There's not one cougar to be found in 24's dynamic third season, and that's good news for everyone. After Jack Bauer's daughter Kim (Elisha Cuthbert) survived hokey hazards in season 2, she's now a full-time staffer at CTU, the L.A.-based intelligence beehive that's abuzz once again--three years after the events of "Day Two"--when a vengeful terrorist threatens to release a lethal virus that could wipe out much of the country's population. Jack (Kiefer Sutherland) attempts to broker a deal for the virus involving drug kingpin Ramon Salazar (Joaquim de Almeida), whose operation Jack successfully infiltrated at high personal cost: to maintain his cover, he got hooked on heroin. That potentially deadly triangle--drug lords, addiction, and bioterrorism on a massive scale--sets the 24-hour clock ticking in a tight, action-packed plot involving a potential traitor in CTU's midst; the return of TV's greatest villainesses in Nina Meyers (Sarah Clarke) and former First Lady Sherry Palmer (Penny Johnson Jerald); a troubled romance between Kim and Jack's new partner Chase (James Badge Dale); and a scandalized reelection campaign by president David Palmer (Dennis Haysbert), who monitors CTU as they struggle to (literally) save the day. The intricately woven subplots that are 24's greatest strength are masterfully developed here, and character arcs are equally strong, especially among CTU staffers Tony (Carlos Bernard) and his wife Michelle (Reiko Aylesworth); CTU director Ryan Chappelle (Paul Schulze), who is season 2's tragic bargaining chip; and the annoying but well-intentioned Chloe O'Brian (Mary Lynn Rajskub), who makes pivotal contributions with by-the-book efficiency. It's 24's superior casting that overcomes the series' occasional lapses in credibility, and season 3's twists make marathon viewing a nerve-wracking delight. By the time it's all over, with a high body count and the surgical reattachment of a main character's severed hand, 24 once again leaves you gratefully exhausted. As always, Sutherland anchors the series in the role he was born to play. When Jack takes a private moment to release 24 hours' worth of near-fatal tension and psychological anguish, Sutherland proves that 24's dramatic priorities are as important as its thriller momentum. DVD extras include behind-the-scenes featurettes (about the prison break sequence, climactic F-18 Hornet air-strike, and real-life bio-weaponry) that pay welcome tribute to the series' hard-working crew, who create Emmy-worthy television under pressures as intense as 24 itself. --Jeff Shannon
Jack Bauer is having another one of his "very bad days" in the second series of the ground-breaking real-time thriller 24. Once again the hours are ticking by with more guaranteed cliffhangers than a convention of mountain climbers. Holed up in a Los Angeles condo and estranged from his daughter, Jack is no longer on the government payroll; unfortunately for him, this small fact doesn't seem to matter to President David Palmer and the NSA who call him back in to the CTU and give him 24 hours to infiltrate a terrorist organisation who are planning to detonate a dirty bomb in the city of angels. All Jack wants is to get his daughter out of the city, unfortunately Kim's new employer, the abusive father of the child she is nannying, has other ideas. Fans of the original won't be disappointed, as there are more than enough shock moments in the first few hours to hint at the climactic build-up to come, while newcomers can quickly get involved in the lives of Jack and his family. There are some new characters to bolster the veteran cast and, interestingly (although not surprisingly given the outcome of the first series), Jack's character has taken an altogether darker, more psychopathic turn. The danger the characters find themselves in also has a much more global impetus, grounded as it is in the war against terrorism. Although the territory is more familiar this time around, this second series is just as much a high-tension, taut, adrenaline-fuelled ride as the first series, and one that will have you glued to your TV for the next 24 hours. --Kristen Bowditch
Season four opens with Jack Bower working for the Secretary of Defence James Heller. This particular morning Jack finds himself back at CTU (the Counter Terrorist Unit) meeting with Erin Driscoll, the new Director of Operations.
18 months have passed since the events of Day 4. With the exception of David Palmer Tony Almeida Michelle Dessler and Chloe O'Brian the world believes that Jack Bauer (Kiefer Sutherland) is dead... Jack is in fact living under the name of Frank Flynn and conceals his identity by taking a manual job on an oil rig. However when President Logan is placed at the centre of a labyrinthine conspiracy involving the signing of a vital U.S. - Russian arms treaty Jack is forced back into action!
Titles Comprise:Rear Window: When professional photographer J.B. Jeff Jeffries (James Stewart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private dramas of his neighbours play out across the courtyard. When he suspects a salesman may have murdered his nagging wife, Jeffries enlists the help of his glamorous socialite girlfriend (Grace Kelly) to investigate the highly suspicious chain of events that lead to one of the most memorable and gripping endings in all of film history.The Birds: As beautiful blonde Melanie Daniels ('Tippi' Hedren) rolls into Bodega Bay in pursuit of eligible bachelor Mitch Brenner (Rod Taylor), she is inexplicably attacked by a seagull. Suddenly thousands of birds areflocking into town, preying on school-children and residents in a terrifying series of attacks. Soon Mitch and Melanie are fighting for their lives against a deadly force that can't be explained and can't be stopped in one of Hollywood's most horrific films of nature gone berserk.Vertigo: Set in San Francisco, James Stewart portrays an acrophobic detective hired to trail a friend's suicidal wife (Kim Novak). After he successfully rescues her from a leap into the bay, he finds himself becoming obsessed with the beautifully troubled woman. One of cinema's most chilling romantic endeavours - this film is a must for collectors.Psycho: Anthony Perkins stars in Alfred Hitchcock's landmark masterpiece as the troubled Norman Bates whose old dark house and adjoining motel are not the place to spend a quiet evening. Janet Leigh plays Marion Crane, the ill-fated traveller whose journey ends in the notorious shower scene. Horror and suspense mount to a terrifying climax where the mysterious killer is finally revealed after both Marion's sister and a private detective search for her.
Fifty Shades of Grey The worldwide phenomenon comes to life in Fifty Shades of Grey, starring Dakota Johnson and Jamie Dornan in the iconic roles of Anastasia Steele and Christian Grey. Ana is an inexperienced college student tasked with interviewing enigmatic billionaire Christian Grey. But what starts as business quickly becomes an unconventional romance. Swept up in Christian's glamorous lifestyle, Ana soon fnds another side to him as she discovers his secrets and explores her own dark desires. What results is a thrilling, all-consuming romance as Christian and Ana test the limits they will go to for their relationship. Fifty Shades Darker Jamie Dornan and Dakota Johnson return as Christian Grey and Anastasia Steele in Fifty Shades Darker, the second chapter based on the worldwide bestselling Fifty Shades phenomenon. When a wounded Christian tries to entice a cautious Anastasia back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and fnd stability, shadowy fgures from Christian's past start to circle the couple. Jack Hyde (Eric Johnson) and Elena Lincoln (Kim Basinger) join the cast, determined to destroy the couple's hopes for a future together. This time there are no rules.
24 Redemption
Bodhidharma created the Shaolin Temple where Chinese Kung Fu originated. This is a dramtic retelling of his struggles the secret style he invented and how he became the Grand Master of Shaolin Kung Fu...
The exceptionally fine cast--Susan Sarandon, Tommy Lee Jones, J T Walsh, Mary-Louise Parker, Anthony Edwards, William H. Macy, Anthony LaPaglia, Ossie Davis and Brad Renfro--goes a long way toward making The Client one of the more solidly enjoyable screen adaptations of a John Grisham southern gothic legal thriller. Teen-hearthrob Renfro is a natural, playing a kid whose life is in jeopardy after he witnesses the death of a Mob lawyer. Susan Sarandon is the attorney who decides to look after the boy; nobody can match her when it comes to playing strong and protective maternal figures (Thelma and Louise, Lorenzo's Oil, Dead Man Walking). Sarandon won her fourth Oscar nomination as best actress for this role, before finally winning the following year for Dead Man Walking. Author Grisham was so impressed with former window dresser/fashion designer/screenwriter-turned-director Joel Schumacher's work on this movie that he later asked him to direct A Time to Kill. --Jim Emerson
Michael Crichton's bestselling novel was both a high-tech thriller and source of controversy with its hot-button plot about a man's charge of sexual harassment against a female colleague and former lover. The movie, directed by Barry Levinson, turned these issues into a prurient thriller dressed up in glossy production values, virtual reality computer graphics and steamy sex between Michael Douglas and Demi Moore. Having cornered the market on roles for men whose brains are located south of their waistline, Douglas is well cast as the computer-industry guy who loses a plush promotion to the opportunistic Moore, and he's perfected the expression of paranoid panic. If you don't think about it too much, this is one of those films that can draw you into its manipulative web and really grab your attention. Disclosure is more entertaining than thought provoking (because the filmmakers basically danced around the story's potential controversy), but there's enough star power and visual glitz to make this an enjoyable ride. --Jeff Shannon
Book One of the 1976 American mini series adapated from the novel by Irwin Shaw that made Nick Nolte a star. Two strong-willed brothers battle for the attention of their parents and as World War II ends begin a 20-year odyssey that will take one to great wealth and power and the other to the brink of destruction. Rudy (Peter Strauss) and Tom (Nick Nolte) Jordache the sons of an immigrant family are both fighting to gain the attention of their bitter and disillusioned parents (Ed
TV detective fans rejoice: Peter Falk's rumpled and infallible Lt. Columbo joins the DVD precinct with a five-disc set that features the detective's first nine appearances for NBC. Though Falk as Columbo (no first name) made his TV debut in 1967, the detective had actually first appeared on an episode of the 1960-61 Chevy Mystery Show (Bert Freed played the role) written by veteran TV scribes Richard Levinson and William Link (The Fugitive, Alfred Hitchcock Presents). The pair turned the episode into a stage play titled Prescription: Murder, which was adapted into a TV movie in 1967 with Falk in the lead. NBC greenlit a two-hour Columbo pilot (Ransom for a Dead Man) in 1971, and the series was launched that fall as part of the NBC Sunday Mystery Movie, a rotating 90-minute program that alternated Columbo with episodes of MacMillan and Wife and McCloud (another Levinson/Link creation). Viewers were quickly won over by Falk's shrewd performance as he matched wits with a host of exceptional guest stars (including Gene Barry, Patrick McGoohan, and others), all of whom assumed that the disheveled detective would never figure out their "perfect crimes"; the popularity and quality of the original series allows Falk to continue to don the trenchcoat some 30 years later for occasional Columbo TV movies. All seven 90-minute episodes of the 1971-72 debut season are included here, along with Prescription: Murder and Ransom for a Dead Man; unfortunately, as the lieutenant himself would say, "Oh, just one more thing"--no extras are included in the set, but having these fine TV mysteries in one set should be reward enough for armchair sleuths. --Paul Gaita
Expelled from eight other schools because of his inability to control his remarkable telekinetic powers Kim Kyung-soo is transferred to Volcano High where he soon discovers his new school is populated by similarly gifted students all skilled in martial arts and possessing almost supernatural talents. Discipline at the school is in complete disarray following 17 years of turmoil begun by the ""Great Teachers Battle"". Legend speaks of a mystical manuscript containing secrets that can e
Glenn Savan's depressing and self-loathing novel about a 27-year-old upper-class Jewish widower mired in self-pity after his beloved wife dies, and who finds love and sexual rebirth with a trailer-trash older woman, was brought to the big screen by the competent director Luis Mandoki (When a Man Loves a Woman, Message in a Bottle). But the savage irony in Savan's book has been face-lifted by screenwriters Ted Tally (The Silence of the Lambs) and Alvin Sargent (Ordinary People) into something else entirely: what passes for low-rent "slumming" in Hollywood means hiring sexy Susan Sarandon to play Nora Baker, the poor, uneducated 43-year-old waitress in a White Palace burger joint who strikes up an unlikely relationship with sad Max Baron (James Spader). Widower Max attends a bachelor party for best pal Neil (Jason Alexander) and discovers that the local White Palace has stiffed the boys a whopping six burgers. Max barges into the joint, bent on getting his money back, and meets a testy Nora, who is bemused at the young man's insolence. While driving home, Max stops abruptly at a bar for a drink. Inside, Nora is nursing a vodka and takes a shine to the tuxedo-clad, handsome, and morose younger man. He gives her a lift, she seduces him, and the rest of the movie examines how two such opposites in manners and morals can find happiness. The only common bond they have is great sex and a private tragedy. White Palace nudges at the dark journey and the smashing of illusion that was at the heart of the novel, but there is still a fairy-tale element to the film that negates the earthy essence that distinguished the book. In Mandoki's vision, White Palace is about overcoming class, family, and outside opinion to find true love. In Savan's book, Max wastes into decline while Nora ultimately thrives in the quest for truth, redemption, and self-forgiveness. She becomes his salvation only after he stops hating himself. But mainstream Hollywood shuns making "protagonists" so mad, bad, or sad, and as such, too much glitter is tossed on Spader, while Sarandon, as usual, is the only one who seems to embody and understand her character's angst. She deserved her Oscar for Nora, not the nun in Dead Man Walking. --Paula Nechak
Harriet M. Welsch (Michelle Trachtenberg) is probably the world's most accomplished 11-year-old spy. Harriet dreams of being a writer and her nanny and best friend Golly (Rosie O'Donnell) told her to start by writing down everything she sees. It's all in good fun until Harriet's friends find her secret spy notebook. They don't like what Harriet's written. And they don't like Harriet that much either. Can Harriet win back her friends or is she doomed to be an outsider a rejected wr
A disgraced special agent to the White House endeavours to foil a conspiracy to assassinate the US President.
True Believer is an effective mystery by thrillmeister director Joseph Ruben (Sleeping with the Enemy), that allows star James Woods to do some real acting as he conveys his character's denial and sense of disappointment in himself. Eddie Dodd (Woods) is a former '60s radical lawyer who now spends his time cynically defending drug dealers for the big bucks. But an idealistic young protégé (Robert Downey Jr.) convinces him to take one case from the heart: a young Chinese immigrant unjustly accused in a gang slaying. Woods (complete with add-on ponytail) fairly hums with energy once he gets cooking here. Playing the been-there-done-that mentor--not to mention legal gadfly--gives him plenty of opportunity to run off at the mouth with spicy one-liners and zingers. --Marshall Fine, Amazon.com
A dark and disturbing film interwoven with touches of laugh out loud hilarity A Bloody Aria is a brutal look at the power struggles that exist in a modern society where all relationships are based on power exchanges. During a daytrip through the countryside aspiring opera singer In-jeong flees to the woods to escape her lecherous mentor Yeong-sun. When a local man offers a ride to the bus station In-jeong thinks she's been saved until he insists they stop to meet his friends - a disturbed group of country thugs. In-jeong finds herself reunited with Yeong-sun and it slowly becomes clear the pair are being held captive to participate in the gang's sadistic games.
Three outlaws. One map. No prisoners. Set in the 1930's Manchurian desert where lawlessness rules three Korean men fatefully meet each other on a train. Do-Won (Jung Woo-sung) is a bounty hunter who tracks down dangerous criminals. Chang- yi (Lee Byung-hun) is the leader of a group of tough-as- nails bandits. Tae-goo (Song Kang-ho) is a train robber with nine lives. The three strangers engage in a chase across Manchuria to take possession of a map Tae-goo discovers while robbing the train. Also on the hunt for the mysterious map are the Japanese army and Asian bandits. In this unpredictable escalating battle for the map who will stand as the winner in the end?
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