Il Trovatore, Verdi's 1853 maelstrom of passion, infanticide, double-crossing and revenge, would be a mightily gamy affair if it didn't contain some of his finest arias, a cracker of a tenor's role and one of opera's most powerfully-written characters in the old gypsy woman, Azucena. Although Joan Sutherland, who plays the self-sacrificing lady-in-waiting Leonora in this 1983 Australia Opera production at Sydney Opera House, is the headline star, in truth the supreme assets of this recording are mezzo-soprano Lauris Elms' Azucena, a beautifully sung performance of haunted, wild-eyed sadness; and Sydney Nolan's wonderfully infernal sets, all purple and burnt ochre with suggestions of distorted faces. Sutherland came late to a part which allowed her to sing up a storm without taxing her rather stolid acting style. Her husband and musical director Richard Bonynge gives her the space to unleash some of Verdi's most fluidly opulent melodies--"D'amor sull'ali rosee" is a case in point--whose beauty is often at odds with the underlying horrors of the tale, based on a rather dodgy Spanish melodrama by Gutierrez. Sutherland has strong support from tenor Kenneth Collins as the doomed Manrico and Jonathan Summers as the vengeful Count. On the DVD: Il Trovatore on disc offers the inevitable shortcomings of a filmed for television performance: to the detriment of Nolan's designs (and the hard-pressed make-up team), the lighting doesn't translate well to video. Presented in 4:3 picture format, the quality is frequently murky. The PCM Stereo soundtrack also has its flat and fuzzy moments, particularly during chorus scenes ("Vedi! Le fosche notturne spoglie") when the orchestra drowns out the singing. But on the whole Sutherland et al sound great.--Piers Ford
In 1986 one of opera's legendary partnerships was celebrated in A Gala Concert with Joan Sutherland and Marilyn Horne at Sydney Opera House. Under the musical direction of Sutherland's husband and long term conductor Richard Bonynge, the great soprano and mezzo soprano treated their audience to an epic evening of solos and duets from works with which they had long since become indelibly linked. The concert was preserved and transmitted as an Esso-sponsored night at the opera by the Australian Broadcasting Corporation. Each diva is given ample room to shine individually. Here in all their glory are Sutherland's "Les Oiseaux dans la Charmille", the mechanical doll's aria from Offenbach's Tales of Hoffmann and Horne's "Iris, Hence Away" from Handel's Semele. Magical duets include "Serbami Ognor si Fido" (Rossini's Semiramide), "Viens Mallika, les Lianes en Fleurs" (Delibes' Lakme, much-used in their advertisements by British Airways) and of course the "Barcarolle" from Hoffmann. The overwhelming effect is of their passion for the music and the great professional respect and friendship which Sutherland and Horne clearly feel for each other as two of the greatest champions of the bel canto repertoire in living memory. Essential viewing for anyone remotely interested in operatic history. On the DVD: Digitally restored and remastered from the original tape, this disc at least offers the benefit of crystalline PCM stereo sound quality. In all other respects, it is a television production which inevitably shows its age. The curtain calls and long waits between every item, while Horne and Sutherland are fetched singly or together by Bonynge, are interminable and should have been cut. The 4:3 picture format is sharp enough and reveals the cumbersome dullness of the staging in all its glory. But none of this detracts from the wonder of two appealing prima donnas near their vocal peak. --Piers Ford
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