. Trafic is a disturbing and dazzling introspective into the sometimes meaningless rituals of contemporary urban life. Canciones De Invierno: It is November on the outskirts of an anonymous European city. Five different people are killing time in a variety of peculiar ways. But the pretence that their lives are under control is unravelling; all of them are trapped in the wreckage of recent love affairs. Wracked by insomnia self-abandonment midnight confessions and desperate behaviour their lives soon take unexpected turns as they try to win back the objects of their affection. Mekong Interior: When a couple travel to Cambodia the man is curious to search out his heritage but finds little to connect with and soon feels alienated in the environment. When the woman begins to experience a fascinating and exotic new world which draws her further and further in a profound tension develops that soon reaches breaking point. Breaking Out: Once a bubbly and extroverted singer Jessie now spends her day in anguished solitude desperately seeking to avoid her friends family and - most of all - her own paranoia. Fuelled by insecurity and a morbid fear of confrontation her fervid imagination finally leads her to make an unexpected reconnection with life.
Glenn Ford, Edward G.Robinson and Barbra Stanwyck star in Rudolph Mate's tough and herd-hitting 1955 western. A range war is coming to the valley. Ambitious land baron Lew Wilkinson (Edward G.Robinson) and his hired guns from the Anchor Ranch have been driving other farmers off their land. Now they've gunned down the local sheriff and are loking to own the entire valley. Civil War veteran Captain John Parrish (Glenn Ford) doesn't want any trouble. He'd be happy to sell out to Wilinson and return back east. But when Wilkinson's men kill one of his ranch hands, Parrish realises he has to stand his ground - and look to his guns.
A bumper box set of classic films featuring 'The Queen' Barbara Stanwyck! Double Indemnity (Dir. Billy Wilder 1944): Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of cou
This coming-of-age comedy sees Eugene, a young man who wakes from a coma to discover that his once chaste high school sweetheart has become a centrefold. Together with his best friend Tucker, he embarks on a road trip to the Playboy Mansion.
Greek Pete
A bumper box set of classic films featuring 'The Queen' Barbara Stanwyck! Double Indemnity (Dir. Billy Wilder 1944): Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of cou
Double Indemnity (Dir. Billy Wilder 1944): From the Moment they met it was Murder! Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of course in these plots things never quite go as planned and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who has a feeling that not all is as it seems... All I Desire (Dir. Douglas Sirk 1953): In 1900 Naomi Murdoch deserted her small-town family to go on the stage. Some ten years later daughter Lily invites Naomi back to see her in the Riverdale high school play. Her arrival sets the whole town abuzz wakes up old conflicts and sets off new emotional storms.
Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown
Major And Minor (Dir. Billy Wilder 1942): New York working girl Ginger Rogers is desparate to go home to Iowa but does not have the railway fare so she disguises herself as a child to ride half fare. Enroute she meets Ray Milland an Army major teaching at a military school. who takes her under his wing. The Bachelor Mother (Dir. Garson Kanin 1939): Polly Parrish a clerk at Merlin's Department Store is mistakenly presumed to be the mother of a foundling. Outraged at Polly's unmotherly conduct David Merlin becomes determined to keep the single woman and ""her"" baby together.
The steamy exotic city if New Orleans in America's deep south is the setting for this true story of an ingenious brutal murder plot that goes terribly wrong. Based on a true story.
Lucky Dog: Stan befriends a stray dog and Oliver Hardy takes a liking to Stan's wallet. After causing so much chaos Stan's only option is to get rid of the dog. Just in time the dog comes up trumps saves the day and teaches the villain Hardy a lesson too. The Stolen Jools: A famous actress has her jewels stolen. Everyone from the police to the mob want to know the identity of the theif and almost everyone is under suspicion. A star studded cast of the most promi
Director Billy Wilder and writer Raymond Chandler adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy, is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown, Amazon.com
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