The Woman Next Door (1981) Madame Jouve the narrator tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day a couple Philippe and Mathilde Bauchard moves into the next house. This is the accidental reunion of Bernard and Mathilde who had a passionate love affair years ago. The relationship revives... A somber study of human feelings. The 400 Blows (1959) For his feature-film debut critic-turned-director Franois Truffaut drew inspiration from his own troubled childhood. The 400 Blows stars Jean-Pierre Laud as Antoine Doinel Truffaut's preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble) Antoine frequently runs away from both places. The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (Albert Remy) to finance his plans to leave home. The father angrily turns Antoine over to the police who lock the boy up with hardened criminals. A psychiatrist at a delinquency center probes Antoine's unhappiness which he reveals in a fragmented series of monologues. Shoot the Pianist (1960) Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother Chico a crook takes refuge in the bar because he is chased by two gangsters Momo and Ernest. We will discover that Charlie's real name is Edouard Saroyan once a virtuose who gives up after his wife's suicide. Charlie now has to deal wih Chico Ernest Momo Fido (his youngest brother who lives with him) and Lena... Jules and Jim (1962) Acclaimed French director Franois Truffaut's third and for many viewers best film is an adaptation of a semi-autobiographical novel by Henri-Pierre Roch. Set between 1912 and 1933 it stars Oskar Werner as the German Jules and Henri Serre as the Frenchman Jim kindred spirits who while on holiday in Greece fall in love with the smile on the face of a sculpture. Back in Paris the smile comes to life in the person of Catherine (Jeanne Moreau); the three individuals become constant companions determined to live their lives to the fullest despite the world war around them. When Jules declares his love for Catherine Jim agrees to let Jules pursue her despite his own similar feelings; Jules and Catherine marry and have a child (Sabine Haudepin) but Catherine still loves Jim as well. Anne and Muriel (1971) Story of two British sisters who are in love with the same Frenchman over a period of 20 years. Screenplay by Francois Truffaut Jean Grault Based on the novel by Henri-Pierre Roche. Finally Sunday! (1963) Claude Massoulier is murdered while hunting at the same place than Julien Vercel an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers that Marie-Christine Vercel Julien's wife was Massoulier's mistress Julien is very suspected. But his secretary Barbara Becker while not quite convinced he is innocent defends him and leads her private investigations...
François Girard's The Red Violin (1998) is a good-looking but ultimately insubstantial piece from a director who seems more concerned with tone, colour and style than narrative coherence. The film traces the story of a violin originally made in 17th-century Italy, which is taken to an 18th-century monastery to be played by a child prodigy. The violin later comes into the hand of a virtuoso in 19th-century Oxford, from there to China in the Cultural Revolution and on to Montreal, where--before it can be auctioned--it is "acquired"' by Samuel L Jackson. Unfortunately, none of these stories make much of an impression: the episode in Oxford is particularly weak, with Greta Scacchi wasted, and the film is even less than the sum of its parts. Jackson is completely miscast as an expert on musical instruments, even if a criminal one. To be frank, this is a poor effort, though well photographed and with a pleasing score by composer John Corigliano performed by violinist Joshua Bell. On the DVD:The disc contains a theatrical trailer but no other features. The soundtrack is excellent, in Dolby Surround. The image is equally good, in a 1.78:1 anamorphic print. --Ed Buscombe
First broadcast in 1967, Captain Scarlet and the Mysterons was the most grown-up of all Gerry Anderson's SuperMarionation adventures. There are gadgets and toy-friendly machines galore, of course--like the Spectrum Pursuit Vehicle, the Angel Aircraft and Cloudbase itself--but, unlike the colourful fantasies of Stingray and Thunderbirds, this series' concern with an implacable, vengeful enemy, conspiracies and double-agents drew its inspiration from James Bond and the Cold War spy dramas of the 1960s. Special effects whiz Derek Meddings imbues the action sequences with a truly Bondian grandeur and, like the sinister Spectre of the Bond films, the Martian Mysterons seem all the more hostile for their unseen presence, their agents infiltrating every organisation dedicated to their destruction just as it seemed the Soviets were doing at the time. The indestructible Captain Scarlet is killed then resurrected every week (though not like South Park's Kenny), and more often than not the unstoppable Mysterons emerge triumphant, and always undefeated. The varied cast of Spectrum agents and their voice characterisations also aim at verisimilitude (Captain Scarlet, voiced by Francis Matt hews, sounds like a grim Cary Grant), while the puppetry is more realistic than ever. Now with newly remastered picture and Dolby 5.1 surround sound, Captain Scarlet and the Mysterons still looks and sounds like the epitome of 60s cool. --Mark Walker
The true story of one woman's confinement in a World War II Japanese prison camp from the account by Agnes Newton Kieth. She and her British husband were separated when the Japanese invaded Borneo during WWII. Though the camp commander took an interest in her he could not prevent her torture starvation or humiliation by the guards....
The complete first series of ITV's comedy drama comes to DVD for the first time. The Braithwaites are a dysfunctional family who live in Leeds and comprise mother Alison (Redman) father David (Davison) and their three daughters Virginia Sarah and Charlottle. The story begins with Charlotte giving her mother a Euro Lottery ticket for her birthday and subsequently scooping a 38 million jackpot. However Alison decides to keep the win a secret from her family and sets up a charity - t
For 1992's Twin Dragons Jackie Chan resurrects the old Corsican Brothers chestnut of identical twin brothers separated at birth who meet up as adults and discover that they share more than blood ties. Poor boy Chan is a mechanic and race-car driver whose black-market activities have made him the target of some nasty mobsters, while jet-setting Chan is a world-famous conductor back in Hong Kong for a concert. In the same vicinity for the first time in years, they can suddenly feel each other's pain, and more. As one Chan jumps a jet boat for a wild escape, the other becomes a victim of the furious ride, thrown around a posh restaurant while drenching his date with drinking water. The whole thing is overloaded with silly slapstick, Chan's incessant mugging and cartoonish mistaken-identity gags as the boys swap girlfriends and dance. But wade through the crude comedy and you're rewarded with a gymnastic free-for-all climax in a car-testing workshop, where Chan leaps over, under and through cars while taking on an army of gangsters before split-screen brothers team up for a bit of marionette martial arts. Tsui Hark and Ringo Lam co-direct, Tsui taking the comedy and Lam handling the action, and John Woo makes a cameo as a priest in the wedding finale. --Sean Axmaker, Amazon.com
Following our earlier releases of his British exploitation classics Some like it Sexy Escort Girls and The Deadly Females Nucleus Films now proudly bring you the world premiere DVD release of Donovan Winter’s final feature the 1978 home-invasion thriller Give us Tomorrow. With a cast of experienced British acting talent headed by Sylvia Syms (Asylm The Tamarind Seed The Saint) and a captivating performance by Donna Evans (now one of Hollywood’s top stunt doubles but then a promising young heroine) this grimy yet sleek hostage movie is far more than your standard slice of Soho sleaze and like The Deadly Females emphasises the director’s gradual move from the tawdry British Sex Film towards social comment- with a hefty chunk of suspense thrown in. Shot in the leafy suburban Orpington the story concerns two less-than-professional criminals Ron (Derren Nesbitt The Man in the Back Seat Where Eagles Dare) and The Boy (Alan Guy) who hold a family prisoner in their home whilst their colleagues simultaneously raid a local bank managed by the father (James Kerry Killer's Moon Blake's 7) Of course being a British crime film something has to go wrong and with one teller (Gene Foad- Dickens Of London) dead and the aforementioned accomplices having “done one” with the loot our hapless duo soon find themselves in a lose-lose situation with half the London Borough Of Bromley constabulary in attendance... Tense and claustrophobic but with a setting straight out of a Thames TV sitcom Give us Tomorrow was at the time originally withheld for legal reasons (see booklet) from proper distribution or theatrical release. Original VHS releases are extremely scarce: therefore the arrival of this long-awaited remastered and uncut disc is cause for celebration among cult collectors everywhere. So sit back relax and watch but remember DON’T answer that unexpected knock at the door!
In the new film from the director of "Get Carter," Clive Owen plays a former London gang leader who is dragged back into the "business" to avenge the death of his brother.
Of all the Philip Marlowes, Robert Mitchum's in Farewell, My Lovely resonates most deeply. That's because this is Marlowe past his prime, and Mitchum imbues Raymond Chandler's legendary private detective with a sense of maturity as well as a melancholy spirit. And yet there is plenty of Mitchum's renowned self-deprecating humour and charismatic charm to remind us of his own iconic presence. As in the previous 1944 film version, Murder, My Sweet, Marlowe searches all over L.A. for the elusive girlfriend of ex-con Moose Malloy, a loveable giant who might as well be King Kong. In typical Chandler fashion, the weary Marlowe uncovers a hotbed of lust, corruption and betrayal. Like Malloy, he's disillusioned by it all, despite his tough exterior, and possesses a tinge of sentimentality for the good old days. About the only current dream he can hold onto is Joe DiMaggio and his fabulous hitting streak. Made in 1975, a year after Chinatown (shot by the same cinematographer, John Alonzo), Farewell, My Lovely is more straightforward and nostalgic, but still possesses a requisite hard-boiled edge, and the best kind of angst the 1970s had to offer. (By the way, you will notice Sylvester Stallone in a rather violent cameo, a year before his Rocky breakthrough.) --Bill Desowitz, Amazon.com
The nation became gripped by the story of lovers Diana Stewart (Sylvia Syms) and Mark Paxton (John Thaw), whose plan to murder Diana's husband Geoffrey (Noel Johnson) soon comes to fruition. But then Geoffrey s body disappears and Diana receives a phone call that shocks her to the core... In the grand tradition of Durbridge thrillers, further mysteries and murders rapidly follow in a serpentine plot that culminates with a truly jaw-dropping climax.
Following the death of Diana the 'People's Princess', the Queen (Helen Mirren) and her family remain hidden behind tradition and the closed doors of Balmoral Castle. Whilst the heartbroken public becomes disillusioned with their Queen's absence, an increasingly popular Prime Minister, Tony Blair, must battle to convince the monarchy that its desire for privacy could lead to its ultimate downfall. With an outstanding performance from Helen Mirren, The Queen is Director Stephen Frears' engrossing, intimate and intelligently witty portrait of our monarchy's darkest days in the week following one of the nation's greatest tragedies. Special Features: Making of Documentary Feature commentary by Director Stephen Frears and writer Peter Morgan Production Photography Gallery Feature Audio Description
The perfect grouch has met his match. A five-year-old boy named Kolya... Louka a middle-aged Czech cellist is a skirt-chasing bachelor who enjoys a lifestyle free of responsibilities. When he finds himself strapped for cash he agrees to a marriage of convenience. But after his new bride skips town Louka is left to father her five-year-old Russian son Kolya. Neither could be more unhappy with their predicament especially since they don't even speak the same language! It'll take
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here. As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catchphrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nailbitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood. On this DVD: International Rescue's very first adventure provides a template for all the rest: in "Trapped in the Sky" an experimental new aircraft becomes the target of an evil Bond-style megalomaniac who wants to get his hands on all the neat pieces of kit operated by the Tracey siblings. The show introduces, in fetishistic detail, the recurring set-pieces: Thunderbird 1 taking off from the roll-back swimming pool, which pod will Thunderbird 2 use this week--the mole or the submarine perhaps?--and so on. Nostalgia fans will be pleased to learn that despite digital remastering the puppet strings are still in evidence, and no amount of high-tech restoration could remove the clunky expository dialogue: Stewardess: "It's the maiden flight of the new atomic-powered Fireflash." Passenger: "Isn't that the new aircraft that flies six times the speed of sound?" Stewardess: "That's right, but don't worry: it's perfectly safe." [Cut to: interior, Fireflash landing gear, a device clearly labelled "Auto-Bomb Detonator Unit"] Sinister bad guy (talking to himself for no readily apparent reason): "Perfect. Enough explosives to smash the Atomic Reactor." In the second episode, "Pit of Peril", an absurdly impractical US Army vehicle falls into the eponymous pit, necessitating use of pod five, the mole. Joy! Lady Penelope indulges in some James-Bond-style counter-espionage measures in the third episode, "The Perils of Penelope", while Parker indulges some of his famous Eliza Dolittle-isms; although he is trumped by the Cary Grant sound-a-like character Sir Jeremy Hodge (or 'odge as Parker would have it), whose response to a crisis is, "I say, open the door, we're British!". Then it's back to the action for the fourth episode, "Terror in New York City", in which poor Virgil is shot down by the US Navy in Thunderbird 2 before the boys must rescue an unscrupulous newshound from the wreckage of the Empire State Building (featuring the first appearance of their very own yellow submarine, Thunderbird 4) --Mark Walker
Tony Britton Sylvia Syms and Geoffrey Keen star in this sympathetic BAFTA-nominated drama focusing on a man whose life is turned upside down by the far-reaching repercussions of an ill-judged action. The Birthday Present is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Returning from a business trip toy salesman Simon Scott is caught attempting to smuggle a wristwatch bought for his wife's birthday through Customs. He is arrested and due to a bungled defence by his solicitor obliged to serve a three-month prison sentence. It is only the beginning of his woes; his employer Colonel Wilson is understanding but he is ultimately forced to sack Simon who discovers that finding another job under such circumstances is extremely difficult. But Colonel Wilson is determined to help his former employee find a solution... SPECIAL FEATURES [] Image Gallery [] Promotional Material PDF
Joan and Eddie are in love but he is a career criminal. She uses her influence to get him out of prison and after their marriage he vows to go straight. However, things don't go according to plan and they both go off the rails...
Something is alive in the funhouse... Something that has the form of a human but not the face... Something that feeds of the flesh and blood of young innocents... Something that tinight will turn the funhouse into a carnival of terror! Four teens decide to spend a night in the spooky funhouse of a travelling carnival but when they witness a horrific murder by a masked monster they are trapped and their nightmare begins!
Express Bongo
This 1992 performance of Handel's masterpiece was filmed at The Point Theatre Dublin. Conducted by Sir Neville Marriner.
An innocent boy becomes the innocent victim of a foreign agitator when he unwittingly carries a bomb aboard a busy bus...
Filmed in VIDECOLOR [explosions, drum roll, music builds to a climax] and SUPERMARIONATION"! The opening sequence of Thunderbirds is itself a masterclass in Gerry Anderson's marionette hyperbole: who else would dare to make a virtue out of the fact that (a) the show is in colour and (b) it's got puppets in it? But everything about this series really is epic: Thunderbirds is action on the grandest scale, pre-dating such high-concept Hollywood vehicles as Armaggedon by 30 years and more (the acting is better, too), and fetishising gadgets in a way that even the most excessive Bond movies could never hope to rival. Unsurprisingly, it transpires that the visual effects are by Derek Meddings, whose later contributions to Bond movies like The Spy Who Loved Me and Moonraker echo his pioneering model work here.As to the characters, the clean-cut Tracey boys take second place in the audiences' affections to their cool machines--the real stars of the show--while comic relief is to be found in the charming company of Lady Penelope and her pink Rolls (number plate FAB1), driven by lugubrious chauffeur Parker, whose "Yes, milady" catch phrase resonated around school playgrounds for decades. (Spare a thought for poor old John Tracey, stuck up in space on Thunderbird 5 with only the radio for company.) The puppet stunt-work is breathtakingly audacious, and every week's death-defying escapade is nail-bitingly choreographed in the very best tradition of disaster movies. First shown in 1964 and now digitally remastered, Thunderbirds is children's TV that still looks and sounds like big-budget Hollywood.On this DVD: The four episodes are: "End of the Road", "The Uninvited", "Sun Probe" and "Operation Crash Dive".
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