Little Bo Peep, Old King Cole, Little Tommy Tucker, Snow White, and many others, have all grown up and are ready for action! These enchanting characters from beloved nursery rhymes sing, dance, lust, and romance their way through this hilarious, naughty, and twisted tale where music, mirth, and merriment are the rule of the day. In a clothing optional land of make believe where everything is possible. See Scream Queen Linnea Quigley star in her first feature role in this erotic musical funfest!! SPECIAL FEATURES: Brand new HD restoration from the original camera negative 2.55:1 widescreen presentation with newly created English subtitles Audio Commentary by writer Frank Ray Perilli and producer Charles Band Fairy Tales Trailer Reversible Sleeve with alternate original poster
Little Bo Peep, Old King Cole, Little Tommy Tucker, Snow White, and many others, have all grown up and are ready for action! These enchanting characters from beloved nursery rhymes sing, dance, lust, and romance their way through this hilarious, naughty, and twisted tale where music, mirth, and merriment are the rule of the day. In a clothing optional land of make believe where everything is possible! See Scream Queen Linnea Quigley star in her first feature role in this erotic musical funfest!! Extras: Audio Commentary by writer Frank Ray Perilli and producer Charles Band
When Lila (Arquette) starts puberty something goes wrong and begins to grow a covering of thick hair all over her body. Unable to cope with this she moves to a secluded forest and becomes a best selling author. However at the age of thirty lila craves for male company and sets out to get back into society where she finds Puff (Ifans) a man raised by animals in the jungle...
One of David Cronenberg's most successful early films, Rabid features porn star Marilyn Chambers as a woman who becomes infected with a virus after an operation. As result she grows a kind of phallus with which she penetrates her victims as she sucks their blood and thus the disease spreads rapidly. The film displays all Cronenberg's usual horrified fascination with the human body and its sexual function. Looking back, it can be read as a kind of parable about AIDS, but it works perfectly well as an effective low-budget shocker. On the DVD: the widescreen image on the DVD is acceptable quality, as is the sound. The fairly routine extras consist of excerpts from a TV interview with Cronenberg, lasting about 10 minutes; a collection of stills from the film; some written notes by horror expert Kim Newman that give useful background, though in part reproduce what is said in the interview; full filmographies for Cronenberg and the three principal performers, including a long list of Chambers' porn credits. --Ed Buscombe
Adam Jones had it all -- and lost it. A two-star Michelin rockstar with the bad habits to match, the former enfant terrible of the Paris restaurant scene did everything different every time, and only cared about the thrill of creating explosions of taste.
Otto (Emilio Estevez) a young L.A. punk becomes the protege of Bud (Harry Dean Stanton) a crusty car repossessor. Otto soon comes to challenge his mentor for a 20 000 repo prize - a '64 Chevy Malibu driven by J. Frank Parnell (Fox Harris) a lobotomized nuclear scientist. The Malibu is being madly pursued by ruthless government agents UFO cultists and the infamous Rodriguez Brothers. In the trunk is an unthinkable glowing object that could change the course of our civilisation -
Adam Jones had it all -- and lost it. A two-star Michelin rockstar with the bad habits to match, the former enfant terrible of the Paris restaurant scene did everything different every time, and only cared about the thrill of creating explosions of taste.
The plot of the film revolves around a young submariner who has a unique hearing. He works as an acoustics and can recognize any sound. The fate of many people depends on his ability, and a mistake threatens the life of the entire crew of the submarine. Trying to regain the confidence of his comrades, he conducts his own investigation of military provocation. It put the whole world at risk of a nuclear apocalypse. Now the elite combat team has to do everything possible to prevent a world war. They need to do the almost impossible, since the main command order is not subject to cancellation.a
Love Kills. Gary Oldman and Chloe Webb execute performances that are 'nothing short of phenomenal' (Los Angeles Times) as Sex Pistols bassist Sid Vicious and his unforgettable junkie girlfriend - social misfits who literally love each other to death. In this 'riveting biography of burnt-out icons (The Washington Post) award-winning writer/director Alex Cox creates 'a great film' ('Siskel & Ebert') about the destructive lives of two 1970s punk legends. Their love affair is on
The surreal and poetic tale of Colin an idealistic and inventive young man and Chloé a young woman who seems like the physical embodiment of the eponymous Duke Ellington tune. Their idyllic marriage is turned on its head when Chloé falls sick with a water lily growing in her lung. To pay for her medical bills in this fantasy version of Paris Colin must go out to work in a series of increasingly absurd jobs while around them their apartment disintegrates and their friends including the talented Nicolas and Chick - a huge fan of the philosopher Jean-Sol Partre - go to pieces.
Directed by Dennis Hopper, Colors is a superior 1988 action movie set among the street gangs of LA that teams up Robert Duvall as Hodges, the elder cop, with young hothead partner Danny McGavin (Sean Penn). Investigating a murderous feud between the Bloods and the Crips, Duvall attempts to impress upon the impetuous Penn the value of a more cautious, easy-going approach in dealing with gang members, rather than trying to charge in among them. The film as a whole was one of the first to take a serious, unromantic and unstereotypical look at gang culture, at how youngsters are sucked into it, how few options are actually open to these macho hoodlums and how little they have in the way of family, community and stability other than the gangs. The partnership between Penn and Duvall by contrast, though well played, is pretty much the standard old cop/young cop set-up, right down to Duvalls frequent, ominous remarks about how close he is to retirement. While the action is sometimes disjointed and the relationships between the gangs at times confused, it at least helps to dispel the usual Hollywood good vs. evil dynamic. Instead, theres a more ambient sense of violence, desperation, retribution and recrimination. Penns doomed relationship with a homegirl indicates that while the LAPD may capture a few felons, theyve little chance of capturing the hearts and minds of the criminalised poor. Later films such as John Singletons Boyz 'n the Hood (1991) would go further in exploring how life looks from the gangsta perspective.On the DVD: The films is presented in an anamorphic 16:9 widescreen version, with the usual chapter and language selections. The only other feature is the original, detailed but run-of-the-mill trailer. --David Stubbs
John Nada (Piper) is a struggling labourer who drifts into town and luckily scores a job at a construction site. Discovering a box of sunglasses Nada swipes a pair and is shocked to find what he can see through them; billboards demand citizens 'Eat' or 'Sleep' TV shows spout orders at him and some people look rather less than human...
A cop full of hatred can't work by the book. Charles Bronson is at his two-fisted best in this gritty action-packed thriller about a cop hellbent on wiping out a vicious child prostitution ring. Lt. Crow (Bronson) is a veteran L.A. vice cop who nearly goes berserk after his young daughter is molested by an unidentified Asian man. As he battles his own racial prejudices and feelings of rage Crowe is ordered to hunt down a brutal pimp who has kidnapped thedaughter of a Japane
Award-winning writer Jimmy McGovern explores the lives of Mary Queen of Scots and her son James I in this new BBC drama. Robert Carlyle leads a prestigious cast in this lavish production. Peoples with infamous characters driven by compelling drama and life with love lust politics and prejudice we are offered a gripping ride through a fascinating period of history. Set against the brutal landscape of rebellion against religious repression 'Gunpowder Treason and Plot' dramalises
In this contemporary action thriller, the famous symbologist Robert Langdon (Tom Hanks) wakes up in an Italian hospital with amnesia and finds himself the target of a manhunt. Langdon teams up with Sienna Brooks (Felicity Jones), a doctor he hopes will help him recover his memories. Together, they race across Europe and against the clock to stop a virus that would wipe out half of the world's population. Special Features: Deleted & Extended Scenes Ron Howard: A Director's Journey A Look At Langdon The Billionaire Villain: Bertrand Zobrist This Is Sienna Brooks INFERNO Around the World Visions of Hell
By all rights, Alex Cox's absurdist spaghetti western Straight to Hell, should be up there in the canon of must-see cult movies. It was written in three days and filmed gonzo-style in six weeks in the Andalusian desert landscape of Almeria, Spain, on an abandoned film set originally built for Savage Cowboys, a 1969 Charles Bronson western. The cast includes the good, the bad and the ugly of rock and roll--namely Joe Strummer, Courtney Love (in her first starring role) and Shane McGowan--and cameos from Dennis Hopper, Grace Jones and Jim Jarmusch. It also features a pre-Reservoir Dogs plot concerning three sharp-suited but incompetent hitmen on the lam in the desert with the proceeds of a bank heist and a pregnant girlfriend in tow (Love). There they stumble upon a remote, ramshackle town, home to a gang of coffee-guzzling gunslingers called the McMahons (the Pogues) who initially accept the bumbling assassins as one of their own. But the appearance of shadowy industrialist IG Farben (Hopper) throws the precarious peace into a trigger-happy turmoil. Despite the promise, the film was almost universally panned on its release, the main criticism being that although the cast and crew seemed to having a blast, not much thought was put into translating the joke to the audience. It's certainly anarchic and frivolous, but also silly and pointless. Sy Richardson as the Jheri-curled Norwood who steals the show, remaining stoic and super-cool as the chaos rages around him. On the DVD: "Back to Hell", a 20-minute feel-good featurette, reunites the majority of the cast members (minus Courtney Love) 14 years on to reminisce on their experience making the film. At the end, Alex Cox cannily manages to elicit guarantees from the actors to appear in a mooted sequel. The original dialogue plays at low volume underneath the commentary track, making it hard to hear what the filmmakers are saying at various points. A promo video for the Pogues rendition of "The Good, the Bad and the Ugly" is tacked on at the end, but looks as if it was sourced from a worn videotape. --Chris Campion
Academy Award® winner Ron Howard returns to direct the latest thriller in Dan Brown's (Da Vinci Code) billion-dollar Robert Langdon series, Inferno, which finds the famous symbologist (again played by Tom Hanks) on a trail of clues tied to the great Dante himself. When Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks (Felicity Jones), a doctor he hopes will help him recover his memories. Together, they race across Europe and against the clock to stop the unleashing a global virus that would wipe out half of the world's population. Click Images to Enlarge
Previous UK releases of Catchfire have listed the pseudonymous Allan Smithee as director, but this version proudly opens with "a Dennis Hopper film". Also known as Backtrack, it offers a plot that advances by illogical leaps and bounds while whole scenes seem to go astray. With prominently billed actors getting almost nothing to do while major players go un-credited, a bland music score that might have been laid in from another film entirely and an ending that makes a lot of noise without actually resolving much, the film certainly has its bad points. However, it's also one of Hopper's more eccentric films, and more fun than Colors or The Hot Spot (which he had no trouble owning up to), partly because the director also takes a quirky lead role and his own personal interests are stirred by the modern art frills of the chase plot. The film opens with LA-based conceptual artist Jodie Foster, looking chunkily terrific just before her adult career took off, suffering a minor breakdown on the freeway and happening on a gangland execution. Pint-sized mob boss Joe Pesci sets his killers on her but the crooks ineptly murder Foster's boyfriend (Charlie Sheen, taking a very early bath). Pesci calls in Hopper, a professional hitman who immerses himself in Foster's life and art in order to track her down only to develop an obsessive crush on the woman. When he finds her, he gives her the choice between getting rubbed out or becoming his property. Hopper retains the knack for finding odd-looking byways of rural America, but is uncomfortable with helicopter chases and shoot-outs. The leads, despite great chunks of missing story, are both interesting--Foster sexily vulnerable and Hopper doing a wry New York drawl as the sax-playing hit man. Catchfire also offers an amazing supporting cast of the director's friends, including Dean Stockwell, Vincent Price, Catherine Keener (Being John Malkovich), Tony Sirico (The Sopranos), Bob Dylan (with a chainsaw), Helena Kallianotes (Five Easy Pieces), Julia Adams (The Creature from the Black Lagoon), and John Turturro.On the DVD: the film itself comes in a good-looking widescreen transfer, but the lack of special features let the disc down, with only feeble notes for three cast members (and no Smithee filmography). --Kim Newman
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