Beginning with an explosive, six-minute montage of sex, drugs and violence, and ending with a phallus-headed battle robot taking flight, Takashi Miike's unforgettable Dead or Alive Trilogy features many of the director's most outrageous moments set alongside some of his most dramatically moving scenes. Made between 1999 and 2002, the Dead or Alive films cemented Miike's reputation overseas as one of the most provocative enfants terrible of Japanese cinema, yet also one of its most talented and innovative filmmakers. In Dead or Alive, tough gangster Ryuichi (Riki Takeuchi) and his ethnically Chinese gang make a play to take over the drug trade in Tokyo's Shinjuku district by massacring the competition. But he meets his match in detective Jojima (Show Aikawa), who will do everything to stop them. Dead or Alive 2: Birds casts Aikawa and Takeuchi together again, but as new characters, a pair of rival yakuza assassins who turn out to be childhood friends; after a botched hit, they flee together to the island where they grew up, and decide to devote their deadly skills to a more humanitarian cause. And in Dead or Alive: Final, Takeuchi and Aikawa are catapulted into a future Yokohama ruled by multilingual gangs and cyborg soldiers, where they once again butt heads in the action-packed and cyberpunk-tinged finale to the trilogy. Each of them unique in theme and tone, the Dead or Alive films showcase Miike at the peak of his strengths, creating three very distinct movies connected only by their two popular main actors, each film a separate yet superb example of crime drama, character study, and action filmmaking. SPECIAL EDITION CONTENTS: High Definition digital transfers of all three films Original uncompressed stereo audio Optional English subtitles for all three films New interview with actor Riki Takeuchi New interview with actor Sho Aikawa New interview with producer and screenwriter Toshiki Kimura New audio commentary for Dead or Alive by Miike biographer Tom Mes Archive interviews with cast and crew Archive making-of featurettes for DOA2: Birds and DOA: Final Original theatrical trailers for all three films Reversible sleeve featuring original and newly commissioned artwork by Orlando Arocena
Beginning with an explosive, six-minute montage of sex, drugs and violence, and ending with a phallus-headed battle robot taking flight, Takashi Miike's unforgettable Dead or Alive Trilogy features many of the director's most outrageous moments set alongside some of his most dramatically moving scenes. Made between 1999 and 2002, the Dead or Alive films cemented Miike's reputation overseas as one of the most provocative enfants terrible of Japanese cinema, yet also one of its most talented and innovative filmmakers. In Dead or Alive, tough gangster Ryuichi (Riki Takeuchi) and his ethnically Chinese gang make a play to take over the drug trade in Tokyo's Shinjuku district by massacring the competition. But he meets his match in detective Jojima (Show Aikawa), who will do everything to stop them. Dead or Alive 2: Birds casts Aikawa and Takeuchi together again, but as new characters, a pair of rival yakuza assassins who turn out to be childhood friends; after a botched hit, they flee together to the island where they grew up, and decide to devote their deadly skills to a more humanitarian cause. And in Dead or Alive: Final, Takeuchi and Aikawa are catapulted into a future Yokohama ruled by multilingual gangs and cyborg soldiers, where they once again butt heads in the action-packed and cyberpunk-tinged finale to the trilogy. Each of them unique in theme and tone, the Dead or Alive films showcase Miike at the peak of his strengths, creating three very distinct movies connected only by their two popular main actors, each film a separate yet superb example of crime drama, character study, and action filmmaking. SPECIAL EDITION CONTENTS: High Definition digital transfers of all three films Original stereo audio Optional English subtitles for all three films New interview with actor Riki Takeuchi New interview with actor Sho Aikawa New interview with producer and screenwriter Toshiki Kimura New audio commentary for Dead or Alive by Miike biographer Tom Mes Archive interviews with cast and crew Archive making-of featurettes for DOA2: Birds and DOA: Final Original theatrical trailers for all three films Reversible sleeve featuring original and newly commissioned artwork by Orlando Arocena FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the films by Kat Ellinger
A stylised and violent thriller, prolific director Miike Takashi's The City Of Lost Souls (2000) is set in the ganglands of Tokyo and pays homage to Sergio Leone, Quentin Tarantino and, in a daft, animated cockfighting sequence, The Matrix. Mario (Teah) is the Japanese-Brazilian gunslinger fresh out jail who, in a hilariously audacious action sequence, hijacks a helicopter to save his Chinese girlfriend Kei (Michelle Reis) from deportation. He must then secure 18 million yen to secure fake passports for both of them to make a new life for themselves in Australia. In a misconceived operation, Mario arrives at the lair of the intriguing Ko, Kei's ex-boyfriend--a self-assured, effeminate young exchange student--who is somehow head of a vicious gang of Triads. He is on the point of buying a consignment of cocaine from decadent, cold-blooded Yakuza gangster Fushimi when Mario's arrival triggers a shootout, with Mario escaping with the wrong suitcase. Now, in time-honoured True Romancefashion, Mario and Kei are on the run from the mob. Although visually tricksy with some strong set-pieces, The City of Lost Souls is rather hazy when it comes to story and characterisation. We get little sense of the runaway couple as people. A young blind girl is introduced into the tale and there are romantic moments between Mario and Kei but these feel like sugary palliatives to the bloodshed rather than touching moments. Better perhaps to check out Takashi's Audition, a brilliantly gruesome satire on male Japanese attitudes towards womanhood. This is a flashier, faster but less artistically satisfying affair. On the DVD: The City of Lost Souls is presented in video aspect ratio 1.85:1, with reasonable clarity and sharpness. However, the English subtitles are a little pidgin and slapdash in places, none of which improves the main special feature, a rather dull and vague interview with director Takashi. --David Stubbs
An off-the-cuff Japanese gangster movie with an absurdist streak that shades into surrealism, Dead or Alive 2 isn't thrown by its brief to sequelise a film that ended not only with the deaths of its lead characters but the destruction of Japan. Takashi Miike--the prolific auteur whose best-known film is the atypically considered Audition--brings back his lead actors in different roles and spins off another strange shaggy dog tale. The film starts out with a Yakuza vs Triads gang war in the offing, then sidesteps into "'Beat"' Miike territory as a couple of hit-men who meet when they turn up for the same assassination turn out to be childhood friends and enjoy a nostalgic wallow as they return to the orphanage where they met, re-encounter other old pals and even stand in for some injured actors putting on a play for the children. White-suited and terminally ill Sawada (Riki Takeuchi) and bleached blond and Hawaiian-shirted Otamoko (Sho Aikawa) get back to gunplay, committing contract murders and funnelling the profits into third world charities, which earns them occasional angel-wings or transformations back into innocent children. In constant danger of collapse, the film keeps pulling surprises: txt msg-addicted killers, an animated diagram of bullet trajectories through an unfortunate dwarf's brain. The first film blew up the country because it couldn't think of an ending, and this also has a lot of trouble signing off, with protracted deaths and redemptions for the heroes. Miike alternates clumsiness and confusion with exciting and powerful cinema. --Kim Newman
Dead Or Alive (2000): Welcome to Shinjuku - city of darkness and corruption and the setting for this stunning movie by Japanese director Takashi Miike. Here rapid-fire shoot-outs and twisted acts of perverse violence provide the backdrop for a vicious war between the Japanese Yakuza and the Chinese Triads and make for one of the most dizzying and spectacular openings ever committed to film. Ryuichi is a gangster who is driven by a desire for power and the memory of his deprived childhood. His younger brother Toji has just returned from studying in the U.S. Between them they are about to learn some harsh lessons about life on the wrong side of the law. Meanwhile Detective Jojima finds himself drawn deeper into the world of the Yakuza as he continues to make dirty deals he hopes will help raise the money to pay for his daughter's life-saving operation. Uncompromising and fearlessly original Takashi's 'Dead Or Alive' takes a mind-bending journey into the dark and twisted world of ruthless gangsters dealers strippers and hookers... Dead Or Alive 2: Birds (2000): With Dead or Alive the extraordinarily gifted and prolific Miike Takashi created one of the most extreme and visually stunning films of his career. With Dead or Alive 2 he pushes the boundaries further than ever before. When Otamoko (Sho Aikawa) is hired to assassinate a ruthless gangster he is surprised to find a mysterious gunman make the hit before he gets the chance to pull the trigger. Deciding to take the money for the job he failed to complete Otamoko flees the city with Japanese Yakuza and the Chinese Triads hot on his trail. Hiding out on the island where he grew up he runs into the man who killed his target; an old friend named Sawada (Riki Takeuchi). Together they plan to use their shooting skills to rid the earth of evil and set out to hit the gang bosses and drug dealers who make the world a worse place. Dead Or Alive: Final (2002): Set in a post apocalyptic Yokohama where the population is kept under rigid control by a half crazed mayor Riki Takeuchi is a hard boiled cop and Show Aikawa a mellowed out drifter that hooks up with a gang of rebels. When the gang kidnap Takeuchi's son the wheels are set in motion that leads to an inevitable showdown.
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