Winner of seven Academy Awards, including Best Picture, Out of Africa seems to have slipped more readily from public memory than other comparably lauded films. Yet Sidney Pollack's panoramic treatment of Karen Blixen's novel has retained its atmosphere and slow-burning emotion, and deserves reassessment. Meryl Streep is in her possibly most involving starring role as Baroness Karen Blixen, Danish free spirit whose ill-fated venture at the beginning of World War One to run a coffee plantation in Kenya is overlaid by her intimate yet distant relationship with adventurer and idealist Denys Finch Hatton, unselfconsciously portrayed by Robert Redford. Klaus Maria Brandauer puts in a rare and convincing English-language appearance as the amoral but charming womaniser Baron Bror Blixen. The film is tellingly held together by Kurt Luedke's finely honed screenplay, and John Barry's sumptuously expressive score. On the DVD: The anamorphic 1.85:1 widescreen format reproduces superbly, as does the 4.1 discrete audio. 18 access points are provided, with printed and aural subtitles in English only. Pollack's feature commentary is amusing enough on a single run-through, but an on-location documentary would have been preferable. Production notes and biographies are very adequate, though the theatrical trailer reproduction is notably inferior. No matter, this is a major film, well worth the transfer to DVD.--Richard Whitehouse
The audacious new film from writer-director Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, Red Rocket is a darkly funny and humane portrait of a uniquely American hustler and a hometown that barely tolerates him.
Based on the best-selling anthologies of Victorian and Edwardian detective fi ction, The Rivals of Sherlock Holmes features the world-famous consulting detective's fictional rivals in the fog-shrouded crime capital of London. Set in the three decades before the Great War, each story dealt with an individual and perplexing case (and a different detective). This top-flight, BAFTA-winning series attracted an incredible array of talent, including John Neville, Robert Stephens, Peter Vaughan, Roy Dotrice, Donald Pleasence, Ronald Hines, Peter Barkworth and Donald Sinden. This set contains the 13 high quality episodes that made up the complete first series
In this second installment of the trilogy Emma Harte passes on the Harte business empire to her favourite grand-daughter Paula McGill Fairley who must strive to unite a warring family. This is the story of one woman's determination to find the passion and happiness that should be her rightful legacy.
Through the unholy rites of black magic, the notorious female vampire Carmilla Karnstein is reincarnated as a luscious young debutante (stunning Swedish starlet Yutte Stensgaard). But when the depraved seductress is enrolled at an exclusive girls' school, she begins to inflame the desires of her fellow students as well as her weak-willed teacher (Ralph Bates). Can these perverse hungers be quenched by the mere taste of blood or will an entire village be unwittingly consumed by their LUST FOR A VAMPIRE? Directed by Jimmy Sangster (THE HORROR OF FRANKENSTEIN, DRACULA: PRINCE OF DARKNESS)
Sydney Pollack's 1985 multiple-Oscar winner is a sumptuous and emotionally satisfying film about the life of Danish writer Karen Blixen (Meryl Streep), better known as Isak Dinesen, who travels to Kenya to be with her German husband (Klaus Maria Brandauer) but falls for an English adventurer (Robert Redford). The film is slow in developing the relationship, but it is rich in beautiful images of Africa and in the romantic tone surrounding Blixen's gradual discovery of her life and voice. One downside: while we may all love Redford, he is as convincingly British as Kevin Costner is in Robin Hood: Prince of Thieves. --Tom Keogh
The audacious new film from writer-director Sean Baker (The Florida Project, Tangerine), starring Simon Rex in a magnetic, live-wire performance, Red Rocket is a darkly funny and humane portrait of a uniquely American hustler and a hometown that barely tolerates him.
Ulli Lommel co-writes and directs this '80s horror starring Suzanna Love and Donald Pleasence. 300 years after three local women, who were accused of witchcraft and brutally murdered by the local townsfolk, cursed the New England town of Devonsville their modern-day counterparts arrive in the colonial town. The arrival of three socially liberated women causes panic in the town's male-dominated hierarchy, who fear the presence of the women heralds the fulfilment of the curse. One of the women, schoolteacher Jenny Scanlon (Love), seeks help from psychiatrist Dr. Warley (Pleasence) when she begins experiencing horrific dreams, the precursor of events about to unfold that are rooted in her past life.
Through the unholy rites of black magic the notorious female vampire Carmilla Karnstein is reincarnated as a luscious young debutant (Yutte Stensgaard). But when the depraved seductress is enrolled at an exclusive girl's school she begins to inflame the desires of her fellow students as wellias her weak-willed teacher (Ralph Bates). Can these perverse hungers be quenched by theimere taste of blood or will an entire village be unwittingly consumed by their lust for a vampire?
A rarely seen 1966 tongue-in-cheek spy thriller starring Richard Johnson as Hugh Bulldog Drummond investigating the attempted sabotage of oil deals and assassination of a Persian King. Elke Sommer co-stars.
A lavish period production of Verdi's best -loved opera featuring two of today's most celebrated stars - American soprano Renee Fleming and Mexican tenor Rolando Villazon. The tragic love-story of the courtesan Violetts and her young admirer Alfredo Germont is set to some of the most popular in all opera, including the irresistible Brindisi (Drinking Song) and Violetta's thrilling Act One finale Sempre Libera. For this performance, filmed live in Los Angeles, the role of Alfredo's father is sung by the great Verdi baritone Renato Bruson.
Ulli Lommel co-writes and directs this '80s horror starring Suzanna Love and Donald Pleasence. 300 years after three local women, who were accused of witchcraft and brutally murdered by the local townsfolk, cursed the New England town of Devonsville their modern-day counterparts arrive in the colonial town. The arrival of three socially liberated women causes panic in the town's male-dominated hierarchy, who fear the presence of the women heralds the fulfilment of the curse. One of the women, schoolteacher Jenny Scanlon (Love), seeks help from psychiatrist Dr. Warley (Pleasence) when she begins experiencing horrific dreams, the precursor of events about to unfold that are rooted in her past life.
A cross-cultural oddity, Tale of a Vampire feels like a 1970s British horror movie retranslated from the Japanese and mounted as a vehicle for Julian Sands. Director-writer Shimako Sato takes a gloom-haunted approach to the undead, allegedly influenced by the necrophile romanticism of Edgar Allan Poe (it claims to be based on Poe's poem "Annabel Lee") but also draws on the popular blood-sucking posiness of Anne Rice's bestselling novels. Alex (Sands), is a style-conscious vampire whose white shirts are always immaculate although he spends most of his nights messily pouring gore over his face. Living in a spartan docklands pad, Alex haunts a library of long-forgotten lore where he sets his cap at a young woman (Suzanna Hamilton) who may be the reincarnation of his lost love. Unfortunately, a hat-wearing rival vampire (Kenneth Cranham) has been nurturing a grudge against Alex for lifetimes and sticks his oar in, complicating the relationship between vampire and willing victim, setting up for a big stake-shoving climax. For all its vampire feuds and dodgily S&M-flavoured blood-drinking scenes, this is somewhat staid and solemn, with few locations and a low budget abstraction reminiscent of those old episodes of The Avengers where they could only afford to build a corner of a set and there wasn't any money left to hire actors. While Sands, with aptly vampirish poise, and Cranham, with a sinister Southern accent, are interesting and poised antagonists, making the most of Sato's allusive dialogue, heroine Hamilton lets the side down with an awkward performance that hardly suggests anyone worth giving up immortality for. Cranham's character is supposed to be Poe himself, oddly transformed from his historical stature: he seems to have put on a bit of weight since his death in 1849, but Cranham's sly nasty way of ordering gruesome nouvelle cuisine and tormenting a harmless crackpot is aptly Poeish. The slow-paced film takes a long time to confirm what is obvious from the outset (even from the title) and then shudders to a halt with all the characters' fates left vague. However, it has a unique and disturbing atmosphere--the few familiar vampire images of a bloody Sands are outweighed by weirder moments like Cranham's presentation of a pale Hamilton, tied to a bed with red ribbons, as an offering to his nemesis--that makes it more insidiously memorable than many of its higher-budgeted, splashier cousins. On the DVD: A no-frills (no trailer, no cast notes, no nothing), full-screen presentation, which sometimes cramps Sato's careful compositions, this also has a mixed blessing transfer which lends a mouldy or rusty fuzz to some of the blacks in the many night scenes. There is, however, a nice animated menu. --Kim Newman
Through the keyhole begins a game that results in the violent death of a prostitute watched helplessly by her daughter. The story continues when the daughter now a prostitute herself suffers psycological ailments that make her seek revenge on those she makes contact with by repeating the events that she witnessed the night her mother was killed. This disturbing 1981 drama comes from German-born director Ulli Lommel and is also known under the titles Olivia Faces of Fear A Taste of Sin.
Sydney Pollack directs this sweeping romantic drama based on the memoirs of Danish writer Isak Dinesen. Meryl Streep stars as Karen Blixen the restless wife of European aristocrat and plantation owner Baron Bror Blixen (Brandauer). When Bror departs to hunt big game and chase women the running of their East African coffee plantation falls to Karen. She throws herself into this task with the same determination and spirit she brings to her passionate but sporadic affair with free-sp
Sydney Pollack directs this sweeping romantic drama based on the memoirs of Danish writer Isak Dinesen. Meryl Streep stars as Karen Blixen the restless wife of European aristocrat and plantation owner Baron Bror Blixen (Brandauer). When Bror departs to hunt big game and chase women the running of their East African coffee plantation falls to Karen. She throws herself into this task with the same determination and spirit she brings to her passionate but sporadic affair with free-spirited British hunter Denys Finch Hatton (Robert Redford). While enduring her husband's infidelities and the eventual destruction of their beloved land she entertains Denys and befriends the workers. Hatton shares Karen's profound love for the African landscape but is unwilling to sacrifice his independence for their relationship...
Sydney Pollack directs this sweeping romantic drama based on the memoirs of Danish writer Isak Dinesen. Meryl Streep stars as Karen Blixen the restless wife of European aristocrat and plantation owner Baron Bror Blixen (Brandauer). When Bror departs to hunt big game and chase women the running of their East African coffee plantation falls to Karen. She throws herself into this task with the same determination and spirit she brings to her passionate but sporadic affair with free-s
74 MINUTES
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