You laughed at their antics in 'The Young Ones'. You loved them as the Dangerous Brothers. You enjoyed their gross-out humour as Richard Richard and Eddie Hitler in 'Bottom' on the telly. Then it got even better when they took their 'Bottom' show on the road - live with loads of improvised moments of hilarity. Now it's Rik Mayall and Adrian Edmondson in their biggest ever tour - 'Bottom Live 4'. This is the recorded version of their most recent show entitled '2001 - An Arse Oddity'.
Perhaps Stanley Kubrick's most underrated film, Barry Lyndon--adapted from the picaresque novel by William Makepeace Thackeray--inhabits the 18th century in the way A Clockwork Orange and 2001: A Space Odyssey inhabit the future: perfect sets, costumes and cinematography capture characters whose rises and falls are at once deeply tragic and absurdly comical. Narrated in avuncular form by Michael Hordern, the film follows the fortunes of Redmond Barry (Ryan O'Neal), a handsome Irish youth forced to flee his hometown after a duel with a cowardly English officer (Leonard Rossiter). Stripped of his small fortune by a deferential highwayman, Barry joins the British army and fights in the Seven Years War, attempting a desertion that leads him into the Prussian army. A position as a spy on an exquisitely painted con man (Patrick Magee) leads to a life of gambling around the courts of Europe, and just before the intermission our hero achieves all he could want by marrying a wealthy, titled beautiful widow (Marisa Berenson). However, Part Two reveals that Barry can no more be a clockwork orange than the protagonist of Kubrick's previous film, and his spendthrift ways, foolhardy pursuit of social advancement and unwise treatment of his new family lead to several disasters, climaxing in another horrific, yet farcical duel. Shot almost entirely in the "magic hour", that point of the day when the light is mistily perfect, with innovative use of candlelight for interiors, Barry Lyndon looks ravishing, but the perfection of its images is matched by the inner turmoil of its seemingly frozen characters. Kubrick is often accused of being unemotional, but his restraint is all the more affecting when, for example, Barry is struck by the deaths of those close to him, his wife writhes into madness or his stepson (Leon Vitali) vomits before he can stand his ground in a duel.On the DVD: The extras are skimpy, a trailer and a list of awards, a French alternate soundtrack and subtitles in seven languages. However, the film--"digitally restored and remastered"--is served superbly by the medium. Letterboxed to 1.59:1 (which fits the 14:9 option of a widescreen TV), with a 5.1 Dolby Digital soundtrack, the print looks and sounds wonderful, which not only allows a fresh appreciation of the wit and beauty of the film but shows just how good the apparent underplaying (unusual in Kubrick films) of the cast is. --Kim Newman
Dr. Wesley McClaren (Seagal) was the government's top immunologist before giving it all up for a quiet practice in a small Montana community. But the peace is abruptly shattered when a violent extremist group unleashes a rapidly spreading lethal biological agent and takes over the town! As more and more people die from a baffling illness the edge-of-your-seat suspense only intensifies as McClaren races to outsmart the militiamen and find a cure before the insidious disease spreads wo
Exit Wounds: Sometimes you have to go undercover to bring justice to the law: sometimes you have to walk in the darkness to bring the truth to light. From the acclaimed producer of 'The Matrix' Joel Silver brings you action hit 'Exit Wounds'. Fifty kilos of heroin disappear from the property vaults of the toughest precinct in Detroit and no one knows how. Itll make someone $5 million richer - maybe someone in uniform - as long as no one talks. Stolen drugs crooked cops. T
A star-studded supporting cast enhances the enjoyment of the four-episode Doctor Who adventure City of Death. On holiday in modern-day Paris the Doctor (Tom Baker) and Romana (Lalla Ward) experience what turns out to be a ""crack in time."" Before long they have joined forces with a private eye named Duggan (Tom Chadbon) in thwarting the villain of the piece: Count Scarlioni (Julian Glover) who plans to steal the Mona Lisa - but for reasons that go far beyond financial
She was a gifted artist he was an eminent writer and together they created a controversy that sent shock waves through polite society. This is the true story of Dora Carrington and Lytton Strachey - their lives their loves and the desires they unleashed in a relationship that dared to challenge the taboos of England between the wars.
Chuck Norris, six-time World Karate Champion, stars in his first suspense film as the tough, street-fighting sheriff of a small Texas town terrorised by a psychotic killer. Sheriff Stevens (Norris) is faced with the dilemma of stopping the invincible murderer, made virtually indestructible through genetic engineering. A young group of researchers are responsible for developing the genetically altering serum, and the head of the research institute is determined to continue the experiments, regardless of the consequences. Norris displays fighting brilliance as he single-handedly routs a dozen brutal bikers from a truck stop hangout, while revealing a warm and sexy side when he rekindles an old romance with Alison Halman (Toni Kalem), a researcher at the institute. Excitement, horror, and romance prevail as Norris combats the killer.
IT'S NOT OVER YET. How do you follow up a film as iconic as Joe Dante's seminal werewolf epic The Howling? With a star turn from horror legend Christopher Lee and a leather-clad Sybil Danning (The Red Queen Kills Seven Times), Howling II is more than up to the challenge! After a young woman dies in violent circumstances, her brother is approached by a stranger (Lee) who reveals that she was in fact a werewolf. The brother's initial skepticism is quickly diffused when he encounters the fanged beasts first-hand. Now the pair, joined by a plucky journalist, must travel to Transylvania to destroy werewolf queen Stirba (Danning), and rid the world of lycanthropes once and for all. Helmed by director Philippe Mora (Mad Dog Morgan, The Beast Within), who would go on to direct the equally barmy follow-up Howling III: The Marsupials, Howling II is a campy horror extravaganza featuring killer dwarves, werewolf orgies and 80s punk rock galore! SPECIAL EDITION CONTENTS: Brand new digital transfer High Definition Blu-ray (1080p) presentation Original Uncompressed Mono PCM audio Optional English subtitles for the deaf and hard of hearing Audio commentary with director Philippe Mora Audio commentary with composer Steve Parsons and editor Charles Bornstein Leading Man an interview with actor Reb Brown Queen Of The Werewolves an interview with actress Sybil Danning A Monkey Phase interviews with special make-up effects artists Steve Johnson and Scott Wheeler Behind-the-Scenes Footage Alternate Opening and Alternate Ending Still Gallery Theatrical Trailer Reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys FIRST PRESSING ONLY: Collector's booklet featuring new writing on the film by Michael Blyth
Deservedly acclaimed as one of 1998's best films, this sequel to the beloved 1995 live-action fantasy proved a commercial catastrophe and a source of dismay to parents expecting another bucolic, sweet-natured fable. Every bit as sly and visually stunning as its predecessor, Babe: Pig in the City is otherwise a jolting ride beyond the Hoggetts' farm into a no less vivid but far darker world--the allegorical city of the title, which for the diminutive "sheep pig" proves truly nightmarish. Australian filmmaker George Miller (Mad Max, The Road Warrior), who produced and cowrote the first film, this time takes the director's reins, and he ratchets up the pace and the peril as effectively as he did on his influential trilogy of apocalyptic, outback sci-fi thrillers. From the opening scene, Babe: Pig in the City means to disrupt the reassuring calm achieved by the conclusion of the previous film. Babe's prior triumph proves short-lived, and within moments Miller has us literally peering into the depths as he sets up a horrific well accident that nearly kills the taciturn but good-hearted Farmer Hoggett (James Cromwell), Babe's beloved "Boss." Journeying with the equally pink, even plumper Mrs. Hoggett (Magda Szubanski), the young pig finds himself in a city where animals are outcasts, staying in the lone hotel that allows pets. When Mrs. Hoggett is detained, Babe must contend with the suspicions and rivalries of the hotel's other four-legged guests. The film's G status doesn't fully telegraph the shock Miller induces: bad things happen to good animals, and Babe's new acquaintances are a far cry from his colleagues on the farm. In particular, he must contend with a cynical family of chimps given wonderful, dead-pan voice characterisations by Steven Wright and Glenne Headly. Miller's use of effects to transform his animals into "actors" is even more seamlessly integrated than in Babe. The sequel's production design is crucial to the creation of a complete, absorbing world, and purely visual ideas--such as a deluge of blue balloons during the climactic ballroom battle--achieve a splendour and originality that a room full of computer-graphics desktops couldn't muster. Ultimately, though, the film does more than amaze: as Babe's compassion and courage transform those around him, we're moved in ways that purveyors of by-the-numbers family fare can only dream of. --Sam Sutherland
With a company of American soldiers trapped by the Germans during The Battle of the Bulge their captain is an abject psychopathic coward who has a record of exposing his men to danger. When his cowardice turns to sheer panic during combat it becomes necessary for the enlisted men to take things into their own hands...
Heartburn is an autobiographical tale based on the marriage of high-flying journalists Carl Bernstein (who helped uncover the Watergate scandal for the Washington Post) and Nora Ephron. When the two meet at a friends wedding they fall in love and subsequently marry. Living in different cities the relationship begins to unravel as the pair slowly drift apart and infidelities eventually wreck the marriage. Focusing on social events like weddings parties and birthdays the film exp
James Bond (Roger Moore) may have met his match in Octopussy (Maud Adams) an entrancing beauty involved in a devastating military plot to destroy detente. From the palaces of India to a speeding circus train in Germany and a mid-air battle on the wing of a high-flying jet only Agent 007 can stop the nightmarish scheme!
This is the incredible true story of John McVicar - a man who took on the entire prison system and refused to surrender. Roger Daltrey gives a powerful performance as McVicar in a film that is shocking, brutal and full of gritty violent realism. Based on the true life story of professional British criminal John McVicar, the film strongly depicts the brutal aspects of British prison life and follows McVicar into his eventual rehabilitation. The screenplay was written by the director Tom Clegg and John McVicar, based on McVicar's autobiography. Product Features 'Doing Time with McVicar' - New Documentary on The Story of the Production with Roger Daltrey (John McVicar), Jeff Wayne (Film Score Composer) and Bill Curbishley (Film Producer and The Who Manager). 'McVicar on McVicar' New Documentary in which Keith Allen interviews John McVicar about the film and his life. Film Guide Booklet
Gilda, are you decent? RITA HAYWORTH (The Lady from Shanghai) tosses her hair back and slyly responds, Me? in one of the great star entrances in movie history. Gilda, directed by CHARLES VIDOR (Cover Girl), features a sultry Hayworth in her most iconic role, as the much-lusted-after wife of a criminal kingpin (Paths of Glory's GEORGE MACREADY), as well as the former flame of his bitter henchman (3:10 to Yuma's GLENN FORD), and she drives them both mad with desire and jealousy. An ever-shifting battle of the sexes set on a Buenos Aires casino's glittering floor and in its shadowy back rooms, Gilda is among the most sensual of all Hollywood noirs. BLU-RAY SPECIAL EDITION FEATURES: New 2K digital restoration, with uncompressed monaural soundtrack Audio commentary from 2010 by film critic Richard Schickel New interview with film noir historian Eddie Muller Appreciation of Gilda from 2010 featuring filmmakers Martin Scorsese and Baz Luhrmann Rita Hayworth: The Columbia Lady, a 2000 featurette on Hayworth's career as an actor and dancer Trailer PLUS: An essay by critic Sheila O'Malley
Adapted from a short story by Haruki Murakami, Lee Chang-Dong's BURNING follows the story of deliveryman Jongsu (Ah-In Yoo), who is out on a job when he runs into Haemi (Jong-Seo Jun), a girl who once lived in his neighbourhood. Friendly and flirtatious, she asks if he can look after her cat while she's away on a trip to Africa, and he happily obliges. On her return, she asks Jongsu to meet her at the airport- and promptly introduces him to Ben (Steven Yeun) - an enigmatic young man she met during her trip. As the group spend more time together, Jongsu slowly gets to know the inscrutable visitor until one day, Ben tells him about his most unusual hobby...
When Decker, a highly skilled ex-DEA agent, crosses paths with Lisa (Jade Ewen), she approaches him with a seductive proposition: help her steal two million dollars from a drug kingpin s car, guarded by Parisian Police, and share in the bounty. But, even if they outrun the cops, can they outgun the hit squads sent by the furious, sadistic drug lord to reclaim the loot? Starring action superstar, Steven Seagal (Under Siege, Above The Law) End Of A Gun is a sexy, high-stakes thriller, proving when games begin, there s only one way it ends...
Robert Redford, usually a pretty good judge of material, got snookered badly in Legal Eagles, an Ivan Reitman comedy which also stars Debra Winger and Daryl Hannah. Redford is a rising assistant D.A. who is prosecuting a woman (Hannah) for theft of a painting by her father. Before he knows whats hit him, hes involved romantically both with the defendant and with her scattered lawyer (Winger). Redford is as good as he can be, given the circumstances but this is a film that doesnt know where its going. Originally intended as a serious film about the legal wrangling over the estate of the late Mark Rothko, this film quickly degenerated when the script was turned over to Jim Cash and Jack Epps Jr, whose sparkling oeuvre includes Turner and Hooch. --Marshall Fine, Amazon.com
A Korean family starts a farm in 1980s Arkansas.
A prequel to Missing In Action this explosive adventure shows the capture of no-nonsense Colonel Braddock (Chuck Norris) during the Vietnam war in the 1970s and his captivity with other American POWs in a brutal prison camp and his daring plan to escape....
Under Siege: When the USS Missouri welcomes aboard entertainers for the battleship's last voyage the visitors throw a party a war party. Led by a rogue CIS operative (Tommy Lee Jones) and a turncoat officer (Gary Busey) they're killer-elite commandos out to hijack the ship's nuclear arsenal. They overpower the crew. Except one man. I'm just a cook that man says. But he's a cook with a recipe for action. He's ex-Navy SEAL and decorated combat operative Casey Ryback (Seagal). Under Siege 2: A renegade electronics wiz (Eric Bogosian) has seized the sleek Grand Continental passenger train transforming it into a rolling command unit for an awesome weapons satellite. But the one passenger who eludes capture is Ryback. The train is now a battleground the satellite is locked onto its target and an oncoming freight train hauling gasoline is headed toward the Grand Continental. Can Ryback thwart the siege in time? All aboard!
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