That'll Be The Day is a nostalgic trip back to the late 1950S, time of brothel- creeper shoes, drainpipe trousers,sideburns and greased back hair. David Essex makes his screen debut as wayward hero Jim MacLaine, who lives a life of dead-end jobs and one-night stands and dreams of becoming a rock star. Ringo Starr, as his fairground buddy, epitomizes the [eriod and is joined by Billy Fury and Keith Moon in a living tapestry of memories for rock fans. Brand new restoration with new extras including interviews with Ray Connolly, David Puttnam and Bob Stanley. Extras: New Interview with David Puttnam New Interview with Bob Stanley New Interview with Ray Connolly Stills Gallery Stills gallery
Celebrate 65 years of railway adventures with Thomas and all his friends. This BEST OF release is packed full of your favourite episodes, all narrated by the legendary Ringo Starr!
In 1964 the biggest band on the planet made their big screen debut with A Hard Day's Night a ground-breaking film that presented a 'typical' day in the life of The Fab Four as they tried to outrun screaming fans find Paul's mischievous grandfather deal with a stressed TV producer and make it to the show on time. Directed with unrelenting verve by Richard Lester whose innovative techniques paved the way for generations of music videos the film's frenetic mix of comic escapades legendary one-liners and pop perfection captured a moment in time that defined a generation. The most iconic band in music history had arrived. Special Features: In their own voices: A new piece combining 1964 interviews with The Beatles with behind-the-scenes footage and photos You can't do that: The Making of 'A Hard Day's Night': a documentary by producer Walter Shenson including an outtake performance by The Beatles Things they said today: Documentary about the film featuring director Richard Lester music producer George Martin screenwriter Alun Owen and Cinematographer Gilbert Taylor Picturewise: A new piece about Richard Lester's early work featuring a new audio interview with the director Anatomy of a style: A new piece on Richard Lester's methods Interview with author Mark Lewisohn Audio Commentary with Cast and Crew 50th Anniversary Trailer
Scorsese's classic tale based on the true life rise and fall of a small time gangster gets the two disc 'Special Edition' treatment with many new & exclusive DVD extras.
TULSA KING follows New York mafia capo Dwight The General Manfredi (Oscar® nominee* Sylvester Stallone) just after he is released from prison after 25 years and unceremoniously exiled by his boss to set up shop in Tulsa, Oklahoma. Realising that his mob family may not have his best interests in mind, Dwight slowly builds a crew from a group of unlikely characters to help him establish a new criminal empire in a place that to him might as well be another planet. This Season 1 release includes all 9 episodes with over 90 minutes of bonus content that goes behind the scenes with the cast and crew in 6 never-before-seen making-of featurettes. Special Features Stranger in a Strange Land: Genesis Carpe D.M.: Stallone Mercy and Malice: The Cast Haberdashery: Costume Design Outthink Your Enemy: Stunts The Here and Now: On Location in Tulsa Plus, Behind the Story For Every Episode
Peter Parker returns in Spider-Manâ¢: Far From Home, the next chapter of the Spider-Manâ¢: Homecoming series! Our friendly neighborhood Super Hero decides to join his best friends Ned, MJ, and the rest of the gang on a European vacation. However, Peter's plan to leave super heroics behind for a few weeks are quickly scrapped when he begrudgingly agrees to help Nick Fury uncover the mystery of several elemental creature attacks, creating havoc across the continent! Click Images to Enlarge
Arguably the best film by Joel and Ethan Coen, the 1990 Miller's Crossing stars Gabriel Byrne as Tom, a loyal lieutenant of a crime boss named Leo (Albert Finney) who is in a Prohibition-era turf war with his major rival, Johnny Caspar (Jon Polito). A man of principle, Tom nevertheless is romantically involved with Leo's lover (Marcia Gay Harden), whose screwy brother (John Turturro) escapes a hit ordered by Caspar only to become Tom's problem. Making matters worse, Tom has outstanding gambling debts he can't pay, which keeps him in regular touch with a punishing enforcer. With all the energy the Coens put into their films, and all their focused appreciation of genre conventions and rules, and all their efforts to turn their movies into ironic appreciations of archetypes in American fiction, they never got their formula so right as with Miller's Crossing. With its Hammett-like dialogue and Byzantine plot and moral chaos mitigated by one hero's personal code, the film so transcends its self-scrutiny as a retro-crime thriller that it is a deserved classic in its own right. --Tom Keogh
Jim Carrey and Jeff Daniels reprise their signature roles as Lloyd and Harry in the sequel to the smash hit that took the physical comedy and kicked it in the nuts: DUMB AND DUMBER TO.
John Candy has one of his finest opportunities in this film by John Hughes (The Breakfast Club) about a perpetual screw-up (Candy) who gets his act together enough to watch over his brother's kids effectively. The late actor scores big points resurrecting elements of his more decadent persona from SCTV days, but he also has some persuasively touching, sentimental moments. Hughes's direction is not as focused as it was only a few years before, but there's no mistaking his touch. The DVD release has a widescreen presentation, production notes, biographies, Dolby sound, optional Spanish and French soundtracks. --Tom Keogh
For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero's identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk. When he enlists Doctor Strange's help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who've ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.
Woody Allen's gentlest and most unassuming movie, Radio Days isn't so much a story as a series of anecdotes loosely linked together by a voice-over spoken by the director. The film is strongly autobiographical in tone, presenting the memories of a young lad Joe (clearly a stand-in for Allen himself) growing up in a working-class Jewish family in the seafront Brooklyn suburb of Rockaway during the late 1930s and early 40s. In this pre-TV era the radio is ubiquitous, a constant accompaniment churning out quiz shows, soap operas, dance music, news flashes and Joe's favourite, the exploits of the Masked Avenger. Given Allen's well-publicised gallery of neuroses, you might expect childhood traumas. But no, everything here is rose-tinted and even the outbreak of war makes little impact on the easygoing, protective tenor of family life. Now and then Allen counterpoints his family album with the doings of the radio folk themselves (blink, and you'll miss a young William H Macy in the studio scene when the news of Pearl Harbour comes through). The rise to fame of Sally (Mia Farrow), a former night-club cigarette girl turned crooner, is the nearest the film comes to a coherent storyline. But most of the time Allen is content to coast on a flow of easy nostalgia, poking affectionate fun at the broadcasting conventions of the period and basking in the mildly rueful Jewish humour and small domestic crises of Joe's extended family. There aren't even any of his snappy one-liners, and the humour is kept low-key, raising at most an indulgent smile. A touch of Allen's usual acerbity wouldn't have come amiss. But for anyone who shares these memories, Radio Days will surely be a delight. On the DVD: Not much besides the theatrical trailer, scene menu and a choice of languages. The screen's the full original ratio, but nothing seems to have been done to enhance the soundtrack, and the dialogue's not always clear. A boost in volume may help.--Philip Kemp
From the irreverent minds of Mike Judge (Office Space, Beavis and Butt-Head) and Alec Berg (Barry, Curb Your Enthusiasm) comes this satirical HBO® comedy that takes viewers inside the world of tech start-ups and the socially awkward misfits trying to navigate their lucrative potential. Featuring a talented ensemble of young comic actors, including Thomas Middleditch, Zach Woods, Kumail Nanjiani and Martin Starr, Silicon Valley® charts the rising fortunes of Richard, an introverted computer programmer stuck working parttime at a large tech company called Hooli. But when a mid-level Hooli executive is apprised of Richard's novel compression algorithm, Richard finds himself caught in the middle of an extreme bidding war between Hooli founder Gavin Belson and independent billionaire venture capitalist Peter Gregory. Commentaries on Select Episodes Three Behind-the-Scenes and Making-of Featurettes Tour of the Hacker Hostel Deleted Scenes
Eight-year-old Peter is plagued by a mysterious, constant tap, tap from inside his bedroom wall-a tapping that his parents insist is all in his imagination. As Peters fear intensifies, he believes that his parents (Lizzy Caplan and Antony Starr) could be hiding a terrible, dangerous secret and questions their trust. And for a child, what could be more frightening than that?
Outland is another in a long line of Westerns retooled for science fiction. Writer-director Peter Hyams (Capricorn One, 2010, Timecop) re-stages High Noon in outer space, with Sean Connery as O'Neil, the marshal for a settlement on one of Jupiter's moons. While investigating the deaths of some miners, O'Neil discovers that mine boss Peter Boyle has been giving his workers an amphetamine-like, work-enhancing drug that keeps them productive for months--until they finally snap and go berserk. When Boyle sends killer henchmen to neutralize the lawman, O'Neil is unable to get the miners to back him up. Outland is no classic but it offers solid suspense in an otherworldly atmosphere. It also stars Frances Sternhagen, James B. Sikking (Howard on television's Hill Street Blues) and John Ratzenberger (later to become famous as Cliff on the sitcom Cheers). --Jim Emerson
An aging speedster sets out to break records in this heart-warming movie.
AngelHeaded Hipster is the first documentary to explore the creation and interpretation of the Music and Lyrics of Marc Bolan who died at the age of 29 in 1977. Using archival performances, interviews with Bolan, and filmed interpretations by artists such as Nick Cave, John Cameron, Mitchell, Joan Jett, Macy Gray, U2, Lucinda Williams, Father John Misty and others, this documentary creates an exuberant and thoughtful celebration of a true original; Glam Rock pioneer, gender-bending free spirit and explorer of punk and soul music with his last partner interviews by his great friend David Bowie, Ringo Starr, Elton John and many more, this film creates a new kind of music lookback intertwined with cinema verite footage captured directly from the studio with legendary Avant-Garde Record Producer Hal Willner who tragically died of COVID in 2020 after completing what would be his final album.Product FeaturesTrailer, Subtitles, Exclusive interviews and more
Martin Scorsese's 1990 masterpiece GoodFellas immortalises the hilarious, horrifying life of actual gangster Henry Hill (Ray Liotta), from his teen years on the streets of New York to his anonymous exile under the Witness Protection Program. The director's kinetic style is perfect for recounting Hill's ruthless rise to power in the 1950s as well as his drugged-out fall in the late 1970s; in fact, no one has ever rendered the mental dislocation of cocaine better than Scorsese. Scorsese uses period music perfectly, not just to summon a particular time but to set a precise mood. GoodFellas is at least as good as The Godfather without being in the least derivative of it. Joe Pesci's psycho improvisation of Mobster Tommy DeVito ignited Pesci as a star, Lorraine Bracco scores the performance of her life as the love of Hill's life, and every supporting role, from Paul Sorvino to Robert De Niro, is a miracle.
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