TBC
The Beastmaster is an epic scale adventure - an extraordinary tale of a mythical hero in a life and death struggle with the forces of evil that unfolds in the distant mists of time. His amazing powers meant animals succumbed to his every order. From earliest childhood Dar finds the animals do his bidding. Then his idyllic life is shattered when an army of Jun barbarians led by the high priest Maax rides from the outlands on a crusade of destruction. All but Dar are slaughtered and alone he sets out to track the Jun warriors. His falling in love with a beautiful slave girl spells a warning to the evil sorcerer Maax.
On the way to their African airport two peace corps volunteers pick up a friendly hitchhiker. However the innocent traveller is in fact a drug smuggler and when stopped at a checkpoint the discovery of the drug stash propels the two female volunteers into the living hell of a women's prison...
A View to a Kill, Roger Moore's last outing as James Bond, is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, A View to a Kill is largely interesting for Christopher Walken's quirky performance as a sort-of super-villain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh, Amazon.com On the DVD: For Roger Moore's final Bond outing the production crew faced the usual quota of difficulties and disasters, the "making-of" documentary reveals: from base jumpers off the Eiffel tower whose antics threatened to jeopardise fragile relations with the Parisian authorities, to Ridley Scott thoughtlessly burning down the 007 at Pinewood right before production was due to start. Patrick MacNee, who has a supporting role in the movie, hands over narrative duties on this one to Rosemary Ford. The commentary is one of those less-than-satisfying montages of comments from various members of cast and crew. Also included is Duran Duran's "A View to a Kill" video (sounding hopelessly dated now), the usual trailers and a brief deleted scene of comic relief inside a Parisian police station. The second documentary concerns the music of Bond--always a crucial ingredient--although it manages the neat diplomatic trick of interviewing both Monty Norman and John Barry without giving the least hint of any controversy about the famous James Bond theme. --Mark Walker
Roger Moore lends humour, elegance and lethal charm to his final performance as James Bond in A View to a Kill. Bond confronts Max Zorin (Christopher Walken), who has devised a plan to corner the world’s microchip market, even if he has to kill millions to do it! But before Bond can stop the madman, he must confront Zorin’s beautiful and deadly companion, May Day (Grace Jones).
Agent 007 (Roger Moore, in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge, James Bond can't be stopped.
Agent 007 (Roger Moore in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge James Bond can't be stopped.
Climb into the Vista Cruiser for another trip back to the groovy '70s with the show that proves flashbacks can be more fun than a plateful of Hyde's ""special brownies."" As the gang continues their way toward adulthood their childhood friendships suddenly get a bit more complicated: Kelso begins dating both Jackie and Laurie; Eric and Donna attempt to take their relationship to a new level; Fez keeps trying to get a girl (any girl); while Hyde is so cool that girls are asking him out. And while their parents try to keep everything on the straight and narrow the gang keeps on truckin' with full speed hilarity. Episodes comprise: 1. Garage Sale 2. Red's Last Day 3. The Velvet Rope 4. Laurie and the Professor 5. Halloween 6. Vanstock 7. I Love Cake 8. Sleepover 9. Eric Gets Suspended 10. Red's Birthday 11. Laurie Moves Out 12. Eric's Stash 13. Hunting 14. Red Gets A Job 15. Burning Down The House 16. The First Time 17. Afterglow 18. Kitty and Eric's Night Out 19. Parents Find Out 20. Kiss Of Death 21. Kelso's Serenade 22. Jackie Moves On 23. Holy Crap! 24. Red Fired Up 25. Cat Fight Club 26. Moon Over Point Place (Part 1)
Curt Duncan a psychopathic murderer is apprehended by a detective John Clifford and sent to an asylum. Years later - he escapes to begin a new reign of terror. Once again the now aging detective sets out to track Duncan down. The climax provides twist after twist and one of the most terrifying cinematic endings ever.... The simple reality shows it could really happen... anywhere... at anytime... and to anyone... Additional
Agent 007 (Roger Moore in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge James Bond can't be stopped.
A View to a Kill, Roger Moore's last outing as James Bond, is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, A View to a Kill is largely interesting for Christopher Walken's quirky performance as a sort-of super-villain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh, Amazon.com On the DVD: For Roger Moore's final Bond outing the production crew faced the usual quota of difficulties and disasters, the "making-of" documentary reveals: from base jumpers off the Eiffel tower whose antics threatened to jeopardise fragile relations with the Parisian authorities, to Ridley Scott thoughtlessly burning down the 007 at Pinewood right before production was due to start. Patrick MacNee, who has a supporting role in the movie, hands over narrative duties on this one to Rosemary Ford. The commentary is one of those less-than-satisfying montages of comments from various members of cast and crew. Also included is Duran Duran's "A View to a Kill" video (sounding hopelessly dated now), the usual trailers and a brief deleted scene of comic relief inside a Parisian police station. The second documentary concerns the music of Bond--always a crucial ingredient--although it manages the neat diplomatic trick of interviewing both Monty Norman and John Barry without giving the least hint of any controversy about the famous James Bond theme. --Mark Walker
Get on down to the basement for a rockin' flashback to the swinging '70s! As the partying begins Red decides he's been too lenient so he sets up a few new house rules. This not only makes the kids miserable but makes Kitty feel like she's been a bad mother. Hyde feels even worse after he finds his long-lost father tending bar at a local dive. Meanwhile as Donna and Eric continue dating Jackie begins pursuing Hyde which upsets Kelso even though he's dating Laurie. And Fez fi
Back in the late 1970s Charlie's Angels was wildly popular television at its most self-consciously banal. The jiggly, joggly jolly first series' three (and best-remembered) belles--lioness Farrah Fawcett (then Farrah Fawcett-Majors), pin-up babe Jaclyn Smith and thinking man's beauty Kate Jackson--were something like primetime Spice Girls, gracing countless magazine covers and bestselling posters. The idea (even if a fan of the show didn't happen to be a straight male) was that one was compelled to choose a favourite angel as a kind of ink-blot window into one's subconscious life. While the 2000 Angels feature film kept faith with the original show's self-mockingly sloppy storytelling, there's nothing like seeing the old episodes for a lesson in narrative hubris. Basically, the three leading characters were bored policewomen wooed away to a private firm owned and operated by the unseen sybarite, Charlie (voiced--over speakerphone--by an uncredited John Forsythe). After a long set-up each week, the girls' investigations typically saw them going undercover as fashion models--no great stretch--in "Night of the Strangler", nurses in "Terror on Ward One", roller-derby stars in "Angels on Wheels" and vulnerable convicts (of course) in "Angels in Chains". The exploitation factor is not as bad as it might have been. The cast was so glamorous, their chemistry so perfect, that Charlie's Angels never became a mere meat market. Despite such nods to modernity as Fawcett's no-bra look, the episodes were old-fashioned in their heroine-in-peril appeal, yet there was a difference: the Angels looked out for themselves and each other. --Tom Keogh
Agent 007 (Roger Moore in his final outing as James Bond) races against time to stop a power-mad industrialist (Christopher Walken) who plots to kill millions in order to corner the world's microchip supply. From the Eiffel Tower to the top of the Golden Gate Bridge James Bond can't be stopped.
Once upon a time...there were three girls who went to the Police Academy...and they were each assigned very hazardous duties...but I took them away from all that...and now they work for me. My name is Charlie. To Kill An Angel: A trip to the carnival leads to a tunnel of horrors when Kelly gets caught in the crossfire between two paid killers and an autistic child. Night Of The Strangler: The Angels bare all - almost - as undercover fashion models while investigating a kinky case of multiple murders.
Linda can't wait to have a baby. But according to their doctor her husband Charlie is not as virile as he appears. Wild times begin when Linda hops into bed with Gordon and his cousin Ray. Then Charlie begins having flings of his own in this bawdy and raucous comedy...
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