A nerdy florist finds his chance for success and romance with the help of a giant man-eating plant...
Following in the footsteps of his father, Albert joins the 'family business'... being a master craftsman hangman.
Snake Plissken is back in the high-octane West Coast sequel to ESCAPE FROM NEW YORK that returns Kurt Russell to the iconic role and filmmakers John Carpenter and Debra Hill for post-apocalyptic action. After a 9.6 quake levels most of Los Angeles, Snake is called to wade through the ruins to retrieve a doomsday device. Now, more explosive than ever on 4K Ultra HD, this outrageous thriller finds Snake surfing Wilshire Blvd., shooting hoops at the Coliseum, dive-bombing the Happy Kingdom theme park, and mixing it up with a wild assortment of friends, fiends and foes from a supporting cast that includes Steve Buscemi, Peter Fonda, Pam Grier, Stacy Keach, Cliff Robertson and Bruce Campbell.
Rocketman is an epic musical story about Elton John's breakthrough years. The film follows the fantastical journey of transformation from shy piano prodigy Reginald Dwight into international superstar Elton John. This inspirational story set to Elton John's most beloved songs and performed by star Taron Egerton tells the universally relatable story of how a small-town boy became one of the most iconic figures in pop culture.
This first film adaptation of a John Grisham novel is a crackerjack popcorn movie that satisfies even though it radically changes the last half of the book. The novel's dynamic setup is intact: Mitch McDeere, a hot law graduate (a well-suited Tom Cruise), finds a dream job in a luxurious Memphis law firm. His superiors (Gene Hackman, Hal Holbrook) provide Mitch and his young wife, Abby (Jeanne Tripplehorn), with a house and plenty of money in exchange for lots of work, and maybe something more. Soon FBI agents (including a bald Ed Harris) encircle Mitch, telling him his firm has a sinister secret, forcing Mitch into a heck of a pickle. How Mitch deals with his situation is where the book and movie differ, yet by the time Mitch is running from bad guys with suitcase in hand, the movie delivers Grisham's goods. For Sydney Pollack's film, Mitch is more confrontational and heroic. Plot aside, the care Pollack put into this fair-weather thriller is unimpeachable, as is his cast. There is hardly a better all-star cast in any 1990s thriller, from Hackman and Harris in key roles to actors in smaller parts, sometimes with only a scene or two. Standouts include David Strathairn as Mitch's wayward brother, Wilford Brimley as the head of security, film producer Jerry Weintraub as an angry client, Gary Busey as a private investigator and Holly Hunter in a delicious, Oscar-nominated supporting role as Busey's most loyal of secretaries. The cast seems to have had as much fun making the film as we do watching it. It's slick Hollywood product, but first-rate all the way. --Doug Thomas
Set in a future where killers are arrested before they commit murder, Tom Cruise stars as a detective accused of a murder that hasn't happened yet who must move quickly to solve the murder and prove his innocence.
Jim Rhodes is one bad ass Border Patrol Agent. He's cut from the same cloth as guys like Schwarzenegger and Stallone. His skill as a survivalist allows him to quickly negotiate terrain that would destroy the average man. When Jim's teenage daughter is kidnapped he's forced to lead a band of ruthless killers into the wilderness to retrieve their share of a missing heist score. In order to rescue his daughter Jim must use his unique brand of survival skills to outsmart the kidnappers before it's too late.
Studio 54 was the epicenter of 70s hedonism - a place that not only redefined the nightclub, but also came to symbolize an entire era. Its co-owners, Ian Schrager and Steve Rubell, two friends from Brooklyn, seemed to come out of nowhere to suddenly preside over a new kind of New York society. Now, 39 years after the velvet rope was first slung across the club s hallowed threshold, a feature documentary tells the real story behind the greatest club of all time.
Neo, Trinity and Morpheus continue to battle a war against the A.I.s and free more minds from the Matrix.
Fifteen years after John Carpenter squandered a great idea on a mediocre movie (Escape from New York), he does it again--this time on the Left Coast. Kurt Russell is back as the terminally cynical one-eyed action hero Snake Plissken who, this time, has been coerced into saving the world in Los Angeles. It's 2013 and L.A. is now an island maximum-security prison off the coast of California. Snake has 10 hours to find a doomsday weapon that's fallen into the hands of revolutionaries before he dies of a virus with which he's been injected. But the action is clumsy and unimaginative: lots of shootouts and very little suspense. Even the bad guys aren't particularly inventive; only Pam Grier, as a transsexual gang leader, strikes any sparks. Russell growls his way through the role but can only blame himself: He cowrote the script with Carpenter. --Marshall Fine
This 1998 testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continued Hollywood's millennium-fuelled fascination with the destruction of our planet. There's no arguing that the successful duo understand what mainstream audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid-fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but, of course, lovable) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishising of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also try to lure the art-house crowd, raiding the local indie acting stable to populate the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humour and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable female characters--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'". Sadly, she's a hell of a lot more developed and unpredictable than all the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy
A 10 DVD box set that houses the complete Matrix story stuffed full of everything you could ever want to know & see! Disc 1 - The Matrix: The film in a new digital transfer supervised by the Wachowski brothers and director of photography Bill Pope. Two all-new audio commentaries with written introduction by the Wachowski Brothers - The Critics: Todd McCarthy John Powers & David Thomson / The Scholars: Dr. Cornel West and Ken Wilber Disc 2 - The Matrix Revisited:
Studio 54 was the epicenter of 70s hedonism - a place that not only redefined the nightclub, but also came to symbolize an entire era. Its co-owners, Ian Schrager and Steve Rubell, two friends from Brooklyn, seemed to come out of nowhere to suddenly preside over a new kind of New York society. Now, 39 years after the velvet rope was first slung across the club s hallowed threshold, a feature documentary tells the real story behind the greatest club of all time.
Seventeen year old Justine (Laura Fraser) is fed up with the lack of success she has with guys. It seems as though the boys have it easier. But now she's ready to take that big step, but with whom?
Adam Sandler leads an all-star comedy cast as a troupe of former college friends discover that growing older doesn't mean growing up.
Writer/director Nancy Meyers ("What Women Want", "Something's Gotta Give", "The Holiday") directs Meryl Streep, Steve Martin and Alec Baldwin in "It's Complicated", a comedy about love, divorce and everything in between.
Set in a future where killers are arrested before they commit murder, Tom Cruise stars as a detective accused of a murder that hasn't happened yet who must move quickly to solve the murder and prove his innocence.
Every college in the country wants Johnny. 'Cause when he's good he's very very good. And when he's bad he's better. It's an avalanche of wine women and cash kickbacks when two of the biggest college football factories in the country scramble to get Johnny Walker on their rosters. They'd give anything for an arm like Johnny's. And they're willing to offer anybody to see that they get him. Moving from lusty limousine rides to all-night strip joints Johnny (Anthony Michael Hall The
The amps are on but nobody's home. In this hilarious spoof of the music industry three intelligently challenged rock 'n' rollers (Brendan Fraser Steve Buscemi Adam Sandler) decide to take drastic action after their music continually falls on deaf ears. They break into a radio station hoping to get their demo played on the air. But when the deejay (Joe Mantegna) and station manager (Michael McKean) refuse to play their song the boys have no choice but to take the entire r
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