Intergalactic adventure with an interplanetary resistance group battling for survival against a totalitarian super-power. Roaming a universe of boundless space and restrictive discipline freedom-fighter Blake with the crew of spaceship Liberator is locked in combat with the all-powerful forces of the Federation. Episodes comprise: 1. Aftermath 2. Powerplay 3. Volcano 4. Dawn Of The Gods 5. The Harvest Of Kairos 6. City At The Edge Of The World 7. Children Of Auron 8. Rumou
The Way, Way Back tells the funny and poignant coming of age story of 14-year-old Duncan's (Liam James) summer vacation with his mother, Pam (Toni Collette), her overbearing boyfriend, Trent (Steve Carell), and his daughter, Steph (Zoe Levin).
The word 'cop' isn't written all over him - something more puzzling is. In one of his most memorable roles Steve McQueen stars as Detective Frank Bullitt a hard-driving tough-as-nails San Francisco cop. Bullitt has just received what sounds like a routine assignment: keep a star witness out of sight and out of danger for 48 hours then deliver him to the courtroom on Monday morning. But before the night is out the witness will lie dying of shotgun wounds and Bullitt a no-glitter all-guts cop won't rest until he nabs the gunmen and the elusive underworld kingpin who hired them. Famed for it's Lalo Schifrin score and one of the greatest car chases in cinema-history Bullit won the 1969 Oscar for Best Film Editing (Frank P. Keller).
Robustly entertaining and bracingly sinister, The Boys from Brazil stars Gregory Peck as the infamous Dr Josef Mengele, the former Nazi chief who intends to resurrect the Führer and create a Fourth Reich through genetic experiments that commence with the assassination of some 94 fathers. Elderly Nazi hunter Ezra Lieberman (Laurence Olivier, in an Oscar-nominated performance) is tipped to the plot, but his efforts to expose Peck (fiendishly cast against type) are thwarted by a set of menacing triplets played by Jeremy Black. Back in 1978, The Boys from Brazil (adapted from Ira Levin's novel) was an incalculably tense, straight-faced entertainment whose lack of irony allowed the viewer to indulge the film's outrageous premise without moral offence. But in view of the scientific advancements made since the release of the film, it's now a cautionary tale, and all the more compelling for being so. Jerry Goldsmith's richly conceived, Oscar-nominated score--replete with echoes of Mahler and Strauss--reinforces this impression.--Kevin Mulhall
The all time classic tale of a massive escape from a World War Two German Prisoner of War camp released as a two disc DVD set with a host of extra features.
Following their animated/live action hit Space Jam, Warner Bros. jumped into the fully animated feature competition by playing it safe, giving the Arthurian legend a conspicuously Disneyesque facelift. Ingredients from Beauty and the Beast, The Little Mermaid and Pocahontas are evident in the tale of a girl named Kayley (Jessalyn Gilsig) whose father, a Knight of the Round Table, is killed by Sir Ruber (Gary Oldman), a maniacal brute who steals Excalibur and threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett (Cary Elwes) to brave the Enchanted Forest and retrieve the magic sword, and their adventure is (of course) fraught with danger. Adding extra punch to the movie's commercial appeal, the soundtrack songs are performed by big names like LeeAnn Rimes and Celine Dion. And if that's not enough to hold a kid's attention, there's a two-headed dragon ("we're the reason cousins shouldn't marry") voiced by Eric Idle and Don Rickles. With so much talent involved, it's entertaining but uninspired, although cleverly harmless riffs from Dirty Harry, Taxi Driver and other movies spice up the adventure with enjoyable pop-culture references. --Jeff Shannon
In the 1960s, the Minions need to find a new evil master to serve, so three of them vie for a female mastermind at a villain convention.
When it comes to footballing wisdom Mike's in a league of his own! Following his moderate success as England boss Mike Bassett (Ricky Tomlinson) wants one last chance of the big time after an otherwise undistinguished managerial career. He's offered a job at Wirral County a team his dad once played for and believes he can resurrect the side currently languishing as the bottom of their league. Bassett has fallen on hard times since reaching the latter stages of the World Cup. H
A disgrace to criminals everywhere. Streetwise charmer and cardshark Eddy (Nick Moran) walks into the biggest card game of his life carrying a stake backed by the life-savings of his three best mates Tom (Jason Flemying) Bacon (Jason Statham) and Soap (Dexter Fletcher). Eddy is the sharpest player on the circuit but the game is set-up and Eddy leaves owing underworld boss Hatchet Harry (P.H. Moriarty) half a million. Harry gives Eddy a week to come up with the money before he starts taking fingers as collateral. Eddy's dad JD (Sting) can cancel the debt by handing over his bar lock stock and barrel to his old adversary Harry JD refuses to give in feeling his street-tough son can get himself out of his own messes. So while Harry sends a couple of petty crooks to steal a pair of antique shotguns to add to his collection Eddy and his mates plan a caper that will enable them to pay off Harry and make out like bandits! In a comedy of errors and a helter-skelter ride through London's gangland the guns cash drugs and identities become all mixed up as a full complement of London's lowlife get involved in a melee which even their menace can't handle. Full of energy and surprising twists at every turn it's a rollicking comedy that has it all - Lock Stock and Two Smoking Barrels!
A budget crisis has decreed that only one of the state's two cop schools can survive so the race is on to see which academy can avoid the ax by turning out the superior force. So Mahoney (Steve Guttenberg) Hightower (Bubba Smith) Tackleberry (David Graf) Jones (Michael Winslow) Hooks (Marion Ramsey) and Callahan (Leslie Easterbrook) - led by eternally befuddled Cmdt. Lassard (George Gaynes) - mobilize hilariously in their alma mater's defense. You have the right to remain silent - but you'll end up howling.
Join the Ghost crew as they embark on their most important mission in Star Wars Rebels' fourth and final season! As the Rebellion struggles against the might of the Empire, Ezra leads the Ghost crew back to his home world to defeat the oppresive forces under the command of cunning Grand Admiral Thrawn. Old friends are reunited and new alliances are forged as the critically acclaimed series builds to a transformative conclusion that reveals our heroes' destinies. Bonus: Rebels Recon Audio Commentary Ghosts Of Legend Force Of Rebellion Kevin Kiner: The Rebel Symphony
Richie and Eddie run Guest House paradiso: possibly the worst hotel in the world.
Fact me till I fart, it's The Day Today, the most outrageously satirical show ever to feature a man called Chris Morris--until Brass Eye, that is. Both savage and surreal, The Day Today heaps great steaming mounds of abuse and scorn upon our self-appointed moral guardians, upon pompous pundits, puerile newspaper headline-writers and vacuous, self-important TV presenters. And they all richly deserve it. First broadcast in 1994, the show's format is Newsnight-meets-Crimewatch in Hell. A ridiculously protracted title sequence and melodramatic headline announcements introduce Morris' demented, Jeremy Paxman-a-like anchorman, who simpers to the viewers while castigating on-air his useless reporter Peter O'Hanraha'hanrahan. The vacant Collatallie Sisters turns financial news into a Dadaist nightmare of meaningless statistics, graphically illustrated by the currency cat or the finance arse; while American journo Barbara Wintergreen's reports from Death Row are just scary and absurd enough to be completely believable. Also making his TV debut here is Steve Coogan's legendary sports caster Alan Partridge, with his appalling sports reporting, his cringe-inducing misunderstandings and his sheer blunt-headed stupidity (many of the same team, sans Morris, would reunite the following year for Knowing Me, Knowing You). Sketches such as the spoof soap "The Bureau" and the spoof docu-soap "The Pool" also betray the writing skills of Graham Linehan and Arthur Matthews, creators of Father Ted. On the DVD: The Day Today arrives as a two-disc set with all six episodes on the first disc. The second disc has a handful of fairly brief but still enjoyable extras: here you will find "Mini News" features in full and the complete versions of "The Pool" and "The Office" documentaries--the latter now looking like a brilliant premonition of the more famous Ricky Gervais vehicle. There's a rather dull Open University programme about the craft of TV journalism which uses extracts from The Day Today and is truthfully entitled "Po-Faced Analysis". Best of all is the complete original Pilot episode, plus a marvellous post-programme update in which Morris telephones a befuddled American McDonald's employee as if he was a crewmember of a sunken US submarine. Picture and sound quality are standard for a BBC show from the early 1990s. In summary: dispassionate. --Mark Walker
Set in a future where killers are arrested before they commit murder, Tom Cruise stars as a detective accused of a murder that hasn't happened yet who must move quickly to solve the murder and prove his innocence.
Titles Comprise: The Magnificent Seven: Yul Brynner stars as one of seven master gunmen who aid the helpless farmers of an isolated village pitted against an army of marauding bandits in this rousing action tale based on Akira Kurosawa's classic Seven Samurai. Released in 1960 John Sturges' masterpiece garnered an Oscar nomination for Elmer Bernstein (for Best Score) and launched the film careers of Steve McQueen Charles Bronson Robert Vaughn and James Coburn. The Big Country: The Big Country is big entertainment a magnificent Western spectacle of rival Texas cattle barons clashing violently over the water rights of the Big Muddy ranch. Gregory Peck stars as Jim McKay a sea captain who trades the expanse of the oceans for the open range of the West and grows to regret his choice. Charlton Heston is the menacing Steve Leech a rugged ranch foreman who loves the land and has a keen eye on McKay's beautiful fianc''e... The Long Riders: Jesse James and his gang of outlaws ride again in this extraordinary western that pulsates with hard-driving action and electrifying drama. Four sets of acclaimed actor brothers - Dennis and Randy Quaid. Stacy and James Keach Christopher and Nicholas Guest and Keith Robert and David Carradine - each depict real-life siblings in emotionally charged portrayals of the Old West's legendary bandits. The notorious James-Younger gang is the most famous group of outlaws in the country robbing banks trains and stage coaches with a sense of daring that makes them folk heroes throughout the land. But when the mighty Pinkerton detective agency swears to back them down these criminals must face an awesome enemy that will stop at nothing to see them behind bars... or dead! Only through the strength of their loyalty and blood ties can the outlaws hope to survive the brutal pursuits unexpected betrayals and blistering showdowns that mark the end of their dangerous ride.
Chris (Steve Oram) wants to show Tina (Alice Lowe) his world and he wants to do it his way - on a journey through the British Isles in his beloved Abbey Oxford Caravan.
Arguably the best film by Joel and Ethan Coen, the 1990 Miller's Crossing stars Gabriel Byrne as Tom, a loyal lieutenant of a crime boss named Leo (Albert Finney) who is in a Prohibition-era turf war with his major rival, Johnny Caspar (Jon Polito). A man of principle, Tom nevertheless is romantically involved with Leo's lover (Marcia Gay Harden), whose screwy brother (John Turturro) escapes a hit ordered by Caspar only to become Tom's problem. Making matters worse, Tom has outstanding gambling debts he can't pay, which keeps him in regular touch with a punishing enforcer. With all the energy the Coens put into their films, and all their focused appreciation of genre conventions and rules, and all their efforts to turn their movies into ironic appreciations of archetypes in American fiction, they never got their formula so right as with Miller's Crossing. With its Hammett-like dialogue and Byzantine plot and moral chaos mitigated by one hero's personal code, the film so transcends its self-scrutiny as a retro-crime thriller that it is a deserved classic in its own right. --Tom Keogh
He can't be kept a secret any longer He's smart, nice, liked by all. Why is he targeted for destruction? Daryl (Barret Oliver) is the kind of boy any youngster would love to be like- and any mother would want as her son. He is a whiz at school, brilliant at computer games and sports- and even tidies his room! To his foster parents, he is the perfect kid- perhaps too perfect What is Daryl's secret? Why can't he remember anything about his past yet in the present, he goes beyond even genius levels of intelligence. The shocking truth is revealed the day his real parents turn up to claim him and his perfect ordinary life is threatened by adults bent on his destruction'.
It's déjà vu all over again for Tree Gelbman, the snarky sorority sister who solved her own murder by repeatedly reliving her death. When the masked campus killer mysteriously returns to terrorize new targets, Tree cycles through another time-loop of clever chills and slick suspense in HAPPY DEATH DAY 2U, the devilishly inventive follow-up to Blumhouse's hit thriller HAPPY DEATH DAY. Bonus Features Include: Gag Reel Deleted Scene The Never-ending Birthday Web of Love: Tree's Nightmare Multiverse 101
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