Edward G. Robinson stars as Enrico Bandelli in the role that made him a household name. Bandelli moves to the big city with partner in crime Joe Massara (Douglas Fairbanks Jr.) and becomes a member of Sam Vettori's Mafia gang. In spite of the urgings of pretty girl Olga Strassoff (Glenda Farell) to quit the mob Rico quickly becomes the head of the Vettori gang and with a couple of quick kills scares mob boss Arnie Lorch back to Detroit. Bandelli dubbed Little Caesar by the press is known as a boss in his own right but what goes up must come down...
Originally rejected by the BBFC on its original release for being against nature, this first and best screen adaptation of H. G. Wells' The Island of Dr. Moreau is a taboo-flaunting, blood-curdling spectacular, and one of Hollywood's wildest, most notorious, pre-Code pictures.Shipwrecked and adrift, Edward Parker finds himself a guest on Dr. Moreau's isolated South Seas island, but quickly discovers the horrifying nature of the doctor's work and the origin of the strange forms inhabiting the isle: a colony of wild animals reworked into humanoid form via sadistic surgical experiments. Furthermore, Parker quickly begins to fear his own part in the doctor's plans to take the unholy enterprise to a next level.Featuring a peerlessly erudite and sinister performance by Charles Laughton as the diabolical doctor, a sterling appearance by Bela Lugosi as the half-beast-half-man Sayer of the Law, and sensationally atmospheric cinematography by the great Karl Struss (Murnau's Sunrise, Mamoulian's Dr. Jekyll and Mr. Hyde), Island of Lost Souls now returns to claim a central position among the most imaginative and nightmarish fantasies from Hollywood's golden age of horror.
Way Out West, Laurel and Hardy's sole foray into cowboy country, benefits from their rousing rendition of "The Blue Ridge Mountains of Virginia" (a song which made it into the British charts a few years ago) and some inspired villainy from James Finlayson, the Scottish actor who was frequently cast as Stan and Ollie's nemesis (here, he plays villainous bartender Mickey Finn). The plot is some hokum about Stan and Ollie's attempts to deliver deeds to a gold mine to the daughter of an old pal. What matters is the clowning--most of which is inspired. --Geoffrey Macnab
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