Based on a best-selling novel by Charles Eric Maine, Amicus Productions' The Mind of Mr. Soames is a contemporary reworking of the Frankenstein story. Terence Stamp (The Collector, Far from the Madding Crowd) is a young man left comatose from birth, who is awakened live on TV into a world he can't comprehend, and exploited as a living curiosity. Remarkably prescient in its depiction of reality television and media turpitude, the film also boasts a superb supporting cast, including Robert Vaughn, Nigel Davenport, Christian Roberts, Donal Donnelly and Vickery Turner, and features luminous cinematography by the great Billy Williams (Women in Love, The Wind and the Lion, Gandhi). Extras: High Definition remaster Original mono audio Audio commentary with Kevin Lyons, editor of The Encyclopedia of Fantastic Film and Television, and Jonathan Rigby, author of English Gothic: Classic Horror Cinema 18972015 The Mind of Mr Stamp (2018, 19 mins): new and exclusive interview with Terence Stamp in which he discusses his early career and the time he spent away from acting Memories of Mr Soames (2018, 5 mins): actor Christian Roberts, cinematographer Billy Williams, researcher John Comfort, and sound mixer John Aldred recall their experience of working on the film Original theatrical trailer Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard-of-hearing
Terry and June Medford are both middle aged and beginning to find the trials of life are more difficult as they try to succeed in their daily lives. The couple have just moved to Purley south-east London... Aunt Lucy and the mynah bird had disappeared as had the occasionally visiting daughters. Terry and June now mixed with a friendly next door neighbour Beattie; Terry's chatty work colleague Malcolm; and their gruff boss Sir Dennis Hodge. Otherwise things were much as before w
The crew of the first manned mission to Mars crashland on the planet and must undergo a variety of physical and mental hardships if they are to survive.
Guy Ritchie returns with another tale of criminals, con men and card sharks.
My Wife Is an Actress ("Ma Femme Est une Actrice") stars Charlotte Gainsbourg--ex-child star, daughter of Serge Gainsbourg and Jane Birkin, beautiful and accomplished actress--alongside her real-life husband Yvan Attal, who also directs. Attal is a humble sports journalist married to a famous international star (played by Gainsbourg) and uncomfortable with her celebrity. His first film as a director plays knowingly with off-screen reality: the two leads even use their own names, Charlotte and Yvan, for the characters they play. In the film, Charlotte goes to London to appear in a romantic drama opposite British movie icon John (Terence Stamp, sending himself up with some luvvie-ish posturing). Left at home, Yvan torments himself with thoughts of his wife playing sex scenes with John and his jealousy puts their marriage at risk. His visits to her on the set in London only make things worse. There's scope here for some good comedy, as well as an interesting exploration of how, in an actor's life, reality and artifice can snarl each other up. But Attal, who also scripted, makes his characters so shallow and two-dimensional that it's hard to believe in them, let alone care about them. A sub-plot about the squabbling between Yvan's sister and her husband over whether their unborn son should be circumcised (she's Jewish, he's not) feels tacked-on and tiresome. In aspiring to script and star in his directorial debut, Attal may have overstretched himself. Given a stronger script, this could have been a funnier or more searching film, or both. On the DVD: My Wife Is an Actress comes to disc in a clear full-screen transfer, although the dialogue's a little muffled here and there--a fault of the original, not the transfer. By way of extras we get the theatrical trailer, a likeably relaxed 16-minute "making of" featurette and a handful of not very interesting deleted scenes. --Philip Kemp
The Beiderbecke Collection' is a charming mix of comedy and drama that has all the hallmarks of a classic detective thriller. Follow the exploits of jazz fan Trevor and his long-suffering girlfriend Jill as they find themselves embroiled in various mysteries which follow them to Amsterdam and Edinburgh and include dodgy businessmen black economies refugees and much much more.... This box set contains the following titles: 'The Beiderbecke Affair' 'The Beiderbecke Tapes' and 'The Beiderbecke Connection'.
The great Hollywood director William Wyler (Jezebel, Wuthering Heights, The Heiress, Ben-Hur) took John Fowles' celebrated novel and turned it into one of the finest and most controversial psychological thrillers of the 1960s. A lonely, unbalanced young butterfly collector (Terence Stamp, Far from the Madding Crowd, The Mind of Mr. Soames, Superman II) stalks and abducts a young art student (Samantha Eggar, Psyche 59, The Brood), keeping her imprisoned in a stone cellar as if she were one of his specimens. Stamp and Eggar won Best Actor prizes for their roles at the 1965 Cannes Film Festival, and the film remains a surprising and often shocking depiction of psychotic obsession. Special Features: 2K Restoration Original mono audio Audio commentary with author and film historian Neil Sinyard Interview with Terence Stamp (2018): a new interview with the iconic actor Interview with Samantha Eggar (2018): a new interview with the award-winning actor Richard Combs on The Collector' (2018): a new appreciation of the film by the renowned critic, lecturer and broadcaster Original theatrical trailer Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Carmen Gray, an overview of contemporary critical responses, historic articles, and film credits UK premiere on Blu-ray Limited Edition of 3,000 copies All extras subject to change
Monty Python goes to the movies in this DVD boxset packed with three of their classic cinematic adventures. Enjoy And Now For Something Completely Different', Monty Python and the Holy Grail' and Life of Brian'. And Now For Something Completely Different Monty Python's Flying Circus is regarded as a milestone In British Comedy, This, their first feature film, is an anthology of the funniest sketches from the legendary BBC television series. Pick one of your favourites from among many, including the famous Say No More, Nudge, Nudge sequence, the Hell's Grannies and The Dead Parrot. Monty Python and the Holy Grail After a chance meeting with a rather irate God, King Arthur and his Knights of The Round Table are set the sacred task of retrieving the all powerful Holy Grail. On their long quest they encounter a number of terrifying hazards the taunts of the abusive French Knight, disgruntled peasants, the Knights who say Ni' and the deadly rabbit with the big pointy teeth. (Double Disc Set) Life of Brian The Pythons deliver a scathing, anarchic satire of both religion and Hollywood's depiction of all things biblical with their third film. The setting is Judea 33 A.D., a time of poverty and chaos, with no shortage of messiahs, followers willing to believe in them, and exasperated Romans trying to impose some order. (Double Disc Set)
Fellini's film is an adaptation set in contemporary Rome of Poe's Never Bet the Devil Your Head published in 1841. Poe's work is a brief comic satire of the transcendentalist movements that were then popular in Europe and America. Fellini's work takes two elements from Poe's story: First the plot of a drunk who confronts a mysterious stranger on a bridge and bets him his head; the man fails to see that the stranger is the devil who subsequently wins the bet. Second Fellini takes the name Toby Dammit, Toby being an English slang term for ass in Poe's time. (1) In short Toby Dammit is a dammed ass. Included is the 2008, Toby Dammit cinema version restored under the personal supervision of its renowned cinematographer Giuseppe Rotunno. Screened at the Tribeca Film Festival, where it was widely acclaimed by the press as a lost Fellini masterpiece.
Alien Nation is a routine cop thriller with a comedic sci-fi twist. They get drunk on sour milk. They have two hearts and bald, spotted heads. They're highly intelligent, but if you drop them in seawater they'll melt into a puddle of goop. They're "Newcomers", and they arrived as refugees in a massive alien slave-ship, quarantined for three years and then reluctantly accepted as citizens of Earth. To some humans--including seasoned Los Angeles cop Matt Sykes (James Caan)--the Newcomers are unwelcomed "slags". Sykes' own virulent "speciesism" intensifies when Newcomer thugs kill his partner, but he sees logic in teaming up with Sam Francisco (Mandy Patinkin), the first Newcomer detective in the LAPD. Francisco's Newcomer knowledge is vital to their investigation of an alien drug ring, and a friendship grows from life-or-death circumstances.Alien Nation has two things working in its favour: Caan and Patinkin form a memorable duo, and the basic premise--as conceived by Rockne S O'Bannon (who later developed the film as a TV series)--intelligently accounts for the sociological impact of an alien population. The subtle point is made that humans are extraordinary beings who squander their potential, and the evil of drugs--as dealt by a social-climbing Newcomer played by Terence Stamp--leads to a crisis that threatens to generate global intolerance. These points are well presented in a context of overly familiar plotting and standard-issue sarcasm. It's entertaining for a brisk 90 minutes, but in its attempt to be widely appealing, Alien Nation glosses over issues that might have made it more uniquely provocative. --Jeff Shannon, Amazon.com
One Million Years B.C. might be about as palaeontologically accurate as The Flintstones, but it's still a lasting kitsch masterpiece, as much for Raquel Welchs Amazonian presence in an abbreviated fur bikini as for Ray Harryhausens wonderful stop-motion dinosaurs. A rare big-budget venture from Hammer Films, this 1966 version of the 1940 Victor Mature classic One Million B.C. is set in a fantasised prehistory where Caucasian cavemen coexist with dinosaurs. Loana (Welch) of the Shell People teaches Tumak (John Richardson) of the Rock Tribe that harmonious cooperation on the beach is a better way of life than rule-of-the-mightiest savagery in caves. Every quarter of an hour, the gibberish-spouting ("Akita akita"), skin-wearing, remarkably clean cave folk are inconvenienced by special effects: a giant sea turtle, a hungry Allosaur, a Triceratops/Iguanodon battle, a Pterodactyl that wants to feed Raquel to its chicks, a major volcanic upheaval. Poster icon Welch gets stiff competition from a lithe Martine Beswick in a cat fight, and the camp goings-on are given real screen presence by gorgeous, primitive Canary Isles locations and an epic score from Mario Nascimbene. On the DVD: One Million Years B.C. arrives on DVD with minimal extras: a wonderfully ballyhoo-intensive trailer, plus nice little retrospective chats with Welch and Harryhausen. The picture is an anamorphic print of the original 1.85:1 ratio, and sound is Dolby mono.--Kim Newman
A true British dance classic in the tradition of 'The Red Shoes' Dance Little Lady is a bittersweet drama with a devastating and unforgettable sting in the tail. Prima Ballerina Nina Gordon's (Mai Zetterling) life is shattered. First she discovers that her husband Mark (Terence Morgan) has a mistress. Then a tragic car crash ends her dancing career.
A frequently villainous onscreen presence throughout the 1950s, Terence Morgan takes the more endearing role of an impoverished Irish baronet in this charming comedy set in the deceptively genteel world of horseracing. Co-scripted by Oscar-nominated writer Gordon Wellesley and boasting a venerable supporting cast, The March Hare is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio.Sir Charles Hare gambles everything on one of his horses at Ascot. But the horse is 'pulled' on the instructions of Hardwick, a big bookmaker, and Sir Charles is forced to sell his Irish estate including the racing stud that was the chief delight of his life. However, his aunt, Lady Anne, attends the sale and buys a promising foal which she intends to raise in secret for Charles...Special Features:Original Theatrical TrailerImage Gallery Promotional Material PDFs
Mandy Garland was born deaf and has been mute for all of her life. Her parents believe she is able to speak if she can only be taught and enroll her with a special teacher.
Few 1950s creature features deliver in the way Fiend Without a Face does. The first hour is all build-up as tension grows between an Air Force research base and a small Canadian town (this is one of those British B films that pretends to be set overseas) as a series of mystery deaths are blamed by the superstitious on weird military experiments. It's not a spoiler to give away the big revelation, since every item of publicity material, including the DVD cover, blows the surprise: the initially invisible culprits turn out to be a killer swarm of disembodied brains with eyes on stalks and inchworm-like spinal cord tails. These creatures have a nasty habit of latching onto victims and sucking out their grey matter. The finale is a siege of a house by the fiends, which swarm en masse making unsettling brain-sucking sounds, and are bloodily done away with by the heroes. Using excellent stop-motion animation, this climax goes beyond silliness and manages to be genuinely nightmarish. The orgy of splattering brains stands proud among the cinema's first attempts at genuine horror-comic glee, setting a precedent for everything from The Evil Dead to Peter Jackson's Braindead. Marshall Thompson is a bland, stolid uniformed hero and most of the rest of the cast struggle with "anadian" accents, but Kynaston Reeves is fun as the decrepit lone researcher whose fault it all is. On the DVD: Fiend Without a Face on disc comes with a montage of scenes from other films in this batch of releases (The Day of the Triffids, The Stars Look Down) that plays automatically when the disc is inserted, but otherwise not even a trailer, much less the commentary track and other material found on the pricey but luxurious US Region 1 Criterion release. The print has nice contrasts but is pretty grainy. --Kim Newman
Jodie Foster stars as a grieving woman determined to track down the men behind her fiance's murder, whatever the cost.
Freddie, a socially withdrawn bank clerk and butterfly collector, decides to expand to collecting human specimens.
A semi-autobiographical double-bill from the mind of playwright Dennis Potter; taken from the 'Wednesday Play' series of BBC films. Stand Up Nigel Barton: Nigel is very clever lad and desperately eager to succeed. He's aware of the fashionable potency of being both brilliant and working class. New glamorous experiences aren't enough maybe politics is the answer. Vote Vote Vote For Nigel Barton: After a successful Oxford education Nigel is a successful journalis
The New Statesman is a multi-award winning masterpiece of political satire. Rik Mayall stars as the ruthless Alan B'Stard the egocentric MP who will stop at nothing to further his political career. Episodes comprise: Happiness Is A Warm Gun / Passport To Freedom / Sex Is Wrong / Waste Not Want Not / Friends Of St. James / Three Line Whipping / Baa Baa Black Sheep
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