An affair with a neighbour's wife (Liv Tyler) ends badly when Gavin (Charlie Hunnam - 'Sons of Anarchy TV Series') is forced onto a high rise ledge and given one hour to jump by a jealous husband (Patrick Wilson). A cop (Terrence Howard) is looking to save both their lives but will he have enough time?
The Mercer brothers reunite to avenge the murder of their adoptive mother.
After the visual bombast of many contemporary CGI and motion-capture features, the drawn characters in The Princess and the Frog, Walt Disney Studio's eagerly awaited return to traditional animation, feel doubly welcome. Directed by John Musker and Ron Clements (The Little Mermaid, Aladdin), The Princess and the Frog moves the classic fairy tale to a snazzy version of 1920s New Orleans. Tiana (voice by Anika Noni Rose), the first African-American Disney heroine, is not a princess, but a young woman who hopes to fulfill her father's dream of opening a restaurant to serve food that will bring together people from all walks of life. Tiana may wish upon a star, but she believes that hard work is the way to fulfill your aspirations. Her dedication clashes with the cheerful idleness of the visiting prince Naveen (Bruno Campos). A voodoo spell cast by Dr. Facilier (Keith David) in a showstopping number by composer Randy Newman initiates the events that will bring the mismatched hero and heroine together. However, the animation of three supporting characters--Louis (Michael-Leon Wooley), a jazz-playing alligator; Ray (Jim Cummings), a Cajun firefly; and 197-year-old voodoo priestess Mama Odie (Jenifer Lewis)--is so outstanding, it nearly steals the film. Alternately funny, touching, and dramatic, The Princess and the Frog is an all-too-rare example of a movie a family can enjoy together, with the most and least sophisticated members appreciating different elements. The film is also a welcome sign that the beleaguered Disney Feature Animation Studio has turned away from such disasters as Home on the Range, Chicken Little, and Meet the Robinsons and is once again moving in the right direction. --Charles Solomon
TV News reporter Simon Hunt (Richard Gere) and cameraman Duck (Terrence Howard) have worked in the world's hottest war zones: from Bosnia to Iraq from Somalia to El Salvador. Together they have dodged bullets filed incisive reports and collected Emmy awards. Then one terrible day in a Bosnian village everything changes. During a live broadcast on national television Simon has a meltdown. After that Duck is promoted and Simon disappears. Five years later Duck returns to Sarajevo with rookie reporter Benjamin (Jessie Eisenberg) to cover the fifth anniversary of the end of the war. Simon shows up a ghost from the past with the promise of a world exclusive. He convinces Duck that he knows the whereabouts of Bosnia's most wanted war criminal 'The Fox'. Armed with only spurious information Simon Duck and Benjamin embark on a dark and dangerous mission that takes them deep into hostile territory. It's the scoop of a lifetime but will they live to report it?
A small-town boy comes to the Big City with nothing in his pockets and barely any chance to succeed until one day he's offered the chance to fight his way to the top.
Gentle and broken, a homeless man is coerced by two teens to fight other men on video for cash but soon finds comfort in an unlikely friend and the lost diary of a young girl.
Robert Downey Jr. stars in this live action adaptation of the cult comic book series.
A drama based on the events in Alabama in 1955. When a black woman refuses to give up her seat on a bus for a white woman she is arrested and charged under the state's segregation laws. Enter a man called Martin Luther King who leads a boycott of the buses and a fight against prejudice...
Set in the mid-1980s against a backdrop of the rising club scene Glitter is the tale of Billie Frank, a modest young singer with a phenomenal talent just hoping to make it big in New York City. Billie (Mariah Carey) hooks up with super-cool club DJ and producer Dice (Max Beesley) and, as you might guess, hits the big time. But as both her lover and producer, Dice is a bit put out by the label's recommendation that Billie finds a more talented producer, while at the same time her girlfriends are telling her to "kick him to the kerb". So that's the basic gist. Throw in an estranged alcoholic mother and the rags-to-riches story is complete, or sadly not as the case might be. Presumably because the story is an old chestnut that everyone involved knows has been roasted a few too many times already the filmmakers thought it wasn't worth bothering with trying to make the plot even vaguely interesting, and it drags for what seems like days. The two leads are likeable characters, though their performances don't make up for the plodding storyline. Mariah is just Mariah--smiling, singing and equally accomplished at both--whereas Beesley is let down by his shocking American accent. If you like the sound of early US Garage and post-disco dance music then Mariah's soundtrack is a winner (although it got slated) but Glitter isn't even one of those films that's so bad it's good. It's just dull. On the DVD: Glitter comes complete with a redundant director's commentary that attempts to explain events requiring no explanation, a cheesy trailer which is very sparkly, plus bog-standard discographies and filmographies of the cast and director.--David Trueman
A Memphis street hustler tries to become a respected rapper.
Four Brothers (Dir. John Singleton 2005): When their beloved foster mother is killed in a holdup four tough brothers reunite in their old Detroit neighbourhood with revenge on their minds. Mark Wahlberg plays the brawl-hungry leader Bobby. His brother Angel (Tyrese Gibson) is a rowdy sailor with a high-strung Latina girlfriend (Sofia Vergara). Garrett Hedlun plays the young rock and roller of the clan. And Outkast's Andre - 3000 - Benjamin is the family man whose tenuous mob connection may link him to the killers. Director John Singleton ably blends his action skills (Shaft 2 Fast 2 Furious) and his gift for capturing the warm heart at the centre of violent urban masculinity (Boyz In The Hood) to create a cooked-to-perfection gangster stew. A soundtrack jammed with 1970s Motown classics roots everything firmly in the gritty tradition of the best of that decade's blaxploitation and urban revenge thrillers. Action highlights include a skidding car chase through snowy streets some rough street hockey and a bullet-intensive neighbourhood shoot-out. With its talented likeable cast clever plotting and sharp dialogue this is a real crowd-pleaser that nonetheless doesn't shy away from depictions of street violence. There's not an ounce of fat on it no extraneous romance and no going straight at the end. Terrence Howard (Hustle And Flow) is the well-meaning but ineffectual detective who tries to put a lid on the boys' rebelliousness. The spirits of Dirty Harry and Charles Bronson would be proud and action fans will be well pleased. Hustle & Flow (Dir. Craig Brewer 2005): DJay (Terrence Howard) is a pimp whose gritty hustle selling sexy Nola (Taryn Manning) and supporting pregnant Shug (Taraji Henson) leaves him wondering if this is all there is for him. When he learns that former local rapper turned superstar named Skinny Black (real life rapper Ludacris) is coming back to town for the 4th of July DJay teams up with a frustrated sound engineer (Anthony Anderson) and a geeky musician (DJ Qualls) to put together a demo tape that he hopes will be his ticket to fame and fortune. Get Rich or Die Tryin' (Dir. Jim Sheridan 2005): 'Fiddy' makes his motion picture debut in Get Rich Or Die Tryin'! a hard-hitting drama by Oscar-nominated director Jim Sheridan. Marcus once an orphaned street kid always knew he was going to be a rapper. However when his mother is murdered his life begins to spiral out of control. It's only a matter of time before he's hustlin' and selling drugs to pay the rent. Only his music keeps him alive as he madly scribbles the lyrics that fly around his troubled mind. Only when tragedy strikes does Marcus begin to change his life...
An affair with a neighbour's wife (Liv Tyler) ends badly when Gavin (Charlie Hunnam - 'Sons of Anarchy TV Series') is forced onto a high rise ledge and given one hour to jump by a jealous husband (Patrick Wilson). A cop (Terrence Howard) is looking to save both their lives but will he have enough time?
You know you're going to get a different kind of superhero when you cast Robert Downey Jr. in the lead role. And Iron Man is different, in welcome ways. Cleverly updated from Marvel Comics' longstanding series, Iron Man puts billionaire industrialist Tony Stark (that's Downey) in the path of some Middle Eastern terrorists; in a brilliantly paced section, Stark invents an indestructible suit that allows him to escape. If the rest of the movie never quite hits that precise rhythm again, it nevertheless offers plenty of pleasure, as the renewed Stark swears off his past as a weapons manufacturer, develops his new Iron Man suit, and puzzles both his business partner (Jeff Bridges in great form) and executive assistant (Gwyneth Paltrow). Director Jon Favreau geeks out in fun ways with the hardware, but never lets it overpower the movie, and there's always a goofy one-liner or a slapstick pratfall around to break the tension. As for Downey, he doesn't get to jitterbug around too much in his improv way, but he brings enough of his unpredictable personality to keep the thing fresh. And listen up, hardcore Marvel mavens: even if you know the Stan Lee cameo is coming, you won't be able to guess it until it's on the screen. It all builds to a splendid final scene, with a concluding line delivery by Downey that just feels absolutely right. --Robert Horton
Iron ManBillionaire industrialist and genius inventor Tony Stark (Robert Downey Jr.) is kidnapped and forced to build a devastating weapon. Instead using his intelligence and ingenuity he builds a high-tech suit of armor and escapes captivity. When he uncovers a nefarious plot with global implications he dons his powerful armor and vows to protect the world as Iron Man. Iron Man 2With the world now aware of his dual life as the armored superhero Iron Man billionaire inventor Tony Stark (Robert Downey Jr.) faces pressure from the government the press and the public to share his technology with the military. Unwilling to let go of his invention Stark along with Pepper Potts and James Rhodey Rhodes at his side must forge new alliances - and confront powerful enemies.
As incarcerated serial-killer Henry Lee Bishop (Peter Fonda, Easy Rider, 3:10 to Yuma, Ghost Rider) serves his sentence on Death Row, strange happenings arise in his former home. Now a gloomy and neglected structure, the house, taken over by a murder-re-enactment voyeur website, is suddenly the setting for a new set of ghastly crimes, as one by one the actresses become genuine prey to a terrifying copy-cat killer. While the gristly string of homicides become increasingly more consistent, Detective Starks (Terrence Howard, Iron Man, TV s Empire) seeks answers from Bishop himself. Filled with anger-fuelled determination whilst attempting to crack his steely demeanour, Starks finds himself in a race against time to disentangle the mystery, unearth the truth and hunt down the murderer.
An undercover FBI agent meets a druglord and his henchmen in a sting and as the smoke clears all the bad guys are dead. The FBI agent finds herself the sole survivor of a hitman...
The True Story of the Greatest Boxer of His Time. He called himself 'The Greatest' - and it was a title he merited. Muhammad Ali was quite simply the greatest boxer of the twentieth century. This film traces his meteoric rise to fame climaxing in his crucial 1964 title fight against Sonny Liston. A compelling true-life drama.
After the visual bombast of many contemporary CGI and motion-capture features, the drawn characters in The Princess and the Frog, Walt Disney Studio's eagerly awaited return to traditional animation, feel doubly welcome. Directed by John Musker and Ron Clements (The Little Mermaid, Aladdin), The Princess and the Frog moves the classic fairy tale to a snazzy version of 1920s New Orleans. Tiana (voice by Anika Noni Rose), the first African-American Disney heroine, is not a princess, but a young woman who hopes to fulfill her father's dream of opening a restaurant to serve food that will bring together people from all walks of life. Tiana may wish upon a star, but she believes that hard work is the way to fulfill your aspirations. Her dedication clashes with the cheerful idleness of the visiting prince Naveen (Bruno Campos). A voodoo spell cast by Dr. Facilier (Keith David) in a showstopping number by composer Randy Newman initiates the events that will bring the mismatched hero and heroine together. However, the animation of three supporting characters--Louis (Michael-Leon Wooley), a jazz-playing alligator; Ray (Jim Cummings), a Cajun firefly; and 197-year-old voodoo priestess Mama Odie (Jenifer Lewis)--is so outstanding, it nearly steals the film. Alternately funny, touching, and dramatic, The Princess and the Frog is an all-too-rare example of a movie a family can enjoy together, with the most and least sophisticated members appreciating different elements. The film is also a welcome sign that the beleaguered Disney Feature Animation Studio has turned away from such disasters as Home on the Range, Chicken Little, and Meet the Robinsons and is once again moving in the right direction. --Charles Solomon Stills from Princess and the Frog (Click for larger image)
Impressive debut from Lee (Spike's cousin), which should easily lay to rest any charges of Hollywood nepotism.
Windtalkers: In 1942 several hundred Navajo Americans were recruited as Marines and trained to use their language as code. Marine Joe Enders (Nicolas Cage) is assigned to protect Ben Yahzee (Adam Beach) - a Navajo code talker the Marines' new secret weapon. Enders' orders are to protect his code talker but if Yahzee should fall into enemy hands he's to protect the code at all costs. Against the backdrop of the horrific Battle of Saipan when capture is imminent Enders is forced to make a decision: if he can't protect his fellow Marine can he bring himself to kill him to protect the code? Harts War: Fourth generation war hero Col. William McNamara is imprisoned in a brutal German POW camp. Still as the camp's highest-ranking American officer he commands his fellow inmates keeping a sense of honour alive in a place where honour is easy to destroy all under the dangerous ever-watchful eye of SS Major Wilhelm Visser. Never giving up the fight to win the war McNamara is silently planning waiting for his moment to strike back at the enemy. A murder in the camp gives him the chance to set a risky plan in motion. With a court martial to keep Visser and the Germans distracted McNamara orchestrates a cunning scheme to escape and destroy a nearby munitions plant enlisting the unwitting help of young Lt. Tommy Hart. Together with his men McNamara uses a hero's resolve to carry out his mission ultimately forced to weigh the value of his life against the good of his country. Platoon: Chris Taylor (Charlie Sheen) is a young naive American who upon his arrival in Vietnam quickly discovers that he must do battle not only with the Viet Cong but also with the gnawing fear physical exhaustion and intense anger growing within him. While his two commanding officers (Oscar-nominated Tom Berenger and Willem Dafoe) draw a fine line between the war they wage against the enemy and the one they fight with each other the conflict chaos and hatred permeate Taylor suffocating his realities and numbing his feelings to man's highest value...life. Winner of four Academy Awards including Best Picture and based on the first-hand experience of Oscar-winning director Oliver Stone Platoon is powerful intense and starkly brutal.
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