An adaptation of the best-selling books by Jim Benton Dear Dumb Diary stars Emily Alyn Lind as Jamie the disgruntled diarist of Mackerel Middle School. When her school's art program is threatened with closure the district holds a Jump-a-thon fundraiser. Jamie sees it as her chance to save the day on behalf of the Average People while at the same time impressing her boy-crush Hudson by beating Angeline (one of the Perfect People). But in the end once Jaime stops judging people by appearance alone she discovers her own sparkling inner beauty which was there all along. Special Features: Behind the Scenes Featurette Interviews with Cast Crew and Writer Jim Benton Trailer Diary Collection
20,000 Leagues Under the Sea gets a dose of On the Beach in Irwin Allen's visually impressive but scientifically silly Voyage to the Bottom of the Sea. While the Seaview, the world's most advanced experimental submarine, maneuvers under the North Pole, the Van Allen radiation belt catches fire, giving the concept "global warming" an entirely new dimension. As the Earth broils in temperatures approaching 170 degrees F, Walter Pidgeon's maniacally driven Admiral Nelson hijacks the Seaview and plays tag with the world's combined naval forces on a race to the South Pacific, where he plans to extinguish the interstellar fire with a well-placed nuclear missile. But first he has to fight a mutinous crew, an alarmingly effective saboteur, not one but two giant squid attacks, and a host of design flaws that nearly cripple the mission (note to Nelson: think backup generators). Barbara Eden shimmies to Frankie Avalon's trumpet solos in the most formfitting naval uniform you've ever seen, fish-loving Peter Lorre plays in the shark tank, gloomy religious fanatic Michael Ansara preaches Armageddon, and Joan Fontaine looks very uncomfortable playing an armchair psychoanalyst. It's all pretty absurd, but Allen pumps it up with larger-than-life spectacle and lovely miniature work. --Sean Axmaker
Duchess and her three kittens are enjoying the high life with their devoted human mistress until the wicked butler Edgar, with his eyes on a big inheritance, decides to dope them and get them out of the picture. How can these fragile creatures cope in the unfamiliar countryside and the meaner streets of Paris? Only by meeting the irrepressible alley cat O'Malley, a rough diamond with romance in his heart. After they get a taste of the wide dangerous world, he guides them home, and Edgar gets his just desserts at the wrong end of a horse. As always, it's really the voices rather than the animation that are the heart of the Disney magic: Phil Harris is brilliant as O'Malley, Eva Gabor as Duchess is ... well ... Eva Gabor; but perhaps the most memorable turns are by Pat Buttram and George Lindsay, who turn the old hounds Napoleon and Lafayette into a couple of bumbling Southern-fried rednecks. Their scenes with Edgar, and the musical numbers with Scat Cat and his cool-dude band, are classic. Most striking about seeing The Aristocats now is how deeply Disney's style of animation has changed since this was at the cutting edge in 1970. Perhaps the nostalgic, dated feel are just a result of being plonked down in Belle Epoque Paris, but the illustrations are fussier (a pity) and the animation and overall pace much less frenetic (sometimes a relief) than in more recent efforts such as Aladdin. --Richard Farr
Disney's 1967 animated feature The Jungle Book seems even more entertaining now than it did upon first release, with a hall-of-fame vocal performance by Phil Harris as Baloo, the genial bear friend of feral child Mowgli. Loosely based on Rudyard Kipling's original, the film goes its own way as Disney animation will, but the strong characters and smart casting (George Sanders as the villainous tiger, Shere Khan) make it one of the studio's stronger feature-length cartoons. Songs include "The Bare Necessities" and "Trust in Me". --Tom Keogh
Imaginatively rendered but slightly chilly, this 1951 Disney adaptation of the Lewis Carroll classic is also appropriately surreal. Alice (voiced by Kathryn Beaumont) has all the anticipated experiences: shrinking and growing, meeting the White Rabbit, having tea with the Mad Hatter, and so on. The characterisation is very strong, illustrating how hard the Disney team worked to bring screen personality to Carroll's eccentric creations. For a Disney film, however, it seems more the self-satisfied sum of its inventiveness than a truly engaging experience. --Tom Keogh
Clint Eastwood is Walt Coogan, a deputy sheriff from Arizona on the loose in the urban jungle of New York. Searching for a violent prisoner he has let slip ("It's got kinda personal now"), Coogan, in Stetson and cowboy boots, runs up against hippies, social workers and a bluntly hostile New York police chief played by Lee J. Cobb. It's a key film in the Eastwood oeuvre, the one in which his definitive persona first emerges, marrying the cool, laid-back westerner of the Rawhide TV series and the Italian westerns to the street-wise, kick-ass toughness which would be further developed in the Dirty Harryfilms. Directed by Eastwood's mentor, Don Siegel, Coogan's Bluff has pace, style and its share of typical Eastwood one-liners (to a hoodlum: "You better drop that blade or you won't believe what happens next"). Like all Eastwood's successful movies, it cunningly plays it both ways. Coogan represents the old-fashioned conservatism of the west in conflict with the decadence of city life. Yet he's the perennial outsider, hostile to authority, a radical loner who gets the job done where bureaucracy and legal niceties fail. The film was to be the inspiration behind the TV series McCloud, in which Dennis Weaver took the Eastwood role. --Edward Buscombe
Bill Bixby and Lou Ferrigno, stars of the late-70s, live-action television series The Incredible Hulk, cap a run of sporadic TV movies based on the old show with Death of the Incredible Hulk. The gloomy title says it all. Bixby's Dr David Banner, spiritually exhausted after years of rage-induced transformations into a snarling green monster, takes a last stab at finding a cure by posing as a retarded janitor in a government-funded research laboratory. His secret collaboration with a scientist (Philip Sterling) on "killing" the Hulk's genetic viability goes awry when a gorgeous foreign spy (Barbara Tarbuck) disrupts a crucial procedure and invites the wrath of brutal terrorists, the federal government and, yes, the big man (Ferrigno) himself. With death chains rattling in the background, various ironies in the story become poignant: after years of isolation, Banner finds friendship and love just in time to risk it all for a lasting peace. --Tom Keogh
Raymond Chandler's cynically idealistic hero of The Long Goodbye, Philip Marlowe, has been played by everyone from Humphrey Bogart to James Garner--but no one gives him the kind of weirdly affect-less spin that Elliott Gould does in this terrific Robert Altman reimagining of Chandler's penultimate novel. Altman recasts Marlowe as an early 70s Los Angeles habitué, who gets involved in a couple of cases at once. The most interesting involves a suicidal writer (Sterling Hayden in a larger-than-life performance) whom Marlowe is supposed to keep away from malevolent New-Ageish guru Henry Gibson. A variety of wonderfully odd characters pop up, played by everyone from model Nina Van Pallandt to director Mark Rydell to ex-baseballer Jim Bouton. And yes, that is Arnold Schwarzenegger (in only his second movie) popping up as (what else?) a muscleman. Listen for the title song: it shows up in the strangest places. --Marshall Fine
Based on a novel by Richard Condon (The Manchurian Candidate), William Richert's brilliantly off-kilter conspiracy thriller features an all-star cast, including Jeff Bridges (Jagged Edge), John Huston (Breakout), Elizabeth Taylor (Secret Ceremony), Tomas Milian (The Last Movie), and many other famous faces. This dark vision of political corruption is presented in two cuts from a new 4K restoration. Product Features New 4K restoration Two presentations of the film: the 1979 Theatrical Cut (97 mins) and the 1983 Reissue Version (91 mins) Original mono audio Audio commentary with writer-director William Richert (2003) Who Killed 'Winter Kills'? (2003, 38 mins): retrospective documentary on the making of the film, featuring Richert, actors Jeff Bridges and Belinda Bauer, director of photography Vilmos Zsigmond, and production designer Robert Boyle Reunion (2003, 9 mins): Richert and Bridges reflect on the film's colourful production Star Stories (2003, 8 mins): Richert discusses the film's extraordinary all-star cast Things Happening in Secret (2020, 31 mins): critic and writer Glenn Kenny explores the history and legacy of conspiracy thrillers Original theatrical trailer Josh Olson trailer commentary (2013, 4 mins): short critical appreciation Radio spot Image gallery: publicity and promotional material New and improved English subtitles for the deaf and hard of hearing
The film follows a troubled security guard as he begins working at Freddy Fazbear's Pizza. While spending his first night on the job, he realises the night shift at Freddy's won't be so easy to make it through.
BUSTER KEATON - CONVICT B - 1920
While playing golf, Buster is knocked unconscious by a flying ball and an escaped convict changes clothes with him. Buster subsequently ends up in prison where he learns that he is to be charged.
BUSTER KEATON - DAYDREAMS - 1922
Buster goes to the city to prove to his girl's father that he can succeed. He writes her of his various jobs which she glorifies in her imagination. She sees a surgeon, a vet's assistant and she sees him cleaning up on Wall...
Nothing ever happens in Suddenly. It's a just small town with small concerns. That is until the President decides to show up... In this intelligent 1954 film noir thriller Frank Sinatra delivers an electrifying lead performance as psychotic undercover assassin John Baron. Alleged to have been viewed by Lee Harvey Oswald in 1963 only days prior to the shooting of President Kennedy 'Suddenly' was subsequently withdrawn from circulation by United Artists at Sinatra's personal request. Chillingly prophetic in it's subject matter 'Suddenly' is a killer addition to any noir collection...
Joan Crawford (Mildred Pierce) plays Vienna, a saloon owner with a sordid past. Persecuted by the townspeople, Vienna must protect her life and her property when a lynch mob led by her sexually repressed rival, Emma Small (Mercedes McCambridge; All The King's Men), attempts to frame her for a string of robberies she did not commit. Enter Johnny Guitar (Sterling Hayden; Dr. Strangelove: or, How I Learned to Stop Worrying and Love the Bomb), a guitar-strumming ex-gunfighter who has a history with Vienna. Mis-understood by US audiences upon release, the film was embraced by European cineastes and is now regarded as one of the greatest western pictures of all time. An intensely stylised masterpiece from director Nicholas Ray, Johnny Guitar makes its UK debut on Blu-ray as part of the Masters of Cinema series. Special Features Hardbound Slipcase 1080p presentation on Blu-ray from a 4K restoration of the original film elements, framed in the film's originally intended aspect ratio of 1.66:1 Brand new commentary by critic Geoff Andrew, author of The Films of Nicholas Ray: The Poet of Nightfall, newly recorded for this release Brand new video piece by Tony Rayns Brand new video essay by David Cairns Brand new interview with Susan Ray Archival introduction to Johnny Guitar by Martin Scorsese Trailer PLUS: 60-page collector's book featuring new essays on the making of Johnny Guitar and on female gunslingers in the western genre, both by western expert Howard Hughes; an essay by Jonathan Rosenbaum; and archival writing and ephemera *All extras subject to change
Humphrey Bogart (Knock on Any Door), Rod Steiger (In the Heat of the Night), and Mike Lane (The New Centurions) star in The Harder They Fall, a tough-as-nails film noir exposé of corruption in the boxing world that would be Bogart's final film. Boxing promoter Nick Benko (Steiger) employs down-on-his-luck journalist Eddie Willis (Bogart) to promote his new signing, Toro Moreno (Lane), fixing fights across the country to ensure Toro appears to be a contender. But, when tragedy strikes, Willis threatens to expose the entire racket... Adapted by Philip Yordan (Johnny Guitar) from a novel by Budd Schulberg (On the Waterfront), and directed by Mark Robson (The Seventh Victim), The Harder They Fall is a classic of Hollywood cinema, and a fitting swan song to Humprey Bogart's career. Product Features 4K restoration Original mono audio Audio commentary with critics and writers Glenn Kenny and Farran Smith Nehme (2022) The Final Bout (2022, 11 mins): critic and writer Christina Newland examines the making of the film, and its relationship to the original novel Bertrand Tavernier on 'The Harder They Fall' (2017, 30 mins): archival appreciation by the celebrated filmmaker and critic Max Baer Super 8s (6 mins): footage of two famous bouts from the 1930s, featuring the boxer and, later, actor fighting against Max Schmeling, then Primo Carnera That Justice Be Done (1945, 11 mins): George Stevens' short on the Nuremberg trials, made by the Office of War Information and written by Budd Schulberg Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
One of the stranger westerns to come out of Hollywood the title character is played by the imposing Sterling Hayden. Johnny Guitar is the former lover of Arizona saloon owner Vienna (Joan Crawford). Although her bar isn't bringing in any money Vienna knows that when the railroad is complete customers won't be a problem anymore. Righteous local Emma Small is most unhappy about Vienna's bar and the prospect of more settlers. Emma will do almost anything to purge the town of Vien
"17 Again" offers the question; what if you could go back and do things a little differently? Well, a man heading nowhere fast wishes exactly that and one morning wakes up as his 17-years-old self with a chance at rewriting history!
Among Stanley Kubrick's early film output The Killing stands out as the most lastingly influential: Quentin Tarantino credits the film as a huge inspiration for Reservoir Dogs and just about any movie or TV show that plays around with its own internal chronology owes the same debt. This sort of convoluted crime caper had really kicked off with John Huston's The Asphalt Jungle in 1950. From then on, nouveau noir scripts kept trying to find new ways of telling very similar stories. Here the novel Clean Break is adapted for the screen in a jigsaw-puzzle structure that caught Kubrick's eye. With a dry narration we're introduced to the key players in a racetrack heist as it's being planned, but the story bounces back and forth between what happens to each of them during and before the big event. All of this keeps the audience guessing as to exactly how it will go wrong, while the downbeat telling, the unsympathetic characters and the excessively dramatic score clearly foretell that it will go wrong from the start. The denouement is comically daft no matter how many times you see it. On the DVD: The Killing is a no-frills DVD transfer, in 4:3 ratio and with its original mono soundtrack. Criminally, just one trailer is all that's been dug up as an extra. --Paul Tonks
Master filmmaker Robert Wise began his career with horror classics The Curse of the Cat People and The Body Snatcher for producer Val Lewton. His career would go on to include westerns, thrillers, science fiction and musicals, earning him two Academy Awards for Best Director. In 1963 he returned to his Lewtonian roots with the classic ghost story The Haunting; In 1977 he returned once more with the supernatural thriller Audrey Rose.All Bill and Jane Templeton wish for is a quiet, peaceful life with their 11-year-old daughter Ivy. But their dreams turn to nightmares as Ivy is besieged first by terrifying 'memories' of events that never occurred... and then by a mysterious stranger who stalks her every move, and claims that Ivy was in fact his daughter in another life.Released in the wake of The Exorcist and The Omen, Audrey Rose is an intelligent, heartfelt drama that approaches its subject with an open mind and seriousness of intent that caught many off guard but typifies Wise's previous genre forays. Sensitively played by a sterling cast at the top of their game, this underseen gem deserves a place on the shelf of any fan of classic horror.Product FeaturesBrand new 2K restoration by Arrow Films from a new 4K scan of the original 35mm camera negativeHigh Definition (1080p) Blu-Ray presentationOriginal lossless mono audioOptional English subtitles for the deaf and hard of hearingBrand new audio commentary by film critic Jon TowlsonFaith and Fraud, a brand new interview with magician Adam Cardone about reincarnation and belief in Audrey RoseThen and Now, a brand new featurette looking at the New York locations used in the filmI've Been Here Before, archive visual essay by Lee Gambin looking at reincarnation in cinemaInvestigator: The Paranormal World of Frank De Felitta, an archive interview with the author and scriptwriter of Audrey RoseThe Role of a Mother, an archive Interview with Marsha MasonHypnotist: Inside the score for Audrey Rose, an archive interview with film music historian Daniel SchweigerTheatrical trailerImage galleryReversible sleeve featuring original and newly commissioned artwork by Christopher ShyFIRST PRESSING ONLY: fully illustrated collectors booklet featuring new writing by critics Kimberly Lindbergs and Johnny Mains
Arguably the greatest black comedy ever made, Stanley Kubrick's cold war classic is the ultimate satire of the nuclear age. Dr. Strangelove is a perfect spoof of political and military insanity, beginning when General Jack D. Ripper (Sterling Hayden), a maniacal warrior obsessed with "the purity of precious bodily fluids," mounts his singular campaign against Communism by ordering a squadron of B-52 bombers to attack the Soviet Union. The Soviets counter the threat with a so-called "Doomsday Device," and the world hangs in the balance while the US president (Peter Sellers) engages in hilarious hot-line negotiations with his Soviet counterpart. Sellers also plays a British military attaché and the mad bomb-maker Dr. Strangelove; George C. Scott is outrageously frantic as General Buck Turgidson, whose presidential advice consists mainly of panic and statistics about "acceptable losses." With dialogue ("You can't fight here! This is the war room!") and images (Slim Pickens' character riding the bomb to oblivion) that have become a part of our cultural vocabulary, Kubrick's film regularly appears on critics' lists of the all-time best. --Jeff Shannon, Amazon.com --This text refers to another version of this video.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy